HARVARD COLLEGE
LIBRARY
GIFT OF THE
GOVERNMENT
OF THE UNITED STATES
JUVENILE DELINQUENCY
(COMIC BOOKS)
HEARINGS
BEFORE THE
SUBCOMMITTEE TO INVESTIGATE
JUVENILE DELINQUENCY
OF THE
COMMITTEE ON THE JUDICIARY
UNITED STATES SENATE
EIGHTY-THIRD CONGRESS
SECOND SESSION
PURSUANT TO
S. 190
INVESTIGATION OF JUVENILE DELINQUENCY IN THE
UNITED STATES
APRIL 21, 22, AND JUNE 4, 1954
Printed for the use of the Committee on the Judiciary
UNITED STATES
GOVERNMENT PRINTING OFFICE
49632 WASHINGTO'N : 1954
HARVARD COLLEGE LIBRAHI
Dt.-021TED SY TH£
UNITFO STATES Q0VE3NMEf*T
OCT 26 1954
COMMITTEE ON THE JUDICIARY
WILLIAM LANGER, North Dakota, Chairman
ALEXANDER WILEY, Wisconsin
WILLIAM E. JENNER, Indiana
ARTHUR V. WATKINS, Utali
ROBERT C. HBNDRICKSON, New Jersey
EVERETT McKINLEY DIRKSEN, Illinois
HERMAN WELKER, Idaho
JOHN MARSHALL BUTLER, Maryland
PAT McCARRAN, Nevada
HARLEY M. KILGORB, West Virginia
JAMES O. EASTLAND, Mississippi
ESTES KEFAUVER, Tennessee
OLIN D. JOHNSTON, South Carolina
THOMAS C. HENNINGS, JR., Missouri
JOHN L. McCLELLAN, Arkansas
Subcommittee To Investigate Juvenile Delinquency in the United States
ROBERT C. HENDRICKSON, New Jersey, Chairman
WILLIAM LANGER, North Dakota ESTES KEFAUVER, Tennessee
THOMAS C. HENNINGS, Jr., Missouri
Herbert J. Hannoch, Chief Counsel i
1 Herbert Wilton Beaser succeeded Herbert J. Hannoch as Chief Counsel to the subcom-
mittee on May 1, 1954.
CONTENTS
Psg«
Statement of Fulton, Hon. E. D., Member, House of Commons, Canada 248
Statement submitted by —
Eichhorn, William A., executive vice-president, American News
Co., New York, N. Y 279
Fiske, Joseph J., education director, Cartoonics, New York, N. Y 166
Kaplon, J. Jerome, chairman, juvenile delinquency committee,
Union County Bar Association, Union County, N. J 293
Testimony of —
Appel, Charles, proprietor of Angus Drug, St. Paul, Minn 233
. /v Bender, Dr. Lauretta, senior psychiatrist, Bellevue Hospital, New
^^ York, N. Y 151
Black, Samuel, vice president, Atlantic Coast Independent Distributors
Association, Springfield, Mass 266
Chamberlain, Harold, circulation director. Independent News Co.,
New York, N. Y 222
X \. Clendenen, Richard, executive director. United States Senate Subcom-
-^ ^\ mittee To Investigate Juvenile Delinquency 3
Davis, George B., president, Kable News Co., New York, N. Y 236
Dybwad, Gunnar, executive director, Child Study Association of
America, New York, N. Y 119
Eichhorn, William A., executive vice president, American News Co.,
New York, N. Y 274
-v^F'itzpatrick, Assemblyman James A., chairman, New York State
^-•^^ Joint Legislative Committee To Study the Publication of Comics. _ 202
Freedman, Benjamin, chairman of the board. Newsdealers Association
of Greater New York and America 215
Friedman, William K., attorney and publisher, New York, N. Y 146
Froehlich, Monroe, Jr., business manager, Magazine Management
Co., New York, N. Y 167
Gaines, William M., publisher, Entertaining Comics Group, New York,
N. Y 97
Kaplon, J. Jerome, chairman, juvenile delinquency committee, Union
County Bar Association, Union County, N. J___' 280
Kelly, Walt, artist, creator of Pogo, president. National Cartoonists
Society, accompanied by Milton Caniff, artist, creator of Steve
Canyon, and Joseph Musial, educational director. National Cartoon-
ists Society, New York, N. Y 109
Meyer, Mrs. Helen, vice president, Dell Publications, accompanied
by Matthew Murphy, editor, Dell Publications, New York, N. Y 195
Peck, Dr. Harris, director, bureau of mental health services, children's
court. New York City court of domestic relations, New York,
N. Y 63
Richter, William, counsel, News Dealers Association of Greater New
York, N. Y 183
Roth, Samuel, publisher, New York, N. Y 195
Schultz, Henry Edward, general counsel. Association of Comics Maga-
zine Publishers, Inc., New York, N. Y 69
Segal, Alex, president, Stravon Publications, New York, N. Y 189
Wertham, Dr. Frederic, psychiatrist, directer, Lafargue Clinic, New
/ York, N. Y 79
X
\
IV CONTENTS
EXHIBITS
[Number and summary of exhibits]
Faga
1. Letter of Dr. Robert Felix, director of the Institute of Mental Health,
addressed to Mr. Richard Clendenen, executive director, Senate
Subcommittee to Investigate Juvenile Delinquency ^10
.' %. Survey made by the Library of Congress on Crime Movies, Crime
"^ Comic Books, and Crime Radio Programs as a Cause of Crime * 12
3. Copy of article The Comics and Delinquency: Cause or Scapegoat,
appearing in December 1949 issue of the Journal of Educational
Sociology ^23
4a. Nev^r York State Legislative Document (1951) No. 15, Report of the
New York State Joint Legislative Committee To Study the Pub-
lication of Comics ^28
4b. New York State Legislative Document (1952) No. 64, Report of the
New York State Joint Legislative Committee To Study the Pub-
lication of Comics ^28
4c. New York State Legislative Document (1954) No. 37, Report of the
New York State Joint Legislative Committee To Study the Pub-
lication of Comics *28
5. Copy of Brain Washing: American Style ^28
^ 6a. Publishers whose comic books have been evaluated by the Committee
on Evaluation of Comic Books, Cincinnati, Ohio ^ 36
V 6b. An Evaluation of Comic Books, July 1953, printed by the Committee
on Evaluation of Comic Books, Cincinnati, Ohio ^ AQ
7. 555 Comic Magazines Rated, reprint from Parent's magazine ^ 45
8a. Letter of Association of Comic Magazine Publishers, Inc., addressed
to all publishers of comics magazines alleging that comic magazines
are cominunistic ^60
8b. Copy of Are You a Red Dupe? ^Q2
9. Comics code adopted by the Association of Comics Magazine Pub-
lishers ^70
10a. What Parents Don't Know About Comic Books, reprint from Ladies'
Home Journal of November 1953 * 90
10b. Comic Books— Blueprints for Delinquency, an article appearing in
the Reader's Digest, May 1954 » 90
10c. Bound copy of Seduction of the Innocent by Dr. Frederic Wertham_ > 90
11. Copies of educational comic books published by Entertaining Comics
Group 197
12. Copies of crime and horror comic books published by Entertaining
Comics Group * 105
13. Code of the National Cartoonists Society ^116
14. Comic Books Help Curb Delinquency, an article appearing in The
New York Times, April 17, 1954 * 117
15. Looking at the Comics: A Survey by the Children's Book Committee
of the Child Study Association, reprint from Child Study • 121
16. Chills and Thrills in Radio, Movies, and Comics, reprint from Child
Study U22
17. What About the Comic Books?, reprint from Woman's Day ^ 122
18. Looking at the Comics — 1949, reprint from Child Study * 123
19. List of Child Study publications available to the public ' 125
20. Information concerning the names of the board of directors, the con-
tributors, and the members of the Child Study Association of
America *135
21. Code of the National Comics PubUcations, Inc 2 139
22. Letter of Dr. Carl H. Rush, executive assistant, American Psycho-
logical Association, addressed to Mr. Richard Clendenen, executive
director, Senate Subcommittee To Investigate Juvenile Delin-
quency ^ 162
23. Copies of crime and horror comic books published by Magazine Man-
agement Co ^183
24. List of books published by Stravon Publications U92
25. Printed material submitted by Mrs. Helen Meyer ' 199
26. Bound copies of several 35-cent novels '207
27. Brochure listing titles of books — *212
28. Names of magazine wholesalers who have refused to accept crime
and horror comics '219
See footnotes on p. t.
CONTENTS V
Pag«
29. Documents submitted by Mr. Charles Appel i236
30. Samples of ads appearing in magazines distributed by Kable News
Co 2 242
31. Window display and pledge card of the New Jersey News Dealers
Association 1 285
32. Copy of interim report, juvenile delinquency committee of the Union
County Bar Association of New Jersey ^290
33. Depravity for Children, a group of articles appearing in the Hartford
Courant from February 14 to April 25, 1954 2294
> On file with the subcommittee.
* Printed in the record.
JUVENILE DELINQUENCY
(Comic Books)
WEDNESDAY, APRIL 31, 1954
United States Senate,
Subcommittee of the Committee on
the Judiciary, To Investigate Juvenile Delinquency,
New York, N. Y.
The subcommittee met at 10 a. m., pursuant to call, in room 110,
United States Courthouse, New York, N. Y., Senator Kobert C.
Hendrickson (chairman of the subcommittee) , presiding.
Present: Senators Hendrickson, Kefauver, and Hennings.
Also present : Herbert J. Hannoch, chief counsel ; Herbert Wilson
Beaser, associate chief counsel; and Richard Clendenen, executive
director.
The Chairman. This meeting of the Senate Subcomittee on
Juvenile Delinquency will now be in order.
Today and tomorrow the United States Senate Subcommittee Inves-
tigating Juvenile Delinquency, of which I am the chairman, is going
into the problem of horror and crime comic books. By comic books, we
mean pamphlets illustrating stories depicting crimes or dealing with
horror and sadism. We shall not be talking about the comic strips
that appear daily in most of our newspapers.
And we shall be limiting our investigation to those comic books
dealing with crime and horror. Thus, while there are more than a
billion comic books sold in the United States each year, our sub-
committee's interest lies in only a fraction of this publishing field.
Authorities agree that the majority of comic books are as harmless
as soda pop. But hundreds of thousands of horror and crime comic
books are peddled to our young people of impressionable age.
You will learn during the course of these hearings that we shall
also not be speaking of all crime comic books. Some of the types of
crime and horror comic books with which we are concerned have been
brought into the hearing room for your attention.
I wish to state emphatically that freedom of the press is not at
issue in this investigation. The members of this Senate subcomittee —
Senator Kefauver, Senator Hennings, and Senator Langer — as well
as myself as chairman, are fully aware of the long, hard, bitter fight
that has been waged to achieve and preserve the freedom of the press,
as well as the other freedoms in our Bill of Rights which we cherish in
America.
We are not a subcommittee of blue-nosed censors. We have no
preconceived notions as to the possible need for new legislation. We
want to find out what damage, if any, is being done to our children's
minds by certain types of publications which contain a substantial
Z JUVENILE DELINQUENCY
degree of sadism, crime, and horror. This, and only this, is the task
at hand.
Since last November the subcommittee has been holding many
public hearings into the various facets of the whole problem of juve-
nile delinquency. The volume of delinquency among our young has
been quite correctly called the shame of America. If the rising tide
of juvenile delinquency continues, by 1960 more than one and a half
million American youngsters from 10 through 17 years of age, will be
in trouble with the law each year.
Our subcommittee is seeking honestly and earnestly to determine
why so many young Americans are unable to adjust themselves into
the lawful pattern of American society. We are examining the reason
why more and more of our youngsters steal automobiles, turn to van-
dalism, commit holdups, or become narcotic addicts.
The increase in craven crime committed by young Americans is
rising at a frightening pace. We know that the great mass of our
American children are not lawbreakers. Even the majority of those
who get into trouble with our laws are not criminal by nature.
Nevertheless, more and more of our children are committing serious
crimes. Our subcommittee is working diligently to seek out ways
and means to check the trend and reverse the youth crime pattern.
We are perfectly aware that there is no simple solution to the com-
plex problem of juvenile delinquency. We know, too, that what
makes the problem so complex is its great variety of causes and con-
tributing factors. Our work is to study all these causes and contrib-
uting factors and to determine what action might be taken.
It would be wrong to assume that crime and horror comic books
are the major cause of juvenile delinquency. It would be just as erro-
neous to state categorically that they have no effect whatsoever in
aggravating the problem. We are here to determine what effect on the
whole problem of causation crime and horror comic books do have.
From the mail received by the subcommittee, we are aware that
thousands of American parents are greatly concerned about the pos-
sible detrimental influence certain types of crime and horror comic
books have upon their children.
We firmly believe that the public has a right to the best knowledge
regarding this matter. The public has the right to know who is pro-
ducing this material and to Iniow how the industry functions.
Our work during this investigation will be to determine the possible
delinquency producing effect upon children of certain types of crime
and horror comic books, and whether or not there are certain offshoots
growing out of the industry.
This phase of our investigation is but the first of several into ques-
tionable, or, should I say, disturbing phases of the mass media fields.
At a later date, the subcommittee will be attempting to determine
what negative effects, if any, upon children, are exerted by other types
of publications, by the radio, the television, and the movies. This is
not to say that juvenile delinquency is wholly or even substantially
the result of certain programs and subject matters presented by the
mass media. But there can be no question that the media plays a sig-
nificant role in the total problem.
I will now ask the assistant counsel to call the first witness.
JUVENILE DELINQUENCY 3
Senator Kefauver. Mr. Chairman, before we call the first witness,
I just want to compliment the chairman upon a very excellent state-
ment of the purposes of this subcommittee and of this hearing here.
I would like to reemphasize that I feel that congressional hearings
must be related to something that the Federal Government has juris-
diction of. This subcommittee is looking into the violations of various
Federal laws, such as the Dyer Act, Mann Act, violations of the inter-
state commerce, and in connection with the subject matter under inves-
tigation we, of course, do have a postal statute which prohibits the
mailing or using the mails for the distribution and dissemination of
indecent and scurrilous literature which will be part of the subject
matter of this hearing.
The Chairmax. That is correct, Senator.
Senator Kefauver. I think it is also important to point out that
Mr. J. Edgar Hoover's report of yesterday shows that whereas the
increase in population last year was 5 percent, crime had gone up 20
percent and the particularly large increase was in connection with
burglary and stealing of automobiles.
The interesting point is that a large part of the burglaries was com-
mitted by juveniles. Also juveniles, according to the FBI report,
comprise 53.6 percent of those arrested for stealing automobiles.
As the chairman said, we do not have all the answers, but I think
that it is important to look into the various matters which Mr. Hoover
and other experts do bring out in connection with the increase in
juvenile delinquency ; and certainly as to horror and crime comics, not
the good kind as the chairman said, but the various small part, most
all the witnesses do have something to say about these.
We are not going into this hearing with the idea of condemning
anybody or censoring the press or impairing the freedom of the press
and bringing out in relation to a Federal statute something so that
all of these experts on juvenile delinquency are tallying about.
That is my understanding.
The Chairman. The Senator from Tennessee is entirely correct
and the Chair wishes to congratulate and commend the Senator for
his contribution.
Now, will counsel call the first witness ?
Mr. Beaser. Mr. Richard Clendenen.
The Chairman. Do you solemnly swear that the testimony you will
give before this subcommittee of the Senate Conmiittee on the Judici-
ary, will be the truth, the whole truth, and nothing but the truth,
so help you God ?
Mr. Clendenen. I do.
The Chairman. The Chair with pleasure announces the presence
of the distinguished Senator from Missouri, Senator Hennings.
TESTIMONY OF RICHARD CLENDENEN, EXECUTIVE DIRECTOR,
UNITED STATES SENATE SUBCOMMITTEE TO INVESTIGATE
JUVENILE DELINQUENCY
Mr. Beaser. For the record will you state your name, your address,
and your present occupation?
Mr. Clendenen. My name is Richard Clendenen, 1445 Ogden Street
NW., Washington, D. C.
4 JUVENILE DELINQUENCY
I am executive director of the Senate Subcommittee To Investigate
Juvenile Delinquency.
Mr. Bex\ser. Mr. Clendenen, will you outline briefly your education
and experience in the field of juvenile delinquency ?
The Chairman. Before Mr. Clendenen answers that question, I
would like to say that the Senate Subcommittee on Juvenile Delin-
quency feels that we have a very able staff director.
Mr. Clendenen. Thank you.
Prior to coming to my present position I had worked in the United
States Children's Bureau for a period of 7 years, and held there the
position of Chief of the Juvenile Delinquency Branch.
Prior to that time I had served in administrative capacities in insti-
tutions for emotionally disturbed children and delinquent children and
also have had experience as a probation officer in a juvenile court.
Mr. Beaser, You are a trained social worker ?
Mr. Clendenen. I am.
Mr. Beaser. Speaking on behalf of the staff, have you conducted
an investigation into the comic-book industry 'i
Mr. Clendenen. Yes, sir; we have. Our investigation into the
comic-book industry has been almost exclusively limited to those comics
which themselves center about horror and crime.
The particular type of comics to which I refer present both pictures
and stories which relate to almost all types of crime and in many
instances those crimes are committed through extremely cruel, sadistic,
and punitive kinds of acts.
Now, in connection with that question, I should like to make it per-
fectly clear that our investigation has not been concerned with other
types of comics, many of which all authorities seem to agree repre-
sent not only harmless, but many times educational entertainment.
I should also add that even within that type of comic books known
as the horror crime comics, there are gradations within this group,
too. That is, some are much more sadistic, much more lurid, than
others in the same class or category.
Now, although our investigations have been limited to this particular
segment of the comic-book industry, we should not give the impres-
sion that this is a small portion of the comic-book industry.
According to estimates w^hich were provided us by the Audit Bureau
of Circulations and the Controlled Circulation Audits, the two firms
that publish circulation figures, there were about 422 different kinds
of comic or comic-book titles on the newsstands in March 1954.
About one-fourth were of the crime and horror variety.
Now, as far as all comic books are concerned, although exact figures
are lacking, most authorities agree that there are probably somewhere
between 75 million and 100 million comic books sold in this country
each month.
If one-quarter of these are of the crime variety of comics, this means
that there are some 20 million comic books, crime comic books placed
on the newsstands of this country each month.
Mr. Beaser. When you say crime and horror comics could you be
more specific in describing what you are talking about ?
Mr. Clendenen. Well, we have prepared a certain number of slides
which show pictures taken from comic books of the type to which we
have addressed ourselves.
JUVENILE DELINQUENCY i)
Now, I would like, for the purpose of illustration, to relate very
briefly in summary fashion 6 stories, together with pictures illustrating
these 6 stories which will give you a sampling of the type of comic
books that we are talking about here.
Now, in presenting these I would like to say that while it is not
a random sampling actually it is a deliberate sampling in trying to
present the various types of stories and pictures that appear.
These are not typical, rather they are quite typical of the stories
and pictures which appear in this type of publication. The first
such crime comic is entitled "Black Magic."
This is a picture showing the cover or title page of this comic. Now,
one story in this comic is entitled "Sanctuary," and the cover shots
relate to this particular story.
You will note that this shot shows certain inhabitants of this sanctu-
ary which is really a sort of sanitarium for freaks where freaks can be
isolated from other persons in society.
You will note 1 man in the picture has 2 heads and 4 arms, another
body extends only to the bottom of his rib. But the greatest horror
of all the freaks m the sanctuary is the attractive looking girl in the
center of the picture who disguises her grotesque body in a suit of
foam rubber.
The final picture shows a young doctor in the sanitarium as he sees
the girl he loves without her disguise.
The story closes as the doctor fires bullet after bullet into the girl's
misshapen body.
Now, that is an example of a comic of the horror variety.
The next slide, the second story, is the cover shot of a comic entitled
"Fight Against Crime."
One story in this particular issue is entitled "Stick in the Mud".
This is a story of a very sadistic schoolteacher who is cruel to all of
the children in her classroom with only one exception. The one ex-
ception is the son of a well-to-do man who has lost his wife. Through
her attentions to the son the teacher woos and weds the father.
The following picture shows the schoolteacher as she stabs her
husband to deatti in order to inherit his money. She then disguises
her crime by dragging his body into a bullpen where his corpse is
mangled and gored.
The small son, suspecting his stepmother, runs away so that she
will chase him into the woods where a bed of quicksand is located.
Our last picture shows the stepmother sinking into the quicksand
and crying for help. The small son gets the stepmother to confess
that she murdered his father by pretending he will go for help if she
does so.
After her confession he refuses to go for help and stays to watch
his stepmother die in the quicksand.
^ The next comic is entitled "Mysterious Adventures." This par-
ticular issue of which this is a cover shot contains a total of 6 stories
in which 11 people die violent deaths.
One story, I think, in this particular issue, has to do with a confirmed
alcoholic who spends all his wife can earn on alcohol.
As a result their small son is severely neglected. On the day the
small son is to start in the first grade in school the mother asks his
father to escort him to the school. Instead the father iroes to his
6 JUVENILE DELINQUENCY
favorite bootlegger and the son goes to school by himself. En route
he is struck and killed by an automobile.
Informed of the accident, she returns to find her husband gloating
over his new supply of liquor.
Tliis next picture shows the mother killing her alcoholic spouse with
an ax. She then cuts up his body into small pieces and disposes of
it by placing the various pieces in the bottles of liquor her husband
had purchased.
If you will look at the picture in the lower right-hand panel, you
will see an ear in one bottle, an eye in another, and a finger in another,
and so forth.
Senator Hennings. I wonder if Mr. Clendenen has any figures
on the relative circulation or sale of this character of things as against
the more innocuous kind of comics ? To what extent, in other words,
do these appeal to the children to a greater or less degree than the
kind we are all more or less familiar with, the harmless comic strips ?
Mr. Clendenen. Well, about one-fourth of the total comic-book
titles, that is the different comic books are of the crime and horror
variety.
Now, perhaps not all of those are as rough as some of these that are
shown.
On the other hand, this does constitute a not insubstantial segment of
the comic-book industry.
Mr. Beaser. It is about 20 million a month, Senator Kefauver sug-
gests.
Mr. Clendenen. That is right ; 20 million a month of the crime and
horror variety.
The Chairman. The Senator from Tennessee.
Senator Kefauver. Do I understand, Mr. Chairman, the 20 million
per month is the number sold or placed on sale ? How do you get that
figure, Mr. Clendenen ?
Mr. Clendenen. That is a circulation figure which refers to sales.
The Chairman. Distribution and sales ?
Mr. Clendenen. Yes, sir.
Senator Kefauver. Is that from the industry itself ?
Mr. Clendenen. No, sir; those figures, Senator, are from Audit
Bureau of Circulations and the Controlled Circulation Audits.
The two organizations are companies that collect and issue data
on circulation of various kinds of magazines.
Senator Kefauver. Thank you, Mr. Clendenen.
The Chairman. Does the Senator from Missouri have any more
questions ?
Senator Hennings. I just wanted to ask Mr. Clendenen another
question and I do not want to break into his fine presentation of this —
The Yellow Kid was the first comic strip, was it not ?
Mr. Clendenen. Yes, sir.
Senator Hennings. Then we went into the Happy Hooligan and
Katzen jammers and the ones we used to think were funny as young-
sters.
At any rate, the funnies we knew were really funny, there were
things in them that were calculated at least to amuse. The daily
papers throughout the country nowadays carry more and more of
the so-called serials, whether they deal with crime or whether they
JUVENILE DELINQUENCY /
deal with romance or whether they deal with one thing or another,
they are more stories now and less of the old comic-strip variety.
Have you any material on that transition and any observations to
make as to why obviously that must appeal to the public, or they
would not run these syndicated strips in the papers as they do.
What is your view of that, Mr. Clendenen ? Wliy has public taste
changed apparently? Are we advancing or progressing in that sort
of thing, or is it the obverse ?
Mr. Clendenen. There really, of course, are not research base data
on which an answer to your question could be founded. I am not sure
whether the public taste has changed or not.
Certainly the comic-book industry which was born in and of itself
during the depression years of the thirties, the latter thirties, repre-
sented perhaps rather than reflected any change in the taste of the
public, represents a new idea, that is, to j)ut the comics up in book
form of this kind.
Just exactly why you have had a transition from the type of comics —
and now I refer to comic strips, which appeared in an earlier day
and on which each separate day represented a separate episode and
were funny to the serious type of strip — I don't have any idea and no
opinion on it.
I am not at all sure I said, and if I failed to say, I would like to
say, that our investigation has not pertained at all to the comic strips
appearing in the daily newspapers but rather the comic books.
Senator Hennings. Thank you.
Mr. Clendenen. The next slide, the next comic that we would like
to present to you is entitled "Crime Must Pay the Penalty". This
particular comic has 4 stories in which 27 people meet a violent death.
One story in this particular issue called "Frisco Mary" concerns an
attractive and glamorous young woman who gains control of a Cali-
fornia underworld gang. Under her leadership the gang embarks on
a series of holdups marked for their ruthlessness and violence.
Our next picture shows Mary emptying her submachine gun into the
body of an already wounded police officer after the officer had created
an alarm and thereby reduced the gang's take in a bank holdup to a
mere $25,000.
Now, in all fairness it should be added that Mary finally dies in the
gas chamber following a violent and lucrative criminal career.
Now, this is strictly of the crime variety.
The next comic book is entitled "Strange Tales" and has five stories
in which 13 people die violently. The story actually begins with a
man dying on the operating table because the attending doctor is
so absorbed in his own troubles that he pays no attention whatsoever
to his patient.
It develops that this is the story of a promising young surgeon
who begins to operate on wounded criminals to gain the money de-
manded by his spendthrift wife.
After he has ruined his professional career by becoming associated
with the underworld, the criminal comes to get help for his girl friend
who has been shot by the police. When the girl is placed upon the
operating table the doctor discovers that the criminal's girl friend is
none other than his own wife.
This picture shows the doctor, first of all, as he recognizes his wife,
and as he commits suicide by plunging a scalpel into his own chest.
8 JUVENILE DELINQUENCY
His wife also dies on the operating table for lack of medical at-
tention.
The next comic, The Haunt of Fear, has 4 stories in which 8 people
die violently. One story entitled "Head-Room" has to do with a
spinster who operates a cheap waterfront hotel. The renter of one
room is a man she would like to marry.
To win his favor she reduces his rent by letting his room, during
daytime hours, to an ugly and vicious appearing man. This shot
shows her renting the room to that individual.
Meanwhile there are daily reports that a murderer is loose in the
city who cuts off and carries away his victim's heads.
The hotelkeeper suspects the vicious appearing daytime roomer and
searches his room where she discovers six heads hanging on hooks in
the closet.
She is discovered there by her favorite roomer who is returning to
the hotel for the night.
It develops that he is the murderer and the next picture shows the
hotelkeeper's head being added to the closet collection.
From a psychological point of view, however, there is another story
in this same issue which is really even more perturbing. This is the
story of an orphan boy who is placed from an orphanage to live with
nice-appearing foster parents.
The foster parents give excellent care and pay particular attention
to his physical health, insisting 'that he eat nourishing food in abun-
dance.
A month later the boy discovers the reason for their solicitude when
they sneak into his room late at night and announce they are vampires
about to drink his rich red blood.
It might be said that right triumphs in the end, however, since the
boy turns into a werewolf and kills and eats his foster parents.
The final story is one entitled "Shock Susp-^^^se Stories." It con-
tains 4 stories in which 6 persons die violently.
One particular story in this issue is called "Orphan." This is the
story of a small golden-haired girl named Lucy, of perhaps 8 or 10
years of age, and the story is told in her own words.
Lucy hates both her parents. Her father is an alcoholic who beats
her when drunk.
Her mother, who never wanted Lucy, has a secret boy friend. The
only bright spot in Lucy's life is her Aunt Kate, with whom she would
like to live.
Lucy's chance to alter the situation comes when the father entering
the front gate to the home meets his wife who is running away with
the other man. Snatching a gun from the night table, Lucy shoots
her father from the window.
She then runs out into the yard and presses the gun into the hands
of her mother who has fainted and lies unconscious on the ground.
Then through Lucy's perjured testimony at the following trial, both
the mother and her boy friend are convicted of murdering the father
and are electrocuted.
This picture shows, first, "Mommie" and then "Stevie" as they die
in the electric chair.
The latter two pictures show Lucy's joyous contentment that it has
all worked out as she had planned and she is now free to live with
her Aunt Kate.
JUVENILE DELINQUENCY 9
The last two comic books I mentioned are published by the Enter-
taining Comic group and I mention it because the publisher of Enter-
taining Comic group will be appearing here later this morning.
Now, that completes the illustration of the type of comics to which
we are addressing ourselves.
Mr. Beaser, Just one point, Mr. Clendenen. In talking about the
child who is placed in a foster home, turned into a werewolf, you said
that psychologically that was disturbing. "VVliy do you say that ?
Mr. Clendenen. Let me refer back to the time that I was operating
an institution for emotionally disturbed children. Any child who is
not able to live, continue to live, with his own family and who is dis-
turbed and goes into an institution and then later is facing foster-home
placement has a great many fears both conscious and unconscious re-
garding the future. That is, he is very much afraid, very fearful
about going out and living with the family.
He has met them, to be sure, but he does not know them and he is a
very insecure individual to begin with. This is the type of material
that I myself would feel would greatly increase a youngster's feeling
of insecurity, anxiety, and panic regarding placement in a foster-
family home.
Mr. Beasek. Mr. Clendenen, you produced a number of comic books
with different titles. Are they all, each one of them, produced by a
different company ?
Mr. Clendenen. No, they are not. The organization of the pub-
lishers in the comic-book industry is really a very complex type of
organization.
I would like to refer here to the Atlas Publishing Co., or Atlas pub-
lishing group as an example. Atlas represents one of the major pub-
lishers in the comic-book field and, incidentally, there will be a repre-
sentative of the Atlas Co. appearing also at these hearings. The Atlas
Co. is owned by a man-and-wife team, Mr. and Mrs. Martin Goodman.
Now, the Atlas Publishing Co. publishes between 49 and 50 different
comic titles. However, this number of comic titles, the 45 or 50 comic
titles, are produced through no less than some 25 different corpora-
tions.
The Atlas organization also includes still another corporation
through which it distributes its own publications. This particular
exhibit shows 20 of the different groups of crime and weird comics
they produce through 15 corporations.
Now, although several of the other publishers who are in the busi-
ness of publishing comic books are smaller, the patterns of organiza-
tion are essentially the same.
In other words, many times they organize themselves in forms of
2, 3, 4, or more different corporations. The end result of this type of
corporation is that while there are many corporations involved in the
publishing of comic books, the entire industry really rests in the hands
of relatively few individuals.
Mr. Beaser. When you say they organize into different companies,
do they organize into companies that produce nothing but comic books
or do tliey produce other types of literature ?
Mr. Clendenen. No, they also produce other types of literature.
Many of them produce different kinds of magazines in addition to
producing comics.
10 JUVENILE DELINQUENCY
Now, not only may a particular organization be engaged in produc-
ing comics, both comic and magazines, but many times they will pro-
duce both comics and magazines through one individual corporation
within the group.
In this exhibit, for example, this particular comic, which is pro-
duced once again by Atlas — and we are using Atlas merely as an
example — these particular publications are not only both produced by
the Atlas, but they are produced by a single corporation within the
Atlas group.
Mr. Beaser. You say Atlas group. That is a trade-mark?
Mr. Clendenen. Yes, all their publications carry the Atlas trade-
mark.
Mr. Beaser, In the course of your investigation has your staff had
occasion to review scientific studies which have been made on the effect
of crime and horror comics upon children and the relationship to
juvenile delinquency?
Mr. Clendenen. Yes, we have. That is, we have reviewed virtually
all of the surveys and studies that have been made ; that is, we have
reviewed all that we have been able to find.
I might say that it probably is not too surprising that the expert
opinions and findings of these studies are not wholly unanimous. That
is, there is certain diversity of opinion regarding the effects of these
materials on youngsters even among these individuals whom we might
properly qualify ns experts.
Now, in this connection, I would like to submit to the subcommitte3
a few items here which relate to this matter of effects of these mate-
rials upon youngsters. One of these is a survey that was made at our
request by the Library of Congress which summarizes all of the studies
that they could locate having to do with the effects of crime comics
upon the behavior of youngsters.
The Chairman. Is it your desire that this material be put in the
record, or made a part of the subcommittee's files ?
Mr. Clendenen. The latter, I believe.
The Chairman. I think that would be preferable.
Mr. Clendenen. I also would like to submit a letter which we re-
ceived from Dr. Robert Felix, Director of the Institute of Mental
Health, to whom we submitted samples of these materials and this is
his reply to us indicating his feelings on the effects of these materials.
The Chairman, Without objection, that will be made a part of the
record. Let that be exhibit No. 1,
(The document referred to was marked "Exhibit No. 1," and reads
as follows:)
Exhibit No. 1
Department of Health, Education, and Welfare,
Pi;blic Health Service,
National Institutes of Health,
Bethesda, Md., April 8, 1954.
Mr. Richard Clendenen,
Executive Director, Subcommittee To Investigate Juvenile Delinquency,
United States Senate, Washington, D. C.
Dear Mr. Clendenen : Your letter of IMarch 23, 1954, requested un opinion con-
cerning the effects of comic books upon children. You made it clear that your
interest does not really include all comic books, but the rather sensational kinds
of which you sent samples.
JUVENILE DELINQUENCY 11
I think it is fair to say at the outset that there are not many data from experi-
mental sources which answer the question at hand. Let me first cite some rather
old analogical evidence. A study was made several years ago on the effects of
movies upon the behavior of children and it was concluded that motion pictures
have a deleterious influence on 10 percent of males and 25 percent of females.
It has also been shown that movie attendance by children results in disturbed
sleep, as indicated by increased motility during sleep. This effect sometimes
perseveres for 2 or 3 nights. It can therefore be concluded that viewing motion
pictures is not a neutral event in the case of children. In the absence of similar
studies concerning comics, I am inclined to extrapolate by saying that I believe
reading comics may well have similar influences upon children to those that have
been demonstrated for the movies.
One can approach this problem also by attempting to indicate what the comics
really represent. It is clear that they represent stories about people and their
relationships. It is also clear that the relationships are not tranquil, that they
are in effect aggressive and hostile. However, children view aggressiveness and
hostility in many of their daily experiences, and they themselves show aggressive-
ness and hostility. The comics of the kinds discussed here are exclusively pre-
occupied with relationships of this kind, and exclusive reading of this material
is therefore a kind of unbalanced intake for a child. It should be noted, however,
that all literature, including children's fairy tales, are characterized by treat-
ment of the aggressive and hostile, and that the comics perhaps distinguish
themselves only in their rather exclusive interest in situations portraying this
kind of behavior.
It has been suggested by some psychiatrists that comic books may have some
value in that they represent a source of fantasy material to the child, and
children use fantasy to work out some of their problems and some of their feel-
ings toward other persons. Working out these feelings through fantasy may
not be a.s undesirable as working them out through misbehavior or open acts of
hostility. This point of view can be accepted with some reservations. It is my
impression that there are other ways of working through problems, such as other
kinds of reading, play activities with one's peers, activities with adults and the
like. It seems preferable that the child at least utilize several of these meth-
ods. There probably is some cause for concern if the child devotes himself in
a rather excessive manner to comic books as a source of fantasy.
Comic books may well also be significant with respect to psychological difficul-
ties the child already possesses. Hostile feelings toward hi.s parents, for in-
stance, may be brought to the surface through the reading of these books, releas-
ing the children's anxiety, and thi.s result is not desirable. Furthermore, since
the violent behavior of the comic books is not limited to the villain of the piece,
the child may feel that he secures some sanction from this source for the open
expression of his own tendencies toward violent behavior. Neither of these
.statements can be interpreted as meaning that the pathology of the child is neces-
sarily initiated or caused by the comic book, but that there is a significant re-
lationship between the child's problems and how he reacts to them and the con-
tent of these materials. It is perfectly fair to say that this is not always a
salutory result.
In your letter you a.sk several specific questions to which I shall attempt to
give answers. One question deals with the reactions to comics of the disturbed
versus the normal child. The emotionally disturbed child may show a greater re-
action to comic books of this type than will the normal child. Perhaps it would
be better to say that the emotionally disturbed child may show a greater ten-
dency to read books of this kind than will the normal child. The child with
difficulties may find in these books representations of the kinds of problems with
which he is dealing, and they will therefore have a value for him which will be
nonexistent or minimal in the case of the child who is relatively free of these
troubles. In other words, it might be suggested that the kinds of comic books a
child chooses could provide to the child psychiatrist some clues with respect to
the kinds of problems faced by the child.
Your letter also asked about differential effects of the comics upon delinquents
and nondelinquents. I doubt that the comic books can be blamed for originating
delinquent trends as such in children, but they might well be instructive in the
techniques of delinquency and criminality since they do portray techniques of
criminal activity and of the avoidance of detection.
It is not my feeling that the solution to delinquency or emotional disturbances
in children is to be found in the banning or elimination of comic books. Rather,
49632—54 2
12 JUVENILE DELINQUENCY
I feel that parents da have a responsibility for remaining alert to the kinds of
reading? material and viewing material, including the comics, being utilized by
their children. The wise parent will exercLse some discretion and some author-
itative control in this connection. The truly wise parent may realize the symp-
tomatic importance of a strong and persistent interest in lurid material and will
perhaps seek guidance or therapy for his child. In summary, I should like to
add that comics must be viewed as only a part of the total experience of the
child and that the same principles of guidance which parents must exercise in
all realms of the child's experience must apply in this area.
The above comments leave many questions unanswered, but I hope that the
committee may find this letter of some value in dealing with this difficult prob-
lem.
Sincerely yours,
R. H. Felix, M. D.,
Director, National Institute of Mental Health.
Senator Kefauver. Does that go for the first memorandum, too?
I think the people would like to read the compilation by the Library
of Congress.
The Chairman. Without objection, that will be made a part of the
record. Let it be exhibit No. 2.
(The document referred to was marked "Exhibit No. 2," and reads
as follows:)
Exhibit No. 2
The Libbaby op Congress,
Legislative Reference Service,
Washington 25, D. C, March 5, 1954.
Crime Movies, Crime Comic Books, and Crime Radio Programs as a Cause of
Crime
(Prepared for the use of the Senate Judiciary Committee to investigate juvenile
delinquency)
(Note. — This report on the effect of crime comic books, crime movies, and crime
radio programs upon delinquency includes quotations from research studies and
opinions, as well as critiques of several studies.)
In the past 30 years, from time to time, discussions have arisen, centered
around first, crime movies, and in later years the crime radio programs, and
more recently crime comic books with respect to their connection with the causa-
tion of crime. Opinions have been voiced on this subject by sociologists, crimi-
nologists, juvenile court judges, psychiatrists, psychologists, and parents' groups,
and in some instances, research studies have been made.
Some authorities feel that a realistic appraisal of these forms of entertainment
indicates that, while there are delinquent cases in which they may be important,
on the whole their direct influence on the juvenile is either almost nil or serves
only to aggravate already existent attitudes and personality traits." Herbert
Blumer and Philip Hauser found in their study over 17 years ago that motion
pictures were one of the factors that was important in only about 10 percent of
the delinquent males and 25 percent of the delinquent girls.^
Present evidence seems to indicate that the process of acquiring conduct
norms, both unconventional and conventional, is primarily through intimate
association with others and personal experiences of a face-to-face nature. De-
linquents who have already had association through companions with uncon-
ventional behavior may be further stimulated by crime motion pictures, by
certain radio programs, or by comic books. In a study made of 1,313 gangs
in Chicago, Frederic M. Thrasher found that comic strips influenced these groups
and their activities. Not only did many of the gangs obtain the names from the
comic strip, but suggestions for vandalism and other destructive activities were
directly traceable to this source.'
^ Edwin H. Sutherland. Principles of Criminology, p. 184.
=! Herbert Blumer and Philip M. Hauser, Movies, Delinquency and Crime, p. 198.
» Frederic M. Thrasher, The Gang, p. 113.
JUVENILE DELINQUENCY 13
To date, there have been few truly scientific investigations of the influence of
such forms of entertainment on juvenile delinquency. There has been limited
investigation of the millions of nondelinquent juveniles who avidly attend crime
movies, listen nightly to several radio broadcasts dealing with criminal cases,
and read one or two crime comic books a week.
The present report was prepared after a survey of the available materials in
the Library of Congress. The basis for choosing articles and studies to be in-
cluded were the background of the author, his standing and experience in his
field of specialty; and in the case of the critiques, the author's recognized
authority to judge the studios. This material is presented in chronological
order (except when there is a critique of a specific study) with a note about
the author, and a statement of the purpose of the study.
Herbert Blumee, and Philip M. Hauser. Movies, Delinquency, and Crime.
New York: the Macmillan Company. 1933. 233 p. [PN39995.5.B53]
(Herbert Blumer at the time of this study was associate professor of
sociology at the University of Chicago, and Philip M. Hausc was an instruc-
tor in sociology at the same university.)
The following statement is from the preface of the above book and gives back-
grotmd material on the reason for the study :
"The history of [these] investigations is brief. In 1928 William H. Short,
executive director of the Motion Picture Research Council, invited a group of
university psychologists, sociologists, and educators to meet with the Members
of the Council to confer about the possibility of discovering just what effect
motion pictures have upon children, a subject * * * upon which many conflicting
opinions and few substantial facts were in existence. The university men pro-
posed a program of study. When Mr. iShort appealed to the Payne Fund for a
grant to support such an investigation, he found the foundation receptive be-
cause of its well-known interest in motion pictures as one of the major influences
in the lives of modern youth."
The investigations extended over a period of 4 years (1929-32). The purpose
was to study the role of motion pictures in the lives of delinquents and criminals
of both sexes ; and the effects of motion pictures shown to them in prisons and re-
formatories ; and the effect of movies on uondelintiuents.
Data were secured by two methods : Questionnaires and autobiographical ac-
counts. The authors give the following "word of caution" at the beginning of
their report :
"These statistical data are based on questionnaire tabulations and must be
interpreted with great care. They should not be taken as definitely proven
measurements of different forms of motion-picture influences but rather as rough
approximations suggestive of a likely extent of such influences * * * question-
naire responses are in the nature of opinion and judgment and are subject
to the uncertainty and instability which attend such kinds of response."*
The reader is cautioned to regard the statistical results as "merely distribu-
tions of replies roughly suggestive of the extent of different kinds of motion-
picture influences." '
Summary of findings
"* * * motion pictures were a factor of importance in the delinquent or crim-
inal careers of about 10 percent of the male and 25 percent of the female offen-
ders studied * * *. in addition to these readily traced influences, motion pic-
tures, by reason of subtle and often unconscious effects, may unwittingly dispose
or lead individuals to various forms of misconduct.
"Several important indirect influences disposing or leading persons to de-
linquency or crime are discernible in the experience of male and female offenders."
"On the other hand, movies may redirect the behavior of delinquents and
criminals along socially acceptable lines and make them hesitant about, and
sometimes deter them from, the commission of offenses.'
"It is evident that motion pictures may exert influences in diametrically oi>-
posite directions. The movies may help to dispose or lead persons to delinquency
and crime or they may fortify conventional behavior.*
* Herbert Blumer and Philip M. Hauser, op. cit., p. 9.
6 Ibid., p. 10.
"Ihid., p. 198.
^ Ibid., p. 199.
* Ibid., p. 201.
14 JUVENILE DELINQUENCY
"* * * the forms of thought and behavior presented by the movies are such as;
to provide material and incentive to those sensitized to delinquent and criminal
suggestion.
"Motion pictures play an especially important part in the lives of children,
reared in socially disorganized areas. The influence of motion pictures seems to
be proportionate to the weakness of the family, school, church, and neighborhood.
Where the institutions vphich traditionally have transmitted social attitudes and
forms of conduct have broken down, as is usually the case in high-rate delin-
quency areas, motion pictures assume a greater imjDortance as a source of ideas
and schemes of life."
Mortimer Adler. Art and Prudence. New York : Longmans, Green & Co., 1937.
686 pp. [PN1995.5.A4]
(The author at the time of writing was associate professor of the phi^
losophy of law at the University of Chicago.)
Dr. Adler gives the following explanation for writing this book :
"As result of their reading of Crime, Law and Social Science, representatives
of the motion picture producers asked me to review for them the recent empiri-
cal investigations specifically concerned with the influence of motion pictures on
human behavior — to make, in short, a similar analysis of the problems, methods
and results of research' ^''
He specifically discusses the Blumer and Hauser study in the following state-
ments :
"All through these pages in which case histories are reported, figures cited,
and similar may-oi'-may-not conclusions drawn, there is no recognition on the
part of the investigators that they are proceeding without control groups. For
all they know, if non-delinquents and non-criminals were made to write their
autobiographies under the same type of guidance [as the delinquents], they
might find exactly the same kind of items reported as having been impressive
in or memorable from the motion pictures they had seen. One would then be
entitled to presume that there may be an unconscious connection in their lives
between motion pictures and law-abiding behavior, or perhaps the opposite —
maybe they were law-abiding in spite of motion pictures.
"Considering the admitted worthlessness of their statistical data and the ad-
mitted unreliability of questionnaire responses, how are Blumer and Hauser able
to conclude the chapter on female delinquents with the statement : 'It seems
clear from the statistical data and from the autobiographical accounts * * *
that motion picttires are of importance, both directly and indirectly in con-
tributing to female delinquency.' "
"As I have said before, research of this sort does not warrant the amount of
critical attention I have given it. It could be dismissed in terms of the authors'
direct or implied admissions of the inadequacy of their method, the unreliability
of their raw materials and the insignificance of their numerical data.
"But there are good reasons for exhibiting this piece of research in such a
way that all of its defects are plain to anyone. For one thing, the work of
Blumer and Hauser has been cited by laymen who are bent upon reform, as a
scientiflc demonstration that the movies are a cause of crime. For another,
this type of work is considered creditable by some social scientists." ^
Dr. Adler has the following comment to make about the reliability of scien-
tific research in the study of human behavior :
"Little of what has been accomplished by research in the field of criminology
has improved upon the state of common and expert opinion— the "unscientific"
opinion of men experienced in dealing with criminals. At best, research has
been confirmatory of our doubt about any factor or set of facts as causative of
crime.
"In the light of speculative standards, the attempt of scientific investigation
in the field of human behavior should always be praised, even when its achieve-
ments are of no practical significance. To be practically significant, science
must definitely alter the state of existing opinion ; but ever when it fails to do
this, the same probability is better held as a matter of scientific knowledge than
as a matter of opinion. * * * The intrinsic weakness of the study of human
behavior as science is further complicated by the methodological incompetence -
of most of the attempts which have been made." "
» Ibid., p. 202.
19 Mortimer Adler. op. cit., xi.
-^ Ibid., p. 280-281.
^Ibid., p. 255.
« Ibid., p. 283.
JUVENILE DELINQUENCY 15
'William Healy, and Augusta F. Bronnek. New Light on Delinquency and Its
Treatment. New Haven : Yale University Press. 1936. 226 p. [HV9069.H37]
(William Healy, physician and psychologist, was at the time of this study
director of the Judge Baker Guidance Center, Boston, and Augusta Brouuer
was associated with him at the center.)
This study presents the results of a research project conducted for the In-
stitute of Human Relations at Yale University. The research was conducted
simultaneously in three American cities (Boston, New Haven, and Detroit).
Five hundred and seventy-four individuals of one hundred and thirty-three
families were studied.
Only brief mention is made of the role of crime motion pictures as an in-
gredient of delinquent behavior. The authors report that :
"Interest in the movies was exhibited much more by the delinquents than the
non-delinquents. Regular attendance once or twice a week was the habit of
88 of the delinquents as against 42 non-delinquents. Only a few delinquents,
however, stated that they had derived ideas from gangster or other crime
pictures upon which they definitely patterned their own delinquencies." "
-Edwin H. Sutherland. Principles of Criminology. Philadelphia : J. P. Lippin-
cott Company. 1939. 639 p. [HV6025.S83]
(The author at the time of publication was professor of sociology, Indiana
University.)
In the preface Dr. Sutherland says the purpose of this book is "to show some
development of criminology toward science." He also states that "A science
of criminology is greatly needed at present both for satisfactory understanding
and for adequate control. The existing criminology is inadequate : It has
consisted of obviously unsound theories of criminal behavior, of scattered and
unintegrated factual information, and unwarranted application of that knowl-
edge to practical problems."
Among other institutions which relate to crime. Dr. Sutherland says :
"The motion pictures are unquestionably an extremely important agency in
•determining the ideas and behavior of people, and especially of children. * * *
In view of this significant effect produced by the pictures on conduct, the con-
tent of the pictures is highly important. * * * Children play as gangsters after
seeing the pictures and are influenced in other ways. Within a month after 'The
Wild Boys of the Road' was presented as a motion picture in Evanston, Illinois,
during the Christmas holiday of 1933, fourteen children ran away from home.
Four of these were apprehended by the police and three of the four stated that
the freedom depicted in the picture had appealed to them. One of these was a
girl fifteen years of age and she was dressed in almost identically the same
^fashion as the girl who had taken the feminine lead in the picture."
"In fact, the general tendency seems to be that the children who reside in
areas where delinquency rates are high are influenced more significantly by
the crime and sex pictures than are those who live in areas of low delinquency
rates. * * * Upon people who already have a fairly stable scheme of life, as
adults and as children in good residential areas do, the influence of the motion
pictures is less harmful than young people whose habits are less definitely formed
and whose environment is more distinctly limited.^"
Howard Rowland, "Radio Crime Dramas". Educational Research Bulletin.
November 15, 1944, pp. 210-217. [L11.E495]
This study analyzes recording made of 20 radio crime dramas.
"By and large, radio crime dramas offer no realistic portrayal of the influences
which produce criminals. Only three of the programs based upon the activities
of law-enforcement olficers made any attempt to explain the background of
the offenders.
* * * There is some evidence that children from delinquent areas listen to
crime programs proportionately more than children from nondelinquent areas.
This does not mean, however, that listening to crime programs necessarily is a
cause of delinquency. Instead, it is more probably that the same economic and
cultural factors which produce delinquency also pi-oduce a greater number of
young people who enjoy crime drama more than other types of programs."
"Children undoubtedly need a certain amount of excitement and aggression in
their drama, but there must be a point beyond which the law of diminishing
1* William Healy, and Augusta Bronner, op. cit., p.
15 Edwin H. Sutherland, op. cit., p. 192.
"Ibid., p. 193.
" Howard Rowland, op. cit., p. 213.
16 JUVENILE DELINQUENCY
returns begins to operate. Crime and violence in drama lose their cathartic
value when there is a constant habituation to overdoses of these ingredients
which not only results in jaded taste in children but may contribute to those
frustrations which bring about aggressive behavior. If this premise is correct,
it follows that the producers of crime dramas help bring about some of the
aggression which these dramas are supposed to relieve." "
Hans Von Hentig. Crime Causes and Conditions. New York : McGraw-Hill Book
Company, Inc. 1947. 379 p. [HV6025.H45]
(The author at the time of publication was Professor of Criminology at
the University of Kansas City.)
Dr. Von Hentig, in his preface, says :
"Crime, being a pattern of social disorganization, has a multiplicity of causa-
tions that rest on defects and obstructions in the working order of soci-
ety * * *. The statistics that complement personal observations and the lessons
to be drawn from the many case studies herein have been brought up to date
as of 1940 and 1941.
"* * * In its presentation the book goes its own way. Theoretical views and
hypotheses are regularly supported by concrete facts as contributed by judges,
district attorneys, police officers, wardens, prison doctors, criminals and vic-
tims. * * * Whatever theory is proposed or upheld, it is based on realities
and exact observation.
"When movies and radios produce those long-drawn-out slugging scenes in
which the hero finally downs the bad man, the G-man, the gangster, or the
sheriff, the cattle rustler, we think that the moral outcome should be enough
to immunize the aggressive spirit. There will, however, always be some specta-
tors or hearers who are by disposition in a tense readiness for violence. From
hearers they turn into doers, today or tomorrow when adequate incentives
arise. * * * Some children have an inordinate craving for movies ; so have many
adults. Burt found this inclination in more than 7 percent of his delinquent
boys.^ The movie has achieved tremendous results in reducing drinking and
gambling and thereby cutting down delinquency ; yet it may cause misconduct
as well.
"There are three sources of possible danger, ably discussed by Burt. While
some films do not teach crime, they describe criminal techniques. Before the law
starts its triumphal march, wickedness has to be demonstrated ; it has to be
nearly successful before being smashed. In this phase a good film advertises
crime and its technical procedures.^"
Judith Crist. "Horror in the Nursery." Collier's, March 27, 1948. pp. 22-23.
[AP2.C65]
( The author quotes extensively from Dr. Frederic Wertham who was for-
merly the chief resident psychiatrist at Johns Hopkins University. He was,
at the time of the writing of the article, director of the psychiatric service
at Queens General Hospital.)
Dr. Wertham * * * said : "The comic books, in intent and effect, are demoral-
izing the morals of youth. They are sexually aggressive in an abnormal way.
They make violence alluring and cruelty heroic. They are not educational but
stultifying."
With 11 other psychiatrists and social workers. Dr. Wertham, senior psychia-
trist for the New York Department of Hospitals and authority on the causes of
crime among children, has spent 2 years studying the effect of comic books on
youngsters. His findings [are] published here for the first time. * * *
The purpose of the study was to find "not what harm comic books do," Dr.
Wertham said, "but objectively what effect they have on children. So far we
have determined that the effect is definitely and completely harmful. * * * We
do not maintain that comic books automatically cause delinquency in every child
reader. But we found that comic-book reading was a distinct influencing factor
in the case of every single delinquent or disturbed child we studied."
Dr. Wertham does not believe that comic books alone can cause a child to
become delinquent.
Dr. Wertham feels that a local enforcement of the penal codes by district
attorneys, or license commissioners could stop circulation of the most offensive
books.
18 Ibid., p. 214.
i» Cyril Burt, The Young Delinquent. D. Appleton-Century Co., Inc., New York, 1925^
p. 137.
«• Hans Von Hentig, op. cit., pp. 323-824.
JUVENILE DELINQUENCY 17
Frederic M. Thrasher, "The Comics and Delinquency : Cause or Scapegoat",
The Journal of Educational Sociology, December 1949, pp. 195-205.
(The author at the time of writing this article was a professor at New
York University. He is also an associate editor of the Journal of Educa-
tional Sociology and author of the Gang, a study of 1,313 gangs in Chicago.
1927.)
Dr. Thrasher says that the controversy over motion pictures as a major cause
of delinquency closely parallels the present controversy over the role of comic
books in the causation of antisocial behavior.
"Delinquent and criminal careers can be understood only in terms of the inter-
action of many factors. Evaluation of their relative influence demands research
based upon more rigorous sampling and control, and requires the utmost objec-
tively in the interpretation of the data the research yields.
"After surveying the studies dealing with the influence of comics we are forced
to conclude such researches do not exist. The current alarm over the evil
effects of the comic books rests upon nothing more substantial than the opinion
and conjecture of a number of psychiatrists, lawyers, and judges.
"Reduced to their simplest terms, these arguments are that since the movies
and comics diet is made up of crime, violence, horror, and sex, the children who
see the movies and read the comics are necessarily stimulated to the performance
of delinquent acts, cruelty, violence, and undesirable sex behavior.
"As an example, let us examine the position of the leading crusader against
the comics. New York's psychiatrist Frederic Wertham. [He] disclaims the
belief that delinquency can have a single cause and claims to adhere to the con-
cept of multiple and complex causation of delinquent behavior. But in effect his
arguments do attribute a large portion of juvenile offenses to the comics. More
pointedly he maintains that the comics in a complex maze of other factors are
frequently the precipitating cause of delinquency.
"AVe may criticize Wertham's conclusions on many grounds, but the major
weakness of his position is that it is not supported by research data. In Collier's
March 27, 1948, his findings are said to be the result of 2 years' study conducted
by him and 11 other psychiatrists and social workers at the Lefarge Clinic in
New York's Harlem. In this article the claim is made that numerous children
both delinquent and nondelinquent, rich and poor were studied and that the
results of these studies led to the major conclusion that the effect of comic books
is 'definitely and completely harmful'."
Wertham's major claims rest only on a few selected and extreme cases of
children's deviate behavior where it is said the comics have played an impor-
tant role in producing delinquency. Although Wertham has claimed in his
various writings that he and his associates have studied thousands of children,
normal and deviate, rich and poor, gifted and mediocre, he presents no statisti-
cal summary of his investigations. He makes no attempt to substantiate that
his illustrative cases are in any way typical of all delinquents who read comics,
or that delinquents who do not read the comics do not commit similar types of
offenses. He clainxs to use control groups (nondelinquents), but he does not
describe these controls, how they were set up, how they were equated with his
experimental groups (delinquents) to assure that the difference in incidence of
comic book reading, if any, was due to anything more than a selective process
brought about by the particular area in which he was working.
"On the basis of the material presented by Wertham with reference to chil-
dren's experience with the comics, it is doubtful if he has met the requirements
of scientific case study or the criteria for handling life history materials. He
does not desci'ibe his techniques or show how they were set up so as to safe-
guard his findings against invalid conclusions. * * * Unless and until Wertham's
methods of investigation are de.'^cribed. and demonstrated to be valid and reliable,
the scientific worker in this field can place no credence in his results.
"In conclusion, it may be said that no acceptable evidence has been produced
by Wertham or anyone else for the conclusion that the reading of comic maga-
zines has or has not a significant relation to delinquent behavior."
"Looking at the Comics — 1949" (a survey by the children's book committee of
the Child Study Association). Child Study, fall 1949, pp. 110-112.
"In the hope of providing an answer * * * the children's book committee of
the Child Study Association some years ago surveyed about a hundred comic
magazines and published in Child Study a critique of these for the guidance of
parents and others working with children. The enormous growth of these pub-
18 JUVENILE DELINQUENCY
licatious in the years since this has prompted a resurvey wliich reveals some
important changes, not only in their quantity but in the liinds of material that
are being offered in picture-strip magazines.
"The most regrettable change since the earlier survey has been the increased
number of these magazines dealing with 'real' crime, and those featuring sex-
ually suggestive and sadistic pictures. These are presumably not addressed to
children — are perhaps not even attractive to many of them. Nevertheless, they
are available at 10 cents for young people to purchase, and are prominently
displayed on newsstands. Some of these are about as uncouth and savage pic-
tures and stories as can be found anywhere."
JosETTE Frank. Comics, Radio, ftlovies — and Children. New York : Public Af-
fairs Committee, Inc. (Pamphlet Publication No. 148). 1949. 32 p.
[HQ784.A6F7]
(The author is educational associate in charge of children's books and ra-
dio on the staff of the Child Study Association of America.)
In discussing crime and the comics, Josette Frank indicates that a number of
juvenile court judges have cited the evidence of children brought before them
who declared that they had "done it because they read it in the comics." Such
evidence is discounted by others — criminologists and psychologists — who point
out that children in trouble can hardly be expected to understand their own be-
liavior, much less explain it. The causes of behavior, they insist, are deep and
complex. "In studying the causes of behavior problems of children for many
years," wrote Dr. Mandel Sherman, i)rofessor of educational psychology at the
University of Chicago, "I have never seen one instance of a child whose behavior
disturbance originated in the reading of comic books, nor even a case of a delin-
■quent whose behavior was exaggerated by such readings. A child may ascribe
his behavior to a comic he has read or a movie he has seen. But such expla-
nations cannot be considered scientific evidence of causation." "
Cavanagh, John R. The Comics War. The Journal of Criminal Law and
Criminology (Northwestern University School of Law) volume XL, June 1949.
(Dr. Cavanagh is the senior medical officer and psychiatrist, United States
naval disciplinary barracks, Portsmouth, N. H.) .
"Little factual evidence has been produced that the comics are harmful. A
small number of cases have been produced in which comic-book reading has pre-
ceded or accompanied the commission of a crime. Actually does this prove any-
thing? * * * If it is true as we are told, that 40 million comic books circulate
each month and that each one has several readers, should not their harmful
effects, if any, be more evident? Emotionalism sells better than intellectualism,
and makes better copy.
« Hs « « * * *
"If the comics are as bad as we hear they are, something should be done about
them. What we need, however, are fewer exclamations and more facts. Up to
the present there have been more references to the harmful effects of the comics
in the popular press than in the professional literature. * * * My plea is to
investigate first why children like comics and secondly to determine, if possible,
how harmful they really are.
"* * * the normal aggressive reactions find release in the phnntasies stimu-
lated by the comic books which thus become the means by which children are able
to work off their hostility toward their parents and others without the develop-
ment of guilt which they might otherwise feel. They may thus displace onto
the characters in the comic books the aggression which would otherwise be too
dangerous to show overtly or even to imagine. Many have commented on the
quieting effect of the comics, the "marijuana of the nursery," usually in the
belief that this is harmful. It seems more likely that the child is merely project-
ing himself into the story and releasing his aggression in the realm of phantasy
rather than finding it necessary to be noisy, troublesome, or to indulge in other
overt aggressive behavior. For the normal child such conduct is not harmful
or detrimental. For the neurotic child it could be detrimental but not necessarily
so, and in any case he will be equally harmed by radio or movies.
^ Josette Frank, op. cit., p. 7.
JUVENILE DELINQUENCY 19
"The prevalent attitude seems to be that all comics are objectionable. This
is certainly not the case, and if you read the 'fine print' almost everyone who
writes about the comics admits this. Unfortunately, the average reader is not
concerned with the ordinary work-a-day writings. His attention must be caught
and retained. * * * in order to retain an audience it is necessary to highlight
the unusual, the bizarre, the sensuous, the anxiety-producing factors. The facts
are there, but the usual, the ordinary have slight sales value and consequently
must be softened in the interest of the stimulating, unusual items.
"There are comics which are undesirable. These are in the minority. The
group known collectively as 'jungle adventure comics,' typify this class. Within
the group all of the features are displayed which have been considered objection-
able. Here are found the scantily clad females, the chained females, and the
sexually suggestive situations which are the comics' most objectionable feature.
However, such pictures and situations become significant principally when viewed
through the repressions of the viewer and seem to arouse little anxiety in the well-
adjusted reader.
New Yobk State Joint Legislative Committee To Study the Publication of
Comics, formed in 1949.
The committee reported in 1951 the following findings, which are condensed :
"1. The entire comic-book industry is remiss in its failure to institute effective
measures to police and restrain the undesirable minority of stubborn, willful,
irresponsible publishers of comics whose brazen disregard for anything but their
profits is responsible for the bad reputation of the publishers of all comics.
"2. Comics are a most effective medium for the dissemination of ideas and
when such a medium is used to disseminate bad ideas which may leave deep
impressions on the keen absorptive minds of children, the unrestricted publica-
tion and distribution of comics becomes a matter of grave public concern.
"3. Comics which depict crime, brutality, horror, and which produce race
hatred impair the ethical development of children, describe how to make weapons
and how to inflict injuries with these weapons, and how to commit crimes have a
wide circulation among children.
"4. The New York State Joint Legislative Committee states flatly as follows :
Crime comics are a contributing factor leading to juvenile delinquency.
"5. Instead of reforming, publishers of bad crime comics have banded together,
employed resourceful legal and public-relations counsel, and so-called educators,
and experts in a deliberate effort to continue such harmful practices and to fight
any and every effort to arrest or control such practices.
"6. The reading of crime comics stimulates sadistic and masochistic attitudes
and interferes with the normal development of sexual habits in children and pro-
duces abnormal sexual tendencies in adolescents.
"A disturbing feature of this situation is that publishers of completely whole-
some and acceptable comics have come out squarely in support of publishers of the
objectionable type, even though the latter are making serious competitive inroads
in their field. One reason given is that all publishers, both good and bad, fear
any governmental imposition of regulation and possible censorship of their
publications."
The New York State committee grouped objectionable comic books under
these descriptions :
1. Those which depict brutality, violence, and crime.
2. Those which depict ways of inflicting bodily injury, plans for commission
of crime, and unlawful breakings.
3. Those which are sexually suggested and in some instances depict semihidden
pornography.
The New York committee concluded that governmental regulation should be
undertaken as a last resort and only after the industry itself has shown an
inability or incapacity to do it, or has failed or refused to do it."
Malter, Morton. The content of current comic magazines. Elementary school
journal (Chicago) v. 52, May 1952: 505-510.
(Dr. Malter is assistant professor of education at Michigan State College,
East Lansing).
"The major purpose of this study is to determine whether or not this impres-
sion is valid. This is accomplished through an analysis of the comic magazines
proffered by the publishers during the 2-month period in 1951."
22 U. S. Congress. House Select Committee on Current Pornograpliic Materials. Report
pursuant to H. Res. 596. Wasliinffton, U. S. Government Printing Office, 1952, pp. 27-28-
(82d Cong., 2d sess., H. Rept. No. 2510).
20 JUVENILE DELINQUENCY
Mr. Malter wrote to the 22 comic-book publishers listed in the 1950 edition of
N. W. Ayer & Son's Directory of Newspapers and Periodicals. In return he
received 185 comic magazines from 17 of these publishers. One published no
longer put out comic books and four publishers did not answer his request.
Two of his conclusions follow :
"1. Various writers have maintained that crime stories dominate the comic
magazines, while humorous content is restricted. The results of this study
indicate that this criticism is not valid. Rather, the data suggests (o) that the
percents of pages devoted to humor and crime are approximately equal and (&)
that approximately one-third of all comic-story content is devoted to humor.
"2. The writer concludes that general attacks on the comic magazines are
unwarranted. Unquestionably, it is desirable for persons to graduate from
reading comic magazines to the reading of more sophisticated material. How-
ever, it seems unreasonable to blanket all comic magazines under the heading
"unacceptable" ; for, as in all other areas, good and bad examples are to be found.
In attempting to improve reading habits, it seems desirable (a) to eliminate
unacceptable comic magazines by teaching children to be selective in their
reading and (6) to make available to readers other books within their
experiences.
William W. Beickman. Causes and cures of juvenile delinquency. School
and society (New York) v. 75, June 28, 1952, p. 410.
(Dr. Brickman is professor of education at New York University and the
editor of School and Society Magazine).
"As one reads the professional literature and the lay expressions of opinion
about juvenile delinquency, one becomes aware of differences of emphasis and
of opinion regarding causes, treatments, cures, and preventive work. There
are those who put their eggs in the basket of comic books, television programs,
narcotics, or other features of our society. V^hile a trend is in the making
along the lines of multiple causation and therapeutics, there does not exist
suflScient recognition of it in public circles. Some still snipe at the old-fashioned
school for its supposed role in the making of delinquents, while others are equally
unreasonable in attributing all behavioral ills to progressive education."
Leverett, Gleason. In defense of comic books. Today's health (Chicago) v. 30,
Sept. 1952 : 40-41.
(Mr. Leverett is the former president. Association of Comics Magazine
Publishers).
"Well over 75 percent of all children between 4 and 19 are regular readers of
comics magazines. Sales total between 60 and 70 million copies a month. More
than 400 different comics magazines are on sale today. They constitute more
than a third of all the newsstand reading matter in this country. The influence
that this part of the reading diet has on children has become an important con-
sideration for parents, educators, sociologists, doctors and, in fact, the entire
population.
*******
"The effect of brutality, sex, sadism, and cruelty in children's reading matter
is self-evident. No comic book which includes such matter can ever be acceptable.
The strict code of ethics set up by the Association of Comics Magazine Pub-
lishers has brought about the elimination of such scenes from the magazines pub-
lished by association members. Every issue of the magazines put out by members
is examined before it is printed by an arbiter retained by the association.
liEWiN, Herbert S. Facts and fears about the comics. Nation's Schools
( Chicago ) . V. 52, July 1953 : 46-48.
(Mr. Lewin is a clinical and child psychologist in New York City.)
"Governors, legislators, parents, and professional educators find themselves in
.a still growing debate over the reputed psychological menace to millions of chil-
dren, a threat that sems to lurk between the covers of many comic books.
"Some zealous experts demand that these booklets be outlawed. Considering
the widespread demand for the controversial comics, such a move might well re-
sult in a new source of revenue for enterprising citizens interested in bootlegging
or blackmarketing the 'hot goods.' "
*******
"Before discussing our belief that the harmful influence of the comics has
been overrated, let us give some attention to the thinking that has led to ob-
jections to them. Many persons concerned with juvenile delinquency and prob-
JUVENILE DELINQUENCY 21
lems of mental hygiene believe that there is a direct relationship between the
reading of undesirable literature and improper behavior. They argue that
juvenile delinquency frequently occurs alongside of excessive comic-book read-
ing. They feel that the continuous stress on the excitement and glamor of
crime might poison the thoughts and emotions of children, and, in certain cases,
might cause them to become delinquents."
*******
^'The danger seems to be great. It is of crucial importance to find out whether
comic-book reading really has the feared due outcome.
"To answer the questions as to whether the reading of comics actually results
in antisocial behavior, the following experiment was made recently. Nearly
260 city boys of average intelligence and between the ages of 12 and 13 were
closely investigated as to their reading habits and interests."
* ^ * * * ^ *
"Apparently comic-book, reading in itself is not the cause of maladjustment
and similar studies with respect to the effects of radio and television programs
confirm the findings. * * *
"One thing seems to be certain : Excessive comic-book reading can be a symp-
tom of maladjustment but it is rarely, if ever, its cause. For example, a habitual
young thief has been found to be an ardent comic-book reader. Has this read-
ing caused him to become a thief? Scarcely. We feel safe to say that his
reading is a symptom of a long-standing personality problem but not the cause
of his delinquency. TTiis is true just as we know now that alcoholism is a symp-
tom of an emotional disturbance but-not its cause."
*******
"We must attack delinquency and emotional disturbances at their roots. Yet
we cannot overlook the fact that occasionally comics may be the vehicles of mal-
adjustment. We can change the character of many comic books in a whole-
some fashion ; at the same time we do not have to remove from the books much
■that makes them attractive to our youth."
*******
"Many comic-book stories, too, contain an extremely harsh and punitive view
with respect to their villains. * * * Frequently no motives for their acts are
given but the basest and rudest ones. Stories of this kind do not frighten a
iwtential delinquent. However, they can unnecessarily increase the anxiety of
young people who are worried about their minor misdeeds. Moreover, such
stories tend to blunt the sense of justice and the spirit of forgiveness, and thus
they play the game of authoritarian philosophers."
*******
"Comics have many faults but their damaging influence has been overrated.
Official prohibition will not solve the problem because legislation would ba vir-
tually unenforceable. It would encourage illegal distribution and put a pre-
mium on reading the least desirable strips just because they are 'forbidden
fruit.' Neither will censorship improve the state of affairs, quite apart from
the undesirability of all legal intervention in the field of literature. Only
public pressure on comic-book publishers and editors will bring about a change
for the better. Parents, teachers, ministers, child-welfare workers, and psy-
chologists could successfully exert this pressure."
N. E. A. Research Bulletin. Schools help prevent delinquency (Wash.) v. 31,
Oct. 1953. p. 107-108.
"From time to time crime depicted in comic books as well as on radio and
television programs has been charged with directly contributing to juvenile
delinquency. Conclusive evidence on the subject is not available. Reputable
authorities are lined up on both sides of the question.
"The number of comic books in circulation in recent years has skyrocketed.
As compared with about 10 million copies a month in the last 3 prewar years,
the 1947 rate was 60 million copies a month. An estimated 40 percent of the
purchasers are young folks between the ages of S and 18. No estimate is readily
available of the number of comic books concerned with sadistic crime and
horror stories.
"Other mass mediums of communication also ofi'er a strong diet of violence.
On the four major radio networks, programs that embodied violence or threat
■of violence were transmitted for a total or more than 85 separate time periods
in 1 week (1950). Television has a similar record. On 7 stations in the New
22 JUVENILE DELINQUENCY
York area the listener had the pick of more than 75 periods a week when a
taste of life outside the law could be had.
No acceptable evidence to date has shown these factors to have a significant
relation to delinquent behavior. To be sure, in isolated instances judges have
reported commissions of youth where comic books have been named as the source
of the idea. But upon further investigation such youngsters were found to
need help beside and beyond scrutiny of their reading and listening habits.
"The foregoing statements do not condone the cultivation of low tastes nor
condemn the legitimate realization that some persons gain from an occasional
detective story. Regardless of such considerations, the development of good
communication tastes is an educational goal that can stand on its own merits."
Wektham, Frederic. What parents don't know about comic books. Ladies
home journal (Philadelphia) Nov. 1953.
(Dr. Wertham is a psychiatrist and in this article refers to his research
work at the Lafargue Psychiatric Clinic in New York City and the Queens
Mental Hygiene Clinic.)
In this article the author presents vivid illustrations from many crime comic
books being read by children and adults. He contends that :
"Juvenile delinquency is not just a prank, nor an emotional illness. The mod-
ern and more serious forms of delinquency involve knowledge of techniques.
By teaching the technique, comic books also teach the content."
»: il: 4: * It * *
"What is the relationship of crime-comic books to juvenile delinquency? If
they would prevent juvenile delinquency there would be very little of it left.
And if they were the outlet for children's primitive aggressions, this would be a
generation of very subdued and controlled children. After all, at times the
output of comic books has reached 950 million a year, most of them dealing with
crime. The whole publicity-stunt claim that crime comics prevent juvenile
delinquency is a hoax. I have not seen a single crime-comic book that would
have any such effect. Nor have I ever seen a child or young adult who felt
that he had been prevented from anything wrong by a comic book * * *
"The role of comic books in delinquency is not the whole nor by any means the
worst harm they do to children. It is just one part of it. Many children who
never become delinquent or conspicuously disturbed have been adversely affected
by them.
"My investigations and those of my associates have led us, very unexpectedly
at first, but conclusively as the studies went on, to the conclusion that crime
comics are an important contributing factor to present-day juvenile delinquency.
Not only are crime comics a contributing factor to many delinquent acts, but the
type of juvenile delinquency of our time cannot be understood unless you know
what has been put into the minds of these children. It certainly is not the only
factor, nor in many cases is it even the most important one ; but there can be no
doubt that it is the most unnecessary and least excusable one."
Dr. Wertham also discusses the elusiveness of some comic-book publishers
who go out of business under one name and reappear as new publishing firms.
He says, "This is why I have called crime-comic books 'hit-and-run publications.' "
"Crime comics create a mental atmosphere of deceit, trickery, and cruelty.
Many of the children I have studied have come to grief over it. How best to
summarize the attitudes most widely played up in crime comics? One might
list them in some such way as this : assertiveness, defiance, hostility, desire to
destroy or hurt, search for risk and excitement, aggressiveness, destructiveness,
sadism, suspiciousness, adventurousness, nonsubmission to authority. Anybody
could make up such a list by going over a thousand comic books. Actually,
though, this is a literal summary of the traits of typical delinquents found by
the famous criminologists Sheldon and Eleanor Glueck in a study of 500 delin-
quents when compared with .500 nondelinquents. In other words, the very traits
that we officially wish to avoid we unofficially inculcate."
*******
"Legal control of comic books for children is necessary not so much on account
of the question of sex, although their sexual abnormality is bad enough, but on
account of their glorification of violence and crime. In my attempts to formulate
the principles of a crime-comic-book law I realized that it is necessary to intro-
duce more public-health thinking for the protection of children's mental
health. * * *
"Laws in the service of public health do not necessarily deal with criminal
intent. They cope with what the lawyers call public-welfare offenses dealing
JUVENILE DELINQUENCY 23
-with food, drugs, and sanitation. What I wanted to accomplish was to add
mental health to these categories."
« * * « * * *
"I have seen many juvenile delinquents who were predisposed to achieving
good things in life and were deflected from their course by the social environment
of which comic books are a part. We would not by law permit people to sell bad
candy with poisonous ingredients because the manufacturer guarantees that it
will not hurt children with strong stomachs and will sicken only those children
who are inclined to have stomach upsets in the first place. In public health we
also have little sympathy with the claim that we don't have to prevent illness
because if we rule out one factor people would get sick sooner or later anyhow,
if not with this disease, then with something else. Yet that is how the comic-
book industry reasons."
Solomon, Ben. Why we have not solved the delinquency problem. Federal
probation (Washington) v. 27, Dec. 1953: 11-19.
(Mr. Solomon is editor of Youth Leaders Digest, Putnam Valley, N. Y.)
This writer contends that the only way to solve the delinquency problem
among youngsters is through prevention. He also holds that there are nine
"fallacies" which are generally believed by persons who are concerned over the
problem.
He has this to say about fallacy No. 2 :
"Comics create crime. It is common practice to blame the comics, TV, the
radio, and movies for much of our delinquency. It is pointed out that some
youngsters are highly 'suggestible' and that through these media they might learn
the methods of crime and how to skillfully avoid detection. Maybe so, but I'd
like to point out that all children listen to the radio, see TV, and the movies, and
read the comics, and that 99 percent of them don't get into any kind of trouble.
And it might further be pointed out that we've had lots of delinquency long
before these things came into being."
Mr, Clendenen. I also have a compendium of the Journal of Edu-
cational Sociology which shows the result of comics on delinquency
by Dr. Thrasher, who is a noted criminologist connected with the
University of Chicago.
The Chairman. Without objection, that will be made a part of the
record. Let that be exhibit No. 3.
(The article referred to was maiked "Exhibit No. 3," and reads as
follows:)
Exhibit No. 3
The Comics and Delinquency : Cause or Scapegoat
Frederic M. Thrasher
Expert students of mankind have always tried to explain human behavior in
terms of their own specialities. This is particularly true in the field of adult and
juvenile delinquency, where anthropologists, psychologists, psychiatrists, and
sociologists have been guilty of a long series of erroneous attempts to attribute
crime and delinquency to some one human trait or environmental condition.
These monistic theories of delinquency causation illustrate a particularistic fal-
lacy which stems from professional bias or a lack of scientific logic and research,
or both.
Most recent error of this type is that if psychiatrist Fredric Wertham who claims
in effect that the comics are an important factor in causing juvenile delinquency.^
This extreme position which is not substantiated by any valid research, is not only
contrary to considerable current psychiatric thinking, but also disregards tested
research procedures which have discredited numerous previous monistic theories
of delinquency causation. Wertham's dark picture of the influence of comics
1 Wertham, who is a prominent New York psychiatrist, has stated his position on the
comics in the following: articles : The Comics — Very Funny, Saturday Review of Litera-
ture, May 29, 1948 ; What Your Children Think of You, This Week, Oct. 10, 1948 ; Are
Comic Books Harmful to Children?, Friends Intelligencer, July 10, 1948; the Betrayal of
Childhood : Comic Books, Proceedings of the Annual Conference of Correction, American
Prison Association, 1948; the Psvchopatholoav of Comic Books (a symposium), American
Journal of Psychotherapy, July 1948; and What Are Comic Books? (a study course for
parents). National Parent Teacher Magazine, March 1949.
24 JUVENILE DELINQUENCY
is more forensic than it is scientific and illustrates a dangerous habit of pro-
jecting our social frustrations upon some si)eciflc trait of our culture, which
becomes a sort of "whipping boy" for our failure to control the whole gamut
of social breakdown.^
One of the earliest of these monistic errors was that of Lombroso and his.
followers of the so-called Italian School of Criminology,^ who asserted there was
a born criminal type with certain "stigmata of degeneracy" which enabled the-
criminal to be distinguished from normal people. These included such character-
istics as a cleft palate, a low retreating forehead, a peculiarly shaped head, nose,
or jaw, large protruding ears, low sensitivity to pain, lack of beard in males,
obtuseness of the senses, etc. These "criminal traits" were explained as due to
a reversion to a hypothetical "savage" (atavism), or to physical and nervous
deterioration. Accompanying the physical divergencies in some unexplained
manner always went a predisposition to delinquency. Exponents of tliis theory
in its extreme form have even claimed that different types of criminals exhibit
different sets of physical anomalies.
More rigorous investigators shortly discredited this naive theory. One of these
was England's distinguished Cliarles Goring. He rejected Lombroso's conclusion
because it was based upon an inadequate sample of the criminal population,
chiefly the inmates of an institution for the criminally insane. As Von Hentig
succinctly points out, only "minute sections of crime are found in court or in
prison, a certain proportion in institutions for the criminally insane. Crime's
most numerous and dangerous representatives are never seen by a judge, a warden,
or a psychiatrist." * No valid conclusion concerning delinquents and criminals
as a whole can be drawn from the small proportion of their number appearing in
clinics or found in institutions.
Goring rejected Lombroso's theory further, and more importantly, because it
ignored the possibility that the traits to which delinquent and criminal behavior
were attributed might be as prevalent among law-abiding citizens. Goring was-
an exponent of the elementary scientific technique which insists on the use of a
control group, a simple yet essential statistical maneuver designed to protect the
scholar and the public against fallacious conclusions about human behavior. The
use of the control group as applied to the study of the causation of delinquency
simply means that the investigator must make sure the trait or condition to
fvhich he ascribes delinquency is not as prevalent among nondelinquents as
among delinquents.
When Goring studied not merely the inmates of prisons, but a representative
sampling of the unincarcerated population, he found "stigmata" to occur no
more frequently among prisoners than among people at large.^ Lombroso'f*
theory was knocked into a cocked hat.
Students of delinquent and criminal behavior were slow, however, to heed the
lesson implicit in the collapse of Lombroso's theory. Continuing to seek a simpla
monistic explanation of antisocial behavior, repeating Lombroso's errors of inade-
quate sampling and lack of control, they have attributed the bulk of delinquency
to mental deficiency, to focal infections, to lesions of the nervous system, to
psychopathic personality, to poverty, to broken homes, to one after another of
the characteristics of the delinquent or his environment.
More rigorous sampling and control have forced the abandonment of these
one-sided explanations. The assertion of Tredgold and Goddard," for example,
that mental deficiency is the major cause of antisocial behavior was based on
institutional samples of the delinquent population. It should be reiterated that
such samples are highly selective, since more intelligent criminals are less
frequently found in institutions or other groups available for testing. Indeed
adequately controlled studies, such as those of Carl Murchison,' E. A. Doll * and
2 Cf. Katherine Clifford, Common Sense About Comics, Parents Magazine, October 1948.
' Lombroso first stated liis theory in a brochure in 1876 and this was expanded later
into three volumes. See Cesare Lombroso, Crime: Its Causes and Remedies. Translated
by H. P. Horton. Boston : Little, Brown, 1918.
* Hans Von Hentijr, Crime : Causes and Conditions. New York : McGraw Hill, 1947.
^Charles Goring, the English Convict. London : Stationery Office, 1913.
« A. F. Tredgold, Mental Deficiency, New York : William Wood, 1914 ; and Henry H.
Goddard, Feeblemindedness : Its Causes and Consequences. New York : Macmillan, 1914.
' American White Criminal Intelligence, Journal of Criminal Law and Criminology,
August and November 1924.
8 The Comparative Intelligence of Prisoners, Journal of Criminal Law and Criminology,
August 1920.
JUVENILE DELINQUENCY 25
Simon H. Tiilchin ' have conclusively shown that Iovf intelligence of itself is
not an important factor in producing delinquency.
Sociological studies have shown marked correlations between poverty and de-
linquency. But again the sample is selective, biased by the fact that official
statistics fail to record the large number of delinquencies committed in more
prosperous sections of the community ; and again one is given pause by the
necessity of accounting for the large numbers of children in the most dire
economic need who do not become delinquent. As for broken homes, the studies
of Slawson ^" in New York, and of Shaw and McKay " in Chicago, have shown
that the broken home in itself cannot be considered a very significant factor in
explaining delinquency.
More recently it has been asserted that motion pictures are a major cause of
delinquency. The controversy over the truth of this assertion closely parallels
the present controversy over the role of comic books in the causation of anti-
social behavior. The Motion Picture Research Council, with the aid of a research
grant from the Payne P^'und, and in cooperation with a number of universities,
undertook a series of objective studies of the question. ^^
The most conclusive of these studies as it bears upon the relationship of the
motion picture to the causation of delinquency, was conducted at New York
University by Paul G. Cressey." Cressey's findings, based upon thousands of
observations under controlled conditions, showed that the movies did not have
any significant effect in producing delinquency in the crime-breeding area in
which the study was made. Cressey readily admits that boys and young men,
when suitably predisposed, sometimes have utilized techniques of crime seen in
the movies, have used gangster films to stimulate susceptible ones toward crime,
and on occasion in their own criminal actions have idealized themselves imagi-
natively as possessing as attractive a personality, or as engaging in as romantic
activities as gangster screen heroes." Cressey is careful to follow this statement,
however, with the explanation that he does not mean that movies have been shown
to be a "cause" of crime, that he does not mean that "good" boys are enticed into
crime by gangster films, that he merely means what he has said that boys and
young men responsive to crime portrayals have been found on occasion to use ideas
and techniques seen at the movies. This type of analytical thinking is largely
absent from the findings of such critics of the comics as Fredric Wertham.
Furthermore Cressey found that urban patterns of vice, gambling, racketeering,
and gangsterism, including large components of violence, were so familiar to
the children of this district that movies seemed rather tame by comparison. That
this section of New York is typical of the thousands of other delinquency areas
in American cities cannot be doubted.^^ It is from these areas that the large
proportion of official juvenile delinquents fome and there is no reason to doubt
that the role of the motion picture in producing delinquency is any greater in
these areas in other American cities than it was found to be in New York.
The behavior scientist has learned that the causes of antisocial behavior — like
the causes of all behavior — are complex. Delinquent and criminal careers can be
understood only in terms of the interaction of many factors. Evaluation of their
relative influence demands research based upon the most rigorous sampling and
control, and requires the utmost objectivity in the interpretation of the data the
research yields.
9 Simon H. Tulchin, Intelligence and Crime. Chicago : University of Chicago Press,
1939.
1" John Slawson, the Delinquent Boy. Boston : Badger, 1926.
« Clifford K. Shaw and Henry D. McKay, Social Factors in Juvenile Delinquency. Wash-
ington : Government Printing Office, 1931, pp. 261-284.
^- For a history of this controversy, the results of the Pavne Fund Studies, and a critical
evaluation of them, see : Henry James Forman, Our Movie Made Children, New York,
Macmillan, 19.33 ; Martin Quigley, Decency in Motion Pictures, New York, Macmillan, 1935 ;
Frederic M. Thrasher, Education Versus Censorship, Journal of Educational Sociology,
January 1940 : W. W. Charters, Motion Pictures and Youth : A Summary, New York,
Macmillan, 1933 ; Mortimer J. Adler, Art and Priidence, New York, Longman's Greene,
1937.
" Paul G. Cressey, The Role of the Motion Picture in an Interstitial Area. (Unpub-
lished manuscript on deposit in the New York University library. )
1^ Paul G. Cressey, The Motion Picture Experience as Modified by Social Background
and Personality, American Sociological Review, August 1938, p. 517.
^^ See Clifford R. Shaw and Henry D. McKay, Report on Social Factors in Juvenile
Delinquency, National Commission on Law Observance and Enforcement (No. 13, vol. II),
Washington : Government Printing Office ; , Delinquency Areas. Chicago : University
of Chicago Press, 1929 ; and , Juvenile Delinquency and Urban Areas, Chicago ; Uni-
versity of Chicago Press, 1942.
26 JUVENILE DELINQUENCY
Let us now turn to researches dealing with the influence of comics. After
surveying the literature we are forced to conclude such researches do not exist."
The current alarm over the evil effects of comic books rests upon nothing more
substantial than the opinion and conjecture of a number of psychiatrists, lawyers
and judges. True, there is a large broadside of criticism from parents who resent
the comics in one way or another or whose adult tastes are offended by comics
stories and the ways in which they are presented. These are the same types of
parents who were once offended by the dime novel, and later by the movies and
the radio. Each of these scapegoats for parental and community failures to
educate and socialize children has in turn given way to another as reformers
have had their interest diverted to new fields in the face of facts that could not
be gainsaid.
As an example, let us examine the position of the leading crusader against the
comics, New York's psychiatrist Fredric Wertham." Wertham's attitude and
arguments in condemning the comics are very similar to those of the earlier
critics of the movies. Reduced to their simplest terms, these arguments are
that since the movies and comics are enjoyed by a very large number of chil-
dren, and since a large component of their movie and comics diet is made up of
crime, violence, horror, and sex, the children who see the movies and read the
comics are necessarily stimulated to the performance of delinquent acts, cruelty,
violence, and undesirable sex behavior. This of course is the same type of argu-
ment that has been one of the major fallacies of all our monistic errors in
attempting to explain crime and delinquency in the past.
Wertham's reasoning is a bit more complicated and pretentious. His dis-
claims (he belief that delinquency can have a single cause and claims to adhere
to the concept of multiple and complex causation of delinquent behavior. But in
effect his arguments do attribute a large portion of juvenile offenses to the
comics. More pointedly he maintains that the comics in a complex maze of other
factors are frequently the precipitating cause of delinquency.
We may criticize Wertham's conclusions on many grounds, but the major
weakness of his position is that it is not supported by research data. His find-
ings presented for the first time in Collier's magazine '* are said to be the result
of 2 years' study conducted by him and 11 other psychiatrists and social workers
at the Lafargue Clinic in New York's Negro Harlem. In this article the claim
is made that numerous children both delinquent and nondelinquent, rich and
poor, were studied and that the results of these studies led to the major conclu-
sion that the effect of comic books is "definitely and completely harmful."
That Wertham's approach to his problem is forensic rather than scientific is
illustrated by the way in which his findings are presented in the Collier's article.
Countering his claim that the effect of -comics is definitely and completely harm-
ful are statements in this article that comics do not automatically cause de-
linquency in every reader, that comic books alone cannot cause a child to be-
come delinquent, that there are books of well-known comics which "make life
better by making it merrier" and others "which make it clear even to the dullest
mind, that crime never pays," and that there are "seemingly harmless comic
books," but "nobody knows with any degree of exactness what their percentage
is."
A further illustration of this forensic technique is the way in which he intro-
duces extraneous facts and statements which by implication he links with his
thesis that the comics are a major factor in causing delinquency and emotional
disturbance in children. An example is New York's Deputy Police Commissioner
Nolan's statement that "the antisocial acts of the juvenile delinquents of today
are in many instances more serious and even of a more violent nature than
those committed by youth in the past." Even if this statement could be proved,
there is not the slightest evidence, except Wertham's unsupported opinion, that
the increase is due to the reading of comic books. Wertham then cites a series
of sensational child crimes headlined in the press (not his own cases), which
he imputes to the comics without any evidence at all that the juvenile offenders
i« There is the possible exception of the study of Katherine M. Wolfe and Marjorie Fiske
at Columbia University. The Children Talk About Comics, published by Paul F. Lazars-
feld and Frank Stanton, Communications Research, 1948-49, New York: Harper, 1949.
This study, which was based on a small number of cases, was inconclusive. ^ , ^ „
17 Wertham's position was stated in some detail In an article by Judith Crist, Horror in
the Nursery, Collier's, March 27, 1948. See also material by Wertham cited earlier m
this article.
18 Loc. cit., pp. 22, 23, 95-97.
JUVENILE DELINQUENCY 27
involved ever read or were interested in comic books. A final example of the
improper use of extraneous material is the statement in the Collier's article that
"Children's Court records show that delinquent youngsters ai-e almost 5 years
retarded in reading ability," and Wertham is quoted as saying that "children
who don't read well tend to delinquency." These statements are unsupported,
but even if true, there is not a scintilla of evidence that the reading retardation
or disability of delinquents is due to reading comics. It is quite likely that the
percentage of reading disability among delinquents was equally high or higher
before the comic book was invented. As a matter of fact there are in this article
no data which could be accepted by any person trained in research without doc-
umentation.
Wertham asserts that the content of the comics is almost universally one of
crime, violence, horror, "emphasis of sexual characteristics" which "can lead
to erotic fixations of all kinds," and "sadistic-masochistic mixture of pleasure and
violence." Of the millions of comic books which Wertham claims deal with crime
and brutality, he is content to rest his case on the selection of a few extreme
and offensive examples which he makes no attempt to prove are typical. No
systematic inventory of comic book content is presented, such as that compiled by
Edgar Dale for the movies in 1935." Without such an inventory these conjectures
are prejudiced and worthless
Wertham's major claims rest only on a few selected and extreme cases of
children's deviate behavior where it is said the comics have played an important
role in producing delinquency. Although Wertham has claimed in his various
writing that he and his associates have studied thousands of children, normal
and deviate, rich and poor, gifted and mediocre, he presents no statistical sum-
mary of his investigations. He makes no attempt to substantiate that his illustra-
tive cases are in any way typical of all delinquents who read comics, or that the
delinquents who do not read the comics do not commit similar types of offenses.
He claims to use control groups (nondelinquents) but he does not describe these
controls, how they were set up, how they were equated with his experimental
groups (delinquents) to assure that the difference in incidence of comic-book
reading, if any, was due to anything more than a selective process brought about
by the particular area in which he was working.
The way in which Wertham and his associates studied his cases is also open
to question. The development of case studies as scientific data is a highly tech-
nical procedure and is based on long experience among social scientists in anthro-
pology, psychology, and sociology.-" An adequate case study, which involves
much more than a few interviews, gives a complete perspective of the subject's
biological, psychological, and social development, for only in this manner can a
single factor such as comic-book reading be put in its proper place in the inter-
acting complex of behavior-determining factors." On the basis of the materials
presented by Wertham with reference to children's experience with the comics,
it is doubtful if he has met the requirements of scientific case study or the criteria
for handling life history materials. He does not describe his techniques or show
how they were set up so as to safeguard his findings against invalid conclusions.
Were the subjects he interviewed studied with the same meticulous cai-e em-
ployed by a Healy or a Shaw? Did he get complete data on them? Were the
circumstances surrounding the interviews such that the subjects gave honest
answers to the questions asked by Wertham and his associates? Were safe-
guards set up to control individual differences in the interview techniques of
the eleven different investigators? Even if it is assumed that such subjects will
or can give a correct picture of the role of the comics in their lives, how are we
M Edgar Dale. The Content of Motion Pictures, New York: Macmillan, 1035.
^ See Paul Horst et al., The Prediction of Personal Adjustment. New York : Social
Science Research Council, 1941, especially The Prediction of Individual Behavior From
Case Studies, pp. 183-240; Gordon W. Allport, The Use of Personal Documents in Psycho-
logical Science, New York: Social Science Research Council, 1042; and Louis Gott.schalk,
Clyde Kluckholm and Robert Angell, The Use of Personal Documents in History, Anthro-
poloiry and Sociology. New York : Social Science Research Council. 1045.
" Examples of case studies are to be found In the earlier studies of William Healy and
Augusta F. Bronner in Case Studies, Series I, Nos. 1-20, Boston ; Judge Baker Foundation,
1923, and in the more complete studies of Clifford R. Shaw et al.. The Jackroller, The
Natural History of a Delinquent Career, and Brothers in Crime. Chicago : University of
Chicago, 1030, 1931, and 193S.
Frederic M. Thrasher is professor of education at New York University, member of the
Attorney General's Conference on Juvenile Delinquency, former secretary of the Society
for the Prevention of Crime, on the board of directors of the National Board of Review,
and author of The Gang.
49632—54 3
28 JUVENILE DELINQUENCY
to be sure that the interviewers did not ask leading questions and stimulate the
responses of the subjects to reply along a preordained line of thinking or imagin-
ing? Unless and until Wertham's methods of investigation are described, and
demonstrated to be valid and reliable, the scientific worker in this field can
place no credence in his results.
In conclusion, it maj' be said that no acceptable evidence has been produced
by Wertham or anyone else for the conclusion that the reading of comic maga-
zines has, or has not a significant relation to delinquent behavior. Even the
editors of Collier's in which Wertham's results were first presented are doubtful
of his conclusions, as is indicated by a later editorial appearing in that magazine
in which they say :
"Juvenile delinquency is the product of pent-up frustrations, stoi'od up resent-
ments and bottled up fears. It is not the product of cartoons or (laptions. But
the comics are a handy, obvious uncomplicated scapegoat. If the adults who
crusade against them would only get as steamed up over such basic causes of
delinquency as parental ignorance, indifference and cruelty, they might discover
that the comics are no more a menace than Treasure Island or Jack the Giant
Killpv " "
The danger inherent in the present controversy, in which forensic argument
replaces research, is that having set up a satisfactory whii)ping boy in comic
magazines, we fail to face and accept our responsibility as parents and as citi-
zens for providing our children with more healthful family and community living,
a more constructive developmental experience.
Mr. Clendenen, I also have three different reports from the New
York State Joint Legislative Committee to study comics. These con-
tain not only their own recommendations, but also contain quotations
from a large number of experts whom that committee consulted and
secured opinions from.
The Chairman. Without objection, that will be made a part of the
subcommittee's files. Let it be exhibits Nos. 4a, 4b, and 4c.
(The three reports were marked "exhibits Nos. 4a, 4b, and 4c," and
are on file with the subcommittee.)
Mr. Clendenen. Finally, I have two items here. One is an item
entitled "Brain Washing: American Style," which was really a joint
sponsorehip. It was sponsored jointly by a group in West Virginia
and then a Judge Hollaren, who is president of the Minnesota Juvenile
Court Judges Association participated in the development of the
material.
The Chairman. Without objection, that will be made a part of the
record. Let that be exhibit No. 5.
(The booklet referred to was marked "exhibit No. 5," and reads as
follows:)
Exhibit No. 5
Bkain Washing: Amejucan Style
Every parent, every responsible adult, should be shocked by the pi'ediction of
400,000 juveniles in court as delinquents during 1954. This represents a 33 per-
cent increase over 1948, just a.s 350,000 in court during last year was 19 percent
higher than prior years. Delinquency is on the march, ever increa.sing, ever de-
stroying our youth.
Crimes previously associated with hardened criminals or the meutally de-
praved are now committed by children. AVe found boys and girls In gangs, car-
rying "snap-blades," setting out to inflict sadistic revenge upon fellow girls and
boys of their community.
Burglary was common. Mugging a victim for cash was termed a "small-fry"'
act. Narcotics became the fad along with the moral breakdown which follows
its use. Nonvirgin clubs sprang up, with boys breaking up fixtures of a drug
store in Des Moines, Iowa, because the proprietor objected to the open peddling of
flesh in his place of business.
" The Old Folks Take It Harder Than Junior, Collier's, July 9, 1949.
JUVENILE DELINQUENCY 29
In the Twin Cities wo had the senseless Ivilling of a man for $10.35 by youths.
In MichiKan, we were shocked by the brutal murder of a nurue by bjys. They
were just average teen-agers of the neighborhood.
Ca.ses too numerous to mention proclaim the moral breakdown of our youth,
disintegration of the family, and the lack of concern for the general welfare of
youth.
Why are 400,000 delinquents slated for 19.54? It cannot be attributed to an
overnight personality change. It is not a population factor alone. The war
upset has leveled off greatly. Then why these dreadful crimes by teen-agers in
such large numbers V
Narcotic peddling is one cause, but it is not universal.
There is a destructive factor that is universal. It is the arrogant, defiant
publishing and distribution of thousands upon thousands of filth-drenched pocket-
books and magazines of the girlie-gag variety.
This i)rinted poison drips with astounding ads, sadistic rape-murder stories
which mask as true reporting. These perverted magazines contain instructions
in crime, narcotic uses, and sex perversions, and moral degradation.
This evil literature floods each community by the trucldoad. It is produced
in corruption as maggots are produced and made available to your children.
Tliis brazen effrontery to the decency of our communities was liighlighted by
J. Edgar Hoover in his letter of April 8, 10.52: "I am indeed gratified to learn
of the steps being taken by the Minnesota Juvenile Court Judges Association to-
ward preventing the sale and distribution of obscene literature in Minnesota. I
have been most vigorously opposed to such materials, for I sincerely believe that
its availability to youth is one of the principal causes of delinquency."
INFORMATION IB VITAL
To act effectively, parents must first recognize and understand the situation.
Many magazines have endeavored to enlighten us.
In the November lO."")! issue of The Woman's Home Companion is an article
entitled "The Smut Peddler Is After Your Child." The Christian Herald, May
1952, carried an article, entitled "Smut on the Newsstands."
In October 1952 Reader's Digest gave results of the national survey of smut as
conducted and reported by Margaret Culkin Banning. This information was
presented to the Gathings House Committee to Investigate Indecent Publications.
The November, 1953, issue of Ladies Home Journal featured "What Parents
Don't Know About Comics." Reprints of this article, available at 2.y-> cents each,
are a must for every PTA. Address Mrs. Betty Kidd, Ladies Home Journal, Phila-
delphia 5, Pa.
RACKETEERS OF ROT
This alarm has awakened a few parents but not nearly enough of them. The
invasion has neither ceased or diminished. Rather it has flourished under the
unscrupulous eyes of certain factions.
So-called "liberal, advanced thinkers" support and encourage "expression of
thought" on the part of racketeers of rot. It is hard to know what satisfaction
they find in exposing millions of children to the moral poison which is the
formula of a great many comics.
WHY UNCHECKED?
Many parents will ask why this distribution of obscene publications goes un-
checked. The answer to that question is a simple and ancient one. Money !
Big money in this case.
It is a multi-million dollar racket and the kind that has a way of fighting. It
can buy and control and hire those who will cry "censorship" — but never at any
time show concern over what is happening to youth.
The racket pokes fun at censoi-s, those who have a care for youth. It is an old
trick, which works. Encouraged by such hirelings, this giant corrupter of youth
exerts pressure in every village, town and city.
This new 1954-model racket has clever ways and means also of avoiding the
law. It hauls its "literature" into your community in privately owned trucks
to avoid postal inspection.
Nor can the FBI interfere becaiise such trucks are not common carriers for
hire and subject to interstate commerce rules. The giant works outside the law
yet he begs for protection under the first amendment.
30 JUVENILE DELINQUENCY
Sales of obscenity increased from 62 million units in 1946 to 712 million units
in 1952. Roughly, an increase of 1,000 percent in sales. Where is our civic
vigilance?
How can you be sure that one of your children vpill not be numbered among the
400,000 delinquents during 1954? What do parents say when they are suddenly
summoned into court? "I can't believe it's my Jimmy !" is the familiar expression
which a judge hears. But, why not Jimmy? What makes him immune to the
influence of the peddlers of smut and indecent publications which can be bought
as easily as candy in dozens of places?
WHAT TYPE OF LAW NEEDED?
A. Every State should have a law hitting the distribution of indecent publica-
tions. The very act of bringing such printed matter into a community should be
the principal or primary crime.
Any sale by a retailer should automatically involve the distributor who trucked
that article into the community for sales purposes. These distributors are the
real criminals because they deliberately plan the whole overt act.
Your local retailer does not order any of the materials trucked to him by these
distributors. The truckers bring the bundles twice weekly and the material in
those bundles is selected by the distributors.
You must understand that the distributors are actually happy when the local
druggist is arrested for sale of such printed poison. The result means publicity
for the distributor's smut.
Meanwhile the distributor is out of the county's jurisdiction and sits back and
laughs at the local fight which is putting cash in his pocket. He will hire lawyers
to yell "censorship," and keep the fight alive.
B. There should be a local board set up by ordinance which will check the ma-
terials coming into a community. Usually, the obviously dirty publications are
kept out if such a board exists.
THE DETROIT PLAN
In the city of Detroit the police department operates with such a board and does
a grand job of checking before materials get out to the stands. In cases of dis-
pute between the board and the distributor, a review of the material is given to
the prosecuting attorney along with reasons why the Board feels it is against
the law and should be prosecuted.
The board is not the final authority and it should not be. The courts must
be the last authority. But an amazing amount of rot can be stopped in this
first instance by the screening board.
The State of Michigan has an average good law. But in its application, no
law any better than the courage of the parents and the civic authority of a
given community.
Thomas Jefferson was so right when he wrote in 1787 : "The people are the
only sure reliance for the preservation of our liberty."
Any preventive measure will bring a cry of "censorship" from the racketeers.
However, let's examine the real situation. First and foremost, the stuff is not
ordered. It is selected by the publishers and distributors for its sexy content
and mockery of morals and is presented on these "merits." These are the two
culprits who decide what your children are to read.
Isn't it more reasonable that a cross section of substantial citizens decide what
reading matter should be admitted to a community?
Isn't it government in the very nature of our Founding Fathers for parents
to act as Minute Men and women ; isn't it proper for them to heed the alarm and
detect and prevent a sneak attack on their children? Should they not seek its
prosecution by lawful authorities? Or better still, should they not seek coopera-
tion from conscientious retailers? Such dealers want to know if I'eading matter
on their stand is harmful to youth.
This parents' board is not, however, to have the final authority ; rather it is
to act as a bulwark for the protection of the children of the community. But
parents can aid the prosecuting attorney, they can be the first line of vigilance
to detect evil literature coming into the village or city and name the offending
distributors.
The law and the courts are the final authority. But to ask one court to act
on scores of obscene publications is like asking the village plumber to stop a
Mississippi flood. This is why there is need for a community board.
JUVENILE DELINQUENCY 31
THE LEGAL POINT OP VIEW
While we are speaking of courts, let it be said on the side of truth that the
decision of one judge as to whether or not a book is obscene is purely a i)ersonal
standard of that judge. It is not a case law decision. It is the same thing as
asking a judge "what is blue" and another "what is red."
True, there are some decisions on the definition of words like obscene or lewd
but the application to a publication in question is the personal reaction of the
presiding judge. That same judge could very well consider a strii)-tease act
on the village square a work of art. His decision might be based on "advance-
ment" over common decency.
On the other hand, if a chief of police on his own, or a board on its own,
assumes final authority over a publication, the judge ruling on the case would
have to state that such assumed authority was unconstitutional; and he would
have "case law" to back him up.
The essence of good government is to have the mayor who is invested with
civic authority appoint a board so that they can assist him in law enforcement.
Sometimes the opposition forces make a big thing out of a decision by a liberal
judge. But keep in mind that this judge, either by environment and/or rela-
tionship and culture, may have been tied to a powerful publisher when pro-
nouncing certain books an "expression of thought" when they should have been
labeled "obscene." Don't let anyone tell you that there was any legal magic
involved.
We repeat that it is the avalanche of filth and not simply one book which de-
mands community action on the part of parents. It is difficult to write a law
against an evil which, in this case, is an abuse of the noble art of printing.
But criminal forces are using mass infiltration tactics, and, therefore, it has to
be met by drastic measures.
MASS INFILTRATION
Mathematically there are not enough courts in the world to handle the mass in-
filtration of 259 million pocket books annually, of the 90 million comics monthly,
and the innumerable sadistic-girlie magazines of various types. Court action on
each would result in a ridiculous situation.
This factor is another reason why parents must act in each community and
assist their prosecuting oflScers and civic authorities in cleaning up their town
with the preventive measures previously suggested.
AVe all hate the taking away of any true inalienable rights of man, but cer-
tainly this spreading of indecency, of dangerous information, and of criminal
teachings cannot come under the title of inalienable rights.
As Thomas Jefferson put it: "Can the liberties of a nation be secure when
we have removed a conviction that these liberties are a gift of Gnd?"
By what stretch of the imagination, or of the law, can we contend that publica-
tions totally repulsive to the idea of God, can be said to be his gift to a free
people?
If this Nation was founded on the principles of religion and freedom and
a trust in God, and upon the inalienable rights of man coming from God, under
His natural law, then that which would destroy God's moral code cannot claim
protection under those freedoms He ordained for us as a free people.
THE OPPOSITION
The loudest cry of the opposition, and a clever one shouted : "New Law Will
Take Bible Out Of Home." The papers carried that headline. Some unin-
formed parents fell for it. The trickery behind that strategy even made the
house committee of the legislature hesitate.
But it is not true that the Minnesota Legislature turned down a new law.
Here are the facts : The proposed law was presented to the senate's general
legislation committee by Senator B. Grnttum and that committee composed of
veterans of long service passed the bill from the committee at the first hearing.
But a companion bill, presented to the house crime prevention committee by
Representative Gordon Forbes, was held up because about 75 persons, led by
the American Civil Liberties Union, appeared in opposition. This house com-
mittee was composed of several freshman legislators, with strong Twin City,
membership, who fell for the sensational Bible-Shakespeare tactics. By post-
poning hearings, they pigeonholed the bill.
Therefore, the Legislature of the State of Minnesota never had a chance to
vote on the bill. A poll showed that 85 percent of the people of Minnesota
32 JUVENILE DELINQUENCY
favored an even stronger bill than the one proposed and letters to that effect
deluged the legislature.
AN INTEBESTING OBSERVATION
The opposition argues heatedly for the "whole content" rule, which asserts
that a book must be totally obscene in content aud intent before it is stopped.
The alternate "single passage'' rule maintains a stricter stand. If filthy pas-
sages are planted even scatter-fashion in the book, a few redeeming chapters do
not succeed in exempting it from disapproval.
There is some merit in the "whole content" rule, but it has become the weapon
and protection of clever publishers. They plant repugnant, "rock-bottom"
scenes, then whitewash the remaining chapters and proceed to get by on the
"whole content" rule.
The same strategy is utilized by the publishers of many comics. They depict,
portray, and suggest the most sadistic patterns imaginable, insert once "Crime
does not pay" and thus claim an excuse for their wanton disregard for decency.
The publication world is well aware that by holding to the "whole content"
rule and by other clever manipulations, they can render the law useless. Thia
is why they continue to fight the real teeth found in the "single passage" rule,
and why they dislike parent boards.
SALES INCREASE
Somehow, the publication racket has managed to dupe parents as well as
children. The sales mount at an alarming increase of 1,000 percent between
1946 and 1951. Comics have soared from 50 to 90 million per month since
1951. Figures are facts and these facts are staggering.
Parents are alarmed when presented with the actual printed pulp. They be-
come outraged and irate upon the realization of their innocent ignorance. They
desire action but rely necessarily upon the cooperation of all parents. Positive
and immediate action requires unity. The unified demand for protective legis-
lation by parents can positively outlaw the rape of the minds and welfare of our
youth.
EFFECT
We judges know that there is no one cause for delinquency. There are sev-
eral factors which lead a child into delinquency, some predominate more than
others. We know that there are hidden causes in many cases which are not
so apparent as a home broken by divorce, for example.
But let's examine the records and be practical about the matter. You name
any type of crime which youth committed in 19.53 and you will find appalling
crimes which were not associated with youth in the past.
For every one you name and cite the action thereof, a pocket book, crime
magazine or comic can be produced with blueprints telling the youth just how
to commit that crime. Details are given in the rotten literature which tell
youth how to commit sadism, theft, robbery, perversion, and how to operate teen-
age sex clubs and dope rings. These "blueprints" are available to youth on
newsstands.
In This Week magazine, 'April 20, 1947, J. Edgar Hoover of the FBI stated.
"High in the ranks of contributors to juvenile delinquency are the vicious ami
unscrupulous peddlers, producers and printers of obscene literature. They aro
as responsible as the sex fiends they incite by their wares. After one brutal rape-
murder case the killer told police, 'It was them magazines — the ones with sex
pictures in them'."
Another victim : "14-year-old Walter was arrested after a woman reported
that someone was walking on the roof of her house. The youth carried a bottle of
chloroform, a pad of cotton, a billy club and leather shoelaces in his pockets. He
openly admitted his intentions to use the chloroform and club for as.sault, com-
mit the sex act and tie her up with the shoestring. Walter came from a good
family. Hidden under the mattress of his bed was a bundle of obscene pictiu'es
and magazines. From them Walter had formulated his vicious plan."
Again: "Don't the comic books always tell you at the end that you can't win?"
a police officer asked a 15-year-old gang leader, "Sure," was the answer, "but we
never read the end — just how." This youthful gang slugged a taxi driver to
death.
JUVENILE DELINQUENCY 33
Magazines of this caliber frequently carry innocent "western" titles, or some-
thing to suggest "Crime does not pay." But the poison is there is spite of the
sugarcoating.
In the November 9, 1953, Newsweek, the FBI listed : "Availability of salacious
literature and entertainment glorifying crime," as factors concerned with the
terrifying increase in juvenile delinquency for 1953.
Bear in mind, since Mr. Hoover made his first statement in 1947, the crime pub-
lications and rot books have increased 1,000 percent.
AUTHORITIES REPORT
Now let's get down to real facts and plow under these "rationalizations" of the
hired journalists and hybrid educators.
In 1952, Judge Mulholland of the New York domestic relations court sent cer-
tain literature to several educators, psychologists and psychiatrists for their
opinions. (See Gathings Committee Report.)
The boy involved in this case was sent to Dr. Joseph Manno, psychiatrist in
charge of King's County Hospital. "I find that the child had read page 26 of
one book before he committed the crime. It is my opinion that the antisocial act
was precipitated by the reading of this book. It is obscene, provoking and
detrimental to the healthy emotional growth of young people. It unwisely
stimulates and excites the sexual urges of young boys while they are still
in the state of increased suggestibility. It would be wise if such books were pro-
hibited by law to minors."
Dr. Ernest Harms, editor of The Nervous Child stated, "If I had anything
to say about it, such books would be kept out of juvenile hands."
Dr. Richard Hoffman of New York stated : "There are some phases of life
that are not for the youngsters. Exposing juveniles to trashy muck under the
name of literature, produces the kind of effect in the potential delinquent as to
light a torch for their lust. For this reason, such books should be condemned."
Dr. Frederic Wertham, psychiatrist of Queens Hospital, New York, said,
"From pages 28 to 31 of one book, it described an episode where a group of
boys pay a girl for having intercourse with them all, and then take the money
away from her by violence. I have examined a number of boys who did just
that — and this^book should be a good primer for teaching it to those who haven't
had the idea yet."
In answers to the advocators of facts of life. Superintendent of New York
Schools, Dr. Frank D. Whelan, stated : "Will a step-by-step description of how
to jostle a young girl in a subway train diminish delinquency, or a detailed
catalogue of the sex possibilities of a cellar club head youngsters to shun them?
You don't put out a fire by fanning the flame."
J. Ritchie Stevenson, New York Vocational School : "The books are obscene
and serve no good purpose. There is a tendency for the adolescent to imitate
the characters portrayed in the books. I would never recommend these filthy
books to anyone. In fact, I feel these books are dangerous in the hands of the
adolescent boy and girl."
There is more detailed testimony about the effect of such books ; but the
direct quotations from cross sections of responsible men should serve to answer
any fake arguments from the opposition.
THE GATHINGS COMMITTEE REPORT OF MAY 2, 1952
The Gathings Committee was set up by Congress to investigate the vast in-
filtration of indecent publications on newsstands across the Nation. In that
report it was brought out that .some 250 million pocket books were sold each
year and that an estimated 90 million comics per month hit the communities of
our Nation.
Added to these are the unestimated number of girlie, murder, and smut, variety
of which there is no accurate account.
The report also made it clear that a few decent-minded men of the distribu-
tion business were deeply concerned. For example, Samuel Elack, vice president
of the Atlantic Coast Distributors, in a speech at their convention April 1952,
in Florida, said : "Frankly, there is no real excu.se for much of the material we
distribute. It is imperative that we free ourselves without delay. One won-
ders what manner of diseased mind can contrive such tripe. Many of the maga-
zines, in addition, carry advertisements, of a nature so objectionable and so
personal that we should not, under any circumstances, want our children to be
exposed to it."
34 JUVENILE DELINQUENCY
Mr. O'Connor of the Bantam Books, Inc., was pinned down to this state-
ment: "As a personal opinion, I will say I wouldn't want to give them (the
pocket books named ) to an adolescent. No, I wouldn't give them to my daughter,
for example."
Mr. David Cook of the Cook Publishing Co. said in 1951 that he personally
knew of over 50 million comics per month sold. He stated : "Since most chil-
dren have difficulty in their earlier years, the visual presentation makes it easy
for them to understand what is going on. To my mind, the potential damage
to impressionable young minds done by this kind of thing is shocking. This
naked appeal to sadism, horror and cruelty does a harm which is incalculable."
The independent agency which tabulates comic book distribution points out
that in January (1954) there were 412 different comic titles on the stands.
Since a publisher cannot afford to print less than 300,000 of a title, you can see
that the monthly distribution is close to 100 million.
To insure the 68 percent sale which a comics publisher needs to break even,
covers must be progressively lurid. And since profit depends on sales in excess
of 68 percent, cover and contents must be tuned to an even lowering degree of
the depraved taste which so many of these comics develop.
A EEPOKT FROM MINNEAPOLIS
As funny as any comic is the Report of the Mayor's Committee on Indecent
Literature of the City of Minneapolis. The report informs us that Minneapolis
does not have the same low-type publications on its newsstands as are found in
other cities. And then the report goes on : "There are some bad pocket books
on the stands, but the Bible is displayed too, and you wouldn't want to prohibit
the sale of the Bible !"
It continues : "There are some objectionable comics but comics are such a
stimulant to reading, we believe the good effect outdoes the bad."
For a retort to that ridiculous statement, read the article "What Parents
Don't Know About Comics," in the Ladies Home Journal, November 1953.
Your attention is drawn to this particular report on Minneapolis because of
its failure to be true and informative. Such reports are not uncommon.
Erie Stanley Gardner, the great mystery writer, speaking before the National
Librarians' Convention at Los Angeles, June 22, 1953, called attention to the
flood of pornographic literature upon the newsstands. "It must be controlled or
it will be necessary to resort to legal censorship." Mr. Gardner went on to say :
"Pornographic literature is pouring from the presses of unscrupulous pub-
lishers. Young people are developing false ideas of life from the millions of
copies of smut publications sold at magazine stands.
"Certain unscrupulous publishers began deliberately to cater to the inflam-
mable and uninformed sex urges of the adolescent," said Gardner. He added:
"If libraries were made more attractive to youngsters and teen-agers it woald
be a constructive force in combating juvenile delinquency."
George E. Sokolsky, noted columnist, stated : "I must say it would cause
little damage to our civilization if the pornographic miseries that are being sold
to our children on newsstands and in candy stores were burned. Also, some
of the mystery stories which substitute filthy expressions for skillful narrative
could be burned with little loss to anyone."
The American Legion at its 1953 St. Louis Convention, condemned the ob-
scenity sold on newsstands and placed the restriction of such sale as a point in
its welfare program.
"We heartily concur with your appraisal of the danger to the morals of our
youth which exists through the sale of indecent literature," states a letter from
Legion headquarters at Indianapolis.
The Legion realizes that the leaders of tomorrow cannot be raised on, nor
infiltrated with, the pornographic miseries of today if we wish to remain a great
Nation. Once a culture begins to rot from within, the scavengers gather for
the spoils.
As Lincoln put it "America will never be conquered from without. If it
perishes, it will do so from within."
WARNING TO PARENTS EVEB.TWHEKE
It was the American Civil Liberties Union and the Twin City newspapers
which led the fight against the stronger indecent publications bill as introduced
into the house and senate committees of the Minnesota Legislature. (Febru-
ary 1953.)
JUVENILE DELINQUENCY 35
History repeated itself in this instance. Many innocent people were duped
and filled the committee rooms at the house hearings. These no doubt con-
tributed money as well as time. Recall the many innocents who contributed
money to the American Civil Liberties Union for the defense of Earl Browder,
Harry Bridges, and recently the two Rosenbergs.
Here are some facts : House Report No. 2290, 71st Congress, 3d session, 1931 :
"The American Civil Liberties Union is closely aflBliated with communistic move-
ment in the United States and fully 90 percent of its efforts are on behalf of
Communists who have come in conflict with the law. It claims to stand for
free speech, free press and free assembly — but it is quite apparent the main
function is furthering of Communist work."
Naval Intelligence accuses, 1938: "American Civil Liberties Union — this or-
ganization is too well known to need description. The larger part of the work
carried on by it and its various bi-anches does undoubtedly materially aid
communistic objectives."
California Legislative Report, 1949: "It is obvious that the main function of
the American Civil Liberties Union is to protect Communist objectives."
American Legion Convention, St. Louis, 1953: ''Be it resolved That the House
Un-American Activities Committee, the Senate Internal Security Subcommittee
be urged to investigate the activities of the American Civil Liberties Union,
and if warranted, institute prosecution under the Smith and/or McCarran
Acts."
This is the group which professes to be concerned with your liberties ; and
they, with the Twin City press, shouted: "New Law Will Take Bible Out of
Home."
How long and how often can the American people be duped? Parents, wake
up! The objective of communism is to despoil your children, to rob them of
their respect for law and the teachings of morality, to enslave them with sex and
narcotics. When that happens, the seeds of communism will fall on fertile
ground.
WHAT CAN YOTJ DO
Until the time comes when a suitable law is enacted, parents must act and
continue to act. Parents can go to their mayor and ask that a parents' com-
mittee be appointed from a cross section of service and civic clubs to assist the
county or city or State attorney and the police. Parents can be vigilantes for
their children and see what muck is coming into the local stands and who sells
it. A report of their findings can be made to the mayor and prosecuting
attorneys.
Parents could also without belligerence, point out the objectionable materials
to the retailers. It is certain many good citizens who would not for the world
want to injure the youth of a community, have such materials in their stores.
Retailers do not have time to check and read the products on their stands and
would welcome any help in cleaning them up.
When such safeguards are set up there will be no need of censorship. Poison
bears a skull and crossbones label but wise parents do not depend on this label;
they put rat poison where their children cannot reach it.
The time for action is now. Save your child from the "brain washings" dis-
tributed by the racketeers of rot.
"The publisher of books and magazines enjoys the protection of our constitu-
tional guarantee that the freedom to write and publish shall not be curbed. He
also has the responsibility not to abuse this freedom." — Minneapolis Sunday
Tribune, February 21, 1954.
Mr. Clendenen. I also have an item from the Committee on Evalu-
ation of Comic Books in Cincinnati, Ohio, which contains a rather
detailed evaluation of comics presently upon their standards, these
evalutions are related to a certain criteria which they have developed
in relation to what they believe are the effects of these materials upon
youngsters.
The Chairman. Without objection, those items will be made a part
of the record. Let those be "Exhibits Nos. 6a and 6b."
(The evaluations referred to were marked "Exhibits Nos. 6a and
6b," and read as follows :)
36 JUVENILE DELINQUENCY
Exhibit No. 6A
PuELisHEKs Whose Comic Books Have Been Evaluated
June 1953
The Committee on Evaluation of Comic Books, Box 1486, Cincinnati, Ohio, has
evaluated 418 comic boolis published by 106 publishers. These books cover a
period of 3 or 4 months' publication and therefore are a larger number than are
in publication at any particular time. Since most of them are still in circulation,
it is deemed wise to include them here for the guidance of those who seek it.
The committee has graded this literature and placed it in the four levels of (A)
no objection, (B) some objection, (C) objectionable, and (D) very objectionable.
Those books rated A and B are considered safe for use by children and young
people.
pubijsheks, locations of their executive offices, and their publications
A. "A. Wynn, Inc., 23 West 47th Street, New York, N. Y. ; Glamorous Romances
(B), Real Love (B), The Hand of Fate (D), Web of Mystery (D).
Ace Magazines, Inc., 23 West 47th Street, New York, N. Y. ; Complete Love Maga-
zine (C), Ten-Story Love (B), War Heroes (C), World War III (C).
Ace Periodicals, Inc., 23 West 47th Street, New York, N. Y. ; Love Experiences (C).
Allen Hardy Associates, 500 Fifth Avenue, New York, N. Y. ; Danger (C), War
Fury (C), Weird Terror (D).
Animirth Comics, Inc., 270 Park Avenue, New York, N. Y. ; Battlefield (C), Spell-
bound (D).
Archie Comic Publications, Inc., 241 Church Street, New York, N. Y. ; Archie
Comics (A), Jughead Comics, Archie's Pal (A), Wilbur Comics (A).
Aragon Magazines, Inc., 949 Broadway, New York, N. Y. ; Mister Mystery (D).
Arnold Publications, Inc., 578 Summer Street, Stamford, Conn.: Marmaduke
Mouse (A).
Atlas News Co., 350 Fifth Avenue, New York, N. Y. : Lovers (B) .
Avon Periodicals, Inc., 575 Madison Avenue, New York, N. Y. : Buddies in the U.
S. Army (C), Eerie (D), Fighting Daniel Boone (B), Fighting Under Sea
Commandos (B), Merry Mouse (A), Night of Mystery (C), Peter Rabbit (A),
Space Mouse (A), U. S. Tank Commandos (C), Wild Bill Hickock, (C),
Witchcraft (D)
Bard Publishing Corp., 350 Fifth Avenue, New York, N. Y. : Patsy Walker (A)
B. & M. Distributing Co., 45 West 45th Street, New York, N. Y. : Dizzy Dames (A) ,
Skeleton Hand (C)
Best Syndicated Features, Inc., 45 West 45th Street, New York, N. Y. : Adventures
Into the Unknown (D), Romantic Adventures (A), Spy -Hunters (C), The
Kilroys (B)
Better Publications, Inc., 10 East 40th Street, New York, N. Y. : Exciting War
(C), Popular Romance (C)
Beverly Publishing Co., 480 Lexington Avenue, New York, N. Y. : Secret Hearts
(A)
Broadcast Features Publishing Corp., 485 Madison Avenue, New York, N. Y. : My
Friend Irma (B)
Canam Publishers Sales Corp., 350 Fifth Avenue, New York, N. Y. : Journey Into
Mystery (C), War Action (C)
Capitol Stories. Inc., Charlton Building, Derby, Conn.: Crime and Justice (D),
Hot Rods and Racing Cars (C), Lawbreakers Suspense Stories (D), Racket
Squad in Action (C). Space Adventures (C), Space Western Comics (C), The
Thing (D), True Life Secrets (C)
Chipiden Publishing Corp., 350 Fifth Avenue, New York, N. Y. : Strange Tales (D)
Classic Syndicate, Inc., 350 Fifth Avenue, New York, N. Y. : Mystic (D), Spy
Fighters (C)
Close-Up, Inc., 241 Church Street. New York, N. Y. : Katy Keene (A), Laugh
Comics (A), Super Duck Comics (A), Snzie Comics (A)
Comic Combine Corp., 3.50 Fifth Avenue, New York, N. Y. : Men's Adventures
Comic Favorites. Inc., 578 Sumner Street, Stamford, Conn. : Doll Man (C), Gabby
(A). .Tonesy (B)
Comic Magazines, 347 Madison Avenue, New York, N. Y: Blackhawk (C), Candy
(A), Crack Western (C), G. I. Combat (C), G. I. Sweethearts (B), Heart
Throbs (B), Ken Shannon (C), Love Confessions (B), Love Letters (B), Love
JUVENILE DELINQUENCY 37
Secrets (B), Plastic Man (C), Police Comics (C), T-Man (C), War Romances
(C), Web of Evil (D)
Ciornell Publishing Corp., 350 Fifth Avenue, New York, N. Y.: Girl Confes-
sions (B)
Creston Publications, Inc., 45 West 45th Street, New York, N. Y. : Giggle Comics
(A), Ha Ha Comics (A), Soldiers of Fortune (C)
Crestwood Publishing Co., 1790 Broadway, New York, N. Y. : Black Magic (C),
Young Love (A)
Cross Industries Corp., 9 West 57th Street, New York, N. Y. : The Perfect Crime
(C)
Current Books, Inc., 23 West 47th Street, New York, N. Y. : Crime Must Pay the
Penalty (D)
Dell Publishing Co., Inc., 261 Fifth Avenue, New York, N. Y. : Andy Hardy
Comics (A), Andy Panda, Walter Lantz (A), Beetle Bailey (A), Bozo (A),
Buck Jones (C), Bugs Bunny (A), Daffy (A), Desert Gold, Zane Grey's (B),
Donald Duck Walt Disney's (A), Double Trouble (A), Duck Album, Walt
Disney's (A), Elmer Fudd (A), Flash Gordon (A), Francis, the Famous Talk-
ing Mule (A), Gene Autry Comics (B), Gene Autry's Champion (B), Gerald
McBoing Boing (A), Goofy, Walt Disney's (A), Henry, Carl Anderson's (A),
Henry Aldrich (A), Howdy Doody (A), Indian Chief (B), Johnny Mack Brown
Comics (B), Lassie (A), Little Iodine (A), Little Lulu. Marge's (A), Looney
Tunes and Merrie Melodies (A), Mickey Mouse, Walt Disney's (A), New Fun-
nies, Walter Lantz (A), Oswald, the Rabbit, Walter Lantz (A), Petunia (A),
Pogo Possum (A), Popeye (A), Porky Pig (A), Raggedy Ann & Andy (A), Rex
Allen Comics (B), Rootle Kazootie (A), Roy Rogers Comics (C), Rhubarb,
the Millionaire Cat (A), Sergeant Preston of the Yukon (B), Tarzan (A),
Tom Corbett, Space Cadet (B), Tom and Jerry Comics (A), Trigger, Roy
Roger's (A), Tubby, Marge's (A), The Cisco Kid (B), The Flying A's Range
Rider (C), The Little Scouts (A), The Lone Ranger (C), The Lone Ranger's
Famous Horse, Hi-Yo Silver (A), The Lone Ranger's Companion, Tonto (A),
Uncle Scrooge, Walt Disney's (A), Woody Woodpecker, Walter Lantz (A),
Zane Grey's Desert Gold (B), Zane Grey's King of the Royal Mounted (C)
Educational Comics, Inc., 225 Lafayette Street, New York, N. Y.i Mad (C)
Excellent Publications, Inc., 30 East 60th Street, New York, N. Y. : Battle Report
(D), The Fighting Man (B), The Fighting Man Annual (B). War Report (C),
War Stories (C)
Fables Publishing Co., 225 Lafayette Street, New York, N. Y. : Two-Fisted Tales
(C), The Haunt of Fear (C), Weird Science (D)
Family Comics, Inc., 1S60 Broadway, New York, N. Y. : Casper, the Friendly
Ghost (A), Paramount Animated Comics (A)
Famous Funnies Publications, 500 Fifth Avenue, New York, N. Y. : Buster Crabbe
(C), Famous Funnies (C), Movie Love (A), New Heroic Comics (A)
Farrell Comics, Inc., 30 East 60th Street., New York, N. Y. : Haunted Thrills
(D), Strange Fantasy (D), The Lone Rider (C)
Fawcett Publications, Inc., 07 West 44th Street, New York, N. Y. : Battle Stories
(C), Beware! Terror Tales (D), Bill Battle (C), Captain Marvel (A), Cap-
tain Marvel, Jr. (B), Funny Animals (A), Hopalong Cassidy (B), Lash LaRue
Western (B), Life Story (C), Master Comics (B), Monte Hale Western (B),
This Magazine Is Haunted (D), Nyoka, the Jungle Girl (B), Rocky Lane
Western (B), Rod Cameron Western (B), Romantic Story (B), Six-Guu
Heroes (C), Soldier Comics (C), Sweethearts (C), Tex Ritter Western (C),
Tom Mix Western (B), The Marvel Family (C), Underworld Crime (C),
Whiz Comics (D), Worlds of Fear (D)
Fight Stories, Inc., 1058 Summer Street, Stamford, Conn.: Fight Comics (B)
Feature Publications, Inc., 1790 Broadway, New York, N. Y. : Frankenstein (C),
Prize Comics Western (B), Young Brides (B), Young Romance (C)
Fiction House, 1658 Summer Street, Stamford, Conn.: Ghost Comics (D)
Gem Publications, Inc., 350 Fifth Avenue. New York, N. Y. : Patsy & Hedy (A)
Gillmore Publications, Inc. : Weird Mysteries (D)
Flying Stories, Inc., 1658 Summer Street, Stamford, Conn.: Man O' Mars (B)
Four Star Publications, Inc., 30 East 6nth Street, New York, N. Y. : Fantastic
Fears ( C ) , G I in Battle ( C ) , G I in Battle Annual ( C ) , Voodoo ( D )
Gilbertson Co., Inc., 826 Broadway, New York, N. Y. : Classics Illustrated, David
Balfour (A)
Glen-Kel Publishing Co., 1658 Summer Street, Stamford, Conn. : Jungle Comics
(C), Kaanga Jungle King (D)
Harve Picture Magazines: War Comics (C)
S8 JUVENILE DELINQUENCY
Harvey Enterprises, Inc., 1860 Broadway, New York, N. Y. : First Love Illus-
trated (C), Horace and Dotty Dripple Comics (A)
Harvey Picture Magazines, Inc., 1860 Broadway, New York, N. Y. : Little Audrey
Comics (A), Warfront (C)
Harvey Publications, Inc., 1860 Broadway, New York, N. Y. : Blondie (A), Dag-
wood Comics, Chic Young's (A), Daisy and Her Pups (A), Dick Tracy Comics
Monthly (C), Jiggs and Maggie (A), Joe Palooka Adventures (B), Katzen-
jammer Kids (A), Little Max Comics (A), Sad Sack Comics (A), Tomb of
Terror (D)
Harwell Publications, Inc., 500 Fifth Avenue, New York, N. Y. : All True Romance
(C), Horrific (D)
Headline Publications, Inc., 1790 Broadway, New York, N. Y. : Headline Comics
(C), Justice Traps the Guilty (C)
Hercules Publishing Corp., 350 Fifth Avenue, New York, N. Y. : Menace (C),
Spy Cases (D)
Hillman Periodicals, Inc., 535 Fifth Avenue, New York, N. Y. : Airboy Comics
(B), Dead-Eye Western (D), Frogman Comics (B), Hot Rod and Speedway
Comics (B), Real Clue Crime Stories (C), Romantic Confessions (A)
Home Comics, Inc., 1860 Broadway, New York, N. Y. : Black Cat Mystery (D),
First Romance Magazine (B), Hi-School Romance (C), Love Problems and
Advice Illustrated (B)
I. C. Publishing Co., Inc., 225 Lafayette Street, New York, N. Y. : Tales from the
Crypt (D), Weird Fantasy (C)
Interstate Publishing Corp., 270 Park Avenue, New York, N. Y. : Battle Brady
(C), Young Men on the Battlefield (C)
Junior Books, Inc., 23 West 47th Street, New York, N. Y. : Fun Time (A)
K. K. Publications, Inc., Poughkeepsie, N. Y. : Red Ryder Comics (B), Walt
Disney's Comics and Stories (A)
Leading Magazine Corp., 350 Fifth Avenue, New York, N. Y. : Kid Colt Outlaw
(C)
Lev Gleason Publications, Inc., 114 East 32d Street, New York, N, Y. : Black
Diamond (C), Boy Illustories (C), Boy Loves Girl (C), Crime Does Not
Pay (C), Crime and Punishment Illustories (D), Daredevil (A), Dilly (A),
Lover's Lane (A)
Literary Enterprises, Inc., 10 East 40th Street, New York, N. Y. : Buster Bunny
(A), Fantastic Worlds (C), Lucky Duck (A), Peter Pig (A), Sniffy the Pup
(A), Supermouse, the Big Cheese (A)
L. L. Publishing Co., Inc., 225 Lafayette Street, New York, N. Y. : Crime Sus-
pen Stories (D), The Vault of Horror (D)
Love Romances Publishing Co., Inc., 1658 Summer Street, Stamford, Conn. :
Planet Comics (C)
Magazine Enterprises, 11 Park Place, New York, N. Y. : Best of the West (C),
Big Town (C), Cave Girl (C), Straight Arrow (C), Tim Holt (C), The Ameri-
can Air Forces (B), The Durango Kid (C), The Ghost Rider (D)
Magazine Publishers, Inc., 737 North Michigan Avenue, Chicago, 111.: Mazie (A),
Mortie (A), Stevie (A)
Marjean Magazine Corp., 350 Fifth Avenue, New York, N. Y. : Justice (D)
Marvel Comics, Inc., 350 Fifth Avenue, New York, N. Y. : Marvel Tales (D).
Master Comics, Inc., 11 East 44th Street, New York, N. Y. : Dark Mysteries (D),
Romantic Hearts (A)
Michel Publications, Inc., 45 West 45th Street, New Yoi'k, N. Y. : Cookie (A),
Funny Films (A), Lovelorn (A), Operation: Peril (C), The Hooded Horseman
(C)
Minoan Publishing Corp., 17 East 45th Street, New York, N. Y. : Love Doctor,
Dr. Anthony King (C), Tales of Horror (D), The Purple Claw (D)
Miss America Publishing Corp., 350 Fifth Avenue, New York, N. Y. : Miss America
(A)
National Comics Piiblications, Inc., 480 Lexington Avenue, New York, N. Y. :
Action Comics (C), A Date With .Judy (A), Adventure Comics (B), All Ameri-
can Men of War (B), All Star Western (C), Bat Man (C), Buzzy (C), Comic
Cavalcade (A), Detective Comics (B), Flippity and Flop (A), Funny Stuff (A),
Gang Busters (B), Here's Howie (A), Hollywood Funny Folks (A), House of
Mystery (C), Leading Screen Comics (A), Leave It to Binky (A), Movietown's
Animal Antics (A), Mr. District Attorney (B), Mutt & Jeff (A), Mystery In
Space (B), Our Army at War (B), Peter Porkchops (A), Real Screen Comics
(A), Sensation Mystery (C), Star Spangled War Stories (A), Strange Adven-
tures (C), Superboy (B), Superman (B), The Adventures of Bob Hope (A),
JUVENILE DELINQUENCY 39
The Adventures of Dean Martin and Jerry Lewis (A), The Adventures of Rex,
the Wonder Dog (C), The Fox and the Crow (A), The Phantom Stranger (C),
Tomahawk (C), Western Comics (B), Wonder Woman (C), World's Finest
Comics (C)
Newsstand Publications, Inc., 350 Fifth Avenue, New York, N. Y. : Lorna the
Jungle Queen (D), Man Comics (D)
Official Magazine Corp.: Wendy Parker (B)
Orbit Publications, Inc., 1819 Broadway, New York, N. Y. : Wanted Comics (C)
Our Publishing Co., 1819 Broadway, New York, N, Y.: Love Diary (B), Love
Journal (C) -
Periodical House, Inc., 23 West 47th Street, New York, N. Y. : Baffling Mysteries
(D), Love at First Sight (B)
Parkway Publishing Corp., 11 Park Place, New York, N. Y. : Bobby Benson's B-
Bar-B Riders (C)
[Reprinted from Parents Magazine]
Postal Publications, Inc., 350 Fifth Avenue, New York, N. Y. ; Patsy & Her
Pals (A)
Preferred Publications, Inc., 45 West 45th Street, New York, N. Y. : Forbidden
Worlds (D)
Prime Publications, Inc., 350 Fifth Avenue, New York, N. Y. : Uncanny Tales (D)
Randall Publishers, Ltd., 30 Strathearn Road, Toronto, Ontario, Canada : Mys-
teries (D)
Real Adventures Publishing Co., Inc., 1658 Sumner Street, Stamford, Conn.:
Jet Aces (C), Jumbo Comics (C), Long Bow (B), Sheena (C)
Realistic Comics, Inc.,- 575 Madison Avenue, New York, N. Y. : Cowpuncher (C),
Kit Carson ( B ) , Spotty the Pup ( A ) , Women to Love ( C )
Ribage Publishing Corp., 480 Lexington Avenue, New York, N. Y. : Crime Mys-
teries (D), Youthful Romances (C)
Signal Publishing Co., 125 East 46th Street, New York, N. Y. : Girls' Love Stories
(A), Girls' Romances (B)
Sphere Publishing Co.. 350 Fifth Avenue, New York, N. Y. : Millie the Model (A)
Sports Action, Inc., 350 Fifth Avenue, New York, N. Y. : Combat Casey (C)
Standard Magazines, Inc., 10 East 40th Street, New York, N. Y. : Date With
Danger (C), Intimate Love (B),Jetta (C)
Star Publications, Inc., 545 Fifth Avenue, New York, N. Y. : All-Famous Police
Cases (D), Confessions of Love (C), Frisky Animals (A), Fun Comics (A),
Popular Teen-Agers (C), Shocking Mystery Cases (D), Spook (D), Startling
Terror Tales (D), Terrifying Tales (D), Terrors of the Jungle (D), Top Love
Stories (B), The Horrors (C), The Outlaws (C), True to Life Romances (B),
Weird Tales, Blue Bolt (D)
St. John Publishing Co., 545 Fifth Avenue, New York, N. Y. : Abbott and Costello
(A), Anchors, the Salt Water Daffy (B), Atom-Age Combat (C), Authentic
Police Cases (C), Basil the Royal Cat (A), Diary Secrets (B), Gandy Goose
Comics (A), Heckle and Jeckle Comics, Paul Terry's (A), Little Eva (A),
Little Ike (B), Little Joe (A), Little Roquefort Comics, Paul Terry's (A),
Mopsy (A), Paul Terry's Comics (A), Paul Terry's Mighty Mouse Comics (A),
Pictorial Romances (C), Teen-Age Romances (B), Teen-Age Temptation (B),
Terry-Toons Comics (A), True Love Pictorial (C), War-Time Romances (C),
Weird Horrors (C), Zip- Jet (C)
Stanhall Publications, Inc., 480 Lexington Avenue, New York, N. Y. : G. I. Jane
(B), Oh, Brother (A)
Stanmor Publications, Inc., 175 Fifth Avenue, New York, N, Y. : Battle Cry (C).
Story Comics, Inc., 7 East 44th Street, New Yox'k, N. Y. : Fight Against Crime
(D), Mysterious Adventures (D).
Superior Publishers Limited, 2382 Dundas Street West, Toronto, Ontario, Can-
ada : Journey Into Fear (D), Love and Marriage (B), My Secret Marriage (A),
Secret Romances (C), Strange Mysteries (D).
Timely Comics, Inc.: Love Romances (B).
Tiny Tot Comics, Inc., 225 Lafayette Street, New York, N. Y. : Frontline Combat
(A), Shock Suspen Stories (D).
Toby Press, Inc., 17 East 45th Street, New York, N. Y. : Big Tex (C), Billy the
Kid (C), Felix the Cat, Pat Sullivan's (A), Great Lover Romances (C), John
Wayne Adventure Comics (C), Monty Hall of the U. S. Marines (C), The Black
Knight (C), Washable Jones and the Shmoo (A).
Trojan Magazines, Inc., 125 East 46th Street, New York, N. Y. : Attack! (B).
20th Century Comic Corp., 270 Park Avenue, New York, N. Y. : Astonishing (D),
40
JUVENILE DELINQUENCY
Kent Blake of the Secret Service (B), Mystery Tales (C).
United Feature Syndicate, Inc., 220 East 42d Street, New York, N. Y.; Fritzi
Ritz (B), Nancy and Sluggo (A), Sparkle Comics (A), Sparkler Comics (A),
The Captain and the Kid (A), Tip-Top Comics (A), Tip Topper Comics (A).
Unity Publishing Corp., 23 West 47th Street, New York, N. Y. : The Beyond (D).
Visual Editions, Inc., 10 East 40th Street, New York, N. Y. : Adventures into
Darkness (D), Joe Yank (C), Kathy (A), New Romances (A), The Unseen
(D), This Is War (C).
Western Fiction Publishing Co., Inc., 270 Park Avenue, New York, N. Y. : Journey
Into Unknown Worlds (C), Wild Western (C).
Witches Tales, Inc., 1860 Broadway, New York, N. Y. : Chamber of Chills Maga-
zine (D), Witches Tales Magazine (D).
Wings Publishing Co., 1658 Summer Street, Stamford, Conn., Indians (B), Wings
Comics (B).
Youthful Magazine, Inc., 105 East 35th Street, New York, N. Y. : Atomic Attack I
(C), Daring Confessions (B), Chilling Tales (D).
Ziff-Davis Publishing Co., 366 Madison Avenue, New York, N. Y. : G. I. Joe (B).
Exhibit No. 6b
-B
An Evalttation of Comic Books — Jtn.Y 1953
The Committee on Evaluation of Comic Books, P. O. Box 1486, Cincinnati, Ohio,
with 84 trained reviewers, has evaluated the 418 comic books available. They
are placed in the catejrories of No Objection, Some Objection, Objectionable, and
Very Objectionable. Those in the first two are deemed suitable for use by chil-
dren and younger teen-agers.
The frequency of publication is indicated by the symbols (M) for monthly,
(B) for bimonthly, (Q) for quarterly, and (O) fqr one-shots.
It is important to know the criteria at the end of this list if one desires to
know why the Committee has rated these magazines as it has.
No objection
Abbott & Costello — B
A Date With Judy— B
Andy Hardy Comics — B
Andy Panda, Walter Lantz' — B
Archie Comics — B
Basil— B
Beetle Bailey— O
Blondie Comics Monthly — M
Bob Hope, The Adventures of — B
Bozo — O
Bugs Bunny — B
Buster Bunny — Q
Candy — M
Captain Marvel Adventures — M
Casper, the Friendly Ghost — M
Classics Illustrated — ^David Balfour — M
Comic Cavalcade
Cookie — B
Daffy— O
Dagwood Comics, Chic Young's — ^M
Daisy and Her Pups — B
Daredevil — M
Dilly— B
Dizzy Dames — B
Donald Duck, Walt Disney's — B
Double Trouble with Goober — O
Duck Album, Walt Disney's
Elmer Fudd— O
Felix the Cat— M
Flash Gordon — Q
Flippity and Flop — B
Francis, the Famous Talking Mule — O
Frisky Animals — Q
Frontline Combat — B
Fun Comics — Q
Fun Time— Q
Funny Animals-
Funny Films — B
Funny Folks
Funny Stuff- B
Gabby— B
Gandy Goose Comics — B
Gerald McBoing Boing — Q
Giggle Comics — B
Girl's Love Stories — B
Goofy, Walt Disney's — O
Ha Ha Comics — B
Heckle and Jeckle Comics — B
Henry, Carl Anderson's — B
Henry Aldrich — Q
Here's Howie — B
Hi-Yo Silver, The Lone Ranger's— Q
Hollywood Funny Folks — B
Horace and Dotty Dripple Comics — ^B
Howdy Doody — B
Jiggs and Maggie — B
Jusrhead Comics, Archie's Pal — B
Kathy— Q
Katy Keene Comics — B
Katzenjammer Kids — B
Lassie, M-G-M's — Q
Laugh Comics — B
Leading Screen Comics — B
Leave It to Binky — B
Little Audrey Comics — M
Little Eva— B
Little Iodine— B
Little Joe
Little Lulu, Marge's— M
JUVENILE DELINQUENCY
41
Little Max Comics — B
Little Roquefort Comics, Paul Terry's —
B
Looney Tunes and Merrie Melodies — M
Lovelorn — M
Lover's Lane — B
Lucky Dnick — Q
Marmaduke Mouse — M
Merry Mouse — B
Mickey Mouse, Walt Disney's — B
Mishty Mouse Comics, Paul Terry's — M
Millie the Model Comics — M
Miss America — M
Mopsy — B
Mortie — Q
Movie Love — B
Movietown's Animal Antics — B
Mutt and Jeff— B
My Own Romance — M
My Secret Marriage — B
Nancy and Sluggo — B
New Funnies, Walter Lantz' — M
New Heroic Comics — M
Oh, Brother— B
Oswald, the Rabbit, Walter Lantz'— O
Paramount Animated Comics — B
Patsy and Hedy — M
Patsy and Her Pals — B
Patsy Walker— B
Paul Terry's Comics — M
Pep Comics — B
Personal Love — B
Peter Pig— Q
Peter Porkchops — B
Peter Rabbit— B
Petunia — O
Poi^o Possum — Q
Popeye — Q
Porky Pig— B
Some objection
Adventure Comics
All American Men of War
Anchors, the Salt Water Daffy — B
Captain Marvel, Jr. — B
Darling Confessions
Desert Gold, Zaue Grey's — Q
Detective Comics — B
Diary Secrets — B
Dynamite — B
Fight Comics — Q
Fighting Daniel Boone — O
Fighting Underseas Commandoes — Q
First Romance Magazine — B
Fritzi Ritz — B
Frogman Comics
Gang Busters — B
Gene Autry's Champion — Q
Gene Autry's Comics — M
Girl Confessions — B
G I Jane — B
G I JOE— M
G I Sweetheart — M
Girl's Romances — B
Glamorous Romances — B
Heart Throbs — M
Hopalong Cassidy — M
Raggedy Ann & Andy
Real Screen Comics — M
Rhubarb, the Millionaire Cat — O
Romantic Adventures — M
Romantic Confessions
Romantic Hearts — B
Rootle Kazootie — O
Sad Sack Comics — B
Secret Hearts — B
Sniffy the Pup— Q
Space Mouse — B
Sparkle Comics — B
Sparkler Comics — B
Spotty the Pui>— O
Star Spangled War Stories
Stevie— Q
Super Duck Comics — B
Supermouse, the Big Cheese — B
Suzie Comics — B
Tarzan — M
Terry Toons Comics — B
Tip Top Comics — B
Tip Topper Comics — B
Tom and Jerry Comics — M
Trigger, Roy Rogers' — Q
Tubby, Marge's — O
The Adventures of Dean Martin and
Jerry Lewis — B
The Captain and the Kid — O
The Fox and the Crow — B
The Little Scouts— O
Uncle Scrooge, Walt Disney's
Walt Disney's Comics — M
Washable Jones and the Shoos — O
Wilbur Comics — B
Woody Woodpecker, Walter Lantz' — B
Young Love — M
15 or 27%
Hot Rod and Speedway Comics
Indian Chief — B
Indians — B
Intimate Love — B
Joe Palooka's Adventures — B
Johnny Mack Brown Comics
Jonesy — B
Kent Blake of the Secret Service — B
Kit Carson — O
Lash LaRue Western — M
Little Ike
Long Bow
Love and Marriage — B
Love Confessions — M'
Love at First Sight— B
Love Diary — B
Love Letters
Love Problems and Advice lUustrated-
B
Love Romances — B
Love Secrets — M
Lovers — M
Lucy — B
Man O' Mars — O
Master Comics
Men's Adventures — B
42
JUVENILE DELINQUENCY
Mr. District Attorney— B
Monte Hale Western — B
My Friend Irma — ^M
Mystery in Space — B
Nyoka the Jungle Girl-— B
Our Army at War — M
Out of the Shadows— Q
Prize Comics Western
Keal Love — B
Red Ryder Comics — M
Rex Allen Comics — Q
Rex the Wonder Dog — B
Rocky Lane Western — M
Rod Cameron Western
Romantic Story — Q
Sergeant Preston of the Yukon-
Space Adventures — B
Space Western Comics
Spellbound^ — B
Superboy — B
Objectionable
Action Comics — M
All Star Western— B
All True Romance — B
Atom-Age Combat — Q
Atomic Attack — B
Authentic Police Cases — ^B
Batman — B
Battle Brady— B
Battle Casey
Battle Cry— B
Battlefield
Battle Stories — B
B-Bar-B Riders— Q
Best of the West— Q
Beware — B
Big Tex— O
Big Town — B
Cave Girl— O
Combat Casey — B
Bill Battle
Billy the Kid— B
Black Diamond Western — B
Black Magic Magazine
Blackhawk — M
Boy Ulustories — M
Boy Loves Girl— M
Buck Jones — O
Buddies of the U. S. Army
Buster Crabbe — B
Buzzy — B
Complete Love Magazine — B
Confessions of Love — ^B
Cowpuncher
Crack Western
Crime Does Not Pay— M
Danger — B
Date With Danger
Dick Tracy Comics Monthly
Doll Man
Exciting War — Q
Famous Funnies — B
Fantastic Fears — B
Fantastic Worlds
I'irst Love Illustrated — ^M
Frankenstein — B
Superman — B
Teen-Age Romances — B
Teen-Age Temptation — B
Ten- Story Love— B
True-Life Secrets — B
Tom Corbett, Space Cadet — Q
Tom Mix Western — B
Top Love Stories — B
True to Life Romances — B
The American Air Forces — Q
The Cisco Kid — B
The Fighting Man — B
The Fighting Man Manual
The Kilroys — B
The Lone Ranger's Companion, Tonto
Wendy Parker — M
Western Comics — B
Wings Comic — O
loung Brides — B
90 or 22%
G I In Battle— B
G I in Battle Annual
G I Combat— M
Great Lover Romances — B
Headline Comics
Hi-School Romance — B
Hot Rods and Racing Cars — B
House of Mystery — M
Jesse James — O
Jet Aces — O
Jetta
Joe York
J(;hn Wayne Adventure Comics— B
Journey Into Mystery — M
Journey Into Unknown Worlds — ^M
Jumbo Comics
Jungle Comics — Q
Justice Traps the Guilty — M
Ken Shannon
Kid Colt Outlaw— B
Life Story
Love Doctor, Dr. Anthony King's
Love Experiences — ^B
Love Journal — B
Mad— B
Marvel Tales— M
Menace — M
Monty Hall of the U. S. Marines
Mystery Tales — M
Night of Mystery
Operation: Peril
Out of the Night— B
Pictorial Romances — B
Planet Comics — O
Plastic Man — B
Police Comics — B
Popular Romances — Q
Popular Teen-Agers — B
Racket Squad in Action — B
Real Clue Crime Stories
Roy Rogers Comics — M
Secret Romances
Sensation Mystery — ^B
Sheena, Queen of the Jungle — Q
Shocking Mystery Cases— B
JUVENILE DELINQUENCY
43
Six-Gun Heroes — B
Skeleton Hand — B
Soldier Comics — B
Soldiers of Fortune
Space Western Comics — B
Spy Fighters — B
Spy Hunters — B
Straight Arrow — B
Strange Adventures — M
Sweethearts
Tex Bitter Western— B
This Is War— Q
Tim Holt— B
T-Man— B
Tomahawk — B
True Love Pictorial — B
Two-Fisted Tales— B
The Adventures of Rex, the Wonder
Dog
The Black Knight
The Flying A's Range Rider — Q
The Durango Kid — B
The Ghost Rider— Q
The Hooded Horseman
The Horrors — B
The Lone Ranger — M
The Lone Rider— B
The Marvel Family — M
The Outlaws— B
The Perfect Crime — B
Very objectionable
Adventures Into Darkness — B
Adventures Into the Unknown
All-Famous Police Cases — B
Astonishing — B
Baffling Mysteries — B
Battle Report— B
Beware ; Terror Tales — B
Black Cat Mystery— B
Chamber of Chills— B
Chilling Tales— B
Crime and Justice
Crime and Punishment — B
Crime Mysteries — B
Crime Must Pay the Penalty — B
Crime Suspen Stories — B
Dark Mysteries
Dead-Eye Western — B
Eerie — Q
Fight Against Crime — B
Forbidden Worlds — M
Ghost Comics — Q
Haunt of Fear — B
Haunted Thrills— B
Horrific — B
Journey Into Fear — B
Justice — B
Kaanga Jungle King — Q
Lawbreakers Suspense Stories
Lorna the Jungle Queen — B
Man Comics — B
Mister Mystery — B
Mysterious
Mysterious Adventures — B
Mystic — B
The Phantom Stranger — B
Underworld Ci'ime — Q
United States Tank Commandos
Wanted Comics
War Action — B
War Comics — B
Warfront— B
War Fury
AVar Heroes
War Report
War Romances
War Stories
Wartime Romances — B
Weird Fantasy — B
Weird Horrors
Weird Mysteries — B
Wild Bill Hickok
Wild Western— B
Woman to Love — O
Wonder Woman — B
World's Finest Comics
World War III
Young Men on the Battlefield — B
Young Romances — M
Youthful Romances — B
Zane Grey's King of the Royal
Mounted — Q
Zip Jet— B
148 or 34%
Shock Suspen Stories — B
Shock Mystery
Spellbound
Spook— B
Spy Cases — B
Startling Terror Tales — B
Strange Fantasy — B
Strange Mysteries — B
Strange Tales — M
Tales From the Crypt — B
Tales of Horror
Terrifying Tales
Terrors of the Jungle — B
This Magazine is Haunted — B
Tomb of Terror — B
The Beyond— B
The Hand of Fate— B
The Purple Claw
The Thing— B
The Unseen — Q
The Vault of Horror— B
Uncanny Tales — M
Voodoo
Web of Evil— B
Web of Mystery — B
Weird Science — B
Weird Tales— B
Weird Terror— B
Whiz Comics — B
Witchcraft
Witches Tales— B
Worlds of Fear — B
Total, 418
65 or 16 percent
49632—54-
44 JUVENILE DELINQUENCY
Cbitekia for Evaluating Comic Books
I. CULTtJBAL AREA
JV'o Objection
1. Good art work, printing, and color arrangement.
2. Good diction.
3. The overall effect pleasing.
4. Any situation that does not offend good taste from the viewpoint of art or
mechanics.
Some ol)jection
1. Poor art work, printing, and color arrangement.
2. Mechanical setup injurious to children's eyes ; print too small ; art work
crowded.
3. Poor grammar and underworld slang.
4. Undermining in any way traditional American folkways.
Objectionable
1. Propaganda against or belittling traditional American institutions.
2. Obscenity, vulgarity, profanity, or the language of the underworld.
3. Prejudice against class, race, creed, or nationality.
4. Divorce treated humorously or as glamorous.
5. Sympathy with crime and the criminal as against law and justice.
6. Criminals and criminal acts made attractive.
Very objectionable
1. An exaggerated degree of any of the above-mentioned acts or scenes.
n. MORAL AREA
No objection
1. An uplifting plot.
2. Wholesome characters.
3. Characters dressed properly for the situation.
4. If crime, when it enters the plot, is incidental.
5. Any situation that does not compromise good morals.
Borne objection
1. Criminal acts or moral violations even if given legal punishment.
2. The presence of criminals, even if they are not shown as enjoying their
crimes.
Objectionable
1. Women as gun molls, criminals, and the wielders of weapons.
2. Any situation having a sexy implication.
3. Persons dressed indecently or unduly exposed (costumes not appropriate
to the occasion).
4. Crime stories, even if they purport to show that crime does not pay.
5. Stories that glamorize unconventional behavior.
6. Situations that glamorize criminals.
7. The details or methods of crime, especially if enacted by children.
8. Thwarted justice.
9. Law-enforcement officials portrayed as stupid or ineffective.
Very objectionable
1. An exaggerated degree of any of the above-mentioned acts or scenes.
III. MORBID EMOTIONALITY
No objection
1. Any situation that does not arouse morbid emotionality in children.
Some objection
1. Overrealistic portrayal of death of villains.
2. Grotesque, fantastic, unnatural creatures.
3. Imminent death of a hero or heroine.
Objectionable
1. The kidnaping of women or children, or the implication of it.
2. Characters shown bleeding, particularly from the face or mouth.
JUVENILE DELINQUENCY 45
3. The use of chains, whips, or other cruel devices.
4. The morbid picturizatiou of dead bodies.
5. Stories and pictures that tend to anything having a sadistic implication or
suggesting use of blacli magic.
6. Portrayal of mayhem, acts of assault, or murder.
7. People being attacked or injured by wild animals or reptiles.
8. Stories or frames which tend to affect the war effort of our Nation adversely.
Very ohjectionable
1. An exaggerated degree of any of the above-mentioned acts or scenes.
A PBECATJTION
These criteria are intended to serve primarily as guides and check-points in
the evaluation of comic books, rather than as complete standards which must
in all cases be applied literally and rigidly.
They should be used by the reviewer in the light of his best judgment and
regarding good taste, the intent and the spirit of the story, and the context of
the individual frames of the story.
Mr. Clendenen. And, finally, I would like to introduce a reprint
from the Parent's Magazine entitled "555 Comic Magazines rated."
The Chairman. Without objection, the material will be included
in the record. Let it be exhibit No. 7.
(The material referred to w^as marked "Exhibit No. 7," and reads as
follows :)
Exhibit No. 7
[Reprinted from Parents' Magazine]
555 Comic Magazines Rated
Acceptable — Questionable — Bad
Cincinnati Rates the Comic Books
This community went to work and did something about the comics. Here are
their recommendations
By Jessie L. Murrell, Chairman, Committee on Evaluation of Comic Books,
Cincinnati, Ohio
Many parents, teachers, communities are upset about comic books and the in-
fluence they are having on children today. But in most cases, although parents,
teachers, and communities have done a good deal of talking, they have taken no
steps to evaluate the comics now on the market. Not so Cincinnati ; that city
made up its mind that talk was not enough, so they organized and went into
action.
One of the ministers in the Cincinnati metropolitan area is credited with start-
ing the project when he addressed his congregation during National Family
Week. In the course of his sermon he mentioned the undesirable influence on
the family of certain types of comic books.
That portion of his sermon got into the Cincinnati papers the next day and was
picked up by the broadcasting stations. Mail began pouring in and the minister's
phone rang incessantly. Whereupon the Council of Churches set up a committee
with this minister as chairman and asked it to see what, if anything, could be
done about the comics.
The committee approached the organizations in greater Cincinnati that work
with and for youth, inviting them to send representatives to a meeting. The
response was excellent and the Committee on Evaluation of Comic Books was
formed. It immediately went to work.
The organizations represented on the committee were the University of Cin-
cinnati, Xavier University, the Women's University Club, the parent-teachers
associations (public and parochial), the Boys Scouts, the Girl Scouts,
the YMCA, the YWCA, the playgi-ound group, the juvenile courts, the Council of
Church, the libraries, the private schools, and the three major religious
46 JUVENILE DELINQUENCY
groups — Protestant, Catholic, and Jewish. About one-third of the members of
the committee were men.
At the outset the committee adopted a policy of attempting to cooperate with
publishers and distributors to improve the quality of comic magazines. It de-
cided it would seek no censorship ordinances. If the publishers chose to ignore
appeals to make better comics, the committee would then do its best to persuade
the public to be more selective in buying them.
Another important decision of the committee was to draw up criteria for de-
termining whether a comic book is good or bad. If a comic book is considered
undesirable, why is it so rated? If another comic book is considered good, why
is it so rated? An executive committee worked for 3 mouths to find answers
to these questions. The result was '"a profile chart" or measuring device to be
used by the reviewers in recording their findings. After some months of experi-
mentation, the committee felt that its findings were trustworthy.
A major problem was recruiting and training reviewers who would read all
the comic books thoroughly and record on the profile charts their impressions.
At every stage they were urged to exercise care in order to be fair to all persons
and organizations concerned. Two other members of the committee were assigned
the responsibility of studying the work of the reviewers and of making the overall
evaluation of each comic book reviewed. Time and results have proved the wis-
dom of this course.
Every story in each comic book was evaluated in terms of its cultural, moral,
and emotional tone and impact. Then the committee's reaction to it was listed
as no objection, some objection, objectionable, and very objectionable. If no
feature in a comic book received anything lower than the first two ratings, the
book was pronounced suitable for children and youth.
At first the Cincinnati committee decided to publish only the list which it con-
sidered acceptable. But public demand has led to the publication of the entire
Ust.
Of the 555 comic magazines included in the most recent evaluation, 57.47 per-
cent were judged suitable for children and youth. Only 12.43 percent rated
"very objectionable." As a result, the committee feels that wholesale condem-
nation of comic books is unwarranted. It is also convinced that the general
public, the local distributors and many comic book publishers want better
comics. But the latter have no way of making their desires effective beyond
their respective establishments. One of the youngest industries in America, the
business of publishing comic books now includes the publication of more than
half of all magazines published in this country. During the past year
or so the distribution of comic books has been variously estimated at 60 to 80
million.
In general the contents of comic books may be described as follows :
Adolescent characters such as bobby-soxers with dates — proms and the like-
generally wholesome.
Animal characters with their appeal to small children : and these are nearly
always harmless.
Adventure comics which include a good deal of wild-west excitement — ^gun-
toting and the like.
Classic comics which brief well known stories with pictures and action-
Crime comics which include a large proportion of the comic books.
Jungle comics which play upon man's battle with beasts and reptiles, often
showing women as the principal actors.
True comics which are generally based on historical fact.
Wonder comics which deal with the mysterious or awe-inspiring.
Superman comics which portray the activities of characters that display super-
human strength or wisdom,
A rather large number of comic magazines too varied to classify.
Those who consider certain comic magazines harmful give a variety of reasons
for their judgment. The more important are :
The comic magazines glamorize unwholesome phases of life and exert a power-
ful adverse influence upon the uncritical minds of children.
Many comics tend to overstimulate the neurotic or unstable child, and do him
harm.
The crime and cruelty which are portrayed in many comic books tend to
develop cruelty in children and to accustom them to violence and crime.
The brief treatment of events and the graphic picturization of stories tend to
make young people impatient with good literature, thus threatening the literary
culture of our society.
JUVENILE DELINQUENCY 47
Many comic magazines are printed on cheap paper and their artwork, color,
drawing and printing are of such quality as to strain children's eyes.
Since children are imitators and tend to identify themselves with characters
in the comic books, particularly with heroes, it is dangerous for them to be
influenced by the large number of questionable characters paraded in the comics.
Even though some comics do profess to teach that crime does not pay, the chil-
dren who read them may not get that lesson while they are following and enjoy-
ing the exploits of some dashing hero-criminal. Even if they note the preach-
ment in the last picture or two, some children are apt to say that the character
should have been smarter than to get caught.
Some comics tend to stimulate unwholesome sexual and social attitudes.
Many comics show scenes and situations that tend to frighten children and to
leave gruesome pictures in their minds, affecting them not only at the moment or
soon after, but also creating more lasting phobias and fears.
There is the danger that a child who likes the comics will spend all his time
or too large a proportion of it in reading the comics and neglect good books ; or
read comics when he ought to be active and out of doors.
While it is difficult to trace all the causes for juvenile bad conduct today, it is
logical to believe that it may have been accentuated by the reading of some of
the comic books.
It must be assumed that comic books are here to stay ; therefore, it seems wise
to take such steps as will offer the greatest promise of improvement. And the key
to improvement is public opinion. If parents and organizations set an example of
selective buying, it will soon be felt and heeded by the publishers. That is better
than resorting to legal regulations and ordinances.
There are steps which individuals can take to improve the comic book situation.
Parents should know what their children are reading. Forbidding children to
read the comics is apt to stimulate their interest in them. There are wiser ways
by which parents may advise and influence their children to buy and read the
better comics.
Individuals may cooperate in a volunteer organization such as the one in Cin-
cinnati to encourage the reading of better comics. There can and should be such
a group in every community.
Here are the methods that are used and standards for evaluating the comic
books observed by the Cincinnati committee :
cttltural area
No otjection
1. Good artwork, printing and color arrangement.
2. Good diction.
3. The overall effect pleasing.
4. Any situation that does not offend good taste from the viewpoint of art or
mechanics.
Some objection
1. Poor artwork, printing, and color arrangement.
2. Mechanical setup injurious to children's eyes; print too small; artwork too
crowded.
3. Poor grammar, underworld slang.
4. Undermining in any way traditional American folkways.
ObjectionaMe
1. Propaganda against or belittling traditional American institutions.
2. Obscenity, vulgarity, profanity, or the language of the underworld.
3. Prejudice against class, race, creed, or nationality.
4. Divorce treated humorously or as glamorous.
5. Sympathy with crime and the criminal as against law and justice.
6. Criminals and criminal acts made attractive.
Very objectionable
1. An exaggerated degree of any of the above-mentioned acts or scenes.
MORAL AREA
No objection
1. An uplifting plot.
2. Wholesome characters.
3. Characters dressed properly for the situation.
48 JUVENILE DELINQUENCY
4. If crime, when it enters the plot, is incidental.
5. Any situation that does not compromise good morals.
Some objection
1. Criminal acts or moral violations even if given legal punishment,
2. The presence of criminals even if they are not shown as enjoying their
crimes.
Objectionahle
1. Women as gun molls, criminals, and the wielders of weapons.
2. Any situation having a sexy implication.
3. Persons dressed indecently or unduly exposed (costume not appropriate to
the occasion).
4. Crime stories even if they purport to show that crime does not pay.
5. Situations that glamorize criminals.
6. The details or methods of crime, especially if enacted by children.
7. Thwarted justice.
8. Law-enforcement oflBcials portrayed as stupid or ineffective.
Very ohjectionable
1. An exaggerated degree of any of the above-mentioned acts or scenes.
MOBBID EMOTIONALITT
No objection
1. Any situation that does not arouse morbid emotionality in children.
Some objection
1. Overrealistic portrayal of death of villains.
2. Grotesque, fantastic, unnatural creatures.
3. Imminent death of hero or heroine.
Objectionable
1. The liidnapping of women or children or the implication of it.
2. Characters shown bleeding, particularly from the face and mouth.
3. The use of chains, whips, or other cruel devices.
4. The picturization of dead bodies.
5. Stories and pictures that tend to upset children.
6. Anything with sadistic implication.
7. Portrayal of mayhem, acts of assault or murder.
8. People being attacked or injured by animals or reptiles.
Very objectionable
1. An exaggerated degree of any of the above-mentioned acts or scenes.
A PRECAUTION
These criteria are intended to serve primarily as guides and check-points in the
evaluation of comic books, rather than as complete standards which must in all
cases be applied literally and rigidly. They should be used by the reviewer in
the light of his best judgment regarding good taste, the intent and spirit of the
story and context of the individual frames of the story.
The comic magazine ratings presented herewith do not necessarily reflect the
opinions of the editors and publishers of Parents' Magazine. The evaluations by
the Cincinnati committee were made partly in the spring and party in the fall of
1949. It is possible that the character of the contents of some of the magazines
may have changed since the evaluations.
How 555 Comics Rate
Approximately 50 trained reviewers have evaluated the following 555 comic
magazines, some of which are "one shots" (those appearing only once). Included
in the list are some magazines which are perhaps no longer being published at
the time this article appears. The masrazines were classified in four different
groups, identifiable by means of the key letters, A, B, C, and D.
Number of magazines : Ratings and key letter
165 No objection (A)
154 Some objection (B)
167 Objectionable (C)
69 Very objectionable (D)
JUVENILE DELINQUENCY
49
Abbott and Costello (B)
About People (A)
Ace Comic (C)
Action Comics (A)
Actual Romances (A)
Adveuture Bound (A)
Adventure Comics (C)
Adventures in Romance (C)
Adventures in the Unknown (D)
Adventures of Alan Ladd (C)
Aggie Mack Comics (A)
Air Boy (C)
Album of Crime (D)
Al Capp's Dog Patch (C)
Al Capp's Shmoo (B)
Alice in Wonderland (A)
Ail-American Western (C)
Alley Oop (B)
All-Famous Crime (D)
All Great Confession Magazine (D)
All Hujnor Comics (A)
All Love Romances (A)
All Star Comics (D)
All-Tinie Sports Comics (A)
All Top (D)
All-True Crime Cases Comics (D)
All Western Comics (C)
Amazing Mysteries (D)
American's Best Comics (C)
Andy Panda (A)
Animal Antics (B)
Archie Comics (A)
Authentic Police Cases (D)
Awful Oscar (B)
Babe (C)
Babe Ruth Sports Comics (A)
Barker, The (A)
Barnyard Comics (A)
Baseball Comics (B)
Bat Man (D)
Best Love (C)
Big Shot (B)
Billy West (C)
Black Cat Comics (D)
Black Diamond Western (B)
Black Terror, The (C)
Blackhawk (C)
Blaze Carson (C)
Blazing West (D)
Blondie Comics (B)
Blondie Phantom Comics (B)
Blue Bolt (B)
Bobby Shelby Comics (A)
Boots and Her Buddies (A)
Boy Commandoes (D)
Boy Illustrious (B)
Brenda Starr Comics (O)
Brick Bradford (B)
Broadway Romances (B)
Broncho Bill (C)
Brownies, The (A)
Bruce Gentry Comics (C)
Bugs Bunny Super Sleuth (C)
Buster Bunny (A)
Buzz Sawyer (C)
Buzz Sawyer's Pal Sweeney (A)
Buzzy (A)
Calling All Kids (A)
Campus Romances (C)
Candy (A)
Captain America (C)
Captain America's Weird Tales (D)
Captain and the Kids, The (C)
Captain Easy (G)
Captain Kidd (C)
Captain Marvel Adventures (G)
Captain Marvel Junior (A)
Captain Midnight (G)
Casey Crime Photographer (G)
Catholic Comics (A)
Charlies Chan (D)
Charlie McCarthy (A)
Christmas with Mother Goose (A)
Cindy Comics (B)
Circus Comics (D)
Clairvoyant (C)
Classics Illustrated (A)
Club 16 Comics (B)
Comedy Comics (A)
Comic Cavalcade (A)
Comics on Parade (A)
Complete Mystery (G)
Coo Goo Comics (B)
Cookie (B)
Cowboy Love (G)
Cowboy Romances (C)
Cowboy Western Comics (G)
Coupuncher Comics (D)
Crack Comics (C)
Crime and Punishment (C)
Grime Detective Comics (G)
Crime Does not Pay (C)
Crime Fighter (C)
Crime Must Pay the Penalty (D)
Grime Patrol (D)
Crime Reporter (D)
Crimes by Women (G)
Criminals on the Run (G)
Crown Comics (D)
Cupid (A)
Curley Kayoe (G)
Dagar (D)
Dale Evans Comics (B)
Daredevil (C)
Darling Love (B)
Darling Romance (B)
Date With Judy, A (A)
Dead-Eye (G)
Desperado (G)
Detective Comics (B)
Dexter Comics (B)
Diary Loves (A)
Dairy Secrets (B)
Dick Cole (B)
Dick Tracy Monthly (C)
Dick's Adventures (A)
Dixie Dugan (A)
Dog Patch (C)
Donald Duck (B)
Doll Man (C)
Don Winslow (G)
Dotty Dripple Comics (A)
Dudley (A)
Durango Kids, The (B)
50
JUVENILE DELINQUENCY
Easter with Mother Goose (A)
Egbert (B)
Ella Cinders (C)
Ellery Queen Comics (C)
Elsie the Cow (A)
Enchanting Love (A)
Ernie Comics (B)
Etta Kett (B)
Exciting Comics (D)
Exciting Romances (B)
Exposed (C)
Extra Comics (C)
Fairhair Comics (C)
Faithful (B)
Famous Crimes (D)
Famous Fimnies (D)
Fast Fiction (C)
Feature Comics (D)
Felix the Cat (B)
Fight Comics (C)
Fighting Yank, The (C)
Film Funnies (A)
First Love Illustrated (A)
First Romance (C)
Flaming Love (D)
Flash Comics (C)
Flash Gordon (B)
4most (C)
Fraka& Lena (B)
Frankenstein (D)
Freckles and Her Friends (A)
Frisky Fables (A)
Fritzi Ritz Comics (A)
Frontier Romances (B)
Funny Animals (A)
Funny Film (C)
Funny Folks (A)
Funny Stuff (A)
Funny World (B)
Gabby Hayes Western (C)
Gangbusters (D)
Gangsters Can't Win (C)
Gay Comics (C)
Gene Autry Comics (A)
Georgie& Judy (C)
Ghost Breakers (C)
Giggle Comics (B)
Girf Comics (C)
Girls Love Stories (A)
Glamourous Romances (A)
Golden West Love (B)
Goofy Comics (B)
Green Hornet Comics (C)
Green Lantern (B)
Guilty (D)
Gunfiighter (C)
Guns Against Gangsters (B)
Gunsmoke (C)
Ha Ha Comics (A)
Hap Hazard Comics (B)
Happy Comics (A)
Headline Comics (D)
Heart Thorbs (B)
Heckle «& Jeckle (B)
Heddy Divine Comics (A)
Hedy of Hollywood (B)
Henry (A)
Heroes All (A)
Hickory (A)
High School Romances (B)
Hit Comics (D)
Hollywood Confessions (C)
Hollywood Diaiy (B)
Hollywood Romances (A)
Hollwood Secrets (C)
Hopalong Cassidy (C)
Hubert at Camp Moonbeam (A)
Human Torch, The (A)
Humphrey Comics (C)
Ideal Love and Romance (B)
Intimate Love (B)
Jack Ai-mstrong (B)
Jeanie Comics (A)
Jiggs and Maggie (A)
Jimmie Durante Comics (B)
Jimmy Wakely (C)
Jingle Jangle Comics (B)
Joan of Arc (B)
Joe College Comics (B)
Joe Polooka Comics (B)
Johnny Hazard (D)
Jo- Jo Comics (D)
Joker Comics (A)
Journal of Crime (C)
Juke Box Comics (A)
Jumbo Comics (C)
Jungle Comics (D)
Jungle Jim (B)
Juuie from Comics (A)
Justice Comics (C)
Justice Traps the Guilty (C)
Kathy (B)
Katzenjammer Kids, The (B)
Kerry Drake Detective (D)
Kewpies (A)
Kid Colt (D)
Kid Eternity (D)
Kid Zoo Comics (B)
Kilroys (B)
King Cole (D)
King Comics (D)
King of the Royal
Mounted (C)
Krazy Komics (B)
Lana (B)
Lash La Rue Western (C)
Laugh (B)
Laurel & Hardy (B)
Lawbreakers Always Lose (C)
Leading Comics (A)
Leave It to Binky (A)
Leroy (C)
Life Story (A)
Li'l Abner Comics (C)
Little Annie Rooney (A)
Little Aspirin (B)
Little Audrey (A)
Little Beaver (B)
Little Bit (A)
Little Iodine (A)
Little Lenny (A)
Little Lizzie (A)
Little Max Comics (B)
Little Miss Muffet (C)
JUVENILE DELINQUENCY
51
Little Orphan Annie (A)
Lone Ranger, The (B)
Looney Tunes (B)
Love at First Sight (A)
Love Classics (C)
Love Confessions (D)
Love Diary (B)
Love Dramas (B)
Love Experiences (A)
Love Lessons (B)
Love Memories (A)
Love Problems & Advice (A)
Love Romances (B)
Love Secrets (C)
Love Stories of Mary Worth (A)
Love Tales (B)
Loveland (B)
Lovelorn (B)
Lovers (A)
Lovers Lane (B)
Magic Crimes (D)
Mandrake the Magician (D)
March of Crime (C)
Marge's Little Lulu (A)
Margie Comics (A)
Mark of Zorro, The (B)
Marmaduke the Mouse (B)
Marvel Family, The (B)
Marvel Mystery Comics (B)
Master Comics (C)
Mel Allen's Sport Comics (A)
Mickey Finn (B)
Mickey Mouse (B)
Mighty Atom and the Pixies, The (A)
Mighty Mouse (B)
Millie the Model (B)
Miss America (B)
Miss Beverly Hills of Hollywood (A)
Mr. Anthony's Love Clinic (A)
Mr. District Attorney (C)
Mjtzi's Boy Friends (A)
Mitzi's Romances (A)
Modern Comics (C)
Modern Love (B)
Monkeyshines Comics (A)
Monte Hale Western (C)
Moon Girl (D)
Moon MuUins (A)
Mopsy (B)
Murder, Inc. (D)
Mutt and .Jeff (A)
My Confession (B)
My Life (D)
My Love Life (C)
My Own Romance (B)
My Past (A)
My Romance (B)
My Secret Affair (A)
My Secret Life (B)
My Secret Story (A)
My Story (C)
Mysterious Traveler (D)
Namore (C)
Nancy & Fritzi Ritz (A)
Nancy & Sluggo (B)
National Comics (B)
Nellie the Nurse (A)
New Funnies (A)
New Heroic Comics (C)
Nyoka the Jungle Girl (C)
Oscar, Oscar (A)
Oswald the Rabbit (A)
Our Gang (A)
Our Love (B)
Outlaws (C)
Ozark Ike (B)
Ozzie & Baba (A)
Ozzie & Harriet (A)
Patsy Walker Comics (B)
Pay Off (C)
Penny (A)
Pep Comics (B)
Peter Porkchops (A)
Peter Rabbit Comics (A)
Phantom, The (D)
Phantom Lady (C)
Pictorial Confessions (A)
Pictorial Love Stories (B)
Pictorial Romances (A)
Picture Stories from the Bible (A)
Pinoechio (A)
Pixies, The (B)
Planet Comics (C)
Plastic Comics (C)
Pogo Possum (B)
Police Cases (C)
Polly Pigtails (A)
Porky Pig (A)
Porky Pig to the Rescue (A)
Popeye (A)
Pride of the Yankees, The (A)
Prize Comics (C)
Prize Comics Western (C)
Public Enemies (C)
Raggedy Ann & Andy (A)
Range Romances (B)
Rangeland Love (B)
Rangers Comics (D)
Real Clue Crime Stories (D)
Real Fact Comics (A)
Real Life Comics (B)
Real Love (C)
Real Screen Comics (A)
Real Secret (B)
Real West Romances (C)
Real Western Hero (B)
Red Dragon Comics (D)
Red Rabbit Comics (B)
Red Ryder Comics (B)
Revealing Romances (B)
Rex Harte (B)
Rocky Lane Western (C)
Romance Diary (B)
Romance Tales (A)
Romance Trail (B)
Romances of Mollie Minton (B)
Romances of the West (C)
Romantic Adventures (B)
Romantic Confessions (A)
Romantic Love (C)
Romantic Secrets (B)
Romantic Story (B)
Romantic Western (C)
Roundup (D)
Rov Rogers Comics (B)
Rulah (D)
52
JUVENILE DELINQUENCY
Rusty (A)
Sad Sack (A)
Saddle Justice (C)
Saddle Romances (B)
Saint Comics, The (C)
Santa and the Angel (A)
Santa Claus Funnies (A)
Scribbly (A)
Sea Hound, The (B)
Secret Hearts (B)
Secret Loves (B)
Select Detective (C)
Sensation Comics (A)
Seven Dwarfs (A)
Seven Seas (C)
Shadow Comics (D)
Shmoo (B)
Skyman (C)
Slave Girl (D)
Slick Chick (C)
Smash Comics (C)
Smash Hit Sports Comics (C)
Smilin' Jack (C)
Smitty (B)
Smokey Stover (B)
Sniffy the Pup (A)
Sparkle (C)
Sparkle Plenty (A)
Sparkle Comics (A)
Sparky Watts (B)
Spirit of the Border (A)
Sport Stars (B)
Spunky (B)
Spunky Comics (B)
Spy and Counterspy (D)
Star Spangled Comics (C)
Starlet O'Hara (C)
Stai'tling Comics 'C)
Steve Canyon Comics (C)
Steve Roper Comics (C)
Steve Saunders Special Agent (B)
Sub-Mariner Comics (C)
Sugar Bowl Comics (B)
Sun Girl (D)
Super Comics (C)
Super Duck Comics (B)
Super Rnbhit Comics (A)
Super Mystery (C)
Superboy (B)
Superman (A)
Supermouse '^A)
Supersnipe Comics (C)
Suspense (D)
Suzie Comics (B)
Swee' Pea (A)
Sweet Love (A)
Sweetheart Diary (A)
Sweethearts (A)
Target Comics (C)
Tarzan (P.)
Teena (A)
Teen- Age Diary (A)
Teen-Age Romances (A)
Teen Comics (A)
Terry and the Pirates (C)
Terry-Toons Comics (A)
Tessie the Typist (A)
Tex Granger (B)
Tex Morgan (C)
Tex Taylor (C)
Texan Comics, The (D)
They Got the Blame (A)
This Is Tomorrow (A)
Three Little Pigs (A)
Three Stooges, The (C)
Thrilling Comics (C)
Thumper Follows His Nose (A)
Tillie the Toiler (A)
Tim Holt (C)
Tim McCoy (C)
Tim Tyler (D)
Tiny Tessie (A)
Tip Top Comics (B)
Tip Topper (B)
Tipple (B)
Tipple and Cap Stubbs (A)
Tom & Jerry (A)
Tom Mix Western (B)
Tommy of the Big Top (C)
Tony Trent (C)
Top Secrets (C)
Topex (A)
Torchy (C)
Trail Colt (C)
Treasury Chest (A)
True Comics (B)
True Complete Mystery (C)
True Confidences (B)
True Crime Comics (C)
True Sport Picture Stories (C)
True Stories of Romance (B)
True to Life Romances (B)
True Western (C)
Truth About Crime, The (D)
Tuffy (A)
Two-Gun Kid (C)
Uncle Wiggly (A)
Underworld (C)
Vicky Comics (B)
Walt Disney's Comics and Stories (A)
Walt Disney's Donald Duck (R)
Walt Disney's Mickey Mouse (B)
Walt Disney's Pinocchio (A)
Walt Disney's Seven Dwarfs (A)
Walt Disney's 3 Little Pigs (A)
Walt Disney's Thumper Follows His
Nose (A)
Walter Lantz New Funnies (A)
Walter Lantz Oswald the Rabbit (A)
Walter Lantz Woody Woodpecker (A)
Wambi, tbe Jungle Boy (C)
Wanted Comics (D)
War Against Crime (C)
Western Adventures (C)
Western Bandit Trails (C)
Western Comics, The (C)
Western Fighters (B)
Western Hero (B)
Western Killers (D)
Western Life Romances (C)
Western Love (B)
Western Outlaws (C)
Western Trails (B)
Western Picture Stories (C)
Western Romances (C)
Western Thrillers (D)
JUVENILE DELINQUENCY 53
■Western True Crime (C) Wonder Duck (A)
Western Winners (C) Wonder Woman (A)
Whiz Comics (B) Woody Woodpecker (A)
Whodonit (B) World's Finest Comics (D)
Wilbur Comics (C) Young Hearts (A)
Wild Bill Hickok (C) Young L^^e (B)
Wild Western (B) ^ Romance (B)
^Y^'i SS 5d) Youthful Love Romances (C)
Winnie Winkle (A) i^^^ >r' , mu . ,t ^- /A^
Women in Love (B) Zane Grey's Thunder Mountain (A)
Women Outlaws (D) Zane Grey's West of the Pecos (A)
Wonder Comics (D) Zegra (C)
Mr. Clendenen. Now, I cannot here adequately summarize the vari-
ous opinions which are expressed by sociologists, psychiatrists, and
law-enforcement officials and other people who might qualify as experts
in this field, but I do feel that it is eminently accurate and fair to say
that there is substantial, although not always unanimous, agreement
on the following three points :
1. That the reading of a crime comic will not cause a well adjusted
and well socialized boy or girl to go out and commit crime.
2. There may be a detrimental and delinquency producing effect
upon some emotionally disturbed children who may gain suggestion,
support, and sanction for acting out his own hostile and aggressive
feeling.
3. There is reason to believe that as among youngsters, the most
avid and extensive consumers of comics are the very boys and girls
less able to tolerate this type of material.
As a matter of fact, many experts feel that excessive reading of ma-
terials of this kind in itself is symptomatic of some emotional malad-
justment in a youngster.
In other words, I would say in terms of all these materials that,
although not completely unanimous, there is very substantial agree-
ment as to these three points, Mr. Chairman.
Senator Hennings. Mr. Chairman, may I ask one question?
The Chairman. The Senator from Missouri.
Senator Hennings. I remember, and I am sure many of us do, the
enjoyment with which some of us at a very tender age read the horror
stories of Edgar Allan Poe. Many of us read Sherlock Holmes.
There was the modus operandi for certainly many crimes.
I suppose that was the basis of the modern crime story, the beginning
of the modern crime story.
Certainly nothing is more horrible and calculated to bring a certain
degree of terror and chill to the spine of a youngster than the Fall
of the House of Usher, The Black Cat, and Tlie Pendulum — stories
of the French Revolution depicting heads held before the crowd on
the Place de la Concorde and so on.
Now, how did these differ in your opinion, Mr. Clendenen, these
comic books, and the manner in wliich these things are presented,
graphic as they are, being picture stories as they are ?
These books, too, are rather profusely illustrated by some pictures
you never forget. I can remember some of them myself, now. How
do those things differ from tlie things many of us read as youngsters ?
Mr. Clendenen. Well, I think there are certain differences perhaps
not so much in the content of tlie material as in its wide distribution
and greatly increased consumption.
54 JUVENILE DELINQUENCY
Now, frankly, I do think that there are some differences even in the
material itself. In preparation for these hearings we also reviewed —
for example, I have here two reprints of Nick Carter, which were very
popular during an earlier era.
Senator Hennings. That was the so-called dime novels of our
father's time.
Mr. Clendenen. That is right. Its reputation in its own day
would indicate it is really rather tame reading compared to this kind
of material. This is really much more lurid material.
Then it would seem to me, of course, that the pictorial presentation
and all of the vivid colors and so on represent something that is dif-
ferent.
Finally, the only other difference that I can point to would be the
fact that this is very widely available at 10 cents a copy on newsstands
everywhere.
That is, not only is it available, but the youngster does not have to
seek it out. The material is there ready to be picked up and urged
upon him at every turn.
Senator Hennings. Wasn't that true of the dime novel. You re-
member the Horatio Alger books also pictured the hero as forswearing
the dime novels. He did not pick them up on the stands as he went
through the Bowery area in New York. He didn't read the dime
novels or go to the Bowery Theater.
But they were available, too, were they not ?
Mr. Clendenen. Certainly they were rather readily avialable to
the youngster, but one point I would like to make is that I am not at
all sure, and I certainly would not want to say that the material to
which you refer was not also possibly at any rate detrimental to cer-
tain youngsters of that generation, too.
In other wards, as the one point I made, the experts agree that none
of this material, either Nick Carter or the comics, would make a well
adjusted and well socialized youngster go out and commit a crime.
On the other hand, this material may have given suggestion and
sanction 25 or 30 or 40 years ago to a youngster who may have read it,
just as exactly these kinds of materials may have given support and
sanction to youngsters of this generation.
The Chairman. Senator Kefauver.
Senator Kefauver. Mr. Clendenen, these are sent through the mails,
shipped by express, or delivered by truck ?
Mr. Clendenen. Although the majority of these have a second-
class mailing permit, actually very few of them move through the
mails. Most of these are shipped by either freight or express. It is
a cheaper way of transporting them than through using the mails.
Senator Kefaver. In any event, the Post Office Department has
taken it as a rule that the obscene and the indecent statutes as to the
use of the mail does not prohibit the dissemination of these by mail.
Mr. Clendenen. No, sir ; I think the facts of the matter are that they
have not ruled. Actually, these do not move through the mail.
As I understand it, and now I cannot qualify as any expert here,
but I understand they do rule only upon materials — well, they would
rule upon materials at the time the permit was granted, but 6 months
later they would not be ruling, you see, upon matrials that were cur-
rently being published because they were not moving through the mail.
JUVENILE DELINQUENCY 55
Senator Kefauver. I thought you said they had a second-class
permit ?
Mr. Clendenen. Yes, sir; which means they had a ruling at the
time the permit was granted.
In other words, they were admitted to the mails at the time the
permit was granted. That does not mean they grant a new permit,
the next month, when new materials are turned out.
Senator Kefauver, Can you tell us whether these things do move
through the mails, or whether they do not ?
Mr. Clendenen. Primarily they do not.
Senator Kefauver. I mean are some shipped through the mails?
Mr. Clendenen. There are a few companies, for example, that do
a subscription business and in that instance, for example, individual
copies would move through the mails.
Senator Kefauver. Have you ascertained from the Post Office in-
spectors or the head of that Department whether these are prohibited
or whether the statute is not broad enough to cover them ?
Mr. Clendenen. Yes, sir ; I inquired as to that, and their reaction
was to the effect that if some of these materials did move through the
mails the Post Office Department might question them.
Now, actually, the ones that did come to their attention which did
go through the mails they had found no basis for questioning, but
they were aware that not all comics by any means are all crime comics.
Senator Kefauver. I know of no one saying that all crime comics
be ruled out, but if they are obscene and indecent, there might be a
ruling.
Now, counsel, are you going to bring out the matter of why the
Atlas Corp. formed 25 corporations to carry on its business ?
Mr. Beaser. We will have the business manager of the Atlas Corp.
here.
Senator Kefauver, Where is the center of this industry, this horror
and crime-comic industry ?
Mr. Clendenen. In New York City. Actually, that holds true
for the entire comic-book industry.
Senator Kefauver. I understood there was one reason why we are
having the hearing here. Do you mean New York City is where the
material is prepared or shipped from ?
Mr. Clendenen. New York City is where the publishers are located
and where the material is prepared.
Now, actually, the printing might be done in various places. That
is, a publisher gets a printer to take on a job in Meriden, Conn., or
upstate New York, or some other location. He sends the material
after it has been prepared to the printer, the printer prints it, and then
it is shipped out directly from the printer without being returned
to the publisher.
It is shipped directly from the printer to the various distributors
over the country who in turn distribute it to the wholesalers.
Senator Kefauver. In connection with the distribution you said
that Atlas had its own distributing system ?
Mr. Clendenen. Yes, sir.
Senator Kefaua'er. Do you mean that is the wholesale, retail, or
what do you refer to ?
Mr. Clendenen. A distributor is a company which supplies the
wholesaler and then the wholesalers supply the retailers.
56 JUVENILE DELINQUENCY
Senator Hennings. Like the Union News Co. ?
Mr. Clendenen. Yes.
Senator Kefauver. Is that true generally of the crime-book pub-
lishers? Do they have their own distributing companies?
Mr. Clendenen. No, I would not say it is the usual practice, al-
though it is not unique, either.
Senator Kefauver. Do some of them own retail outlets ?
Mr. Clendenen. No, sir ; they do not to my knowledge.
Senator Kefauver. That is all, Mr. Chairman. Thank you.
The Chairman. Mr. Clendenen, the name "comic book" is certainly
a misnomer, is it not, as we apply them to these publications?
Mr. Clendenen. These are not funny.
The Chairman. That is the term by which they are designated
throughout the land, is it not ?
Mr. Clendenen. Right.
The Chairman. Mr. Hannoch?
Mr. Hannoch. Do you expect to say anything further at this time
on the question of how these comics are distributed, what the general
system of distribution is?
Mr. Clendenen. No, sir; I had not intended to. We have both
distributors and dealers scheduled to appear here, Mr. Hannoch.
Senator Hennings. Humor after all is a variable, is it not, Mr.
Clendenen ?
Mr. Clendenen. Yes, indeed.
Senator Hennings. Humor is not an absolute. Some people think
Charles Adams' macabre drawings in the New Yorker magazine are
very funny. Others think they are not.
When I was a boy some people thought Little Nemo was funny.
Little Nemo frightened other children.
Alice in Wonderland — Lewis Carroll was said to have written it
for the little girl. It also seemed to me to be an adult book. As a child
I can understand not liking any of it and the drawings frightened
me because they were dark and I thought very dreary.
So again we get into all this question of relative humor, what is
funny to one person or one group of people, or even as to nations.
We have made fun of the British and their jokes in London Punch
for years. Some of the British think they are very funny. Some of
our people think they are funny and doubtless some of their people
don't think they are funny.
It is a little ridiculous to talk about things being humor per se.
It is all in the eye of the beholder, after all.
Mr. Clendenen. Yes.
On the other hand, I would say the comics, the one I presented show-
ing Frisco Mary who empties the machine gun into the prostrate law
officer and Mary finally ends up dying in the gas chamber, you know
there may be humor in this particular situation, but I myself would
not recognize any humor.
The Chairman. It is a weird type of humor, is it not ?
Mr. Clendenen. It would be to me, Senator.
Senator Ej:fauver. I was interested in what Mr. Clendenen had
to say as a social worker, or expert, relative to the fact that the larger
number of these horror books are found in areas where the children
are less able to take them, that is, in areas I take it where there is high
JUVENILE DELINQUENCY 57
juvenile delinquency. Is that an established fact beyond any
question ?
Mr. Clendenen. Insofar as I know, Senator, there has been no real
study of this made.
As a matter of fact, although many people had long observed that
youngsters who seemed to be upset and emotionally disturbed many
times seemed to have an abnormal kind of need to read this more sordid
type of material, nevertheless, I became aware of this in Washington
when we went out and attempted to buy crime comics in Washington.
We found out there were certain types of crime comics we could pur-
chase only in certain areas of Washington. These were the more
physically deteriorated and the areas of the city in which there would
be higher delinquency rates.
Now I believe that we will have a witness scheduled here who may
testify as to that point regarding his observations in New York City.
The Chairman. Mr. Beaser has some questions.
Mr. Beaser. Mr. Clendenen, in your investigation did you find that
the pages of the comic books, crime and horror comic books, are used
for purposes other than the entertainment and edification of children ?
Mr. Clendenen. Yes, we certainly did. In this connection I would
like to refer particularly to the advertising matter appearing in
comic books.
Now, a large number of the comic books — and when I use the word
"comic books," I really should be using the words "crime comic books"
because that is what our investigation relates to — a large number of
these publications do carry advertising matter. Now, the type of ad-
vertising matter is primarily, as a matter of fact I would say more
than 90 percent, of the mail-order variety.
Now, I mean by that it is the kind of advertising where they solicit
you to write in for a publication or some article, and so on.
It is interesting to note that advertising matter in these publications
seems to be directed at both adults and children ; that is, you will have
advertising that would seem to be of no interest whatsoever, of an item
that would be of little or no interest to youngsters.
On the other hand you have advertising that would seem to have
little or be of little or no interest to adults.
In that connection we have here a slide which shows a collection of
items which would appeal to juveniles. Now, of this particular ad,
we were interested in noting and consequently we went ahead and
made a slide of the opposite page to this particular ad, which is a page
which shows no less than two violent killings. The contrast actually
struck us a bit.
On one page they were killing two men, on the opposite page they
were advertising dolls for little girls.
Now, there are still other ads that might be questioned on the basis
that they would stimulate and enable youngsters to buy articles which
might be deemed deterimental to their own safety and welfare.
Here is another picture which, among other things, offers for sale
4 knives, 2 of which are made for throwing and one of which features
a 12-inch steel blade.
It also offers for sale dueling swords, cross bows with metal tipped
arrows and so forth.
Senator Kefauver. Is that a pistol in the middle ?
58 JUVENILE DELINQUENCY
Mr. Clendenen. Yes, sir; although that is advertised as firing
blanks, .22 blanks.
Senator Hennings. That is similar to the one you had on the Board
in Philadelphia last week. It was denominated a starter's pistol, al-
though I do not think the starter starting a foot race ever used any-
thing like that.
The Chairman. Except they were homemade weapons, were they
not?
Senator Hennings. No. ; this was one ordered through the mail and
the placard stated starter's pistol ordered through the mail.
The Chairman. I thought the Senator was referring to homemade
weapons.
Mr. Hannoch. Do these ads advertise switch-blade knives!
Mr. Clendenen. No, sir ; we heard of ads for switch-blade knives
in the comic books, but we ourselves located no such ads.
I would like to say one other word about the advertising, that is, we
also have very real questions as to whether or not there is not a possi-
bility that their advertising in comics, that is, the ordering of certain
articles advertised in comics, may lead to a youngster also being
solicited by direct mail for salacious, sexually suggestive material.
Now, that is a possibility which we also plan to explore through the
presentation of other witnesses.
Mr. Beaser. Mr. Clendenen, have you in the course of your investi-
gation found any evidence of subversion in the use of comics, crime
and horror comics ?
Mr. Clendenen. If you mean by that a deliberate and planned ef-
fort to use the crime comics as a medium through which you are going
to subvert the minds and morals of youngsters, my answer would be
"No."
Now, that does not mean that youngsters cannot or may not be dam-
aged unintentionally and not by plan.
Now, I would like to make a couple other comments on this particu-
lar question. First of all, as I have said earlier, our investigation
to date has related only to the crime-type comics.
In other words, we have not gone into war comics, love comics,
jungle comics, and the many other varieties of comics.
Now, we do plan and will be looking further at some of these other
types of comics. They will be subject to careful evaluation and cer-
tainly, Mr. Beaser, we will be looking for such evidence of subversion
in the course of that exploration.
Now, I would like to mention one other item in connection with this.
I have here a copy of a newsletter which is issued by the Association
of Comic Magazine Publishers which contains an item regarding a
charge which appeared in the Rapid City, S. D., Journal on February
18 of this year, which did make the claim that certain comic books were
being utilized in an effort to get certain kinds of communistic propa-
ganda across to youngsters.
Now, at the other extreme, I would like to mention one other item.
That is, I have here a page which is designed to appear in another
not too distant issue of a comic book, and this little page contains three
different pictures. It is entitled "Are You a Red Dupe?" It is the
story of Melvin Blizunken-Skovitchsky, who lives in Soviet Russia
and who printed comic books, but some people didn't believe that other
JUVENILE DELINQUENCY 59
persons had intelligence enough to decide what they wanted to read
and so the secret police came and smashed poor Melvins four-color
press and end up by hanging Melvin to the tree.
Now, there is a message down at the bottom and it ends up by say-
ing. "So the next time some joker gets up at a PTA meeting, or starts
jabbering about 'the naughty comic books' at your local candy store,
give him the once-over. We are not saying he is a Conmiunist ! He
}nay be innocent of the whole thing ! He may be a dupe ! He may
not even read the 'Daily Worker' ! It is just that he's swallowed the
Ked bait — hook, line, and sinker I"
So at the other extreme some people would make out anyone who
raised any question whatsoever about the comics was also giving out
Red-inspired propaganda.
Senator Hennings. Insofar as you have been able to determine and
evaluate tins whole enterprise, or industry, the profit motive is the
factor, is it not ?
Mr. Clendenen. Yes, sir ; that is my own opinion.
Senator Hennings. You do not suggest that there is any conspira-
torial attempt to corrupt tlip minds of young people nor to influence
their behavior or their conduct, nor to warp, or otherwise do some-
thing detrimental to their lives, futures ; it is the business of making
money out of this?
Mr. Clendenen. That is right. I hope I made it perfectly clear
that our investigation revealed no planned etfort.
Senator Hennings. I think you did, and I wanted to emphasize
in addition to your having made it clear, Mr. Clendenen, that it is the
business of making money and they do not seem to care what they do
or what they purvey or what they dish out to these youngsters as long
as it sells and brings in the money.
This seems to be an effort, this "Are you a Red dupe?" business, to
forestall or bring such pressure to bear as can be against any attempt
to even look into or to examine this to see what it may be doing.
Mr. Clendenen. I would interpret it as such.
Senator Hennings. By throwing the suggestion out that anybody
who questions whether or not these things are beneficial jnust be a
Connnunist because of our friend who had tlie press smashed over in
Soviet Russia ?
Mr. Clendenen. Right.
Mr. Hannocii. Where did you get this that has not as yet come out?
Mr. Clendenen. This was j)rovided to us by a publisher, Mr.
William Gaines.
Senator Hennings. While you were investigating him?
Mr. Clendenen. Yes, sir.
Mr. Hannoch. Was that supposed to stop you from investigating
Avhen he showed you this ?
Mr. Clendenen. No; I think not. He thouglit we would be in-
terested in the item and he gave it to us.
Mr. Hannoch. It is about to be published by him?
Mr. Clendenen. The information that we had was that this would
appear in a future issue of this publication.
The Chairman. But it has not been published yet ?
Mr. Clendenen. We have not seen it on the newsstand, Senator.
The Chairman. Senator Kefauver?
49632—54 5
QQ JUVENILE DELINQUENCY
Senator Kefauver. This is very interesting. They attempt to quote
the Daily Worker to show tliat anyone who questions comics is a Com-
munist. I think this should be placed in the record along with the
item you spoke about that quoted the editor from Rapid City, S. Dak.
The Chairman. The Chair agrees with the Senator from Tennessee,
and without objection, the items will be made a part of the record.
Let that be exhibits Nos. 8 a and b.
(The information referred to was marked "Exhibits Nos. 8a and b,"
and reads as follows:)
Exhibit No. 8a
Association of Comics Magazine Publishers, Inc.,
New York, xY. Y., March 18, 195^.
To all Publishers of Comics Magazines
comics magazines attacked as COilMUNISTIC
The following headline appeared in the Rapid City (S. Dak.) Journal on Febru-
ary 18 : "Number of Comics iiooks on Newsstands 'Communistic'."
The story ran 19 column inches and quoted various Army officials.
Following are the first five paragraphs :
"Fifty communistic publications are available to the people of Rapid City on
local newsstands, according to a wing intelligence officer of the Ellsworth Air
Force Base.
" 'AH local newsstands are carrying communistic literature,' declared Capt.
William Wygocki who spoke at a conference of civilian and military law-en-
forcement ofticials at the base Wednesday afternoon.
"The 'literature' is comic books that show brutal police and FBI officers and are
derogatory to people of high social status, Wygicki said.
"They show everyone wlio has a high place in society as cowards with no back-
bone or regard for life. So they are definitely a menace," he said * * *.
(The above is an excerpt.)
The Orlando (Fla.) Sentinel on February 23 published a lengthy editorial en-
titled "Problems Comic Books Produce" and with the editorial ran a cartoon
showing a book labeled "United States Comic Books" and across the book was
pictured a hammer and sickle. The editorial concluded with a sentence sum-
marizing Dr. Frederic Wertham. The editorial writer said : "And as propa-
ganda agencies for Communist cells, they [comic books] are made to order."
CHRONOLOGY IN ERIE, PA.
February 23: Erie (Pa.) Times carries article attacking comics, stating in
part, "A Times reporter spent 50 cents for 'children's' literature and came up
with a short course in murder, mayhem, robbery, rape, cannibalism, carnage, sex,
sadism, and worse."
February 24: Mayor Thomas Flatley, of Erie, ordered an investigation by
police of comic books found in Erie stores.
February 25: Sharon (Pa.) Herald carried story about tlie Erie police in-
vestigation.
February 27 : Erie Times carries story that the mayor and police chief will
meet to adopt a city ordinance "with teeth in it" to keep "such matter oft the
stands."
COMICS SEMANTICS DEPARTMENT
The Chicago News (March 5) reported in a two-column headline: "Ciucci
Denounced as Wife Cheater."
And the story said, in part: "Vincent Ciucci, young grocer accused of wiping
out his family of four because he loved another woman, went on trial for his
life in criminal court Friday.
• "The prosecutor described him to the jury as an unfaithful husband, a deceiver
of his mistress, and a comic book reader." [Italics ours.]
JUVENILE DELINQUENCY 61
NOTES ON COMICS BOOKS FUOM MANY POINTS
Mrs. Faye Hnbhard, wife of Mayor Orville L. Hubbard, was wounded by a
gunshot fired by her 11-year-old son (March 0) ; the mayor was quoted as blaming
the incident on his boy's interest in comics magazines — ''Russian roulette." Use
of comics books in election campaigns is subject of legislation pending in Massa-
chusetts State Legislature, supported by Repul>licans and Democrats. Council-
man John E. Eugel, of Hackensacli, N. J., asked the city attorney to prepare
an ordinance to regulate comic books (February 24) (Hackeusack, Bergen
Evening Record). Newburgh, N. Y., held meeting of 19 organizations to plan
anticomics campaign, leader having described comics as "subversive" ; results
of meeting not yet liuown. A special committee is investigating comic books
in Encondido ; reported in the San Diego (Calif.) Union. The Bentonville,
Ark., Comics Book Committee finished its evaluation for local people and the
Fayetteville (Arlv.) Times reports that the chairman, Mrs. Lewis Dahlstrom,
is now helping other communities evaluate comics, too. Only one-tenth of all
comics are fit to read, acc(nding to a police captain at a PTA meeting in Fre-
mont, Ohio, as reported in the Fremont Messenger, February 19. The effect of
comics on youth is the sul).iect of a current study of tlie Study Club of Freer, Tex.
"Abolition of degrading comics books for all time" is the goal of a campaign of
women's clubs in Leesburg, Fla. ; comics books were described as direct con-
tributors to juvenile delinquency ; late in February and early March, the Or-
lando (Fla.) Sentinel carried anticomics editorials and letters to the editor.
The Springfield, Mass. Comics Investigation Committee announced it will not
engage in "witch hunts" (February 23, Springfield News). Numerous Washing-
ton dispatches continue to report intention of Hendrickson committee to investi-
gate comics. Hartford, Conn., continues to be center of strong anticomics fight ;
nearby communities plan comics curbs, following series by Hartford Courant,
described in earlier ACMP bulletin ; daily anticomics activity is reported. Anti-
comics action reported in the press of Los Angeles; Hammond, Ind. ; Houston,
Tex. ; Detroit, Mich. ; Asheville, N. C. ; and elsewhere.
PATKI URGES CAUTION
Angelo Patri's syndicated newspaper column, while critical of comics, on
February 26, included tlie following after discussing comics censorstiip : "What
we want to do is to safeguard the children and still preserve our cherished right
to read what we choose. It requires careful doing, but it can be done."
NEWS BRIEFS
The New Haven Register warmly commended the B. F. Goodrich educational
comics magazine on highway safety.
The Erie (Pa.) Times conmiended a local committee that succeeded in "rid-
ding the city of smutty and obscene literature" no longer visible on the news-
stands (February 24).
The New Orleans States warmly praised Dr. Rex Morgan, comic strip, as edu-
cational and constructive and said the way to deal with "unwholesome enter-
tainment" is to provide "a more wholesome kind."
The Albany (N. Y.) Knickerbocker News and Elmira (N. Y.) Star-Gazette
carried identical editorials (February 19 and 22) on New York State comics
legislation, concluding that if the State legislature "fails to exercise judgment,"
it will have failed to perform its proper function in connection with pending
anticomics legislation.
Alfred A. Albert, Boston leader in civil liberty efforts, defended comics in a
strong letter to the Boston Herald on March 3.
Dr. William Darby Glenn, psychology department chief of University of
Tampa, in a speech before the Miami Woman's Club, declared many a child
has learned to read from comic books where the conventional reader has failed.
01)serves the Schenectady (N. Y.) Union Star on February 25: "Enlightened
and determined public opinion is the only true censorship in a nonpolice state,"
anent anticomics legislation.
Activity against comics magazines seems to have become more intense in all
sections of the country in the past 10 days.
Henry Edwakd Schultz,
General Council.
62
JUVENILE DELINQUENCY
Exhibit No. 8b
• HERE IN AA\ERICA, WE CAN Sr/U PUBLISH OOMIC' MASftZINE5, (NEWSPAPERS, SUCKS, BOOKS' ANl? THE BIBLE. WE
PON'T /MV£ TO SEND THEM TO A CENSOR FIRST. NOT yeT...
• BUT THERE ARE SOME PEOPLE IN AMERICA WHO WOULP IIKE TO CENSOR... WHO, WQULPi/AfC TO SUPPRESS
COMICS. it'l^'T'TriAT THE/ PONT U<fe COMICS FOR THBm! THE/ DON'T LIKE THEM K>R YOUf
• THESE PEOPLE SAY THAT COAMC BOOKS ARENT AS SOOP FOR CHILDREN AS NO COmC BOOX5. OR SOMETHING-
LIICE THAT. SOME OF THESE PEOPLE. ARE NO-GOODS. SOME ARE DO-&OOPER5. SOME ARE.WELL- MEANING.
AND SOME ARE JUST PLAIN MEAN . '
• BUT WE ARE CONCERNED WITH AN AMAZIN& REVELATION. AFTER MUCH SEARCHING- OF NEWSPAPER FILES, WE'VE
MADE AN ASTOUNDING- DISCOVERy:
W£ GROUP MOST AmOifS TO PiSTMY COMiCS
• WE'RE SERIOUS.' NO KIDDIN .' HBR£! READ THIS:
nECooiimmtsTl'aua wo^ifcfg" op july is.igss
giTTERa ATTACKBC nE ROte OF:' ' '
"..SO-CALLED 'COMICS' IN BRUTALIZING
AMERICAN YOUTH, THE BETTER TO PREPARE
THEM FOR MILITARY SERVICE IN IMPLEMENTING
OUR (GOVERNMENT'S AfAfcS 6f WORID '
DOMINATION, AND TO ACCEPT THE
ATROCITIES NOW BEING PERPETRATED BY
AMERICAN SOLPIERS AI>)D AIRMEN IN •
KOREA UNDER THE FLAG OF THE UNITED'
NATIONS."
ms AgVCLE ALSO QUOTED OeKSHOM l£6MAH (WHO CLAIMS TV BE A GHOST
WRITER FOR OR.FOeOeRICK VHSRJMAM, THE AUTHOR OF A RECENT SMEAR
ASAINST COMICS PUBU5HED IN 'THE LAPIES HOME JOURmf) . THIS
SAME 6. LE^MAM.irt ISSUE *5pF'HEUIK>TlCA? Pt^Bt^SHEO WAi/r;/fU/
1946, WILOLf CONDEMNED COMICS, ACTHOUGH At^MTTING THAT:'
."THE, CHILD'S NATURAL CHARACTER... MUST BE DISTORTED TO
viT CIVILIZATION... Fantasy violence will paralyze his
RESISTANCE, DIVERT HIS AGGRESSION TO UNREAL
ENEMIES AND FRUSTRATIONS, AND IN THIS WAY PREVENT
M(M FROM RE8ELLIN& AGAINSt PARENTS AND TEACHERS...
THIS WILL SIPHON OFF HIS RESISTANCE AGAINST
SOCIETY, AND PREVENT REVOLUTION. "
• SO THE A'fXr TIME SOME JOKER GETS UP AT A P.T.A. MEETING, OR STARTS JABSERIN© ABOUT
THE "NAUGHT/ COrAiC BOOK,^! />,! YPUR. LOCAL CANDY STOKE, GIVE HIM THE ONCC-OVER. WE'RE
NOT SAYING HE /5 Vk' COMMUNIST.' HE MAY BE INNOCENT OF THE. WHOLE lh\H6>i HE MAY BE A
PUPef HE MAY NOT EVEN R&KP THE "DAILY WORKER'.' IT'S JUST THAT HE'S SWALIOWEO THE K£t>
BAIT... HOOK, LINE, ANP SINKER/
Senator Kefauver. You referred to Mr. Gaines. Who is he ?
Mr. Clendenen. He is the publisher of the Entertaining Comics
Group.
The Chairman. Entertaining Comic Group. You distinguish
now from the Crime Comics ?
Mr. Clendenen. No, sir ; by group I mean a group of comics that
all carry the Entertaining Comics label and although they may be
put out by 2 or 3 different corporations, you lump them all together;
it is really, for all practical purposes, a single business operation and
JUVENILE DELINQUENCY 63
the single business operation in this case is tlie Entertaining Comics.
Senator Hennings. This legend is very interesting as we read this,
propaganda. The first sentence:
Here in America, we can still publish comic magazines, newspapers, slicks,
books, and the Bible. We don't have to send them to a censor first. Not
yet * *= *
Mr. Hannoch (reading) :
The group most anxious to destroy comics are the Communists.
That is in the big type, is it not ?
Mr. Clendenen. Yes, that is the big type.
Mr. Beaser. No further questions.
The Chairman. Do my distinguished colleagues have any further
questions ?
Thank you very much, Mr. Clendenen. I think your next witness
is Dr. Harris Peck, is it not. Counsel ?
Mr. Beaser. Yes.
The Chairman. Will Dr. Peck come forward, please?
Doctor, will you be sworn, please ?
Do you solemnly swear that the testimony you will give to this sub-
committee of the Connnittee on the Judiciary of the United States
Senate, will be the truth, the whole truth, and nothing but the truth,
so help yon God ?
Dr. Peck. I do.
TESTIMONY OF DR. HAERIS PECK, DIEECTOE, BUEEAU OE MENTAL
HEALTH SEEVICES, CHILDEEN'S COUET, NEW YOEK CITY COUET
OF DOMESTIC EELATIONS, NEW YOEK, N. Y.
The Chairman. Doctor, did you have a prepared statement ?
Dr. Peck. No, I do not.
The Chairman. Will you proceed to give your testimony in your
owm manner^
Mr. Beaser. I think it might be easier for the Doctor if we had
questions.
The Chairman. Proceed, then.
Mr. Beaser. Will you state for the record your full name, address,
present occupation, and title ?
Dr. Peck. I am Dr. Harris Peck, and I am the director of the
Bureau of Mental Health Services for the New York City Court of
Domestic Relations.
Mr. Beaser. At the children's court ?
Dr. Peck. That is, the court of domestic relations is comprised of
two courts, the family court and the children's court.
Mr. Beaser. Could you give us a little bit of your background?
You are a psychiati'ist, are you ?
Dr. Peck. Yes, I have been associated with the court for almost 8
years, first, as senior psychiatrist in charge of the treatment services,
and for the past several years I was director of the mental health
services.
Prior to that I was director of a child-guidance clinic at the General
Hospital in the city, and was a research and teaching fellow at the
Bellevue Hospital, New York University Medical Center.
64 JUVENILE DELINQUENCY
Mr. Beaser. Were you here this morning when Mr. Clendenen
testified ?
Dr. Peck. Yes.
Mr. Beaser. Would you care to give us your opinion on his testi-
mony, the exhibits he used in relation to the effect of crime and horror
comics upon children and juvenile delinquency?
Dr. Peck. I think I should precede my remarks by saying that I
really cannot pose as an expert in the field of comic books. When I
was asked to come down I tried to make that clear.
Perhaps my contribution can be only a very limited one.
I have worked extensively in the psychiatric treatment of juvenile
delinquents and in the course of that have had some contact with the
comic-book situation, but I have made no systematic study of it and
cannot testify as an expert in that sense.
I think that my own general view from my experiences with chil-
dren as seen in a court clinic would lead to the feeling that certainly
we cannot look to comic books as being a primary causative source for
juvenile delinquency.
In that sense I would certainly support Mr. Clendenen's view that
normal children are not led to crime as we have seen it in the court
clinic because of reading comic books.
On the other hand, I certainly do feel that in areas of our city where
there are many deteriorating influences at work on children which do
end them up in our court, certainly the comic books may be an aiding
and abetting influence and may well precipitate some of the concerns
which have already been set into motion by other forces.
Also I think I can confirm the fact that many of the children re-
ceived in our court clinic are quite ])reoccupied with the materials of
the kinds of comic books that were shown here this morning.
Mr. Beaser. Doctor, I have heard, or read, the statement that a child
who is emotionally maladjusted, if that is the cori'ect term, is exactly
the kind of child who would shun reading a crime or horror comic.
Is that true from your experience, or are they attracted to it ?
Dr. Peck. I can say that almost without exception most of the chil-
dren that we do see at the psychiatric services of the court are reading
comic books and jnost of them are comics of this description.
As I said earlier, I have not conducted any systematic study on that
matter and this is an impression only.
The Chairman. The children that you refer to. Doctor, are all
children who are in trouble, are they not ?
Dr. Peck. That is right. The children we see at our clinic are chil-
dren who have already been judged delinquent by the children's court.
Mr. Beaser. Doctor, there Avere two particular stories I wanted to
call your attention to that which Mr. Clendenen told this morning.
One I ask him about specifically, the other I did not. One related
to the child about to be placed in a foster home whose foster parents
turn out to be vampires or something and the child himself turned out
to be a werewolf and the other related to the child whose mother was
running around and her father was a drunkard and who had killed
in one way or another the parents and the boy friend.
Would you be able to tell a little bit about the reaction of a normal
or well-acljusted child to those two kinds of stories assuming these
stories are typical of the kind the child is reading ?
JUVENILE DELINQUENCY 65
Dr. Peck. A fair number of the children whom we see come from
homes in which there is ah'eady a certain amount of clisi'iiption. Some-
times this is of a superficial character in that both parents may be
workinfj and the child is simply left alone a good deal of the time.
In other instances, the family has been broken up by divorce or
desertion or there may be one or several parents who are either physi-
cally or emotionally disturbed.
I would say from my experience that for such a child, material which
painted parent figures in a horrendous light that such a child would be
unusually susceptible to this kind of material because it would play
into its own phantasies.
I think it is conceivable that this kind of material, presented in the
fashion that we see in the comic books, could give an additional thrust
to other forces already operating on the child.
Senator Hennings. May I ask Dr. Peck a question at that point?
The Chairman. You may.
Senator Hennings. It seems that I recall from reading of Hans
Christian Anderson and Grimm's Fairy Tales that there were a num-
ber of those stories that related to the vicious, mean, overbearing step-
mother, it seems they emphasized the step-relationship.
Dr. Peck. Yes.
Senator Hennings. Now, there was a great deal that was pretty
horrible in some of these things, was there not ?
Dr. Peck. Yes.
Senator Hennings. Going back and relating that sort of thing
which has gone on for many generations by way of reading material
for the very young and as I have suggested Poe's stories, and. that sort
of thing, how do w^e distinguish, or can we distinguish between that
sort of writing which is given to very young children and has been for
a long time, and this sort of thing about which we are now talking
today ?
Dr. Peck. In some regards I think you cannot distinguish. I think
some of the most vicious, even the very plots as you suggest, are
identical.
It is for that reason that I think some caution must be observed in
attributing to the comic books a major impetus for delinquency.
Among the differences, however, is that although characters are
drawn rather in black and white lines, there is some development of
character, there is, if you like, some humaneness about the stories, most
of which are absent in the comic book materials which seem to enlarge
on the most perverse aspects of the human conscience, at least in the
kind of materials that were presented here.
One might also say, although I think someone observed earlier in
the hearings the earlier materials were illustrated, I think the type
of illustration that one sees here, especially the highly sexualized ma-
terial, was largely absent from some of the more classical fairy tale
material.
Now, I might say that a large group of the youngsters that we see
in our court would be unable to reach very much of the classical
fairy tale material because reading disability is so prevalent in this
population.
So I suspect many of them react even more to the illustrative ma-
terial than to the printed word, although that is kept at a very simple
level.
66 JUVENILE DELINQUENCY
Senator Hennings. Thank yon, Doctor.
Mr. Beaser. I have jnst one more qnestion, Mr. Chairman.
The Chairman. Proceed, Mr. Beaser.
Mr. Beaser. Doctor, yon have seen the pages of comic books or any
illnstratecl magazine used for teaching chiklren what to do. Teach-
ing them to do good things is what I meant, mental health, hygiene,
and so forth.
Is it also possible to utilize the pages of the comics through crime
and horror so that children learn to do bad things ?
Dr. Peck. Certainly audiovisual aids are enjoying increasing prom-
inence in educational techniques.
I think, as a matter of fact, one of our local correctional institu-
tions, the New York State School, is using a comic-book type of pres-
entation for its new arrivals to help orient them to the place and before
they arrive there they give them some real feeling of what the place
is about.
So certainlj^ the comic book, I don't believe, should be devised as
a form. As to whether or not it can teach bad things, I think A^ery
largely that depends on who is being taught and what their situation
is.
I think the children, many of whom need expression, many of whom
are frustrated, who are in deprived situations, certainly will look to
the comic books for release and for expression of the kind of violence
which is being stirred up in them.
Children who are suffering disturbances in their own family situa-
tions will be especially susceptible to the kind of material in which
parent figures engage in all kinds of perverse activities.
So that I think when one says that they may teach bad things, one
has to qualify it in that way.
Mr. Beaser. No further questions, Mr. Chairman.
The Chairman. Doctor, you referred to reading deficiencies in
respect to the more classical type of fairy tale. Now, these children
would not have any trouble reading these things, would they, children
to whom you referred ?
Dr. Peck. Some would, some would have to look at the pictures. In
a study of our court population we found that 75 percent of the popu-
lation who were brought in for other than school difficulties were at
least 2 years retarded in reading and half of those were 5 years re-
tarded in reading, which means that a fair number of them were non-
readers and would barely be able to make out some of the material
even in the comic books.
Senator Kefauver. Dr. Peck, do you feel that the stable children
who could, without doing any harm to themselves read these horror
and crime comics, usually are the ones that are not reading them, but
are reading something else and the maladjusted, unstable child who
ought to be reading something else is usually the one who is found
with horror and crime comics. Is that the situation ?
Dr. Peck. I suspect that trend exists. That is not to say that so-
called normal children may not find some interest in this kind of ma-
terial and without it necessarily precipitating them into delinquency.
Certainly, I think we might talk about more or less desirable educa-
tional materials, and this would certainly be one of the less desirable.
Senator Kefaitvt.r. Dr. Peck, did you give the subcommittee any
JUVENILE DELINQUENCY 67
estimate of the number of children that you have seen from which you
gain your conchisions ?
Dr. Peck. We see approximately about 2,000 cases a year at the
mental health services of the New York City children's court. So I
think it would be fair to say I have seen about — or through my service,
we have seen about 15,000 cases over the past 7 or 8 years.
Senator Kefauver. Do you find about the same conclusions in other
places of the country ? What you have said New York is typical of,
happens throngliout the Nation, I take it ?
Dr. Peck. In regard to what point, Senator ?
Senator Kefau^t:r. In regard to the effect of horror and crime
comics.
In other words, in your discussion and experience with other psy-
chiatrists, do you find that they generally agree with you in your con-
clusions ?
Dr. Peck. I think as Mr. Clendenen indicated, there is some vari-
ance in point of view. The point of view I have given here, I think
you might say, is something of a middle-of-the-road point of view.
There are those who are very much more concerned about the effect
of comic books and there are those who discount a good deal more than
I would be willing to.
Senator KEFAU^'ER. So you think you are in the middle of the road
in appraising the matter ?
Dr. Peck. I think that would be a fair estimate of my position.
Senator Kefauver. I think you have been very fair in your point of
view.
Senator Hennings. Mr. Chairman.
The Chairman. The Senator from Missouri.
Senator Hennings. Doctor, I know we all appreciate very much
your coming here and giving us the benefit of your thoughtful con-
sideration of these things which are of interest to us and which in
many respects are very complex.
For example, we are led to believe, are we not, that crimes of vio-
lence are increasing here and perhaps in England ?
Dr. Peck. Yes ; that is true.
Senator Hexnings. Although figures and statistics — and figures
can be very misleading, can they not ?
Dr. Peck. Yes.
Senator Hennings. When we talk about homicides, sometimes it is
in the course of a robbery, perpetration of a felony ; sometimes as the
Latin Americans say, a crime of passion, sometimes a sporadic sort
of thing that does not seem to be accounted for by anything except
we are people with all the ills that flesh is heir to.
We know that one of the prime entertainments in England years
ago was a public hanging, until Charles Dickens and a number of
reformers of that period abolished public executions and they began
to hang people behind the walls of penitentiaries.
We know in this country even today in some communities people
clamor to get into the death house, or get into where the gallows is
put up so they can see these things, but by and large we do not let
the general public view these as spectacles, but they were great sources
of amusement. Fathers took the family and j^romised the children
if they were good they would take them to the hanging the next day.
68 JUVENILE DELINQUENCY
Now, we have stopped that sort of thing: for the most part. We do
not have these public evidences of brutality.
Has that had any effect, good or bad, except as a question of taste
and general public policy ?
Dr. Peck. I must confess that in the absence of any adequate study,
and I am afraid it is a kind of frustrating answer, I would be unable
to answer in any definitive way.
However, I think one must differentiate between certain isolated
phenomena and some, if you like, which are facilitated because they
fall in with a whole series of other happenings which all go in the
same direction.
I think perhaps in part the comic books are a matter of concern,
because there are other kinds of things which kind of hit Ivids in the
same way so they become especially significant, I would think.
Senator Hennings. I do not have an opinion, Doctor, but to me,
it seemed to be a very interesting field for speculation. We have cut
out so many of the outward semblances or evidences of brutality, the
pillory, the stocks, the ducking stool, and the public executions, and
still we do not seem to, by and large, have done very much about amel-
iorating violence and that character of crime, have we ?
Dr. Peck. Yet we must say from our study of very young children
who are not ill, we do not find any evidence of what you might call an
inherent destructive impulse in youngsters, as such, and given the
opportunities for the growth and normal aggression as distinguished
from destructiveness and hostilitj?^, I think we are almost forced to
conclude that there is something in the situations which we provide
children that acts in good part.
Senator Kefau^^er. I wonder if this would not have something to
do with it. Dr. Peck. We did not condone public hangings and gen-
erally they are not legal now, but the number of people who would
see them compared with the number who would read 25,000 horror
crime books per month, which are put out, would be many, many times
those who would get to the place where the hanging took place.
In other words, there is much wider dissemination and chances to
see.
Dr. Peck. That is certainly correct.
Senator Hennings. Over 100,000 used to crowd the hill in London
outside of the Old Bailey. Families, children, with lunch baskets
and the pickpockets were working the crowd while they were hanging
one.
The Chairman. Doctor, do you find that the more serious crime
is growing among the younger age groups? Is that your experience
here in New York ?
Dr. Peck. We have noted in our observations that the court itself
does report more serious type of delinquency and, in rough kinds of
studies, we think this probably does correspond with an increasing
amount of psychosocial disturbance in the youngsters we see.
The Chairman. That is on the increase?
Dr. Peck. That seems to be.
The Chairman. Thank you. Doctor.
Does counsel have any further questions ?
Mr. Beaser. No further questions.
JUVENILE DELINQUENCY 69
The Chairman. This subcommittee wishes to thank you very much
for your appearance this morning. You have made a real contribution..
Dr. Peck. It has been a privilege to appear.
Mr. Beaser. Mr. Henry Schultz.
The Chairman. Will you be sworn, please ?
Do you solemnly swear that the testimony you will give to this sub-
committee of the Committee on the Judiciary of the United States
Senate, will be the truth, the whole truth, and nothing but the truth,
so help you God?
Mr. Schultz. I do.
TESTIMONY OF HENRY EDWARD SCHULTZ, GENERAL COUNSEL,
ASSOCIATION OF COMIC MAGAZINE PUBLISHERS, INC., NEW
YORK, N. Y.
Mr. Beaser. Will you state your name, address, and occupation,
for the record?
Mr. Schultz. Henry Edward Schultz. I am an attorney, counsel
for the Association of Comic Book Publishers. I am at 205 East 42d
Street here in New York.
Mr. Beaser. Will you tell us a bit about the association, its past
and present membership; how it got started, and what its purposes
are?
Mr. Schultz. I must be a little vague about the precise date because
I had no contact with it at the time, but my recollection is that it was
about 6 or 7 years ago that the comic book publishers, almost 90 per-
cent of them, gathered together in the face of tightening storms of
criticism and sought to band together to do something about it.
They organized themselves into a — I would presume you would
call it— trade association of one kind or another, and under the lead-
ership of a committee, formulated a code.
Again I had no hand in that formulation. It was headed a? I re-
call it, by George Hecht, one of the finer, better publishers in the in-
dustry, who publishes Parents magazine.
I think as we look back, it was a sincere effort to bring some begin-
ning of order out of chaos. Unfortunately, early in the operation of
that association, some of the larger publishers left it and when I was
approached — —
Mr. Beaser. Wlien you first started was it in 1948, 6 or 7 years
ago?
Mr. Schultz. I suspect it is 1948 or 1947.
Mr. Beaser. Were all tlie publishers members? Did they all
join?
Mr. Schultz. I think almost without exception, there may have
been 1 or 2 people who didn't attend those meetings, but as I under-
stand it, and this is hearsay, 90 percent of the industry were members
of that original organization that was formed.
]\Ir. Beaser. Then the association adopted a code and it was after
the adoption of the code that some members left ; is that it ?
Mr. Schultz. That is true, but I hasten to add if there is any
inference in that that they left because of the code, that would be un-
fair to them.
The people who left, some of them, are the finest publishers of
comics in the industry; some of the largest ones. They left for a
70 JUVENILE DELINQUENCY
variety of reasons. Some of them felt that they should not be as-
sociated with some of the elements in the industry that they felt were
publishing products inferior to theirs and there is also, in passing,
a great deal of internecine Avarfare in this industry, a lot of old dif-
ficulties which mitigated a strong, well-knit attempt to organize.
Mr. Beaser. Have you a copy of the code with you ?
Mr. ScHULTZ. No, I am sorry. I thought the committee had
one.
Mr. Beaser. We have one. I would like to offer this, Mr. Chair-
man.
The Chairman. It will be received and marked for the record and
incorporated in the record without objection. Let it be exhibit No. 9.
(The document referred to was marked "'Exhibit No. 9," and reads
as follows:)
Exhibit No. 9
comics code adopted by publishers
New York, July 1. — The Association of Comics Magazine Publishers today an-
nounces the adoption of a code of minimum editorial standards. The association
is now conducting an intensive drive to secure the membership of all the comics
magazine publishers in the United States and their pledge to abide by the comics
code. The code will be sent to local societies, civic groups, and distributors of
magazines.
The association also announces that it is considering appointing a commis-
sioner whose function it will be to survey the entire industry in the light of the
comics code, and to suggest changes, if necessary, as well as to impose restric-
tions on those members of the association whose magazines do not adhere to the
particulars of the comics code. Also under consideration is the adoption of a
seal to be used on comics magazines, the contents of which meet the requirements
jof the comics code. The code reads as follows:
THE COMICS CODE
The Association of Comics Magazine Publishers, realizing its responsibility to
the millions of readers of comics magazines and to the public generally, urges
its members and others to publish comics magazines containing only good,
wholesome entertainment or education, and in no event include in any magazine
comics that may in any way lower the moral standards of those who read them.
In particular :
(1) Sexy, wanton comics should not be published. No drawing should show a
female indecently or unduly exposed, and in no event more nude than in a bathing
suit commonly worn in the United States of America.
(2) Crime should not be presented in such a way as to throw sympathy against
law and justice or to inspire others with the desire for imitation. No comics shall
show the details and methods of a crime committed by a youth. Policemen,
judges, Government officials, and respected institutions should not be portrayed
as stupid or ineffective, or represented in such a way as to weaken respect for
established authority.
(3) No scenes of sadistic torture should be shown.
(4) Vulgar and obscene language .should never be used. Slang should be kept
to a minimum and used only when essential to the story.
(5) Divorce should not be treated humorously nor represented as glamorous or
alluring.
(6) Ridicule of or attack on any religious or racial group is never permissible.
The association anticipates the support of all publishers in its effort to enforce
the minimum editorial standards of the comics code. It is pointed out, however,
that comics magazines are usually prepared at least 3 months before issues go
on sale, so that practical application of the code may not be evident for a number
of months.
The comics magazine publishers who have already agreed to abide by the
comics code, all of whom are not, however, members of the association, are :
Premium Service Co., Inc., Famous Funnies, Inc., Hillman Periodicals, Inc.,
Parents' Institute, Inc., Lev Gleason Publications, Inc., McCombs Publications,
JUVENILE DELINQUENCY 71
Inc., The Golden Willow Press. Avon Periodicals, Inc., Ace Magazines, Orbit
Publications, Inc., Superior Comics, Consolidated Magazines, Inc.
Mr. Beaser. Wliat is your present membership in this association?
Mr. ScHUi.Tz. AVe have about a dozen members, only three of which
are publishers, several distributors, some of the printers, and en-
gravers.
I say that onr experience in continuing this organization has been a
study in frustration. When 1 came into the picture some 6 or 7 years
ago, we had one-tliird of the industry. Since that time there have
been defections from that very substantially so that today unfortu-
nately our association represents a very insignificant, small fraction
of the industry, tliose few diehards who still believethat by some
miracle the organization of their original premise, which was a pro-
gram of self-regulation of comics, miglit yet come true.
Unfortunately it has not happened.
Mr. Beaser. You say there were defections. Do you have any
who left because they were not abiding by the code ?
Mr. SciiuLTz. There were several resignations which were directly
traceable to the fact that I, as a person of some responsibility in this,
refused to approve certain magazines and these people felt they
coidd not live under what they regarded as excessive, kind of narrow,
restrictions.
JNIr. Beaser. You were enforcing the code, in other words?
Mr. ScHULTZ. I tried to enforce it on a very practical level.
Mr. Beaser. flow many publishers were involved?
Mr. ScHULTz. In the defection ?
Mr. Beaser. Yes.
Mr. ScHULTz. I know of two publisliers who left for that very
specific reason. Others left without giving reasons. I can only
guess what the motivation may have been.
Mr. Beaser. Which were the two that had difficulty with respect to
the code?
Mr. ScHULTz. One was the Educational Comics. It is now Enter-
tainment Comics, the Gaines Publishing.
The other was something called the Avon, and there, again, with
the proliferation of corporations and names those names cover a
variety of companies, I presume.
Mr. Beaser. How do you operate, or how does the association op-
erate now as contrasted with the past ? Do you screen all the maga-
zines or comics wliich bear ycur seal of approval ?
Mr. ScHULTz. Originally when I was approached, the concept was
to set up a counterpart of the motion-picture production code. We
had what I still think were good ideas. We got together a commit-
tee of educators. We had the superintendent of schools here in New
York; we had the State librarian, some others, as an advisory com-
mittee to sit in seminars with publishers and educators to raise the
language content levels, and so on.
We actually had a procedure. Some people we hired were actually
reading the comics in the boards; that is, the raw state of the pasted-
up kind of thing before it gets to the printer.
When — I guess it is more than 3 years now, perhaps a little longer —
the defections became so bad we could not afford to continue that kind
of precensorship arrangement and that has been discarded. Today
72 JUVENILE DELINQUENCY
we do no self -regulation at all except as it may exist in the minds of
the editors and they proceed in their daily work.
Mr. Beaser. In other words, Mr. Schnltz, the comic books, crime and
horror comic books which today bear the seal of approval of the asso-
ciation, does not necessarily mean that anybody in the association has
read them and actually approved of the comics?
Mr. ScHULTZ. They do not. The association some 3 years ago — the
few remaining members — adopted a provision in which they agreed
they would do their own censoring, their own censorship at that point,
and there is no longer that other process which I described.
Mr. Beaser. Yet they still do bear the seal of approval ?
Mr. ScpiuLTz. Yes, they bear the seal now, the concept being that
in their judgment they conform to that code which has been made
part of the record.
Mr. Beaser. Now, in the enforcement of your code, or your regu-
lations, whatever it is, have you any sanctions whatsoever?
Mr. ScHULTZ. No ; we have no sanctions.
Mr. Beaser. In other words, the publisher who does not live up to
your code just goes ahead?
Mr. ScHULTZ. A publisher who was a member of the association
who clesired to have the seal on his publication, if he did not conform
to the recommendations made, would be deprived of the right to use
the seal.
Mr. Beaser. I mean right now a person is a member of the asso-
ciation and puts out a magazine that bears the seal, there is no way,
is there, in which your organization as a functioning organization
takes action ?
Mr. ScHULTZ. We do no checking whatever, none whatever.
Mr. Beaser. "Were you here this morning, Mr. Schultz ?
Mr. Schultz. Yes ; I was, right from the very inception.
Mr. Beaser. Did you see some of the exhibits ?
Mr. Schultz. Yes; I did.
Mr. Beaser. Would you say that the ones which showed crime,
horror and terror, would conform to your articles on crime in the code
and on sadistic torture which are forbidden under your code?
Mr. Schultz. Well, it is pretty hard to generalize. First of all,
I would say when the code was adopted the weird kind of terror
comics had not been in existence and the committee that formulated
the code made no provision or reference to it whatever, so that it is
hard to answer the question technically as to whether it conforms to
the code.
My difficulties, however, go beyond the technical. I certainly
think they violate the spirit and intent of such code and was one of
the reasons for the defections about which I spoke.
Mr. Beaser. Would it, in your opinion, violate the provisions of
that code which says that the objective of the code is to prohibit
anything which in any way lowers the moral standards of those who
read them ?
Mr. Schultz. Now you are getting into an area in which I have
very limited competence. I have a lot of experience and contact in
the last 6 years with the whole body of the men who have studied the
problem and I am as confused asl presume everybody else is about how
to answer that question.
JUVENILE DELINQUENCY 73
My guess is that you will not get any eminent, sound, responsible
psychiatrist who will make a definitive statement on that subject.
Mr. Beaser. I was testing the exhibits against the code itself.
Senator Kefauver. Mr. Chairman, if I may make a suggestion, this
reads to me like a very excellent code that has been given a great deal
of thought. If the publishers would follow this code, I do not think
we would have this problem that we are talking about today. I know
the code has been made a part of the record, but I would think, so that
we would know what we are talking about, the paragraph having to
do with that they recommend be published and what should not be
published, ought to be read.
The Chairman. I shall be very glad to have the counsel read that
portion of the code.
I, too, want to join in commending the association for that code. It
is a good code and would do the trick if it were observed.
Senator Kefau^t^r. Counsel might read the whole thing. It is very
short.
The Chairman. Counsel, will you read the code ?
Mr. Beaser. This is something entitled "The Comics Code."
(Mr. Beaser read "The Comics Code" which appears as "Exhibit
No. 9" on p. 70.)
The Chairman. You may proceed.
Mr. Beaser. I have one more question. You have had some years
of experience in representing comic-book publishers. In the sale and
distribution of comic books, are the dealers at the local level required
by either the wholesaler, the distributor, or the publisher in any way
to carry crime and horror comic books?
Mr. ScHULTz. I would say the best answer I could give starts with
the basis that all magazines, comic books, and all publications of every
kind and variety are sold on a fully returnable basis. So you start
with the concept that a dealer who feels the urge not to sell
Mr. Beaser. A dealer is the man on the street corner?
Mr. ScHULTz. A retailer. If the retailer desires to avoid selling any
magazines, either which for political or social or religious or moral
reasons offends his sensibilities, all he has to do is put them under the
counter and return them for full credit.
I would not say there are instances where a roadman representing the
wholesaler or the distributor in New York, in an effort to perform his
function, may not urge a dealer to display a comic horror book he
might not want to, but there is no compulsion legally in any of the
arrangements that I am aware of in the publishing industry.
Mr. Beaser. Have you heard of compulsion in the form of either a
publisher, wholesaler, or distributor saying to dealers that unless they
carry crime and horror comics that they will not be given other, say,
more salable magazines ?
Mr. ScHULTZ. I have not heard that, but I can imagine its happening
for a different reason. It is very much, Mr. Beaser, like the automo-
bile business where they have an agency and they would not like the
agent to prefer to sell only the convertibles. They want him to have a
full line.
If a fat distributor, like the American News Co., that distributes
100 magazines, they prefer a wholesaler to carry their full franchise,
all of their publications.
74 JUVENILE DELINQUENCY
I presume if the point was reached where a wholesaler, by refusing
to accept publications, or returning them without sale, got to the
point where his franchise was ineffective and he was not doing a decent
job for the individual distributor, he might remove the franchise and
give it to somebody else.
Mr. Beaser. In other words, there is the possibility, then, that if
a particular dealer in a drugstore does not want to carry some of the
crime and horror comics and keeps returning certain issues, that he may
be refused the sale of other magazines by the wholesaler ?
Mr. ScHULTZ. I can't conceive it happening at the level of the
retailer. I think it would be very remote.
Mr. Beaser. It would be likely to happen then at the distributor-
wholesaler level?
Mr. ScHULTz. It could happen at the distributor-wholesaler level,
but I have never heard of its happening.
Mr. Hannoch. Have you not heard that it is so prevalent that it
becomes necessary to pass statutes making it illegal to do that very
thing?
Mr. ScHULTz. I know of the statutes that are in existence, Mr.
Hannoch, I think they pei-haps proceeded on a notion which is different
from mine. That is, that there is some compulsion in the so-called
tie-in sale.
My own experience in tliis industry representing publishers for a
quarter of a century, would seem to indicate to the contrary.
Mr. Beaser. Do you think the statutes were passed in various States
without any reason at all and not to cure an evil ?
Mr. ScHULTz. I think that the statutes that were passed in Idaho —
there is one in New York that has just been passed, and there was a
suggestion of one in New Jersey — were passed as a result of a great
deal of excitement and hysteria, in my judgment, about this whole
problem of the impact of the mass media on juvenile delinquency.
I think they proceed from an erroneous assumption that the tie-in
sale is a part of the legal mechanism of the distribution business when
in fact it is not.
The Chairman. You do agree, Mr. Schultz, that if they would abide
by this code, if the publishers did abide by this code which was read
into the record, the trouble would be solved ?
Mr. ScHTJLTz. I am sure 90 percent of the trouble would be removed.
The Chairman. At least the dangers would have been eliminated;
would they not ?
Mr. Schultz. Yes, except for the dangers that come from, if I may
just expand on that phase of it — I would hate to feel I came down just
to tell this story of frustration of the association without at least being
given the privilege of saying one word about my own views of the
impact of these comics on this problem.
I have had the feeling from all I have seen and read, and I have had
a great deal of contact with it, that there are people who, for motiva-
tions of their own, some very sincere, some, I think, insincere, have
made of this comic-book issue a national scandal.
I think it has been a disservice to the people. I think it has been a
disservice to the whole problem that this committee is trying to grap-
ple with, the problem of trying to find the basic impetus.
The causes of juvenile delinquency are broad, that to do the thing
that has happened so many times, which is to point to the easiest
JUVENILE DELINQUENCY 75
culprit, and say it is the comic book that is responsible for all our
difficulties, is a very dangerous tiling.
I am not talking now from the comic-book publishers standpoint.
I think it detracts from the ability to understand the real basic cause
of juvenile delinquency. I think it imjjedes intelligent investigation
into those causes. It gratifies the feelings of parents and others that
something is being done about it when everybody blames the mass
media, comics or television or motion pictures.
I would say from my talking with men who have devoted years to
a study of this problem that they are all agreed that the tools which
they have in psychiatry and sociology are still too blunt to enable the
careful measurement of the kind of answer which might be indicated
by Mr. Beaser's question.
They are only beginning to feel their way into this area.
The Chairman. You realize, of course, Mr. Schultz, that this sub-
committee is only trying to shed a true light on this problem?
Mr. Schultz. I would hope, if I may make one plea in conclusion,
that this committee, in the face of the larger scope of this problem, it
is a serious, important, difficult problem, could do a great service in
my judgment if it would, while excoriating the bad taste and the
vulgarity sometimes bordering on obscenity, that occurs in these
publications, I think many of the comic-book publishers have failed
in their duty to mothers to take this great medium which was 7 years
ago a wonderful vital thing and they have debased it in many ways, I
think they should be criticized for that.
But I think the whole problem of comic books and their impact
must be put in proper focus. How much of an impact all of the mass
media can make on this problem and what little corner of it the comic
book occupies is a very difficult measurement to make.
You start with the Gluecks at Harvard, who have devoted years to
this work, who tell us in their definitive book that just came out that
a child's pattern of delinquency is fixed at the age of six. That is
even before he is exposed to mass media.
The Chairman. They have been before this subcommittee.
Mr. Schultz. I did not know they had. But you get an oppor-
tunity, I think, here in a report to point out that if there is an impact
it is certainly a small part of the whole and I am hopeful we can lay
the ghost once and for all of the continued excitement, the frightening
impact on parents and people all over the country by a few people who
go about frightening people out of their wits by telling them that all
the youngsters in the Nation are being turned into little monsters by
the comic-book industry, which I think is a lot of rubbish.
Senator KErAU\T:R. I think most of us will agree with you that
there are dozens and dozens of factors, or contributing factors, in this
problem, and the subcommittee has been going into various and sundry
ones. I think you will agree it is proper that we do also consider and
look at this horror and crime book problem.
Mr. Schultz, how many do you have left in the association ?
Mr. Schultz. We have about a dozen members, as I said, of which
only three are publishers.
Senator Kefauver. On this code here, you have Premium Service
Co., Inc. Is that still a member ?
Mr. Schultz. I don't recognize that name. It is not a jnember.
49632—54 6
76 JUVENILE DELINQUENCY
Senator Kefauver. Famous Funnies ?
Mr. SciiULTs. Famous Funnies which was the publishers of the first
comic book that ever appeared, they are still members.
Senator Kefauver. Hillman Periodicals, Inc. ?
Mr. ScHULTZ. They are not.
Senator Kefauat.r. Parents' Institute, Inc. ?
Mr. ScHiiLTz. They went out of business entirely.
Senator Kkfauver. (xleason Publications, Inc. ?
Mr. ScHULTZ. Is still a member.
Senator Kefauver. McCombs Publications, Inc. ?
Mr. ScHULTz. They went out of business.
Senator KEFAin^ER. Golden Willow Press ?
Mr. ScHULTz. They are not.
Senator Kefauver. Did they leave the association ?
Mr. SciiULTZ. I don't remember now. Senator, whether it demised
or whether they left.
Senator Kefaipver. Avon Periodicals, Inc. ?
Mr. ScHULTZ. They left.
Senator IvEFAinER. Ace Magazines ?
Mr. ScHULTz. They left.
Senator Kefau\^er. Orbit Publications, Inc. ?
Mr. ScHULTz. They left.
Senator Kefauver. They left ?
Mr. ScHULTZ. Yes, they left.
Senator Kefauver. You seemed to say that with a smile. Does
that have any significance ?
Mr. ScHULTZ. I don't remember the details of each one of these com-
panies. Each one was an incident around a busy career on this prob-
lem, so they bring back all kinds of memories.
Senator Kefauv^er. Superior Comics ?
Mr. ScHULTz. Superior Comics, I believe, gave up business, al-
though I really don't know.
Seantor Kefaua'er. Consolidated Magazines, Inc. ?
Mr. ScHuiiTz. They are no longer members.
Senator Kefauver. I do not see Atlas in this group.
Mr. ScHULTz. Atlas was a more recently formed company since the
formulation of that code and Atlas became a member about 2 years
ago.
Senator Kefauver. Is Atlas still a member ?
Mr. Sghultz. Yes, they are.
Senator Kefauver. Now, Mr. Schultz, actually, in this association,
how many employees do you have?
Mr. Schultz. I presume there are now two of us considered em-
ployees. We have a man who acts as general secretary and I am gen-
eral counsel.
Senator Kefauver. What is the budget of the association?
Mr. Schultz. We spend about $15,000 a year.
Senator Kefauver. How many members do you have left in it ?
Mr. Schultz. About 12.
Senator Kefauver. So, that two part-time employees — you as gen-
eral counsel, and one employee — you make no effort really to look over
and see what they are publishing and you have no sanctions, so actu-
ally you admit that the association has just about gone out of business ?
JUVENILE DELINQUENCY 77
Mr. ScHuLTZ, Yes ; we are now merely a reporting agency. We get
up that little letter that comes out about once a month in which we
collect all the clippings all over the Nation criticizing comics and pass
that on to the industry. We call an occasional industry meeting to talk
about censorship, some of their problems, taxes, and things of that
kind, but to all intents and purposes we are out of business on our
major objective, which was self-regulation.
Senator Kefauver. As the regulator, or the Landis of the comic-
book industry, if you were permitted to be, you certainly would not
permit a lot of these things you see here this morning ?
Mr. ScHULTz. I not only wouldn't, but I didn't and unfortunately
they have left the association.
Senator KJEFAmER. Refusal to go along with your ideas about it is
the reason the association has only a few members left?
Mr. ScHULTz. That is not entirely true. The reason it has not suc-
ceeded, I think, is the failure or refusal of some of the larger and
better publishers who, while they themselves do not publish comic
books which might be in this category, did not recognize their responsi-
bility to the total industry by staying with the organization in its
inception and formulating practices and rules which would have
become a bible for the industry.
Senator Kefauver. Mr. Schultz, it would seem that in the begin-
ning the publisliers had pretty good judgment because this was started
back in 1947, just about the time the horror and crime comics got
underway; was it not?
Mr. Schultz. I don't believe the horror comics came in, Senator
Kefauver, until about 3 or 4 years ago. That is my guess. I don't
think the horror comics were at all in the picture ; nobody knew any-
thing about them when this code was formulated 7 years ago.
The crime comics were in existence at that time.
Senator Kefau^t:r. The code seems to have reference to horror
comics at that time. "No sense of sadistic torture should be shown,"
"and vulgar and obscene language should never be used."
In any event, Mr. Schultz, it would seem to be unfortunate that this
effort that started off so good was not carried on.
Mr. Schultz. Yes.
Senator Kefauver. Thank you.
The Chairman. Senator Hennings.
Senator Hennings. Thank you, Mr. Chairman.
You have a seal of approval, have you, Mr. Schultz ?
Mr. Schultz. We did have. As I explained before, originally
the concept was that the seal would only be permitted on publications
which had gone through this self -regulatory process. It got to the
point where we went out of business on that concept, and now the
seal, I presume, means that the person who uses it is a member of
the association and is conforming in his judgment to the code which
was adopted.
Senator Hennings. In other words, he would regulate himself and
censor his own material and put the seal on ?
Mr. ScHUi.TZ. That is right.
Senator Hennings. Mr. Hannoch, our counsel, has suggested that
there is a seal on one of the exhibits.
Mr. Beaser. It is that star, is it not, Mr. Schultz ?
Mr. Schultz. Yes.
78 JUVENILE DELINQUENCY
Mr. Hannoch. What does it say ?
Mr. ScHULTz. I think it says "Conforms to the comics code.'^
Senator Kefauver, What publication is that ?
Mr. ScHULTZ. I never saw that before.
Mr. Beaser. It is one of the Atlas group.
Senator KEFAu^' er. I thought you said Atlas was not a member.
Mr. ScHTTLTz. I said Atlas became a member 2 years ago.
Senator Kefauver. So you did ; that is right.
Senator Hennings. Is that seal protected by any copyright ?
Mr. SciiULTz. No, and I have found on occasion it has been used
improperly and we had to stop it. We had by remonstration to
stop them, by writing a letter and urging them to stop it.
Senator Hennings. You have no \\aj of controlling the use of
that seal ?
Mr. ScHULTz. I think we might get an injunction.
Senator Hennings. You might, but that would be quite a process.
You would be unlikely to go tlirough that as you are presently oper-
ating.
Mr. ScriULTz. I would think that if somebody used this seal who
was not a member, improperly, that I could easily get authorization
from the few diehards who are there to take the necessary action.
Senator Hennings. But you have never done so ?
Mr, ScHULTz. Never had to do it.
Senator Hennings. Mr. Schultz, I am sure that we are all glad that
you made the statement that you did that there has been, and various
members of our subcommittee have from time to time in the coui-se of
these hearings, suggested our awareness of the fact, that there is no
one single factor that is creating what is known as juvenile delin-
quency in this country.
We have consistently, and I believe conscientiously, tried to avoid
giving the impression or seeming to have arrived upon conclusions
that would indicate that there is a panacea, there is a cure-all, a golden
specific, if you do away with comic books we are not going to have
any trouble with young people getting into trouble, or if you stop
certain kinds of television programs or movies or even if you clear
out all of the substandard dwelling places, or if you have hundreds
of psychiatrists where you have one in certain institutions, or in cer-
tain agencies, or if you get everybody to go to the 1 MCA or to join
the Boy Scouts or the Girl Scouts, you are not going to have any more
trouble.
I think we all have approached our problem here certainly with
that basic premise that we do not expect to find that there is one thing
or another thing.
]\Iany things are cumulative. Many things are incalculable and
imponderable in this subject and I think the more we have seen of this
during the past several months when we have been holding our hear-
ings and reading upon the subject, the more we are keenly conscious
of the fact that the ramifications and complexities of this are .at times
seemingly almost insupportable.
But we are still trying and we did not come here in any effort,
through sensationalism, by bringing people in to subject them to in-
quisitions, to make it appear that we necessarily believe that this
particular phase of activity is or is not hurtfuf or a contributing
factor.
JUVENILE DELINQUENCY 79
We just do not know. We are trying to learn.
I, for one, appreciate the spirit in which you have come here today.
Mr. ScHULTz. Thank you, sir.
The Chairman. Mr. Schultz, the Chair certainly appreciates the
spirit of your testimony. You have been very helpful. I think I
speak for every member of the subcommittee when I say we are
grateful.
Senator Kefattver. Mr. Chairman, may I ask one more question?
The Chairman. Senator Kef auver.
Senator Kefauver. Those who carry the seal of the code, do they
advertise inside the magazine that they are complying with the code
of the Comic Magazine Publishers Association ?
Mr. ScHDLTz. I know of no such specific advertisement, other than
the impression of the seal itself on the cover.
Senator Kefauver. How do people know what that seal means,
then?
Mr. ScHULTZ. I really don't know. Most of the publishers who
are nonmembers develop seals of their own. You find a whole series
of seals which say "Good clean reading,"' and everything else, so that
the seal has lost its imprint and its value in many ways anyhow,
except for somebody who takes the trouble to look very closely at that
little legend that might have some meaning to it.
Other than that I think it has no value.
Senator Kefauver. Thank you very much.
The Chairman. The subcommittee will stand in recess until 2
o'clock this afternoon.
(Thereupon, at 12 : 20 p. m., the subcommittee recessed, to recon-
vene at 2 p. m., same day.)
afternoon session
The subcommittee reconvened at 2 o'clock p. m., upon the expira-
tion of the recess.
The Chairman. The hearing will be in order.
The first witness this afternoon will be Dr. Frederic Wertham.
Doctor, will you come forward and be sworn, please.
Do you solemnly swear that the testimony you will give this sub-
committee of the Committee on the Judiciary of the United States
Senate, will be the truth, the whole truth, and nothing but the truth,
so help you God ?
Dr. Wertham. I do.
TESTIMONY OF DR. FREDERIC WERTHAM, PSYCHIATRIST,
DIRECTOR, LAEARGUE CLINIC, NEW YORK, N. Y.
The Chairman. Doctor, do you have a prepared statement?
Dr. Wertham. I have a statement of about 20 or 25 minutes.
The Chairman. All right, Doctor, you proceed in your own manner.
Dr. Wertham. Thank you.
The Chairman. Doctor, do you have copies of your statement?
Dr. Wertham. It is not written out. I have a statement of my
•credentials.
80 JirV^ENILE DELINQUENCY
The Chairman. I wonder if you could not in your own way sum-
marize this for the record. Of course, the whole statement may go
in the record in its entirety.
Without objection, that will be so ordered.
(The document referred to is as follows :)
Frederic Wertham, M. D., New York, N. Y.
Specializing in neurology and psychiatry since 1D22.
Certified as specialist in both neurology and psychiatry by the American Board'
of Psychiatry and Neurology. Have also served as examiner on the board in
brain anatomy and psychiatry.
Director, Lafargue Clinic, New York City.
Consulting psychiatrist, department of hospitals, Queens Medical Center, New
York City.
Psychiatric consultant and lecturer, Juvenile Aid Bureau of the Nevp York
City Police Department.
Director, Psychiatric Services and Mental Hygiene Clinic, Queens General
Hospital, 1939-52.
Consulting psychiatrist, Triboro Hospital, New York City, 1939-52.
Director, Quaker Emergency Service Readjustment Center (functioning under
the magistrates court), 1948-51.
Senior psychiatrist, New York City Department of Hospitals, 1932-.52.
In 19.32 organized and became director of the Psychiatric Clinic of the Court
of General Sessions in New York, first clinic of its kind in the United States.
1933-36, assistant to the director of Bellevue Hospital; in charge of prison'
ward ; in charge of children's psychiatric ward ; in charge of alcoholic ward.
1936-39, director of the Mental Hygiene Clinic of Bellevue Hospital.
1929-31, fellow of the National Research Council of Washington, D. C, to do ■
research in neuroiiathology and neuropsychiatry. First psychiatrist ever to
receive this fellowship.
1922-29, psychiatrist at Phipps Psychiatric Clinic, Johns Hopkins Hospital
and Johns Hopkins University.
392()-28, chief resident psychiatrist, Johns Hopkins Hospital.
1926-29, assistant in charge of the Mental Hygiene Clinic, Johns Hopkins.-
Hospital.
Taught psychiatry, psychotherapy, and brain anatomy at Johns Hopkins Medi-
cal School.
Postgraduate studies in London, Vienna, Paris, and Munich. Invited to read
scientific papers at the INIedical-Psychological Society of Paris and the Research'
Institute of Psychiatry in Munich.
President of the Association for the Advancement of Psychotherapy, 1943-51 ;
coeditor of the American .Journal of Psychotherapy.
Member of the Committee on Ethics of the American Academy of Neurology.
Lectured at Yale Law School, New York University Law School, Massachusetts
Institute of Technology, on psychiatry, criminology, and related subjects.
Reviewed books for law reviews of New York University, Buffalo Law School,
Nox'thwestern Law School, etc.
Psychiatric consultant to the Chief Censor of the United States Treasury
Department.
Only psychiatrist ever employed by the city of New York who is a member of
all three national neuropsychiatric associations : American Neurological Asso-
ciation, American Psychiatric Association, American Association of Neuropathol-
ogists. Fellow of the New York Academy of Medicine, of the American Academy
of Neurology, of the American Medical Association, etc.
PUBLICATIONS
The Brain as an Organ (Macmillan, 1934), used in medical schools throughout
the world, a textbook of brain pathology.
Dark Lesrend. A study in murder. New York, 1941, and London, 1948.
The Show of Violence (Doubleday, 1949).
The Catathymic Crisis (1937), description of a new mental disorder now in-
cluded in the leading textbooks of psychiatry.
Seduction of the Innocent (Rinehart, 1954).
Articles and papers on psychology, psychiatry, neurology, brain anatomy, eti..
JUVENILE DELINQUENCY 81
Dr. Wertham. I have practiced psychiatry and neurology since
1922. I taught psychiatry and brain pathology and worked in clinics
at the Johns Hopkins Medical School from 1922 to 1929.
In 1929 I was the first psychiatrist to be awarded a fellowship by
the National Research Council to do research on the brain. Some part
of my research at that time was on paresis and brain syphilis. It came
in good stead when I came to study comic books.
From 1932 to 1952 I was senior psychiatrist at the New York City
Department of Hospitals.
I was first in charge of the Psychiatric Clinic of the Court of Gen-
eral Sessions examining convicted felons, making reports to the court.
In 1936 I was appointed director of the Mental Hygiene Clinic in
Bellevue.
In 1939 I was appointed director of ps.ychiatric services at the
Mental Hygiene Clinic at Queens General Hospital.
In 1946 I organized and started the first psychiatric clinic in Har-
lem, a volunteer staff. A few years later I organized the Quaker
Em.ergency Mental Hygiene Clinic, which functioned as a clinic for
the treatment of sex offenders under the magistrates court of New
York.
These are my main qualifications. I have taught psychiatry in
Hopkins and New York University.
I have written both books and papers and monogi'aphs. I have
reviewed psychiatric books for legal journals, like the Buffalo School
Journal.
I have lectured at tlie Yale Law School, at the Massachusetts Insti-
tute of Technology, and in other places.
I am a fellow of the New York Academy and a member of the
three national neuropsychiatric associations, the American Psychiatric
As-sociation and American Neurological Association and American
Association of Neuropathologists.
I am testifying at your request o]i the influence of crime and horror
books on juvenile delinquency.
My testimony will be in four parts. First, what is in comic books?
How can one classify them clinically ?
Secondly, are there any bad effects of comic books?
I may say here on this subject tliere is practically no controversy.
Anybody who has studied them and seen them knows that some of
them have bad effects.
The third problem is how f arreaching are these bad effects ? There
is a good deal of controversy about that.
A fourth part is : Is there any remedy ?
And being merely a doctor, about that I shall say only a few words.
My opinion is based on clinical investigations which I started in the
winter of 1945 and 1946. They were carried out not by me alone, but
with the help of a group of associates, psychiatrists, child psychiatrists,
psychoanalysts, social workers, psychiatric social workers, remedial
reading teachers, probation officers, and others.
In addition to material seen at the clinic both at Queens and La-
fargue, we have studied whole school classes, whole classes of remedial
reading clinics, over 300 children in a parochial school and private
patients and consultations.
To the best of my knowledge our study is the first and only individ-
ual large-scale study on the subject of comic books in general.
S2 JUVENILE DELINQUENCY
The methods that we have used are the ordinary methods used in
psychiatry, clinical interviews, group intei-^dews, intelligence tests,
reading tests, projective tests, drawings, the study of dreams, and
so on.
This study was not subsidized by anybody. None of my associates
got any money, ever. I myself have never spoken on the subject of
comic books and accepted a fee for that.
This research was a sober, painstaking, laborious clinical study,
and in some cases, since it has been going on now for 7 years, we have
had a chance to follow for several years.
In addition to that we have read all that we could get hold of that
was written in defense of comics, which is almost a more trying task
than reading the comic books themselves.
What is in comic books ^ In the first place, we have completely
restricted ourselves to comic books themselves. That leaves out news-
paper comic strips entirely.
I must say, however, that when some very harmless comic strips
for children printed in newspapers are reprinted for children in
comic books, you suddenly can find whole pages of gun advertise-
ments which the newspaper editor would not permit to have inserted
in the newspaper itself.
There have been, we have found, arbitrary classifications of comic
books according to the locale where something takes place.
We have found that these classifications don't work if you want to
understand what a child really thinks or does.
We have come to the conclusion that crime comic books are comic
books that depict crime and we have found that it makes no dif-
ference whether the locale is western, or Superman or space ship or
horror, if a girl is raped she is raped whether it is in a space ship or on
the prairie.
If a man is killed he is killed whether he comes from Mars or some-
where else, and we have found, therefore, two large groups, the crime
comic books and the others.
I would like to illustrate my remarks by western comic books by
giving you an example. This is from an ordinary western comic book.
You might call it the wide open spaces.
This is from an ordinary western comic book. You see this man
hitting this girl with a gun. It is a sadistic, criminal, sexual scene.
We have also studied how much time children spend on crime comic
books and how much money they spend. I should like to tell you that
there are thousands of children who spend about $60 a year on comic
books.
Even poor children. I don't know where they get the money. I
have seen children who have spent $75 a year and more, and I, myself,
have observed when we went through these candy stores in different
places, not only in New York, how 1 boy in a slum neighborhood,
seemingly a poor boy, bought 15 comic books at a time.
Now, people generalize about juvenile delinquency and they have
pet theories and they leave out how much time, and, incidentally, how
much money children spend on this commodity alone.
Now, as far as the effects on juvenile delinquency are concerned,
we distinguish four groups of delinquency :
JTTV'ENILE DELINQUENCY 8o
Delinquencies against property; delinquency associated with vio-
lence; offenses connected with sex, and then miscellaneous, consisting
of fire setting, drug addiction, and childhood prostitution.
I may say the latter is a very hushed-up subject. I am not referring
to what young girls do with young l)oys, but I am referring to 10-, 11-,
12-, 13-year-old girls prostituting themselves to adults.
Now, nobody versed in any of this type of clinical research would
claim that comic books alone are the cause of juvenile delinquency.
It is my opinion, without any reasonable doubt, and without any
reservation, that comic iDOoks are an important contributing factor
in many cases of juvenile delinquency.
There arises the question: What kind of child is affected? I say
again without any reasonable doubt and based on hundreds and hun-
dreds of cases of all kinds, that it is primarily the normal child.
Mr. Chairman, American children are wonderful children. If we
give them a chance they act right. It is senseless to say that all these
people who get into some kind of trouble with the law must be ab-
normal or there must be something very wrong with them.
As a matter of fact, the most morbid children that we have seen
are the ones who are less affected by comic books because they are
wrapped up in their own phantasies.
Now, the question arises, and we have debated it in our group very
often and very long, why does the normal child spend so much time
with this smut and trash, we have this baseball game which I would
like you to scrutinize in detail.
They play baseball with a deadman's head. Why do they do that 2
The' Chairman. Doctor, do you want to put this up here on exhibi-
tion and explain it?
Dr. Wertham. Yes, sir,
Mr. Chairman, I can't explain for the reason that I can't say all the
obscene things that are in this picture for little boys of 6 and 7. This
is a baseball game where they play baseball with a man's head ; where
the man's intestines are the baselines. All his organs have some part
to play.
The torso of this man is the chest protector of one of the players..
Ihere is nothing left to anybody's morbid imagination.
Mr. Beaser. That is from a comic book?
Dr. Wertham. That is from a comic book.
I will be glad to give you the reference later on. It is a relatively
recent one.
Senator Hennings. Mr. Chairman, may I ask the doctor a question
at that point?
The Chairman, The Senator from Missouri.
Senator Hennings, Doctor, I think from what you have said so far
in terms of the value and effectiveness of the artists who portray these
things, that it might be suggested implicitly that anybody who can
draw that sort of thing would have to have some very singular or
peculiar abnormality or twist in his mind, or am I wrong in that ?
Dr, Wertham. Senator, if I may go ahead in my statement, I would
like to tell you that this assumption is one that we had made in the
beginning and we have found it to be wrong. We have found that
this enormous industry with its enormous profits has a lot of people
to whom it pays money and these people have to make these drawings
84 JUVENILE DELINQUENCY
or else, just like the crime comic book writers have to write the stories
they write, or else. There are many decent people among them.
Let me tell you among the writers and among the cartoonists — they
don't love me, but I know that many of them are decent people and they
would much rather do something else than do wiiat they are doing.
Have I answered your question ?
Senator Henistings. Yes, thank you.
Dr. Wertham. Now, we ask the question : Why does the normal child
do that? I would say that psychology knows the answer to that.
If you consult, as we have done, the first nrodern scientific psycholo-
gist who lived a long time ago, you will find the answer. That psy-
chologist was St. Augustine. This was long before the comic book
era, of course, but he describes in detail how when he was a very, very
young man he was in Rome and he saw these very bloody, sadistic spec-
tacles all around him, where the gladiators fought each other with
swords and daggers, and he didn't like it. He didn't want any part
of it.
But there was so much going on and his friends went and finally he
went and he noticed, as he expresses it, that he became unconsciously
delighted with it and he kept on going.
In other words, he was tempted, he was seduced by this mass ap-
peal, and he Avent.
I think it is exactly the same thing, if the cliildren see these kinds
•of things over and over again, they can't go to a dentist, they can't go
to a clinic, they can't go to a ward in a hospital, everywhere they
see this where women are beaten up, where people are shot and killed,
and finally they become, as St. Augustine said, unconsciously de-
lighted.
I don't blame them. I try to defend them or I try to understand
them.
Now, it is said also in connection with this question of who reads
comic books and who is aifected by them, it is said that children from
secure homes are not affected.
Mr. Chairman, as long as the crime comic books industry exists in
its present forms there are no secure homes. You cannot resist in-
fantile paralysis in your own home alone. Must you not take into
account the neighbor's children ?
I might give one more examj^le of the brutality in comic books.
This is a girl and they are about to rip out her tongue. Now, the
effect of comic books operates along four lines. While in our studies
we had no arbitrary age limit, I am mostly interested in the under
16 and the first effect that is very early manifested is an effect in
general on the whys of living with people.
That is to say, on theoretical development. One of the outstand-
ing things there is in crime comic books — let me say here subject to
later questions that in my opinion crime comic books as I define them,
are the overwhelming majority of all comic books at the present time.
There is an endless stream of brutality.
I would take up all your time if I would tell you all the brutal
things. I would like to draw your attention to one which seems to
be specific almost with this literature that I have never found any-
where else, that is injuring people's eyes.
JUVENILE DELINQUENCY 85
In other words, this is something now which juvenile delinquents
did which I never heard of years ago. They shoot people in the eye
and they throw stones and so on.
As an example, I would give you a book which nobody would
testify is a crime comic book if you had not read it. You all know
tlie novels of Tarzan which you all saw in the movies, but the comic
book Tarzan which any mother would let come into her home has a
story which a little boy brought me in which 22 people are blinded.
One of the 22 is a beautiful girl. They are all white people who
are blinded and the man who does it is a Negro, so in addition to that
it causes a great deal of race hatred.
How old are the children to whom such things are given? Dell
Publisliing Co., wliich publishes tliis book, boasts that this story is
being read aloud to a little girl who — she is 2 years old — now, of
•course, many other crime comic books have this injury to the eye
motive.
In other words, I think that comic books primarily, and that is the
greatest harm they do, cause a great deal of ethical confusion.
I would like to give you a very brief example. There is a school in
a town in New York State where there has been a great deal of steal-
ing. Some time ago some boys attacked another boy and they twisted
Ms arm so viciously that it broke in two places, and, just like in a
comic book, the bone came through the skin.
In the same school about 10 days later 7 boys pounced on another boy
and pushed his head against the concrete so that the boy was uncon-
scious and had to be taken to the hospital. He had a concussion of
the brain.
In tliis same high school in 1 year 26 girls became pregnant. The
score this year, I think, is eight. Maybe it is nine by now.
Now, Mr. Chairman, this is what I call ethical and moral confusion.
I don't think that any of these boys or girls individually vary very
much. It cannot be explained individually, alone.
Here is a general moral confusion and I think that these girls were
seduced mentally long before they were seduced physically, and, of
course, all those people there are very, very great — not all of them,
but most of them, are very great comic book readers, haA^e been and are.
As a remedy they have suggested a formal course of sex instruction
in this school.
Tlie Chairman. What is the population of this community. Doctor?
Dr. Wertham. I don't know the population of the community. I
know the population of the school, which is about 1,800. The town
itself I don't know, but I shall give it to counsel.
The Chairman, The Senator from Tennessee.
Senator Ketaia^er. Is there something confidential about the name
of the town ?
Dr. Wertham. Yes. Publicly I don't like to give it, but I have
knowledge of it, but I will give it to counsel for the information of
the committee.
The Chairman. That will be in order.
Dr. Wertham. Now, they tried to start a course of sex instruction
in this school. They have not done it. They have not started it. I
wonder what they are going to do. Are the teachers going to instruct
the pupils, or are the pupils going to instruct the teachers ?
86 JUVENILE DELINQUENCY
One reason I don't want to mention this town is because the same
kind of thing happens in many other places nowadays. Maybe not
quite so much, maybe a little more.
Many of these things happen and it is my belief that the comic book
industry has a great deal to do with it. While I don't say it is the
only factor at all, it may not be the most important one, it is one con-
tributing factor.
I would like to point out to you one other crime comic book which
we have found to be particularly injurious to the ethical development
of children and those are the Superman comic books. They arose in
children phantasies of sadistic joy in seeing other people punished
over and over again while you yourself remain immune. We have
called it the Superman complex.
In these comic books the crime is always real and the Superman's
triumph over good is unreal. Moreover, these books like any other,
teach complete contempt of the police.
For instance, they show you pictures where some preacher takes two
policemen and bang tlieir heads together or to quote from all these
comic books — you know, you can call a policeman cop and he won't
mind, but if you call him copper that is a derogatory term and these
boys we teach them to call policemen coppers.
All this to my mind has an eifect, but it has a further effect and
that was very well expressed by one of my research associates who
was a teacher and studied the subject and she said, "Formerly the
child wanted to be like daddy or mommy. Now they skip you, they
bypass you. They want to be like Superman, not like the hard
working, prosaic father and mother."
Talking further about the ethical effects of comic books, you can
read and see over and over again the remark that in crime comic
books good wins over evil, that law and order always prevails.
We have been astonished to find that this remark is repeated and
repeated, not only by the comic books industry itself, but by educators,
columnists, critics, doctors, clergymen. Many of them believe it is so.
Mr. Chairman, it is not. In many comic books the whole point is
that evil triumphs ; that you can commit a perfect crime. I can give
you so many examples that I would take all your time.
I will give you only one or two. Here is a little 10-year-old girl
who killed her father, brought it about that her mother was electro-
cuted. She winks at you because she is triumphant.
I have stories where a man spies on his wife and in the last picture
you see him when he pours the poison in the sink, very proud because-
he succeeded.
There are stories where the police captain kills his wife and has an
innocent man tortured into confessing in a police station and again
is triumphant in the end.
I want to make it particularly clear that there are whole comic books
in which every single story ends with the triumph of evil, with a per-
fect crime unpunished and actually glorified.
In connection with the ethical confusion that these crime comic
books cause, I would like to show you this picture which has the comic
book philosophy in the slogan at the beginning, "Friendship is for
Suckers! Loyalty — that is for Jerks."
The second avenue along which comic books contribute to de-
linquency is by teaching the technique and by the advertisements for
JUVENILE DELINQUENCY 87
■weapons. If it Avere my task, Mr. Chairman, to teach children de-
linquency, to tell them how to rape and seduce girls, how to hurt
people, how to break into stores, how to cheat, how to forge, how to
do any known crime, if it were my task to teach that, I would have to
enlist the crime comic book industry.
Formerly to impair the morals of a minor was a punishable offense.
It has now become a mass industry. I will say that every crime of de-
linquency is described in detail and that if you teach somebody the
technique of something you, of course, seduce him into it.
Nobody would believe that you teach a boy homosexuality without
introducing him to it. The same thing with crime.
For instance, I had no idea how one would go about stealing from
a locker in Grand Central, but I have comic books which describe
that in minute detail and I could go out now and do it.
Now, children who read that, it is just human, are, of course, tempted
to do it and they have done it. You see, there is an interaction be-
tween the stories and the advertisements. Many, many comic books
have advertisements of all kinds of weapons, really dangerous ones,
like .22 caliber rifles or throwing knives, throwing daggers ; and if a
boy, for instance, in a comic book sees a girl like this being whipped
and the man who does it looks very satisfied and on the last page there
is an advertisement of a whip with a hard handle, surely the maximum
of temptation is given to this boy, at least to have fantasies about
these things.
It is my conviction that if these comic books go to as many millions
•of children as they go to, that among all these people who have these
fantasies, there are some of them who carry that out in action.
Mr. Beaser. Doctor, may I interrupt you just a moment to go back
to your Grand Central story ?
Assume that is read by an otherwise healthy, normal child, with a
good homelif e, no other factors involved — would you say that that
would tempt him to go and break into a locker in Grand Central, or
must there be other factors present already to give him a predisposi-
tion to steal from somebody else ?
Dr. Wertham. I would answer that this way : I know of no more
erroneous theory about child behavior than to assume that children
must be predisposed to do anything wrong. I think there is a hair-
line which separates a boy who dreams about that, dreams about such
a thing, and the boy who does it.
Now, I don't say, and I have never said, and I don't believe it, that
the comic-book factor alone makes a child do anything.
You see, the comic-book factor only works because there are many,
many other factors in our environment, not necessarily the homelife,
not necessarily the much-blamed mother, but there are many other
things; the other boys in school, the newspaper headlines where every-
body accuses the other one of being a liar or thief.
There are many, many other factors in our lives, you see.
Now, actually, the answer should be put in this way : In most cases
this factor works with other factors, but there are many cases that I
know where such crimes have been committed purely as imitation and
would have never been committed if the child hadn't known this
technique.
In other words, I want to stress for you wdiat we have found, that
the temptation, and, of course, we know it from our ordinary lives —
88 JUVENILE DELINQUENCY
that temptation and seduction is an enormous factor. We don't have
to be materially bad to do something bad occasionally, and, moreover,
these children' who commit such a delinquency, they don't do that
because they are bad. They don't even necessarily do it to get the
money or to get even, but it is a glorious deed.
You go there, you show how big you are. You are almost as big
as these people you read about in crime comic books.
You see, the corruption of the average normal child has gone so
far that except for those who follow this it is almost unbelievable to
realize.
I would like to give you one more example. This is one I would
like you to keep in mind, that the minimum edition of such a book.
I think, is 300,000; probably this is distributed in a 650,000 edition.
Senator Kefauver. I did not understand.
Dr. Wektham. The minimum is 300,000.
Senator Kefauver. Is that a month?
Dr. Wertham. This is only one comic book. In order to make any
kind of profit the publisher must print about 300,000 copies.
In other words, when you see a comic book you can always assume
that more than 300,000 copies of this particular comic book have been
printed.
In other words, you would not go far wrong if you assumed that
this comic book is read by half a million children, for this reason, that
when they are through with it and have read it, they sell it for 6 cents
and 5 cents and then sell it for 4 cents and 2 cents.
Then you can still trade it.
So these comic books have a long, long life. We have studied this
market. We know there is a great deal of this trading going on all
over.
Now, this is a heroine. This is a woman who kills a man. You see,
he has blood coming all over the man's face and she says, " I want you
to suffer more and more and more and more."
Then the final triumph, she takes this man's organs and serves
them up as dishes like a housewife and you see her "famous fried
brains, famous baked kidneys, famous stuffed heart."
Next to that is the remainder of this man.
All I say is that quite apart from the disgust that it arouses in us —
and I am a doctor, I can't permit myself the luxury of being dis-
gusted— I think this kind of thing that children see over and over
again causes this ethical confusion.
Senator Kefauver. That seems to be the end of that comic book
story.
Dr. Wertham. Yes. I should add that it says here, "The End."
"The End" is this glorious meal, cannibalism.
Senator Kefauver. So it did not have a very happy ending.
Dr. AVertiiam. Well, the comic book publishers seem to think it
did. They made a lot of money.
Mr. Chairman, we have delinquency of the smallest kind. I have
seen children who have stolen a quarter. I have seen children who
stole $30,000. And they have to know some technique; they have to,
for that.
But there are other crimes which you can commit in which you can
take the ordinary kind of violence, for instance, there is an awful lot
JUVENILE DELINQUENCY 89^
of shooting, knifing, throwing rocks, bombs, and all that, in combina-
tion.
On the Long Island Railroad at present I think three times a day
children throw rocks through the windows.
Eecently an innocent man was hit in the head and had a concussion
of the brain and had to be taken to a hospital.
I have been for 12 years in Queens. I know these kids. I have seen
quite a number of them who threw rocks. I can't see why we have
to invoke highfaluting psychological theories and w^iy we say theso
people have to have a mother who doesn't give them enough affection.
If they read this stuff all the time, some of them 2 and 3 hours a day
reading, I don't think it is such an extraordinary event if they throw
a stone somewhere where it may do some harm.
I want to add to this that my theory of temptation and seduction
as I told you, is very, very vague. That is known to the comic-book
publishers, too. They don't admit it when it comes to delinquency,
but when it comes to selling stuff to children through the advertise-
ments in comic books, then they have these enormous advertisements.
This is from the Superman comic book. It says, 'Tt is easier to put a
yen in a youngster."
You see, I am still answering your question. It is easier to put a yen
in a youngster w4ien he comes from a normal thing. It is easier to
go and commit some kind of delinquency.
Certainly it is easier to commit some kind of sexual delinquency.
Now, this leads me to the third avenue where they do harm. That
is, they do harm by discouraging children. Mr. Chairnum, many of
these comic books, crime-comic books, and many of the other ones have
ads which discourage children and give them all kinds of inferiority
feelings. They are threatened with pimples. They worry the pre-
adolescent kids about their breaths. Tliey sell them all kinds of
medicines and gadgets and even comic books like this one, and I am
very conscious of my oath, even comic books like this have fraudulent
advertisements, and I am speaking now as a medical physician. The
children spend a lot of money and they get very discouraged, they
think they are too big, too little, or too heavy. They think this bump
is too big, or too little.
These discouraged children are very apt to commit delinquency as
we know and have known for a lon|j time.
Now, the fourth avenue I shall not go into in detail bf^cause that in-
cludes not only the crime-comic books, but that includes all comic
books.
We have found — and in response to questions I will be glad to go
into that — we have found all comic books have a very bad effect on
teaching the youngest children the jiroper reading technique, to learn
to read from left to right. This balloon print pattern prevents that.
So many children, we say they read comic books, they don't read
comic books at all. They look at pictures and every once in a while,
as one boy expresed it to me, "When vliey get the woman or kill the man
then I try to read a few words," but in any of these stories you don't
have to have any words.
There is no doubt this is blood and this man is being killed. There
is no doubt what they are going to do to this girl, you know, too.
In other words, the reading is very much interfered with.
The Chairman. Doctor, the original of all of those are in color?
90 JUVENILE DELINQUENCY
Dr. Wertham. Yes, these are photostats I had made for your
benefit.
Now, it is a known fact, although it is not sufficiently emphasized,
that many delinquents have reading disorders, they can't read well.
There have been estimates as to how many delinquents have reading
disorders.
We have found over and over again that children wdio can't read
are very discouraged and more apt to commit a delinquency and that
is what Mr. Beaser meant, if there is another factor.
There is another factor.
Mr. Beaser. Many other factors.
Dr. Wertham. Yes, many other factors. We have isolated comic
books as one factor. A doctor tries to isolate one factor and see what
it does and tries to correlate it with other factors which either coun-
teract it or help it or run parallel.
Now, Mr. Chairman, I have put the results of this investigation into
several documents. One of them is an article in the Ladies Home
Journal which gives a number of cases.
Another one is an article in the Eeader's Digest which came out
today.
The thi rd one is a book.
I would like, Mr. Chairman, to draw your attention to the illus-
trations, but I would like to say that I am perfectly willing inasmuch
as I have written this book with the greatest scientific care and
checked and rechecked, and I am perfectly willing to repeat every
word in there under oath.
The Chairman. Doctor, these documents will be made a part of the
subcommittee's permanent file, without objection. Let that be exhib-
its Nos. 10a, 10b, and 10c.
(The documents referred to were marked "Exhibits Nos. 10a, 10b,
and 10c," and are on file with the subcommittee.)
Dr. Wertham. Mr. Chairman, I would like to point out to you in
conclusion that mine, in my own opinion, is not a minority report. I
don't feel that way.
I would like to tell you that the highest psychiatric official in the
Federal Covernment, who is also consulted when psychiatric problems
come up in the Federal Government, Dr. Winfred Overholser, the Su-
perintendent of Saint Elizabeths, has written that the evidence in my
book is incontrovertible evidence of the pernicious influences on youth
of crime comic books.
Prof. C. Wright Milt, a famous sociologist, a professor at Columbia,
similarly agreed.
I would like to read you a word from the director of the juvenile
delinquency project of the Children's Bureau in Washington, wdio has
written :
In comic boolcs we have a constant stream of garbage that cannot fail to pol-
lute the minds of readers. After reading Dr. Wertham's book I visited my local
newsstand and found the situation to be exactly as he reported it.
Senator Kefatjver. Wlio is it that wrote that ?
Dr. Wertham. Mr. Bertram M. Peck, the director of the current
juvenile delinquency project in Washington.
The Chairman. He was before the subcommittee earlier in the hear-
ings.
JUVENILE DELINQUENCY 91
Dr. Wertham. Now, there are quite a number of other people who
feel the same way. I would like to quote to you what the Minister of
Justice of Canada said. In the beginning of this month they had two
long sessions in the House of Commons, devoted almost entirely to my
report on comic books and the Minister of Justice said :
I doubt if there is a sin2;le member of the House of Commons who dissents from
disapproval of crime comic books.
In Canada, of course, they have the same situation. They get
American comic books, not only directly, but they get them in plates.
They can't help themselves.
Senator Kefauver. Dr. Wertham, while you are on the Canadian
matter, Canada, of course, has a law, which was probably passed
largely on the testimony you gave the House of Commons in Canada,
which bans the shipment of certain horror and crime books.
What has been their experience with the reflection, or the result of
that law upon juvenile delinquency? When was the law passed first?
Dr. Wertham. I am not quite sure. Maybe 1951. The informa-
tion I have is based on the present official report of these debates on
April 1 and 2. I judge from that that the law didn't work; that they
made a list of crime comic books and they didn't know how to supervise
it, in fact, they couldn't, and I doubt it can be done in that form.
They have more bad crime-comic books than they ever had. They
never could get them off the stand.
The latest proposal on the 2cl of April that I have is that they want
to put the crnne comic-book publishers in jail, but they can't do that,
for one thing — we have them.
I don't think that would work. So that experiment is not yet com-
pletely evaluated. All I know is that they are very much worried
about the effect of comic books on delinquency, tliat they have not been
able by this one amendment to the criminal code to curb this situation.
Stating that mine is not a minority report, Mr. Chairman, I would
like to quote one more critic, Mr. Clifton Fadiman, who says that he
senses tlie truth in my presentation as he sensed the truth in Uncle
Tom's Cabin.
I don't know the man personally.
Now, what about the remedy ? Mr. Chairman, I am just a doctor.
I can't tell what the remedy is. I can only say that in my opinion
this is a public-health problem. I think it ought to be possible to
determine once and for all what is in these comic books and I think
it ought to be possible to keep the children under 15 from seeing them
displayed to them and preventing these being sold directly to chil-
dren.
In other words, I think something should be done to see that the
children can't get them. You see, if a father wants to go to a store
ancl says, "I have a little boy of seven. He doesn't know how to rape
a girl ; he doesn't know how to rob a store. Please sell me one of the
comic books," let the man sell him one, but I don't think the boy should
be able to go see this rape on the cover and buy the comic book.
I think from the public-health point of view something might be
done.
Now, Mr. Chairman, in conclusion, if I may speak in seriousness
about one suggestion that I have, I detest censorship. I have appeared
49632—54 7
92 JUVENILE DELINQUENCY
in very unpopular cases in court clefendino: such novelties as the
Guilded Hearse, and so on, as I believe adults should be allowed to
write for adults. I believe that what is necessary for children is
supervision.
But I would like to suggest to the committee a simple scientific
experiment, if I may, in great brevity.
I am not advocating censorship, but it is the comic-book industry
which at the present moment tries to censor what the parents read.
This enormous industry at present exercises a censorship through
power. Ever since I have expressed any opinion about comic books
based on simple research done in basements on poor children whose
mothers cried their eyes out, ever since then I have been told by threats,
by libel suits, of damages; it is a miracle that my book was published
considering how many threatening letters these lawyers and people
have written to my prospective publishers. They have even threat-
ened with a libel suit the Saturday Evening Post and even the Na-
tional Parent Teachers, which is a nonprofit magazine.
Senator Kefauver. While you are on that subject. Dr. Wertham,
may I see that thing, anybody who opposes comic books is a Eecl ?
Dr. Wertiiam. Yes ; that is part of it.
Senator Kefauver. I have read a number of your writings. I have
read your Seduction of the Innocent. You remen:^er a number of
years ago I had several visits with you and you told me about the
pressure they tried to apply on you in connection with this.
But I noticed here this thing, that anyone who opposes comic books
are Communists. "The group most anxious to destroy comics are
the Communists."
Then they have here the statement :
Tliis article also quoted Gershon Lej^man (who claims to be a phost writer for
Dr. Fi'ederick Wertham, the author of a recent smear against comics published
in the Ladies Home Journal ) . This same G. Legman, in issue No. 2 of Neurotica,
published in autumn 1948, wildly condemned comics, although admitting that
"The child's natural character must be distorted to fit civilization * * *. Fan-
tasy violence will paralyze his resistance, divert his aggression to unreal ene-
mies and frustrations, and in this way prevent him from rebelling against parents
and teachers * * * this will siphon off his resistance against society, and prevent
revolution."
This seems to be an effort to tie you up in some way as Red or Com-
munist. Is that part of a smear ?
Dr. Wertham. This is from comic books. I have really paid no
attention to this. I can tell you that I am not a ghost writer. Like
this gentleman who criticized it severely, they know I don't have a
ghost writer.
Gershon Legman is a man who studied comic books. He is a man
who tried to do something against comic books, so they tried to do
something about him.
That is just one of the ordinary kinds of things. But, Mr. Chair-
man, they do something quite different which is much more serious.
The comic-book industry at the present moment — and this is the ex-
periment I would like to suggest to you — the comic-book industry
at the present moment interferes with the freedom of publications in
all fields. They have their hands on magazines, they have their hands
on newspapers, they threaten the advertisers ; they continually
threaten libel suits and action for damages.
JUVENILE DELINQUENCY 93
The experiment I suggest to you is the following: My book has
been selected, Seduction of the Innocent, which is nothing but a scien-
tific report on comic books in that I tried to make in understandable
language, that is what it is except that it includes areas other than
juvenile delinquency.
This group was selected by a group of men of unimpeachable in-
tegrity, Christopher Morley, Clifton Fadiman, Loveman, Dorothy
Canfield Fisher, John P, Marquand ; they selected this book on account
of its truth, and I suppose its writing, and it has been announced alt
over the country that it is a Book of the Month Club selection.
The contracts have been signed. The question I would like to put
to you is this : Will this book be distributed or will the sinister hand-
of these corrupters of children, of this comic-book industry, will they
prevent distribution ? You can very easily find that out and then you
can see how difficult it is for j)arents to defend their children against
comic books if they are not allowed to read what they contain.
Thank you.
The Chairman. Senator Kefauver, do you have any questions?
Senator Kefavuer. Yes, I have one or two, Mr. Chairman.
Dr. Wertham, I assume more than any other psychiatrist in the
United States — perhaps 1 should not be asking this — but you, over a
long period of time, have interviewed children, you worked in hos-
pitals, clinics, and schools, observing the reaction to crime and horror
comic books.
Could you give us any estimate of how many children this study
has been made from — from which you derive your conclusions?
Dr. Wertham. Yes, I figured out at one time tliat there were more
than 500 children a year come to my attention, or did come to my at-
tention during the bulk of this investigation.
Now, I cannot say, however, that every one of these children had
as complete a study as I think they should have. I mean, some of them
I saw a few times; some have all kinds of tests, good social services;
some had been before the court ; some I saw^ privately and considered
in great detail, but by and large I would say that we have seen
hundreds and hundreds of children.
Senator Kefatr^er, Any way it runs into many thousands?
Dr. Wertham. Some thousands. I would not say many thousands.
Senator Kefauver. You have actually asked and tried to develop
from many of these children how it was they happened to try to com-
mit, or how it was they happened to commit this, that, or the other
crime ; is that correct ?
Dr. Wfjjtham. Senator, that is not exactly correct. For instance,
if I have a child sent to me — I remember the commisisoner of the ju-
venile aid bureau of the police once came to visit me to see how I exam-
ined a child because he had a good report of my clinic in Queens.
This was a child who had committed some delinquency. I spent an
hour talking to this child. I didn't even mention the delinquency. I
didn't say a word about it.
The commissioner asked me afterwards, "Why didn't you mention
it?"
I said, "I don't want to put him on his guard. I don't want to tempt
him to lie to me. I want to understand this child. I want to under-
stand the whole setting."
94 JUVENILE DELINQUENCY
The judgment that these comic books have an effect on children,
that is not the children's judgment. They don't think that. The
children don't say that this does them any harm, and that is an inter-
esting thing because it has been so misrepresented by the comic-book
industry and their spokesmen in all the biased opinions that they
peddle and that they hand out to unsuspecting newspaper editors.
They say I asked the child, "Did you do that because you read a
comic book?"
I don't ask the child ""Wliy do you have the measles?", .or "Why
do you have a fever ?" No child has ever said to me this excuse, "I did
this because I read it in the comic book. I figured that out."
The children don't say that. Many of these children read the comic
T^ooks and they like it and they are already so corrupt that they really
get a thrill out of it and it is very difficult.
What you can get out of them is this, "For me, this does not do any
harm to me, but my little brother, he really should not read it. He
gets nightmares or he gets wrong ideas."
The actual proof that a child can say, "I did this because of so and
so," that is not at all how my investigation worked.
Senator Kefauver. I do remember you showed me one example of
a horror book with a child with a hypodermic needle and you related
that to some crime that you had known something about.
Dr. Wertham, I have known children, in fact, if I may say. Your
Honor, I notice in the room the reporter who brought to my attention
one of the earliest cases of children — may I say who it is — Judith
Crist, who works iov the New York Herald Tribune. She brought to
my attention a case in Long Island where children stuck pins in girls
or something. I told her then that I have found where they stuck
pins in much worse places than the arm.
I told her of the injury to the eyes. You can very rarely say that
the boys said exactly, "That is what I did because this is what I wanted
to do."
I have had children who told me they committed robberies. They
followed the comic book, but they said, "That is not good enough, the
comic books say you go through the transom."
"But," they said, "you go through the side door."
Children nowadays draw maps and say, "This is the street where the
store is we are going to rob ; this is where we are going to hide and
this is how we are going to get away."
That is in many comic books, and they show me in comic books that
is how they are going to do it.
I would not say in such a case this is the only reason why this child
committed delinquency, but I will say that is a contributing factor
because if you don't know the method you can't execute the act and
the method itself is so intriguing and so interesting that the children
are very apt to commit it.
Senator Kefauver. In some of the comic books the villian made one
mistake, he almost committed the perfect crime, but he made one mis-
take and he got caught. We found some cases where they are trying
to eliminate the one mistake so that they can make the perfect crime.
Dr. Wertham. That is absolutely correct. That is the whole phi-
losophy of comic books. The point is don't make any mistakes. Don't
JUVENILE DELINQUENCY 95
leave the map there. Don't break the light aloud, put a towel over it.
Senator Kefalwer. Would you liken this situation you talk about,
showing the same thing over and over again until they finally be-
lieved it, to what we heard about during the last war of Hitler's theory
of telling the story over and over again ?
The Chairman. The "big lie" technique?
Dr. Wertham. Well, I hate to say that, Senator, but I think Hitler
was a beginner compared to the comic-book industry. They get the
children much younger. They teach them race hatred at the age
of 4 before they can read.
Let me give you an example of a comic book which I think is on the
stand right now. It may have disappeared the last few days.
You know at the present moment New York City and other cities
have a great social problem in integrating immigrating Puerto Ricans.
It is very important to establish peace in these neighborhoods where
friction may arise, or has arisen.
This particular comic book that I am referring to now has a story
in which a derogatory term for Puerto Ricans, which I will not repeat
here, but which is a common derogatory term, is repeated 12 times
in one story. This greasy so and so, this dirty so and so. It is
pointed out that a Spanish Catholic family moved into this neighbor-
hood— utterly unnecessary.
"What is the point of the story ? The point of the story is that then
somebody gets beaten to death. The only error is that the man who
must get beaten to death is not a man ; it is a girl.
Senator Kefauver. I think we ought to know the name of the
comic book.
Dr. Wertham. I shall be glad to give it to your counsel.
Senator Kefauver. Can you tell us?
Dr. Wertham. I don't have it in my head.
Senator Kefauver. I am not sure that Dr. Wertham is one who
could tell about this, but I have heard it told that some people feel
that comic books are harmless and respectable and don't pay much
attention to them because they are certified to, and in some cases
even recommended by hif^h-souncling committees, with, of course,
good names on the committees who give them an excellent bill of
health.
Did you not make some investigation into whether or not a great
many of the people on these so-called nonpartisan committees were
actually in the pay of the comic book industry itself?
Dr. Wertham. Senator, I would have to mention individuals but
I think it is to be assumed, and I suppose one knows that people whose
names are on these comic books are paid — there are people who say,
"Well, they are paid, they are biased."
I have a hard time understanding how any doctor or child expert
or psychologist can put his name to that. That is not the important
point, because the names usually are not known anyway.
What happens is that in Kalamazoo, or in North Dakota, or in the
little village in Permsylvania where I spend part of my time, they read
the names of these institutions which sound very well, the so and so
association, or so and so university. That is what influences the
people.
Of course, these same people write articles which I have tried very
hard to take at their face value. But when I found that thej have mis-
96 JUVENILE DELINQUENCY
statements, when they say articles sent out by one of the associations,
the person who writes it and endorses these books for money, when
they write a survey of all the comic books, you see all kinds of little
ones, nothing of the real ones, it misleads the people.
But I think that is not as important a problem, Senator, as the prob-
lem right now that the industry itself is preventing the mothers of this
country from having not only me, but anybody else make any criticism.
This tremendous power is exercised by this group which consists of
three parts, the comic book publishers, the printers, and last and not
least, the big distributors who force these little vendors to sell these
comic books. They force them because if they don't do that they don't
get the other things.
Mr. Hannoch. How do you know that?
Dr. Wertham. I know that from many sources. You see, I read
comic books and I buy them and I go to candy stores.
They said, "You read so many comic books." I talk to them and
ask them who buys them. I say to a man, "Why do you sell this kind
of stuff?"
He says, "What do you expect me to do ? Not sell it ? "
He says, "I will tell you something. I tried that one time."
The man says, "Look, I did that once. The newsdealer, whoever
it is, says, 'You have to do it'."
"I said, 'I don't want to.'
" 'Well', he says, 'you can't have the other magazine'."
So the man said, "Well, all right, we will let it go."
So when the next week came, all the other magazines were late. You
see, he didn't give them the magazines. So he was later than all his
competitors, he had to take comic books back.
I also know it another way. There are some people who think I
have some influence in this matter. I have very little. Comic books
are much worse now than when I started. I have a petition from
newsdealers that appealed to me to help them so they don't have to
sell these comic books.
Wliat they expect me to do, I don't know. Of course, it is known to
many other people. It also happens in Canada.
I know it for more reasons. I don't want to mention journalists,
but I can tell you of big national magazines, the editors of which would
very much like to push this question of comic book problems. They
can't do that because they are themselves being distributed by very
big distributors who also do comic books, and then they suffer through
loss of advertising.
That is why I gave you one example of the Book of the Month Club
because I think that could nail it down once and for all, what these
people do deliberately.
The Chairman. Senator Hennings, have you any questions?
Senator Hennings. Tliank you, Mr. Chairman. I have no questions.
The Chairman. Mr. Hannoch, do you have any questions you want
to ask ?
Mr. Hannoch. No questions.
Senator Hennings. I must say that I have the doctor's book, and I
am reading it with great interest.
The Chairman. Doctor, we are very grateful to you for appearing
here this afternoon.
Dr. Wertham, Thank you.
JUVENILE DELINQUENCY 97
Mr. Beaser. William Gaines.
Tlie Chairman. Will you come forward, Mr. Gaines ?
Will you be sworn ?
Do you solemnly swear that the testimony you will give to this
subcommittee of the Committee on the Judiciary of the United States
Senate, will be the truth, the whole truth, and nothing but the truth,
so help you God ?
Mr. Gaines. I do.
TESTIMONY OF WILLIAM M. GAINES, PUBLISHER, ENTERTAINING
COMICS GROUP, NEW YORK, N. Y.
The Chairman. You may proceed in your own manner.
Mr. Gaines. Gentlemen, I would like to make a short statement. I
am here as an individual publisher.
Mr. Hannoch. Will you give your name and address, for the record ?
Mr. Gaines. My name is William Gaines. My business address is
225 Lafayette Street, Xew York City. I am a publisher of the Enter-
taining Comics Group.
I am a graduate of the school of education of New York University.
I have the qualification^ to teach in secondary schools, high schools.
What then am I doing before this committee ? I am a comic-book
publisher. My group is known as EC, Entertaining Comics.
I am here as a voluntary witness. I asked for and w^as given this
chance to be heard.
Two decades ago my late father was instrumental in starting the
comic magazine industry. He edited the first few issues of the first
modern comic magazine, Famous Funnies. My father was proud of
the industry he helped found. He was bringing enjoyment to millions
of people.
The heritage he left is the vast comic-book industry which employs
thousands of writers, artists, engravers, and printers.
It has weaned hundreds of thousands of children from pictures to
fhe printed word. It has stirred their imagination, given them an
outlet for their problems and frustrations, but most important, given
them millions of hours of entertainment.
My father before me was proud of the comics he published. My
father saw in the comic book a vast field of visual education. He was
a pioneer.
Sometimes he was ahead of his time. He published Picture Stories
from Science, Picture Stories from World History, and Picture Stories
from American History.
He published Picture Stories from the Bible.
I would like to offer these in evidence.
The Chairman. They will be received for the subcommittee's per-
manent files. Let that be exhibit No. 11.
(The documents referred to were marked "Exhibit No. 11," and are
on file with the subcommittee.)
Mr. Gaines. Since 1942 we have sold more than 5 million copies of
Picture Stories from the Bible, in the United States. It is widely
used by churches and schools to make religion more real and vivid.
Picture Stories from the Bible is published throughout the world
in dozens of translations. But it is nothing more nor nothing less
than a comic magazine.
98 JUVENILE DELINQUENCY
I publish comic magazines in addition to picture stories from the
Bible. For example, I publish horror comics. I was the first pub-
lisher in these United States to publish horror comics. I am respon-
sible, I started them.
Some may not like them. That is a matter of personal taste. It
would be just as difficult to explain the harmless thrill of a horror
story to a Dr. Wertham as it would be to explain the sublimity of
love to a frigid old maid.
My father was proud of the comics he published, and I am proud
of the comics I publish. We use the best writers, the finest artists;
we spare nothing to make each magazine, each story, each page, a
work of art.
As evidence of this, I might point out that we have the highest
sales in individual distribution. I don't mean highest sales in corn-
parison to comics of another type. I mean highest sales in compari-
son to other horror comics. The magazine is one of the few remain-
ing— the comic magazine is one of the few remaining pleasures that a
person may buy for a dime today. Pleasure is what we sell, enter-
tainment, reading enjoyment. Entertaining reading has never
harmed anyone. Men of good will, free men, should be very grateful
for one sentence in the statement made by Federal Judge John M.
Woolsey when he lifted the ban on Ulysses. Judge Woolsey said:
It is only with the normal person that the law is concerned.
May I repeat, he said, "It is only with the normal person that the
law is concerned." Our American children are for the most part
normal children. They are bright children, but those who want to
prohibit comic magazines seem to see dirty, sneaky, perverted mon-
sters who use the comics as a blueprint for action.
Perverted little monsters are few and far between. They don't
read comics. The chances are most of them are in schools for retarded
children.
What are we afraid of? Are we afraid of our own children? Do
we forget that they are citizens, too, and entitled to select what to
read or do? We think our children are so evil, simple minded, that
it takes a story of murder to set them to murder, a story of robbery
to set them to robbery ?
Jimmy Walker once remarked that he never knew a girl to be ruined
by a book. Nobody has ever been ruined by a comic.
As has already been pointed out by previous testimony, a little,
healthy, normal child has never been made worse for reading comic
magazines.
The basic personality of a child is established before he reaches the
age of comic-book reading. I don't believe anything that has ever
been written can make a child overaggressive or delinquent.
The roots of such characteristics are much deeper. The truth is
that delinquency is the product of real environment in which the
child lives and not of the fiction he reads.
There are many problems that reach our children today. They
are tied up with insecurity. No pill can cure them. No law will
legislate them out of being. The problems are economic and social
and they are complex.
Our people need understanding ; they need to have aff(iction, decent
homes, dec(mt food.
JUVENILE DELINQUENCY 99
Do the comics encourage delinquency ? Dr. David Abrahamsen has
written :
Comic books do not lead into crime, although they liave been widely blamed
for it. I find comic books many times helpful for children in that through them
they can get rid of many of their aggressions and harmful fantasies. I can
never remember having seen one boy or girl who has committed a crime or who
became neurotic or psychotic because he or she read comic books.
The Chairman. Senator Kefauver.
Senator Kefauver. Is that Dr. David Abrahamsen?
Mr. Gaines. That is right, sir. I can give you the source on that,
if you like. I will give it to you later.
The Chairman. You can supply that later.
(The source is as follows:)
Abrahamsen, Dr. David, Who Are the Guilty, New York : Rinehart & Co.,
Inc., page 279.
Mr. Gaines. I would like to discuss, if you bear with me a moment
more, something which Dr. Wertham provoked me into. Dr. Wer-
tham, I am happy to say, I have just caught in a half-truth, and I am
very indignant about it. He said there is a magazine now on the stands
preaching racial intolerance. The magazine he is referring to is my
magazine. What he said, as much as he said, was true. There do
appear in this magazine such materials as "Spik," "Dirty Mexican,"
but Dr. Wertham did not tell you what the plot of the story was.
This is one of a series of stories designed to show the evils of race
prejudice and mob violence, in this case against Mexican Catholics.
Previous stories in this same magazine have dealt with antisemitism,
and anti-Negro feelings, evils of dope addiction and development of
juvenile delinquents.
This is one of the most brilliantly written stories that I have ever
had the pleasure to publish. I was very proud of it, and to find it being
used in such a nefarious way made me quite angry.
I am sure Dr. Wertham can read, and he must have read the story,
to have counted what he said he counted.
I would like to read one more thing to you.
Senator Hennings asked Dr. Peck a question. I will be perfectly
frank with you, I have forgotten what he asked him, but this is the
answer because I made a notation as he went along.
No one has to read a comic book to read horror stories.
Anyone, any child, any adult, can find much more extreme descrip-
tions of violence in the daily newspaper. You can find plenty of ex-
amples in today's newspaper. In today's edition of the Daily News,
which more people will have access to than they will to any comic
magazine, there are headline stories like this :
Finds he has killed wife with gun.
Man in Texas woke up to find he had killed his wife with gun. She had bullet
in head and he had a revolver in his hand.
The next one :
Cop pleads in cocktail poisoning.
Twenty-year-old youth helps poison the mother and father of a friend.
Court orders young hanging. Man who killed his wife will be hung in June
for his almost-perfect murder.
Let us look at today's edition of the Herald Tribune.
100 JUVENILE DELINQUENCY
On the front page a criminal describes Iioay another criminal told
him about a murder he had done. In the same paper the story of a
man whose ex-wife beat him on the head with a claw hammer and
slashed him with a butcher knife.
In the same paper, story of a lawyer who killed himself.
In another, a story of that man who shot his wife while having a
nightmare.
Another, a story of a gang who collected an arsenal of guns and
knives. These are very many stories of violence and crime in the
Herald Tribune today.
I am not saying it is wrong, but when you attack comics, when you
talk about banning them as they do in some cities, you are only a step
away from banning crimes in the newspapers.
Here is something interesting which I think most of us don't know.
Crime news is being made in some places. The United Nations
UNESCO report, which I believe is the only place that it is printed,
shows that crime news is not permitted to appear in newspapers in
Russia or Communist China, or other Communist-held territories.
We print our crime news. We don't think that the crime news or
any news should be banned because it is bad for children.
Once you start to censor you must censor everything. You must
censor comic books, radio, television, and newspapers.
Then you must censor what people may say. Then you will have
turned this country into Spain or Russia.
Mr. Beaser. Mr. Gaines, let me ask you one thing with reference to
Dr. Wertham's testimony.
You used the pages of your comic book to send across a message, in
this case it was against racial prejudice ; is that it ?
Mr. Gaines. That is right.
Mr. Beaser. You think, therefore, you can get across a message to
the kids through the medium of your magazine that would lessen
racial prejudice; is that it?
Mr. Gaines. By specific effort and spelling it out very carefully so
that the point won't be missed by any of the readers, and I regret
to admit that it still is missed by some readers, as well as Dr. Wer-
tham — we have, I think, achieved some degree of success in combating
anti-Semitism, anti-Negro feeling, and so forth.
Mr. Beaser. Yet why do you say you cannot at the same time and
in the same manner use the pages of your magazine to get a message
which would affect children adversely, that is, to have an effect upon
their doing these deeds of violence or sadism, whatever is depicted ?
Mr. Gaines. Because no message is being given to them. In other
words, when we write a story with a message, it is deliberately written
in such a way that the message, as I say, is spelled out carefully in
the captions. The preaching, if you want to call it, is spelled out
carefully in the captions, plus the fact that our readers by this time
know that in each issue of shock suspense stories, the second of the
stories will be this type of story.
Mr. Beaser. A message can be gotten across without spelling out in
that detail. For example, take this case that was presented this morn-
ing of the child who is in a foster home who became a werewolf, and
foster parents
Mr. Gaines. That was one of our stories.
JUVENILE DELINQUENCY 101
Mr. Beaser. a child who killed her mother. Do you think that
would have any effect at all on a child who is in a foster placement,
who is with foster parents, who has fears ? Do you not think that child
in reading the story would have some of the normal fears which a
child has, some of the normal desires tightened, increased ?
Mr. Gaines. I honestly can say I don't think so. No message has
been spelled out there. We were not trying to prove anything with
that story. None of tlie captions said anything like "If you are un-
happy with your stepmother, shoot her."
Mr, Beaser, No, but here you have a child who is in a foster home
who has been treated very well, who has fears and doubts about the
foster parent. The child would normally identify herself in this case
with a child in a similar situation and there a child in a similar situ-
ation turns out to have foster parents who became werewolves.
Do you not think that would increase the child's anxiety ?
Mr. Gaines. Most foster children, I am sure, are not in homes such
as were described in those stories. Those were pretty miserable homes.
Mr. Hannoch. You mean the houses that had vampires in them,
those were not nice homes ?
Mr. Gaines. Yes,
Mr, Hannoch. Do you know any place where there is any such
thing?
Mr, Gaines. As vampires ?
Mr. Hannoch. Yes.
Mr. Gaines. No, sir; this is fantasy. The point I am trying to
make is that I am sure no foster children are kept locked up in their
room for months on end except in those rare cases that you hear about
where there is something wrong with the parents such as the foster
child in one of these stories was, and on the other hand, I am sure that
no foster child finds himself with a drunken father and a mother who
is having an affair with someone else.
Mr. Beaser. Yet you do hear of the fact that an awful lot of delin-
quency comes from homes that are broken. You hear of drunkenness
in those same homes.
Do you not think those children who read those comics identify
themselves with the poor home situation, with maybe the drunken
father or mother who is going out, and identify themselves and see
themselves portrayed there ?
Mr, Gaines. It has been my experience in writing these stories for
the last 6 or 7 years that whenever we have tested them out on kids,
or teen-agers, or adults, no one ever associates himself with someone
who is going to be put upon. They always associate themselves with
the one who is doing the putting upon.
The Chairman, You do test them out on children, do you ?
Mr. Gaines. Yes.
Mr. Beaser. How do you do that ?
Senator Hennings. Is that one of your series, the pictures of the
two in the electric chair, the little girl down in the corner ?
Mr. Gaines. Yes.
Senator Hennings. As we understood from what we heard of that
story, the little girl is not beiiig put upon there, is she? She is
triumphant apparently, that is insofar as we heard the relation of the
story this morning.
102 JUVENILE DELINQUENCY
Mr. Gaines. If I may explain, the readers does not know that until
the last panel, which is one of the things we try to do in our stories,
is have an O. Henry ending for each story.
Senator Hp:nnings. I understood you to use the phrase "put upon,"
and that there was no reader identification — with one who was put
upon, but the converse.
Mr. Gaines, That is right, sir.
Senator Hennings. Now, in that one, what would be your judg-
ment or conclusion as to the identification of the reader with that little
girl who has, to use the phrase, framed her mother and shot her
father?
Mr. Gaines. In that story, if you read it from the beginning, be-
cause you can't pull things out of context
Senator Hennings. That is right, you cannot do that.
Mr. Gaines. You will see that a child leads a miserable life in the
6 or 7 pages. It is only on the last page she emerges triumphant.
Senator Hennings. As a result of murder and perjury, she emerges
as triumphant ?
Mr. Gaines. That is right.
Mr. Hannoch. Is that the O. Henry finish ?
Mr. Gaines. Yes.
Mr. Hannoch. In other words, everybody reading that would
think this girl would go to jail. So the O. Henry finish changes that,
makes her a wonderful looking girl ?
Mr. Gaines. No one knows she did it until the last panel.
Mr. Hannoch. You think it does them a lot of good to read these
things ?
]VIr. Gaines. I don't think it does them a bit of good, but I don't
think it does them a bit of harm, either.
The Chairman. What would be your procedure to test the story out
on a child or children ?
Mr. Gaines. I give them the story to read and I ask them if they
enjoyed it, and if they guessed the ending. If they said they enjoyed
it and didn't guess the ending, I figure it is a good story, entertaining.
The CiL\iR]MAN. What children do you use to make these tests with ?
Mr. Gaines. Friends, relatives.
Senator Hennings. Do you have any children of your own, Mr.
Gaines?
Mr. Gaines. No, sir.
Senator Hennings. Do you use any of the children of your own
family, any nieces, nephews ?
Mr. Gaines. My family has no children, but if they had, I would
use them.
The Chairman. You do test them out on children of your fi'iends,
do you ?
Mr. Gaines. Yes.
Mr. Beaser. Mr. Gaines, in your using tests, I don't think you are
using it in the same way that we are here. You are not trying to test
the effect on the child, you are trying to test the readability and
whether it would sell ?
Mr, Gaines. (Certainly,
Mr, Beaser. I'hat is a different kind of test than the possible effect
on the child. Then you have not conducted any tests as to the effects
of these upon children ?
JUVENILE DELINQUENCY 103
Mr. Gaines. No, sir.
Mr. Beaser. Were you here this morning when Dr. Peck testified?
Mr. Gaines. I was.
Mr. Beaser. Did you listen to his testimony as to the possible effect
of these comics upon an emotionally maladjusted child ^
Mr. Gaines. I heard it.
Mr. Beaser. You disagree with it^
Mr. Gaines. I disagree with it.
Frankly, I could have brought many, many quotes from psychia-
trists and child-welfare experts and so forth pleading the cause of the
comic magazine. I did not do so because I figured this would all be
covered thoroughly before I got here. And it would just end up iru
a big melee of pitting experts against experts.
Mr. Beaser. Let me get the limits as far as what you put into your
magazine. Is the sole test of what you would put into your magazine
whether it sells ? Is there any limit you can think of that you would
not put in a magazine because you thought a child should not see or
read about it ?
Mr. Gaines. No, I wouldn't say that there is any limit for the reason
you outlined. My only limits are bounds of good taste, what I con-
sider good taste.
Mr. Beaser. Then you think a child cannot in any way, in any way^
shape, or manner, be hurt by anything that a child reads or sees?
Mr. Gaines. I don't believe so.
Mr. Beaser. There would be no limit actually to what you put in
the magazines ?
Mr. Gaines, Only within the bounds of good taste.
Mr. Beaser. Your own good taste and salability?
Mr. Gaines. Yes.
Senator Kefaxaer. Here is your May 22 issue. This seems to be a
man with a bloody ax holding a woman's head up which has been
severed from her body. Do you think that is in good taste ?
Mr. Gaines. Yes, sir; I do, for the cover of a horror comic. A
cover in bad taste, for example, might be defined as holding the head
a little higher so that the neck could be seen dripping blood from it
and moving the body over a little further so that the neck of the body
could be seen to be bloody.
Senator Kefauver. You have blood coming out of her mouth.
Mr. Gaines. A little.
Senator Kefauver. Here is blood on the ax. I think most adults
are shocked by that.
The Chairman. Here is another one I want to show him.
Senator Kefauver. This is the July one. It seems to be a man with
a woman in a boat and he is choking her to death here with a crowbar-
Is that in good taste ?
Mr. Gaines. I think so.
Mr. Hannoch. How could it be worse?
Senator Hennings. Mr. Chairman, if counsel will bear with me, 1
don't think it is really the function of our committee to argue with
this gentleman. I believe that he has given us about the sum and
substance of his philosophy, but I would like to ask you one ques-
tion, sir.
The Chairman. You may proceed.
104 JUVENILE DELINQUENCY
Senator Hennings. You have indicated by what — I hope you will
forgive me if I suggest — seems to be a bit of self-righteousness, that
your motivation was bringing "enjoyment" — is that the word you
used?
Mr. Gaines. Yes, sir.
Senator Hennings. To the readers of these publications. You do
not mean to disassociate the profit motive entirely, do you ?
Mr. Gaines. Certainly not.
Senator Hennings. Without asking you to delineate as between
the two, we might say there is a combination of both, is there not ?
Mr. Gaines. No question about it.
Senator Hennings. Is there anything else that you would like to
say to us with respect to your business and the matters that we are
inquiring into here?
Mr. Gaines. I don't believe so.
Senator Kefaitv'er. I would like to ask 1 or 2 questions.
The Chairman. You may proceed. Senator.
Senator Kefauver. Mr. Gaines, I had heard that your father really
did not have horror and crime comics. When he had the business
he printed things that were really funny, and stories of the Bible, but
you are the one that started out this crime and horror business.
Mr. Gaines. I did not start crime ; I started horror.
Senator Kefauver. Who started crime ?
Mr. Gaines. I really don't know.
Senator Kefauver. Anyway, you are the one who, after you took
over your father's business in 1947, you started this sort of thing here.
This is the May edition of Horror.
Mr. Gaines. I started what we call our new-trend magazines in 1950.
Senator Kefauver. How many of these things do you sell a month,
Mr. Gaines?
Mr. Gaines. It varies. We have an advertising guaranty of
1,500,000 a month for our entire group.
Senator Ivefauv^er. That is for all the Entertaining Comics, of
which Shock is one of them? How do you distribute these, Mr.
Gaines?
Mr. Gaines. I have a national distributor. There are roughly 10
individual national distributors which handle roughly half of the
magazines. The other half is handled by American News.
The 1 of the 10 that I have is Leader News Co.
Senator Kefauver. That is a distributor. Then do they sell to
wholesalers ?
Mr. Gaines. They in turn sell to seven-hundred-odd wholesalers
around the country.
Senator Kefauver. The wholesalers then pass it out to the retailers,
the drug stores, and newsstands ; is that right ?
Mr. Gaines. That is right.
Senator Kefauver. They are all sold on a consignment basis?
Mr. Gaines. They are all returnable.
Senator Kefauver. So your magazines alqng with what other
wholesaler may be handling, are taken in a package to the retailer and
left there and he is supposed to put them on his stand and sell them ?
Mr. Gaines. Yes.
Senator Kefauver. And if he does not sell them, or does not dis-
play them, then he is liable to get another retailer?
JUVENILE DELINQUENCY 105
Mr. Gaines. No, we cover every retailer as far as I know.
Senator IvErAuvER. You don't like things to be put back and resold.
You would like them to be sold.
Mr. Gaines. I would prefer it. Comics are so crowded today, I
think there are some 500 titles, that it is impossible for any retailer
to give all 500 different places.
Senator Kjefauver. I notice in this edition of May 14 the one in
which you have the greasy Mexican the first page has apparently two
shootings going on at the same time here, then on the next page is an
advertisement for young people to send a dollar in and get the Panic
for the next 8 issues. Is that not right ?
Mr. Gaines. That is right.
Senator Kefauver. This says the editors of Panic, 225 Lafayette
Street. That is you ?
Mr. Gaines. That is right.
Senator Kefauver. Then the attraction here is "I dreamed I went
to a fraternity smoker in my Panic magazine," you have dice on the
floor and cigarettes, somebody getting beer out, somebody laying on
his back taking a drink. Do you think that is all right ?
Mr. Gaines. This is an advertisement for one of my lampoon maga-
zines. This is a lampoon of the Maiden-Form brassiere ad, I dreamed
I went to so-and-so in my Maiden-Form brassiere, which has appeared
in the last 6 years in national family magazines showing girls leaping
through the air in brassieres and panties.
We simply lampoon by saying 'T dreamed I went to a panic smoker
in my Panic magazine."
Senator Kefauver. I mean, do you like to portray a fraternity
smoker like that?
Mr. Gaines. This is a lampoon magazine. We make fun of things.
The Chairman. You think that is in good taste?
Mr. Gaines. Yes, sir.
Senator Kefauver. 1 have looked through these stories. Every
one of them seems to end with murder, practically. I have looked
through this one where they have the greasy Mexican and the Puerto
Rican business. I can't find any moral of better race relations in it,
but I think that ought to be filed so that we can study it and see and
take into consideration what Mr. Gaines has said.
The Chairman. Mr. Gaines, you have no objection to having this
made a part of our permanent files, have you ?
Mr. Gaines. No, sir.
The Chairman. Then, without objection, it will be so ordered. Let
it be exhibit No. 12.
(The magazine referred to was marked "Exhibit No. 12," and is on
file with the subcommittee.)
Senator Kefauver. Is Mr. Gaines a member of the association
that we talked about here this morning?
Mr. Gaines. No longer. I was a member for about 2 or 3 years and
I resigned about 2 or 3 years ago.
Senator Kefau\t2r. How did you happen to resign, Mr. Gaines?
Mr. Gaines. Principally for financial reasons.
Senator Kefauver. It only has $15,000 a year for the whole opera-
tion ?
Mr. Gaines. At that time my share would have been $2,000. At
that time, also, about 10 percent of the publishers were represented.
106 JUVENILE DELINQUENCY
I was a charter member of the association. I stuck with it for 2 or 3
years.
The theory was that w^e were going to get all the publishers into
it and then the burden of financial
Senator Kefauver. Did you have any argument about censorship,
about this gentleman, Mr. Schultz, who was here, not liking the kind
of things you w^ere publishing?
Mr. Gaines. No, sir. Mr. Schultz and I frequently had disagree-
ments which we would iron out and I would make the changes he
required until I decided to resign.
The Chairman. Did you have any part, Mr. Gaines, in preparing
that code?
Mr. Gaines. No, the code was prepared by, I believe, the first board
of directors of the association. I was on the board of directors later
on, but not at first.
Tlie Chairman. Did you subscribe to the code ?
Mr. Gaines. Yes, sir.
The Chairman. Did you think that publishing a magazine like this
for example would still be within the code ?
Mr. Gaines. No, sir.
Senator Kefauver. You admit none of this would come within
that code ?
Mr. Gaines. Certain portions of the code I have retained. Certain
portions of the code I have not retained. I don't agree with the code
in all points.
Senator Kefauver. The code that you have here, none of your
stories would come in that code. You could not print any of these
if you compiled with the full code we read here this morning.
Mr. Gaines. I would have to study the story and study the code
to answer that.
Senator Kefauver. How much is your monthly income from all
your corporations with this thing, Mr. Gaines?
Mr. Gaines. You mean by that, my salary ?
Senator Kefauver. No. How much do you take in a month from
your jDublications ?
JSIr. Gaines. I wouldn't know monthly. We figure it annually.
Senator Kefauver. Let us say gross.
Mr. Gaines. Gross, I don't know.
Senator Kefauver. What is your best estimate annually ?
Mr. Gaines. I would say about $80,000 a month gross.
Senator Kefauver. How many books did you say you printed a
month ?
Mr. Gaines. A million and a half guaranteed sale. We print about
two, two and a half million.
Senator Kefauver. How much net do you make a month out of it,,
that is, the corporations ?
Mr. Gaines. Last year it came to about $4,000 a month.
Senator Kefauver. Do you have several corporations, Mr. Gaines f
Mr. Gaines. Yes, sir.
Senator Kefauver. How many corporations do you have?
Mr. Gaines. I have five.
Senator Kefauver. Why do you have five corporations ?
Mr. Gaines. Well, I don't really know. I inherited stock in five
corporations which were formed by my father before his death. In»
JUVENILE DELINQUENCY 107
those days he started a corporation, I believe, for every magazine. I
have not adhered to that.
I have just kept the original five and published about two maga-
zines in each corporation.
Senator Kefauver. Do you not think the trouble might have been
if one magazine got in trouble that corporation would not adversely
affect the others?
Mr. Gaines. Oh, hardly.
Senator Kefauver. You did get one magazine banned by the at-
torne}' general of Massachusetts, did you not 'i
Mr. (iAixEs. The attorney general of Massachusetts reneged and
claims he has not banned it. 1 still don't know what the story was.
Senator Kefauver. Anyway, he said he was going to prosecute you
if you sent that magazine over there any more.
Mr. Gaines. He thereafter, I understand, said — lie never said he
would prosecute.
Senator Kefauver. That is the word you got though, that he was
going to prosecute you?
Mr. Gaines. Yes.
Senator Kefauver. When was that ?
Mr. Gaines. Just before Christmas.
Senator Kefauver. Which magazine was that?
Mr, Gaines. That was for Panic No. 1.
Senator Kefauver. Just one other question. There is some associa-
tion that goes over these things. Do you make any contribution to
the membersliips of any associations ?
JMr. Gaines. No.
Senator Kefauver. Any committee that supervises the industry?
Mr. Gaines. No. There is no such committee or organization aside
from the Association of Comic Magazine Publishers.
Senator Kefauver. You said you had a guaranteed sale of a million
and a half per month.
Mr, Gaines. We guarantee the advertisers that much.
Senator Kefauver, So that you do have some interest in seeing that
the distributor and wholesaler and retailer get your magazines out
because you guarantee the advertisers a million and a half sales a
month?
Mr, Gaines. I have a very definite interest. Unfortunately, I
don't have a thing to do with it.
Senator Kefauver. Thank you, Mr, Chairman.
Mr, Hannoch,' Could I ask one or two questions ?
The Chairman. Mr, Hannoch,
Mr, Hannoch. What is this organization that you maintain called
the Fan and Addict Club for 25 cents a member?
Mr. Gaines. Simply a comic fan club.
Mr. Hannoch. You advertise the children should join the club?
Mr, Gaines. Yes.
Mr. Hannoch. What do they do ? Do they pay dues ?
Mr, Gaines. No.
Mr. Hannoch. Wliat do they send 25 cents in for ?
jNIr. Gaines. They get an arm patch, an antique bronze pin, a 7 by
11 certificate and a pocket card, the cost of which to me is 26 cents
without mailing.
49632—54 8
108 JUVENILE DELINQUENCY
Mr. Hannoch. After you get a list of all these kids and their fam-
ilies and addresses, what do you do with the list ?
Mr. Gaines. I get out what we call fan and addict club bulletins.
The last bulletin was principally made up of names and addresses
of members who had back issues they wanted to trade with other
members.
Mr. Hannoch. Did anybody buy that list from you and use it ?
Mr. Gaines. No, sir ; I have never sold it.
Mr. Hannoch. Do you know anything about this sheet called, "Are
you a Red dupe?"'
Mr. Gaines. Yes, sir ; I wrote it.
Mr. Hannoch. How has it been distributed ?
Mr. Gaines. It has not been distributed. It is going to be the
inside front cover ad on five of my comic magazines which are forth-
coming.
Mr. Hannoch. And it is going to be an advertisement ?
Mr. Gaines. Not an advertisement. It is an editorial.
Mr. Hannoch. Do other magazines have copies of this to be used
for the same purpose ?
Mr. Gaines. No, sir.
Mr. Hannoch. You haven't made this available to the magazines as
yet ?
Mr. Gaines. No, sir ; and I don't intend to.
Mr. Hannoch. You believe the things that you say in this ad that
you wrote ?
Mr. Gaines. Yes, sir.
Mr. Hannoch. That anybody who is anxious to destroy comics are
Communists ?
Mr. Gaines. I don't believe it says that.
Mr. Hannoch. The group most anxious to destroy comics are the
Communists ?
Mr. Gaines. True, but not anybody, just the group most anxious.
The Chairman. Are there any other questions ?
Mr. Hannoch. No.
Mr. Beaser. I have some questions.
The Chairman. Mr. Beaser.
Mr. Beaser. Just to settle the point which came up before, Mr.
Gaines, who is it that gets the idea for this, for one of your stories,
you, your editor, tlie artist, the writer ? Where does it come from ?
Mr. Gaines. Principally from my editors and myself.
Mr. Beaser. Not from the artists ?
Mr. Gaines. No.
Mr. Beaser. He just does what he is told ?
Mr. Gaines. Pie just followed the story and illustrates it.
Mr. Beaser. He is told what to do and how to illustrate it?
Mr. Gaines. No, our artists are superior artists. They don't have
to be given detailed descriptions.
Mr. Beaser. He has to be told what it is ?
Mr. Gaines. It is lettered in before he draws it.
Mr. Beaser. He knows the story pretty much, so he knows what he
can fit in ?
Mr. Gaines. Yes.
Mr. Beaser. You said that you had a circulation of 5 million Bible
storybooks.
JUVENILE DELINQUENCY 109
Mr. Gaines Yes.
Mr. Beaser. How many years is this ?
Mr. Gaines. Twelve years, since 1942.
Mr. Beaser. In other words, in little over 3^/2 months you sell more
of your crime and horror than you sell of the Bible stories?
Mr. Gaines. Quite a bit more.
Mr. Beaser. They seem to go better ?
Mr. Gaines. This is a 65-cent book. The crime-and-horror book is
a 10-cent book. There is a difference.
Mr. Beaser. No further questions, Mr. Chairman.
The Chairman. Thank you very much, Mr. Gaines.
Mr. Gaines. Thank you, sir.
The Chairman. Will counsel call the next witness?
Mr. Beaser. Mr. Walt Kelly.
The Chairman. Mr. Kelly, do you have some associates?
Mr. Kelly. I have, sir.
The Chairman. Do you want them to come up and sit with you?
Mr. Kelly. I think I would enjoy the company.
The Chairman. Fine. We would enjoy having them up here.
I will swear you all at one time.
Do you solemnly swear that the testimony you will give to this
subcommittee of the Committee on the Judiciary of the United States
Senate, will be the truth, the whole truth, and nothing but the truth,
so help you God ?
Mr. Kelly. I do.
Mr. Caniff. I do.
Mr. MusiAL. I do.
TESTIMONY OF WALT KELLY, ARTIST, CREATOR OF POGO, AND
PRESIDENT, NATIONAL CARTOONISTS SOCIETY, NEW YORK, N. Y. ;
MILTON CANIFF, ARTIST, CREATOR OF STEVE CANYON, NEW
YORK, N. Y.; AND JOSEPH MUSIAL, EDUCATIONAL DIRECTOR,
NATIONAL CARTOONISTS SOCIETY, NEW YORK, N. Y.
Mr. Hannoch. Will you give your name, sir ?
Mr. Kelly. Walt Kelly, 2 Fifth Avenue, artist, drawer of Pogo,
New York City.
Mr. Beaser. Have you a title, Mr. Kelly, in the association?
Mr. Kelly. I am the president of the National Cartoonists Society.
I forgot about that. I just took office last night.
Mr. Caniff. Milton Caniff, New York City, N. Y. I draw Steve
Canyon for Chicago Sun-Times Syndicate, and King Features, Syndi-
cate.
Mr. Musial. Joseph Musial. I am educational director for the
King Features Syndicate. I am director for King Features Syndi-
cate and educational director for the Cartoonist Society.
I live in Manhasset, Long Island, N, Y.
The Chairman. Thank you very much, gentlemen, you may be
seated.
Mr. Counsel ?
Mr. Beaser. You have a set method that you want to proceed in?
Mr. Kelly. We thought we would do a little commercial work here
and show you some of the ways we proceed in our business.
110 JUVENILE DELINQUENCY
However, before we get into that, I just want to take a moment
to acquaint you in some degree at least with my own experience and
I think it might be of use or value if the other gentleman would give
you somewhat of their background.
The Chairman, I am sure it would be very helpful.
Mr. Kelly. I have been in the newspaper business and animated
cartoons and cartooning generally since about 13 years of age. I re-
gret to say that constitutes about 28 years now.
I got into the comic-book business at one time back in 1940 or 1941
and had some experience with its early days as before the 1947 debacle
of so many crime magazines and so on.
In tliose days there was even then a taste on the part of children for
things which are a little more rugged than what I drew. So that I
was faced with the problem of putting into book form, into comic
form, comic-book form, things which I desired to make popular, such
as an American fairy story or American folklore type of stories.
I found after a while that this was not particularly acceptable.
The Chairman. Would you raise your voice just a little.
Mr. Kelly. I decided I would help clean up the comic-book business
at one time, by introducing new features, such as folklore stories and
thinks having to do with little boys and little animals in red and blue
pants and that sort of thing.
So when my comic book folded, the one I started doing that with, I
realized there was more to it than met the eye.
Perhaps this was the wrong medium for my particular efforts.
Since then I have been in the strip business, the comic-strip business
which is distinguished from the comic books.
We have found in our business that our techniques are very effective
for bringing about certain moral lessons and giving information and
making education more widespread.
Despite the testimony given before, I would say right offhand that
cartoonists are not forced by editors or publishers to draw any cer-
tain way. If they don't want to draw the way the publisher or editor
wants them to, they can get out of that business.
We have about 300 members of our society, each one of whom is
very proud of the traditions and I think small nobility of our craft.
We would hesitate, any one of us, to draw anything we would not
bring into our home.
Not only hesitate, I don't think any one of us would do it. That
is about all I have to say in that regard.
I would like very much to give one statement. May I do that now ?
The Chairman. You may.
Mr. Kelly. This group here endorses a particular statement by the
National Cartoonists Society. That statement is this :
The National Cartoonists Society views as unwarranted any additional legisla-
tive action that is intended to censor printed material. The society believes in
local option. We believe that offensive material of any nature can be weeded
from the mass of worthwhile publications by the exercise of existing city, State,
and Federal laws.
Further, we believe that the National Cartoonists Society constitutes a leader-
ship in the cartoon field which has previously established ]iopular trends. We
therefore will restrict any action we take to continually improving our own ma-
terial and thus influencing the coattail riders who follow any successful idea.
We believe good material ovitsells bad. We believe people, even juveniles, are
fundamentally decent. We believe, as parents and as onetime children ourselves^
JUVENILE DELINQUENCY HI
that most young people are instinctively attracted to that which is wholesome.
Our belief in this sound commercial theory is only in addition to our belief
in free expression and the noble traditions of our profession. Our history
•abounds in stalwarts of pen and pencil who have fought for freedom for others.
For ourselves as artists and free Americans we too cherish freedom and the
resultant growth of ideas. We cannot submit to the curb, the fence, or the
intimidating word. The United States of America must remain a land where
•the Government follows the man.
Mr. Beaser. You are not saying that it is not possible to put into
comics, crime comics and horror comics, what we have been talking
about, tilings that might have some harmful effect ?
Mr. Kelly. I think it is even entirely possible, sir. I think it is the
duty of the creator of the material to see that that sort of thing does not
get in there.
The creator, ajjart from the producer or the publisher, is personally
responsible for his work.
I somewhat question the good doctor's statement before when he said
in response to your question, sir, that perhaps the originators of this
material might be under scrutiny, should be, as to their psychiatric
situation.
We in the cartoon business sort of cherish the idea that we are all
sort of screwball. We resent the implication that any man putting
out that kind of stuff' is not a scre^vball. That is another thing wes
fight for.
Senator Hennings. I would like to say to Mr. Kelly that I think
your statement is admirable. I am a frustrated cartoonist myself. I
wanted to be one wdien I was a boy and I got off the track. I have
noticed the chairman of our committee doing a good deal of sketching
during some of the hearings. He is really a very tine artist.
Without asking you to be invidious or to pass upon any thing ad
hominem here with respect to any other publication, is it your opinion
that there are certain publications being circulated and calculated to
appeal to children in their formative years, their immature years, and
from your understanding of the profession — and I call it one because
it is; your strip is clean and enlightening as is Mr. Caniff''s; the very
l)est in the business — do you not deplore, do you gentlemen not deplore
some of these things that you see purveyed to the children and in a
sense pandering to the taste, or do you think those things will right
themselves ? Do you think sooner or later that the harm, if such exists,
is outweighed by a good many other things ?
Mr. Kelly. I think basically that is our position ; yes, sir.
Senator Hennings. You realize, of course, the great danger of
■censorship ?
Mr. Kelly. I realize, too, sir, the great danger of the magazines in
■question.
Senator Hennings. So it is a rough problem ; is it not ?
Mr. Kelly. We are put in a rather unpleasant i)osition.
We don't like to be put in a position to defend what we will defend
to the last breath.
The Chairman. Mr. Caniff do you feel the same way ?
Mr. Caniff. Yes, sir; but if I may, I would like to point out here
because it has not been done, we first of all represent the newspaper
strip as contrasted with the comic book. It is a fact, of course, as you
all well know, that the newspaper strip is not only censored by each
•editor wlio buys it, precensors it, which is his right, but by the syndi-
112 JUVENILE DELINQUENCY
cate's own editors, who are many, and highly critical, and then this
censorship includes the readers themselves, who are in a position to
take the editor to task for printing your material and they are quick
to respond.
So we are never in doubt as to our status. There will never be
any question after the fact. You almost know by the time it hits the
street whether or not your material is acceptable to the reader.
So we are in this white-hot fight of public judgment, which is as it
should be.
For instance, Walt's strip runs in 400 newspapers. Mine in 350.
Blondie in 1,300 out of the 1,500 dailies. That means we have a
daily circulation of 55 or 75 million. So that we are in front of the
pack all the time and highly vulnerable, as a result.
I bring this in here because I think it is germane on this principle
alone, that we also have comic books publishing our material so that
we are in this field as well.
It is pointed toward perhaps a little audience in the simple sense
that we hope to sell to the daily audience that reads the 10-cent book.
But we are in effect as responsible as well. Insofar as deploring
individual books, that is a matter of individual taste. Some books I
like which you wouldn't like. I can't say blanketly, for instance, that
I dislike all crime comics or I think they are bad. I think they are
only good or bad as they affect you, the individual, and by the same
token the individual reader of any age group is affected relatively
rather than as a group and cannot be condemned I believe, as a group.
The Chairman. That is a very fine statement.
Mr. Canitf. Thank you very much.
Would you like to add anything, Mr. Musial ?
Mr. Musial. I am supposed to be educational director. I can see
I have to give my job over to Mr. Caniff. He presented my thoughts
better than I could.
I would like to say, I think cartoons are of a sort and instead of
making a speech at this particular time I brought in an editorial draw-
ing which I made, which I think germane to the situation. I would
like to place this on the board, with your permission.
The Chairman. Would j'ou please do that.
Mr. Kelly. Mr. Chairman, we would appreciate very much show-
ing you a few of the things that we have been doing, one of which is
a series of talks that I personally have been giving before journalism
students, newspaper groups, luncheon clubs, and other respectable
bodies and people in search of some sort of education, trying to point
out what is the basis of the philosophical workings of the comic
strip.
I think I can use my own strip as an example, and you can see what
thought goes into what we do and how we do it.
[Demonstrating,] In the first place, in every one of our strips we
have a central character around whom we base most of our plotting
and action.
In my case it happens to be a character who is supposed to look like
a possum, in effect; he is a possum by trade, but he doesn't really
work at it because actually he happens to be related to most of the
people that read comic strips.
Now, he looks a little bit like a monster. This little character
actually looks a little bit like a monster.
JUVENILE DELINQUENCY 113
On the other hand, he is supposed to be a possum and he has this
turned-up, dirty nose and a rather innocent expression on his face
which is indicative of a little boy because we usually have more
readers that are little boys than are possums.
With this innocent, sweet character are a number of rather dis-
reputable characters. The reason I bring up most of these is that
each one represents a certain facet of one man's personality, un-
fortunately mine.
Here is an alligator who at one time worked as a political expert
for Pogo. Pogo ran for the Presidency of the United States, and, of
course, didn't make it. Now, he, we thought, would make an excellent
political type because he has a sort of thick alligator skin and some
say a head to match, and so on. He is the sort of character that stands
around street corners and smokes cigars.
Along with that character are several other unfortunate people
who got into the swamp. One is a dog who is very proud of being a dog.
Of course, those of you who have been dogs in your time understand
his position in that.
Senator Kefauver. You are not talking about a doghouse, now ?
Mr. Kelly. No, I am staying away from that. This particular dog
is the kind of dog who feels that he knows all the answers and has a
great deal of respect for his own judgment and we all know people
like that.
One other character who is probably pertinent to the kind of work
I try to do is a litle character known as the porcupine. Now, this
character is a very grumpy sort of character. He looks like most of
us do when we get up in the morning. He has generally a sort of
sour-faced kind of philosophy. It is a long time after lunch and I
am drawing these from the side, so the}^ may have a sort of lean to
them.
He is very sour about everything, but he says, "You never should
take life very seriously because it ain't permanent." These are the
sources of things that go into comic strips.
When I talk before journalism people I try to tell them these are
various facets of one man's personality, mine, yours, that everyone
has in him the ability to be all of the cruel, unkind, unpleasant,
wonderful and pitiful people that exist in the world.
That is my message to young journalism students, because they are
in search of the truth. They sometimes fight it and sometimes are
able to report on it.
For myself, I have never received any intimidation nor have I been
dropped by editor or publisher for anything I wanted to say.
All I have ever been dropped for is because I was lousy.
This character here, for example, is known as the deacon. He is
one of those busybodies who assumes that everything he has to say
is of such importance that I have to letter his script in a gothic
type, which is sometimes readable and sometimes not. I assure
you when you can't read it, it is not because I am hiding anything;
it is because I can't letter very well.
That nuin is willing to prescribe for everj^one and whatever he
believes in very firmly, having borrowed it from someone else. He
is out to do you good whether it kills you or not. That is not his
concern.
114 JUVENILE DELINQUENCY
Then every cartoonist being somewhat dishonest — cartoonists are
very much like people — we sometimes introduce into our strips things
which we hope will be cute and will get the ladies to write in and
say "Ah." This is a little puppy dog who shows up every once in
a while, and the ladies do write in and think he is very cute.
I won't continue with this because we will run out of paper. Milt
won't have any room.
But I would like to just say that in delivering a serious lecture,
one which involves trying to make these young people feel that it is
possible in our newspapers as they exist today to express themselves,
that we still have a great heritage of freedom in our press, one which
we want to keep, one which if you are good enough you can make
daily use of.
Young people are somewhat intimidated before they become actual
journalists so that they are a little frightened. They think that pub-
lishers and editors are going to bring great ]:»ressure to bear on them;
they are not going to be able to say what they would like to say, so
a word coming from a silly cartoonist on the outside, a man who
has grown at least to the point where he can buy his own cigars,
they are refreshed by this sort of experience.
We find as cartoonists that using our simple techniques of making
drawings and making statements that the two somehow become en-
twined, the people are willing to listen because we are making pictures
largely, but willing to listen also because we do have, I believe, a great
tradition of trying to express the truth in a decent and sometimes,
we liope, humorous way.
We believe that this is the way of America. We think it will
continue.
I am sure you gentlemen are as much concerned with it as I. I
know that is why we are here.
The Chairman. Speaking as one member of the committee, Mr.
Kelly, I can say that you cartoonists do make a great contribution
to this country.
Mr. Kelly. Thank you, sir.
The Chairman. I am sure my colleagues will agree with that
statement.
Mr. Kelly. I would like to add one thing to probably clear up what
I was doing here. It probably escaped a lot of us. It escaped me.
I was trying to show here the different facets of personality. It
is my belief that each one of us contains all these horrible things
which we sometimes see in crime books, not in any enlarged form,
but way back in there are things. That is why I try to bring out
and Milt tries to bring out and 300 other cartoonists in our society
try to bring out other things which are much better than that. We
believe as people read comic strips they will get to realize that all
other people are very much like ourselves and that they will be rather
patient and understanding in trying to judge their fellow men.
The Chairman. Thank you very much, Mr. Kelly. That is a fine
presentation.
Mr. Caniff. Mr. Chairman, I would like to follow with this : As
you can see, we are attempting not to debate with Dr. Wertham, whose
opinion we value very highly, but rather to make this point, that the
newspaper comic strip does two things, and we think this is extremely
important.
JUVENILE DELINQUENCY 115
First, it is to entertain, as yon saw in the case of W^^^'s presenta-
tion, just the presentation is entertaining, aside from his message.
Second, the public servant aspect of this thing which we want to
put on the record, because the horrible stuff is much more fascinating
than the good stuff, but I think you agree with us that the good stuff
should be on the record, too.
Many of these are simply incidents in or daily lives, because we
spend almost as much time doing the public service kind of thing as
our regular strips ; in fact, it becomes an enormous problem.
In this instance you will see, for instance, Mr. Musial here with
Governor Dewey during a New York State Department of Health
mental hygiene campaign to which he gave a great amount of time,
and other ai'tists involved in the society as well.
This is Dagwood Splits the Atom, which was pi-epared with the
scientific views of Leslie Grove, General Dunning, and so forth.
This has to do with the bond sale during the war, the use of the
comic strips.
This is a bulletin, rather a booklet, which was prepared for boys
who are sent to Warwick School, to the New York State Reformatory.
This is to tell them not how to get in the reformatory, but how to
get out of it on the assumption they have read comic books.
This is to show if they conduct themselves properly they will get
paroled back to their parents.
This obviously is to get kids to brush their teeth, using Dennis the
Menace; of course he is not a menace; the title is apocryphal. These
are simply incidents of the same thing.
All the people know the Disney comics. The widest selling comic
book in the whole country and in Canada is Donald Duck. It out-
sells every magazine on the stand; that includes Life, the Saturday
Evening Post.
As a matter of fact, the Dell comic books constitute 30 percent of
the comic books published. They think it is too much that they even
dropped Dick Tracy because it was a crime comic.
These pictures with General Dunning, General Eisenhower, Presi-
dent Truman had to do with the bond campaigns in which we partici-
pated. This is in this case Steve Canyon's Air Power. It so hap-
pens, speaking of people condoning comic books or endorsing them,
this is endorsed by General Doolittle.
The Chairman. I might add it is endorsed by the junior Senator
from New Jersey, too.
Mr. Caniff. Thank you. Senator. I hope just for the simple busi-
ness of letting you know how the other half live, shall we say, that
we do some good with the very medium which is fighting for its life,
if you will, and we think very' highly of the industry as such, because
of its enormous potential.
Thank you.
The Chairman. Thank you very much, Mr. Caniff.
Are there any questions. Senator Kef auver ?
Senator Kefauver. I wondered, Mr. Kelly and Mr. Caniff, how
do you feel you can get at this sort of thing? I know you don't think
this is a good influence, some of these horror comics that you see and
none of us like. How do you get at a situation like this ?
116 JUVENILE DELINQUENCY
Mr. Kelly. I don't know. I have no idea, sir. My personal phi-
losophy on such a thing would be that we must educate people to not
like that sort of thing or to at least not produce it.
How we can do that, I don't know. It does seems to me that this is
a manifestation of a particularly bad world situation at this time, that
these are not in themselves the originators of juvenile delinquency
so much as juvenile delinquency is there and sometimes these are the
juvenile delinquents' handbooks.
I would be frightened at doing anything about it, sir.
Senator Kefal^er. Who are the men drawing these cartoons ? Are
they members of your society ?
Mr. Kelly. If they are, and doing it under assumed names, and in
very bad style — they are not very good drawings actually — when a
man is admitted to our society we don't just assume he can draw.
Senator Kefauver. As a member of your society, is there a code that
he is not supposed to draw obscene and horror stuff of this kind ?
Mr. Kelly. Yes, sir ; our statement of things that we believe in en-
compasses anything that a decent man would be proud to sign his name
to.
The Chairman. You have an established code, Mr. Kelly ?
Mr. Kelly. We have, sir.
The Chairman. I wonder if we could have a copy of that.
Mr. Kelly. I will be delighted to send it to you.
The Chairman. That will be tiled with the subcommittee's perma-
nent file. Let it be exhibit No. 13.
(The document referred to was marked "Exhibit No. 13," and is on
file with the subcommittee.)
Senator Kefauver. In substance what is your code?
Mr. Kelly. In substance our code is that if any man chooses to take
advantage of his position, a unique position, where he has learned
to draw and so influence other people, if he wants to take advantage
of that to spread indecency or obscenity or in any way prove himself
to be an objectionable citizen, we don't have room for him in the
society.
Senator Kefauver. Now, this picture here of the woman with her
head cut off seems to be by Johnny Craig. Do you know him ?
Mr. ICelly. I don't know him, sir.
Senator Kefau\'er. Do you think these may be assumed names?
Mr. Kelly. I would doubt it. There are so many markets for our
work that it takes a man who is interested in that sort of thing to
pick up the job, I would say. None of our members need the work.
Senator Kefauver. None of your members do things of this kind?
Mr. Kelly. I haven't examined all their work, and I can't truth-
fully sw^ear they don't, but I will be surprised and we will take action
if they do.
Senator Kefauver. What would you do if you found they did?
Mr. KJELLY. They would violate our code.
Senator Kefauver. What would you do about it ?
Mr. Kelly. I don't know. Maybe invite them outside.
Senator Kefauver. This one seems to be by Geans.
Mr. Kelly. There was an astronomer — not, it couldn't be him.
Senator Kefauver. Here is another one by Jack Davis.
Mr. Kelly. We don't know them, really.
JUVENILE DELINQUENCY 117
Senator Kefauver. I think we all commend you gentlemen on hav-
ing an organization of this kind in which you do promote ethical pro-
cedure and try to get your members to only paint wholesome pictures
and ideas.
Mr. Kelly. Thank you.
The Chairman. Mr. Musial had something he wanted to add.
Mr. Musial. I wanted to present all the Senators with a copy of
that drawing which interprets my feeling about what can be done.
When the Senator asked about what we can do, I think the important
thing that can be done and must be done and the only thing that can
be done, is that once the American public is aware of the things that
this committee is aware of, if we can get that over to the American
people, then under our kind of democracy I think action will follow
in a certain direction which will guarantee results.
I hate to say this, but I suggest that the committee solicit our ser-
Tices.
The Chairman. We do that.
Mr. Musial. Here is a story in the New York Times of last Satur-
day. We have already contributed a book. I would like that included
in the record, if I may.
The Chairman. It will be included. Let it be exhibit No. 14.
(The information referred to was marked "Exhibit No. 14," and
reads as follows:)
Exhibit No. 14
[From the New York Times, April 17, 1954]
Comic Books Help Curb Delinquency
STATE school ADOPTS IDEL\ TO ALLAY INMATES' FEARS — JUDGE BACKS USE
(By Murray lUson)
Comic books, often accused of causing juvenile delinquency, also can be used
to help cure it, in the opinion of A. Alfred Colien, superintendent of the State
Training School for Boys at W^arwick, N. Y.
Mr. Cohen was in the city yesterday with a batch of comic books that had been
printed by youths committed to the institution. The books have been endorsed by
John Warren Hill, presiding justice of the domestic relations court. He called
them "a very helpful and constructive step."
Justice Hill has been concerned with the increase of juvenile delinquency over
the years, and has made many speeches trying to get people aroused enough to
do something about it.
STORY OF THE SCHOOL
The comic books that Mr. Cohen had were all alike. He presented one for
inspection. It was drawn by Charles Biro, chairman of the child welfare com-
mittee of the National Cartoonists Society, which has taken a special interest in
the Warwick State Training School. The book's 8 pages, printed in color, told
the story of the school.
Mr. Cohen explained that the purpose of the book was to allay the fears of boys
who were l)eing committed to the school, which is in Orange' County, 55 miles
from New York. Probation officers in the city's children's courts, which are part
of the domestic relations' court, give the books to boys who are being sent to
Warwick for rehabilitation.
Warwick, Mr. Cohen noted, is 1 of the States 2 institutions for delinquent boys.
Consisting of 40 buildings and 800 acres, it now has 476 boys between the ages of
12 and 16. Ninety-nine percent of them are from New York. Sixty youngsters are
in the city's detention center at Youth House, awaiting placement at Warwick.
"We get the boys who are judged by the courts to be seriously delinquent,"
Mr. Cohen explained. "We maintain a clinic serviced by a psychiatrist, a psy-
chologist and caseworkers who decide when a boy is ready to be sent home. The
118 JUVENILE DELINQUENCY
superintendent, however, has the final decision. The average stay for younger
boys is about 14 months ; for the older boys it's about 11 months."
Mr. Cohen said that when he went to Warwick 9 years ago the school was
getting "the gang-type youngster" who was characterized by loyalty to a gang
but who was, for the most part, "normal" in that he did not have serious emo-
tional disturbances.
today's type described
The type now going to Warwick was described by Mr. Cohen as the "lone wolf,
who is very disturbed, very suspicious, can't form relationships with people, feels
the world is against him, has never known the meaning of love, and has only
experienced failure." He went on to say :
"Many of these kids literally have never had a hot meal before they came to
Warwick, never had a full night's sleep and have known only real conflict in the
home. The amazing thing is that they behave as well as they do.
"I have never met a youngster among the 8,000 who have passed through-
Warwick in the time I have been there who hadn't been beaten physically by
experts — drimken parents, psychotic parents, or sadistic relatives. We know
from first hand that the woodshed doesn't work."
Warwick, Mr. Cohen said, is "an open institution" that does not believe in con-
finement. It offers boys an academic education, vocational training in farming,
and various recreational activities.
Comparatively recently, five boys at the institution were admitted to the local
high school, Mr. Cohen said. All completed their courses. One went on to take
a premedical course, and another won a college scholarship.
Mr. MusiAL. I got a big kick out of it, the New York Times printing
comics.
If any of the press want this, it is available.
Again, like the Chinese who say 1 picture is worth 10,000 words, I
would like to add this to it, 1 comic artist supplies more cheer than
10,000 doctors.
The Chairman. Thank you very much, Mr. Musial.
Does counsel have any further witnesses ?
Mr. Beaser. No further witnesses.
The Chairman. The subcommittee will stand in recess until 10
o'clock tomorrow morning.
(Thereupon, at 4: 30 p. m., a recess was taken, to reconvene at 10-
a. m., Thursday, April 22, 1954.)
JUVENILE DELINQUENCY
(Comic Books)
THURSDAY, APRIL 22, 1954
United States Senate,
Subcommittee of the Committee on the Judiciary,
To Investigate Juvenile Delinquency,
New York, N. Y.
The subcommittee met at 10 a. m., pursuant to recess, in room 110,
United States courthouse. New York, N. Y., Senator Kobert C.
Hendrickson (chairman of the subcommittee) presiding.
Present : Senators Hendrickson, Kef auver, and Hennings.
Also present : Herbert J. Hannoch, counsel ; Herbert Wilson Beaser,
associate chief counsel, and Richard Clendenen, staff director.
The Chairman. The morning session of the subcommittee will be
in order.
Counsel, will you proceed to call the first w^itness of the morning.
Mr. Beaser. Mr. Gunnar Dybwad.
The Chairman. Good morning. Will you be sworn ?
Do you swear that the evidence you are about to give before this
subcommittee will be the truth, the whole truth, and nothing but the
truth, so help you God ?
Mr. Dybwad. I will.
The Chairman. You may be seated.
TESTIMONY OF GUNNAR DYBWAD, EXECUTIVE DIRECTOR, CHILD
STUDY ASSOCIATION OF AMERICA, NEW YORK, N. Y.
Mr. Beaser. Mr. Dybwad, will you state, for the record, your full
name, address, occupation, and position you hold ?
Mr. Dybwad. My name is Gunnar Dybwad. I am executive direc-
tor of the Child Study Association of America, located at 132 East
74th Street, here in New York City.
The Chairman. Do you have a prepared statement, Mr. Dybwad ?
Mr. Dybwad. I am the executive director of the Child Study As-
sociation of America, a parent education organization which was
established in 1888.
All this time our organization has worked to help parents gain a
better understanding of their children and of their role and function
as parents.
Our interest has been, and still is, the strengthening of family liv-
ing in this country. While we have, of course, a deep interest in all
children, our function has been to work with the average family, and
we have left the field of delinquency, mental deficiency, and mental
119
120 JUVENILE DELINQUENCY
illness in children to the organizations devoted to those particular
problems.
Therefore, when I appear here today upon invitation by your com-
mittee counsel, to report on the viewpoint of our association on the
subject of comics, I must empliasize that our concern has not been
with the relation of comic books to delinquency in general.
Eather, out of our longstanding work in the held of children's
reading, our children's book committee has given attention to the
concern of individual parents with the comics reading of their own
children — to allow or prohibit them, how to guide their choices, prob-
lems of management, et cetera.
This, naturally, has been our area of interest, since we are not an
agency organized for sociological and psychological research, nor a
pressure group organized for social action and reform.
In offering guidance to parents, the absence of any definitive studies
of the effects of comics reading on children's emotions and/or behavior
has been a serious handicap to us as to everyone dealing with this
problem.
We have, therefore, depended upon the judgment of individuals
whose experience and professional standing should make their opin-
ions significant.
As you know, these opinions have differed widely. In this area,
therefore, as in other areas of child psychology and education, we
have found our function to be that of sorting out what seems to us the
most authoritative and useful advice from responsible and reputable
sources, and of making this available to parents for their guidance.
Against this background, I would like to state briefly what we
actually have done in this field. Our activity began in 1937 when the
educational consultant to our children's book committee, in a book
about children's reading, discussed comic-strip reading, referring to
the Sunday color supplements.
Mr. Beaser. Who is tliat ?
Mr. Dtbwad. Miss Josette Frank. Her background is an expert in
children's reading. She recently celebrated her 30tli anniversary
with us as an educational consultant. She is an educator.
Mr. Beaser. Not a psychologist ?
Mr. Dybwad. No; Miss Frank, not Dr. Frank, as a result of this
discussion a few years later, one of the large publishers of comics
magazines invited this staff member to scrutinize its comics magazines
and make suggestions for improving and safeguarding them for
children's reading.
Subsequently, she was retained by this publisher as an educational
consultant.
I would like to say parenthetically. Miss Frank is only part time on
our staff.
She was asked along with other people from the educational and
psychiatric fields, to help work out and maintain a code of practices
for the guidance of their editors. This was in 1941.
In 1943 the Child Study Association set about making a survey of
all comic magazines, through its children's book committee, in order
to be better able to guide parents who sought our advice in this
connection.
Our original intention was to offer some selected listing of suitable
magazines in various categories. But because of the fluid nature of
JUVENILE DELINQUENCY 121
the medium, the changes from month to month in any one magazine,
or in the titles or in the publishing houses themselves, this proved
impracticable.
It was therefore decided to list categories, and criteria for judging,
which might be useful to parents in guidijig their children's selec-
tions. So far as I know, ours was the first agency to concern itself
with this whole subject, and we surely found ourselves groping in an
uncharted field.
I should like to place this survey in evidence here, quoting from it
now only that part which relates to the subject of your inquiry, crime
comics.
The Chairman. Thank you very much, sir. Without objection, this
document will be made a part of our permanent files, the entire docu-
ment. It will be exhibit No. 15.
(The document referred to was marked "Exhibit No. 15," and is on
file with the subcommittee.)
Mr. Dybwad. I might say this study was divided into two parts, an,
analysis of content and according content evaluation. On crime and
detective comics this was said in 1943 :
Stories featuring crime, G-men, and police run through many of the magazines.
As a rule the crimes are on a grandiose scale involving elaborate plotting such as
bank robberies, hijacking, smuggling, gang wars, sabotage, and, currently, black-
market racketeering. The inevitable pattern is that the criminals are killed or
brought to justice and the law emerges triumphant. Crime does not pay in
the comics. Modern methods of crime detection are played up in some stories.
A few are mystery stories, but rarely of the detective type depending rather on
speed and gunplay than on unraveling the mystery. Police and G-men are
usually (but not always) represented as being on the job and couii)etent.
Comment and evaluation :
Children are fascinated by tales of wrongdoing and evil. The avenging of
wrongs and the punishment of evildoers is a child's own fantasy pattern and
such themes run through much of their literature as well as their play. The
modern setting of these stories, however, has given rise to a fear that they may
'give children ideas" of things to do. The motivation toward unsocial acts lies
nuich deeper than any casual contact with ideas on a printed page. Neverthe-
less, lest children already on the verge of unsocial behavior may find here a blue-
print for action, petty crimes, such as pocket picking, shoplifting, et cetera,
should be omitted. From the point of view of sound ethics, children are best
served if crime is made unattractive and unsuccessful. The child reader is likely
to be less burdened when crimes remain entirely in the adult world — committed
neither by children nor against children. Such crimes as the kidnaping of a
child, for example, are definitely threatening to young readers.
Mr. Beaser. I got lost. You seem to say that there is no competent
evidence that what appears in the crime comics has any effect upon
the child and yet you seem to say also that children should be kept
away from tliese crime comics which serves as a blueprint for a child
who is maladjusted.
Mr. Di^wAD. First of all, Mr. Counsel, I emphasize this was 1943.
I each time very carefully document the year in which the statement
has been made.
The Chairman. Mr. Dybwad, you were talking about the strip
comics, were you not?
Mr. Dybwad. No, in 1943 by that time there were comic books.
The Chairman. Your discussion started out about the strip comics.
Mr. Dybwad. In 1937 it was primarily strip comics. In 1943 we
already had the beginnings of a comic industry. You will see as I
122 JUVENILE DELINQUENCY
unravel this how we very much come hiter to the point which you
have in mind, Mr. Counsel, if I may proceed for the moment, and
I will be glad to answer more specifically then your questions.
In 1944, the Child Study Association conducted a meeting which
it announced as Looking at the Comics: An appraisal of the many
aspects of children's comics reading. To this meeting were invited
educators, parents, and specialists in many fields relating to children,
comics writer, artists, and industry representatives. This meeting
highlighted the controversial aspects of this increasingly popular
entertainment medium for children and stimulated further critical
thinking.
In 1948 our quarterly magazine. Child Study, published a sym-
posium of psychiatric opinion dealing largely with the question of
aggression and fear stimulated by comics reading, radio, and movies.
This article, entitled "Cliills and Thrills in Kadio, Movies, and
Comics" brought out quite sharply the strong differences of opinion
among prominent experts as to the effects of these mass media.
May I quote briefly from this symposium, wliich I also wish to offer
in evidence, emphasizing that it represents opinion gathered more
than 6 years ago ?
The Chairman. Thank you, sir.
Again, without objection, this document will be made a part of our
permanent records. Let that be exhibit No. 16.
(The document referred to was marked "Exhibit No. 16," and is on
file with the subcommittee. )
]VIr. Dybwad. I quote very briefly this paragraph :
All those interviewed were agi'eed on one point : that radio programs, movies,
and comics do not in themselves create fears, but for certain children and under
various conditions, do precipitate or stimulate anxieties lying beneath the sui'face
ready to be awakened. There was agreement, too, that children differ in their
fear reactions to various fictional situations. It was on questions of the harm-
fulness, harmlessness, or positive value of these experiences for children that the
greatest divergence of opinion developed.
Over and over again the experts stressed the need for careful, large-
scale research studies before definitive conclusions could be reached.
Later that year, 1948, the then director of our association, Mrs.
Sidonie Matsner Gruenberg, wrote an article for the magazine,
Woman's Day, which I also wish to place in evidence and from which
1 would like to quote briefly.
The Chairman. That document will be made a part of our perma-
nent records. Let it be exhibit No. 17.
(The document referred to was marked "Exhibit No. 17," and is on
file with the subcommittee. )
Mr. Dybwad. Here are a few paragraphs of interest to your com-
mittee :
Like almost any new form, the comics books begin harshly and awkwardly.
They must have time to improve and refine their skills and even more time to
enlist serious and responsible artists and writers. Since their inception they
have improved in the drawing and writing and printing, and also in the variety
and quality of their content. But if the ceiling seems to have been raised for
some of the comics, the floor has also been lowered in others. Many of the
promoters use the easiest appeals to reach the largest numbers, and children are
the chief victims, as with all catch-penny undertakings. And numerous pro-
ducers have taken advantage of the interest in comics developed through their
use by the Army for educational purposes during the war. Many of these
abominable and irresponsible creations bluntly exploit crime, violence, brutality.
JUVENILE DELINQUENCY 123
and sexy stuff, for a readymade market of men and older boys. On the stands,
these are as accessible to children as the familiar comics addressed to them.
We can no more separate the child's reading of comics from the setting in which
he lives than we can separate the child from schools or newspapers or athletics
or neighborhoods. The parent's task becomes that of managing, not the comics
as a problem by itself, but the growth and development of the child.
We have to protect children against excessive addiction and against the most
objectionable samples ; and we have to guide them toward more discriminating
selections. This is e.specially difficult because the very same violence and crudi-
ties and shrillness that we most dislike and fear in the comics assault our
children through the movies and the radio as well.
We cannot fight what is objectionable in the comics (or in other commercial
means of entertainment or information) by calling for more censorship or more
police guards.
An association of comics book publishers is being formed to promote a code
(something tliat a few of the larger publishers had already undertaken) to
guide in maintaining standards. Time will tell how sincere or how effective
this effort will be. Bi;t we need a wider and a more active and more intelligeat
interest on the part of parents for making their community a good place for all
children to live in.
In a followiip of its 19-i3 comics survey, our cliildren's book commit-
tee examined in 1949, 213 magazines and found, along with some wel-
come changes in some categories, the following, quoted from a report
I also wish to place in evidence.
The Chairman. Again, Mr. Dybwad, this will be made a part of
our permanent files. Let that report be exhibit No. 18.
(The document referred to was marked "Exhibit No. 18," and is on
file with the subcommittee.)
Mr. Dybwad (reading) :
The most regrettable change since the early survey has been the increased
number of these magazines dealing with "real" crime, and those featuring sex-
ually suggestive and sadistic pictures. These are presumably not addressed to
children, are, perhaps, not even attractive to many of them.
Nevertheless, they are available at 10 cents for young people to purchase, and
are prominently displayed on newsstands. Some of these are about as uncouth
and savage pictures and stories as can be found anywhere. Any kind of decent
self -censorship on the part of their pul)lishers and handlers would have ruled
them off the stands long ago, along with their counterparts in sexy candid-
picture periodicals.
This is the end of that particular quote from that survey which deals
more pointedly with your interest.
Mr. Beaser. You made a statement in 1949 that these are presum-
ably not addressed to children, perhaps not even attractive to many
of them.
Mr. Dybwad. Yes.
Mr. Beaser. Is that quite in line with your 1943 findings in which
you seem to indicate that some children who may be emotionally mal-
adjusted may be attracted to these violent comics?
Mr. Dybwad. Yes, but I think there is quite a difference between
the violence, the aggressiveness which you, after all, find in our famous
old stories about the Indian wars and so on, and that type of stuff of
which have some examples here from which some children — now, I
said some — seem to sliy away because certainly we know there are
lots of children who buy comics, large numbers of children, and who,
although they are available for the same dime at the same place, very
often don't select these comics, but the others.
So this is all we said. We neither said that the publishers might
indirectly hope that the children buy them, nor that children will not
buy them, but a large number will not buy them.
49632—54 9
124 JUVENILE DELINQUENCY
Xevertlieless, the danger exists that there are many children who
^Yill bury them and one cannot sini])ly say these are comic books for
children and, therefore, no concern to us in children's literature.
Mr. Beaser. In your study did j-ou also examine advertisements in
these publications to see whether they were addressed to children or
adults?
Mr. Dybwad. At the various points we have talked about this.
Again I must remind you that this was a study published in 1949, and
I think this point Mrs. Gruenberg made in 1948 of the bottom falling
down more and more, I think is an observation we all have made.
The crime and horror comics of 1949 were not quite as they are in
1943 and 1954.
Mr. Beaser. It is getting worse, you mean ?
Mr. Dybwad. It is getting worse steadily.
Mr. Chairman, in view of your committee's special concern with the
effect of the sadistic and obscene crime and horror comic books Avhich
have made their appearance in recent years, I have quoted from pub-
lished statements of our association to indicate to you that we lost
no time in alerting the community to the problems created by these
publications.
As a matter of fact, no other organization that I know of gave as-
much thought, time, and effort, during those early years, to a critical
review of the comics as did the Child Study Association of America.
I would like to depart here a moment from my prepared statement
to point out that these two studies to which I have referred are now
obviously outdated in many respects. We would not have made the
study in 1949 had we not thought that the 1943 study should be
brought up to date and neither study has been listed or sold by u&
for several years.
In making this statement I am making the statement because a
good deal of misinformation has recently been circulated with regard
to these studies. We have not used them lately.
Mr. Beaser. In other words, your 1943 studies are now being quoted
in support of your horror comics in 1954?
Mr. Dybavad. They also have been quoted by some people as ma-
terial we circulate today and most unfortunately in a recent article
so described and that is a completely false and untrue statement.
We are not circulating these and have not for several years. They
have not even been listed on our publications list.
Mr. Beaser. Your association's position is quite different in 1954.
M. Dybwad. With regard to crime comics : yes, sir.
I am addressing myself to the particular interest of your committee
and not to comics in general.
I have shown that as early as 1949 we presented our opniion, pub-
licly and repeatedly, that the problems of the comics called for both
sociological and physicological research and for concerted community
action. As I have pointed out to you, neither one was our function,
and it is regrettable that no effective action has been forthcomings
from other quarters.
In conclusion, may I quote from a book brought out by the Child
Study Association in 1952, entitled "Our Children Today," and pub-
lished by the Viking Press. A chapter on New Arts of Communica-
tion includes the following statement which seems to me very perti-
nent to your inquiry here :
JUVENILE DELINQUENCY 125
Not only as individual parents, for our own boys and girls, but as a community,
too, we have a responsibility concerning everything that reaches children. Pri-
vate conscience and public responsibility must be invoked to check the excesses
in which all of these media have indulged. The willingness of some of the
producers of television and radio programs, movies, and comics to exploit morbid
interest in horror and violence bespeaks a greater concern for profits than for
children.
The community has a right to expect that communications of all kinds shall
be governed by public interest rather than by survey ratings or circulation
figures. "Public" includes children. Not all programs or movies or comics can be
geared to the young. But to pile up horror and violence in programs or movies
deliberately timed to catch the children's eyes and ears suggests a flagrant disre-
gard for their welfare. The combined resources of an informed community can
be drawn upon for standards and criteria as to what is and what is not suitable
for young listeners and readers. The combined skills of the industries and
specialists in communication might well be focused on more creative achieve-
ments for children.
Comic books are of many kinds and varieties. Ever since 1916,
the Child Study Association of America has consistently evaluated
children's books and magazines, published book lists for parents, and
prepared anthologies of children's stories which have become hall-
marks of good children's reading.
Our work in this field has won universal recognition and has con-
tributed not only to the marked increase in children's reading, evi-
denced by library and book sale figures, but also has helped to achieve
the increasingly high quality of today's books for children.
Similarly our association has tried to assist in promoting higher
standards in comic-book literature. Obviously much remains to be
desired.
If out of this committee's deliberations there will come new and
positive suggestions as to how this aim can better be furthered, a real
contribution will have been made to the well-being of our children.
The Chmrman. Thank you very much, Mr. Dybwad. You did,
at the outset, mention something of the Child Study Association of
America, but for the record would you give us a little more informa-
tion about this organization, its history, when it was organized, what
its internal structure is, and so on ?
Mr. Dybwad. It is an organization which goes back to 1888. It has
functioned under several names. Federation of Child Study, Society
for the Study of Child Nature. Its present name and incorporation
took effect in the District of Columbia in 1924.
Since that time we have operated under that name. We are an
organization which is governed by a board of directors of outstand-
ing citizens. We have an advisory board of prominent men in the
field of education, psychiatry, sociology, social work, and related fields
concerned with the well being of children.
Our activities are many. Children's reading is only one of them.
We have been concerned with the publication of books and pamphlets
and articles for children and since you asked the question, I can
present to you a list in which such publications are made available
to the public.
The Chairman. This document will become a part of the record,
Mr. Dybwad. Let it be exhibit No. 19.
(The document referred to was marked "Exhibit No. 19," and is on
file wath the subcommittee.)
126 JUVENILE DELINQUENCY
Mr. Dybwad. Since tlie earliest years of our organization we have
specialized in parent discussion groups, in groups of parents coming
together for the discussion of problems of child development for
the purpose of achieving a greater competence as parents.
We have worked with mass media. The Child Study Association
liad the first radio program in the field of parent education. We have
been consultants to radio, TV, and to other organizations in these
fields.
The Chairman. Do you have an annual budget?
Mr. Dybwad. We have an annual budget, a rather small annual
budget for a national organization, and there is no secret about it.
Our annual budget is about $125,000, sir, which comes from contribu-
tions, from foundations.
We have a membership, we have a quarterly magazine, Child Study,
which goes across the country into many foreign countries.
We have had, through the decades, consistently high relations, inter-
national as well as national.
The Chairman. Do you work very closely with the Children's
Bureau ?
Mr. Dybwad. Well, we have had consistent contact with the Chil-
dren's Bureau through the years. We have had contact with them
in several fields, most lately with their public health nursing depart-
ment because they are interested in working with us and we with
them, in terms of improving the skills of public health nursing.
The Chairman. The reason I ask is that we find that they have
certain budget needs that somebody has to meet some day and prob-
ably the Congress will have to meet those needs.
Do you know anything of that problem ?
Mr. Dybwad. Yes, sir. I have been in public welfare for a long time.
Perhaps the most notable thing which binds the Children's Bureau
and us together is mutual poverty, Mr. Chairman.
The Chairman. That is quite likely a common occasion.
All right, counsel ?
Mr. Beaser. Mr. Dybwad, you were formerly the child welfare
director in the State of Michigan ?
Mr. Dybwad. Yes, sir.
Mr. Beaser. Do you have a background in social work ?
Mr. Dybwad. I do, sir, and law.
Mr. Beaser. As a person with a background in child-welfare work,
what is your opinion of the material, crime, and horror comics ? Wliat
is your opinion of their effect upon children ?
Mr. Dybwad. Now, I want to speak slowly and deliberately so that
we carefully segregate the various categories.
If you refer to much of wdiat you just now removed from your ex-
hibits, I would like to talk there on two levels.
The one is the individual effect of a comic book on a given child's
reading.
The other is the cumulative effect in a community where this type
of literature in effect becomes the only literature readily available to
children wdiere this type of literature is displayed on every street
corner and characterizes the climate of the community.
I think there is no question that this is a symptom, this kind of
comic-book distribution in certain sections of our city, and, of course,
I am aware not only from New York, but from the Middle West that
JUVENILE DELINQUENCY 127
there are certain stores which feature these and that these certain
stores are usually found in areas which are already depressed and
typical of many other socially inappropriate matters as the third and
fourth ^rade saloons and all the other establishments which go with
vice and crime.
Mr. Beaser. And in the high-delinquency area, too ?
Mr. Dybwad. In the high-delinquency area we find these crime
comics and they have, cumulatively, a very bad effect.
Now, I come secondly to the effect of these crime comics on individ-
ual children. There I am in a more difficult position to make specific
statements because as one who has had clinical contact I was associated
for many years with the psychiatrist for the New York State Training
School for Boys at Warwick. I was clinical director of the State
training school in Michigan, and previously I worked in reformatories
where you have the older adolescent group, both in New Jersey and
the State of Indiana and for sometime, here in New York State.
I have had contact with literally thousands of young delinquents.
Clinically, I cannot offer, sir, a single instance which has come to my
attention which, should I say, happened to come to my attention, in
which we were able to link a given offense with the reading of that
particular individual of a given comic book. I know such statements
have been made from time to time. I don't dispute them. I have
never seen them clinically documented.
I have only seen wild statements without any kind of clinical
evidence.
I would say, however, that I am well aware that there are certain
bo3's who have been attracted to these comics along with many, many
undesirable habits. They also were addicted to very heavy smok-
ing, they were drinking in the very early teens, they had very
aggressive sexual impulses which they acted out, so I would say, of
course, I am aware, not from my present activities, but you went back
to my professional task, in those years, of the fact that these comics
were part and parcel of the life of a child delinquent.
I wouldn't deny that there might be such a connection, Mr. Counsel.
I only sa}^ so far I have not seen the clinical evidence.
I think we should hope that, for instance, a person like Dr. Peck or
others in a position to make such studies would give very serious
thoughts to a clinical evaluation of this.
Mr. Beaser. Dr. Peck testified yesterday. If you were running the
training school in Michigan, would you as director permit some of
these horror and crime comics to be circulated among the boys ?
Mr. Dtbwad. No.
Mr. Beaser. Why ?
Mr. Dybwad. For this reason, sir, when you deal with other people's
children you have particular responsibility to exercise much greater
care than if you deal with your own child. When you run a training
school you must try to meet a common denominator of most parents,
and therefore, regardless of the fact that perhaps some of these
parents would not have objected, others would, and therefore, as a
matter of public policy when you are dealing in a public institution,
this type of comic book was not allowed.
Now, that has nothing to do, sir, with the fact that we had or had
not evidence that they were harmful. When you run a training
128 JUVENILE DELINQUENCY
school, you take certain precautionary measures regardless as to
whether you have proof that anything is definitely harmful. This
was a i:)olicy of our educational group and I assure you in both insti-
tutions this type of comics was not allowed.
However, comic books were allowed.
The Chairman. When you found them they were removed
promptly.
Mr. Dybwad. They were removed promptly which, of course, was
difficult, Mr. Chairman, because I think we might now well say here
that this was not just the literary fare of our children, but also of those
who took care of the children. Therefore, to what extent there was an
exchange of comics between the people in charge of the children and
the children themselves, you can speculate yourself.
Therefore, also, it was difficult to effect a distinct policy. In gen-
eral, our staff had the mandate to remove undesirable comics. The
cottage father in cottage A might employ quite different standards
from the cottage father in cottage C.
We had no list of comics. As you know, from the problem your
committee faces, you can't list them, every month there are some new
ones. But there was definitely the policy, since there was serious ques-
tion about these comics, and I think nobody has raised the question
that there is a question about these comics, that they should be kept
from children.
Mr. Beaser. The question is the extent of the effect upon delinquency
of these crime and horror comics.
Mr. Dybwad. That is right.
Mr. Beaser. And also the emotional upsetting of children.
Mr. Dybwad. That is right.
Mr. Beaser. We had, yesterday, exhibited a crime comic in which
a child was placed in a foster home. To make it brief, the foster
parents turned out to be werewolves and the child turned out to be
a werewolf and everybody eats everybody.
As a child-welfare worker, what effect does that have on a child
about to be placed in a foster home?
Mr. Dybwad. Of course, this kind of comic book which, by the way,
relates very closely to a very famous comic strip in the newspapers
v.'hich for a long time was exceedingly harmfid, just as harmful as
crime comics, by its sadistic distortion of the social- work profession — •
and you know what I am referring to — this kind of thing is exceed-
ingly damaging because you are dealing there with a specific type
of child, a child who typically has been deprived of the most essential
care in the early years, a child who is particularly insecure and senti-
tive in terms of the one thing he doesn't have, a home.
And, therefore, any kind of phantasy which suggests that a home
he might go into might have such factors is patently terrible, and
I must say that a person who prints such a thing must have sadistic
tendencies themselves, which are quite unusual, because that is not
stupidity.
This is purposeful sadism.
Senator Kefauater. Mr. Chairman, may I ask a question ?
The Chairman. Yes, indeed, Senator Kef auver.
Senator Isjefauver. Mr. Dybwad, what is your salary as director?
Mr. Dybwad. $10,000, sir.
JUVENILE DELINQUENCY 129
Senator Kefauver. Of the Child Study Association of America?
Mr. Dybwad. Yes.
Senator Kefauver. How long have you been in this position?
Mr. Dybwad. Two and a half years. Most of the things I have
reported, practically all, took place before I was with the association.
Senator Kefauver. You are also a lawyer, you say ?
Mr. Dybwad. I had legal training. I specialized in the field of
criminology and penology.
Senator Kefauver. You do not have any cases for clients?
Mr. Dybwad. No, sir; I am not a practicing lawyer. I am not
admitted to the bar.
Senator Kefauver. You do not accept any retainers from anyone?
Mr. Dyb-svad. No, sir.
Senator Kefauver. So your $10,000 is your own professional salary ?
Mr. Dybwad. In New York University, where I am teaching in the
evening, is giving what they refer to as compensation.
Senator Kefauver. I think I understand what you mean.
Do you have children?
Mr. Dybwad. Yes, sir ; two children beyond the comic-book age.
Senator Kefauver. You were talking about the care you take with
other people's children. Do you allow your children to read this kind
of comics?
Mr. Dybwad. Very interestingly they have not read them. They
have not read that kind of comic. In other words, while I think it is
exceedingly dangerous to generalize from one's own family, neverthe-
less if you want a case in point, while my children read comics in large
quantities they never bought, exchanged, brought home, had hidden
in their rooms or otherwise in their posession, this type of crime comic.
Whether that reflects on their mother's high ethical standards, I do not
know, but this is the fact.
Senator Kefauver. Mr. Dybwad, there is something I find a little
difficult to understand. You have gotten out various and sundry
reports. Here is a report by Miss Josette Frank back in 1949 quite
favorable to comics generally.
Mr. Dybwad, In general, yes.
Senator Kefauver. And here is one by Josette Frank back in 1948
quite favorable to comics ?
Mr. Dybwad, That is right.
Senator Kefauver. Here is one by Mrs. Gruenberg, This was re-
ported in Woman's Day in 1948, quite favorable to comics.
Mr. Dybwad. Yes.
Senator Kefauver, This is the one that the comics industry, Gaines
and tli« people who publish these horrible comics, which undoubtedly
do very much harm — these are articles that they always quote in sup-
port of their position. We also had reports back in 1941, 1942, and
1943 ; I have forgotten the dates, all quite favorable to comics.
Mr. Dybwad. Yes.
Senator Kefauver. If you want to really be fair about the matter
and follow up your testimony here today as to the kind of comics that
we are investigating here, the playing baseball with heads, violent
murder, cutting off people's heads with an ax, why not get out a
report about these instead of just the favorable ones?
Mr. Dybwad, We have, sir.
130 JUVENILE DELINQUENCY
Senator Kefauver. I have not seen it.
Mr. Dybwad. I think the point I quoted-
Senator Kefatjver. What report are you referring to?
Mr. Dybwad. In 1949 when I said some of these were "as uncouth
and savage pictures * * *."
Senator Kefauver. Is that from Miss Frank's report?
Mr. Dybwad. A survey in 1949 in which she participated.
The Chairman. The Chair might say to the Senator from Ten-
nessee that Mr. Dybwad put about 3 or 4 reports in the record this
morning.
Senator Kefauver. They were all fairly favorable and I have read
those you furnished here. Of course, you do say that some of the
horrible ones are not good and then you go on to minimize and water
it down and say, after all, it is not a very important matter.
What I am getting at is that Miss Frank has written several reports
for you.
Mr. Dybwad. That is right.
Senator Kefauver. Then, of course, Mrs. Gruenberg has written
reports for you ?
Mr. Dybwad. That is right.
Senator Kefauver. Is she on your staff ?
Mr. Dybwad. No longer.
Senator Kefaua'er. Is Miss Thompson on your staff?
Mr. Dybwad. No.
Senator Kefauver. Miss Frank is no longer on the staff?
Mr. Dybwad. Oh yes ; she is a part-time employee of our organiza-
tion.
Senator Kefaum^r. Who heads up your staff? Who writes the re-
ports ?
Mr. Dybwad. In this particular field this would be Miss Frank,
because she is the educational associate of our children's book com-
mittee.
Senator Kefauver. Let us stay with this a minute. In other words,
this supervising, reading comics and giving the position of the Child
Study Association of America as to what effect they have upon chil-
dren, that is in charge of Miss Frank ; is that correct ?
Mr. Dybwad. Staffwise. However, if you will permit me, Mr.
Chairman, I will have to point out one fact. Througliout the period
we have worked with children's books, we have worked through a chil-
dren's book committee. I pointed out before that Miss Frank is a
staff consultant to that committee. This committee meets every week.
In other words, it is not an inactive committee, it is a committee
which meets every week at our headquarters, is the one which actually
does the reviewing of books.
It is not so that Miss Frank reviews all books and then passes on
her criteria to the committee. It is the other way.
Senator Kefauxt-r. Here is one report, liooking at the Comics —
1949, by Josette Frank and Katie Hart, for the committee.
Mr. Dybwad. That is right. In other words, that report was writ-
ten by them and Katie Hart was a committee member. Miss Frank
was the staff associate.
In the first report you will find that the chairman of the committee
is listed, and Miss Frank as educational associate.
JUVENILE DELINQUENCY 131
Senator Kkfauver. We all know in the actual working of the mat-
ter the committee conies in, the statf director who is giving it full
time is actually the one who does the research and reading and has
the principal hand in guiding and directing what is in the reports.
Is that not true ?
Mr. Dybwad. Senator Kefauver, I wish
Senator Kefauver. Try to tell me.
Mr. Dybwad. I wish you could within 15 minutes go to 132 East
74th Street where you would meet 20 ladies of varying ages, social
positions, professional background, and number of children, engaged,
if not in phj^sical, at least in verbal combat about the children's books
thej' have read in the past week. This is an active committee and al-
ways has been which meets weekly, which has 20 to 30 active mem-
bers, nevertheless, and 15 or 20 would be present at any one meeting.
Senator Kefauver. Anyway, Miss Frank is the head of the statf
that handles the comics and places evaluation on them^
Mr. Dtbwad. That is right.
Senator Kefauver. Who is Lauretta Bender, M. D. ?
Mr. Dybavad. She is a senior psychiatrist at Bellevue Hospital,
which is one of the institutions. I think she is one of the most distin-
guished personages in the field of child psychiatry.
Senator Kefauver. She has something to do with this?
Mr. Dybwad. She was one of many people whom we in those days
asked for their opinion and Lauretta Bender is in this particular study,
matched, for instance, by Dr. Alpert, who had a radically different
point of view from Dr. Bender,
None of these people was connected— —
Senator Kefauver. Well, we are beating around the bush about this.
In the child-study format here you have, and let me read a little part
of this which you put out to the children :
A discussion of children's fears : Child studies have suggested inquiry into the
possible relation of movies, radio, comic thrillers to fear in childhood. Accord-
ingly, the following psychiatric opinions have been gathered by Josette Frank
and are presented here for the guidance of parents. Miss Frank is educational
associate on the Child Study Association staff and consultant on children's books,
radio, and comics.
Nathan W. Ackerman, M. D., psychiatrist, is director of the Child
Development Center in New York City. Lauretta Bender, M. D., is
the associate professor of psycliiatry, New York University, Medical
School.
Then you go on with some other people. Now, it is strange to me
how, if you are giving out directions to parents, how frankly your
associate is taking the part of the comic-book industry. Why do you
not say here that Josette Frank, in addition to being with Child Study
Association, is also the consultant on the children's reading, or con-
sultant on the editorial advisory board of Superman, D, C, National
Comics, and is paid by the comics-book industry ?
Mr. Dybwad. Wait a minute, sir. Please don't say that she is paid
by the comic-book industry. This is not so. She is paid by a particular
comic-book publisher. I want to put this on the record very strenu-
ously which is quite a difference.
When I work for the Schlitz Brewing Co., I don't work for the
bev^erage industry. I work for one particular company and I may
have my good reasons why I work for Schlitz and not for Ballantine.
132 JUVENILE DELINQUENCY
Senator Kefauver. I know, but you are giving her credentials here.
You are giving her good credentials, but you do not say to the parents
that are reading this and want to be guided by her that she is also
paid by a leading comic-book publisher. Why do you not give both
sides of the picture ?
Mr. Dtbavad. The assumption is that there are both sides to it.
Miss Frank has also been a consultant to innumerable book publishers.
Senator Kefaux-er. Here is Mrs. Gruenberg. Mrs. Gruenberg writes
a very, very favorable article in favor of comic books.
Mr. Dybwad. She certainly does not.
Senator Kefauver. Reading it all in all, it is quite favorable. It
minimizes the horrible-crime ones.
Mr. Dybwad. It does not, sir.
Senator EJE^AU^^sR. She is writing about Mickej'' Mouse and Little
Abner.
Mr. Dybwad. It does not. I think from what I put in the record,
you could not by any means say — Mrs. Gruenberg speaks here ''many
of those abominable and irresponsible creations bluntly exploit crime,
violence, brutality, and sexy stuff."
If that is an endorsement of crime comics, sir, I don't know.
Senator Kefauver. But, sir, in the back in her conclusions there is
no condemnation. It just says "we cannot fight what is objectionable
in the comics — or in other commercial means of entertainment or in-
formation— by calling for more censorship or more police guards. An
association of comics-book publishers is being formed to promote
a code — something that a few of the larger publishers had already
undertaken — to guide in maintaining standards. Time will tell how
sincere or how effective this effort will be."
The Chairman. What is the date of this, Senator?
Senator Kefauat-r. 1948.
But we need a wider and more intelligent interest on the part of parents for
making their community a good place for all children to live in.
The paragraph preceding that is rather easy.
Now, Mrs. Gruenberg, has she not had some connection with comic
books ?
Mr. Dybwad. She had a long time ago, several years ago, sir, as
evidenced in the hearings of your own committee. I want to point
out that these things have been a matter of public record for j'ears
and years.
Senator Kefauver. Why up here does she not list the "Director of
Child Study Association when it also would be fair to give parents
notice that Mrs. Gruenberg was also on the pay of the comic-book
industry ?
Mr. Dybwad. She was not on the pay of the comic-book industry,
sir. That is not a correct statement.
Senator KEFAxnER. Of one of the publishers of comic books?
Mr. Dybwad. Of one of the publishers of comic books.
Senator Kefauver. Here are two principal peo])le you are using
through a fine-sounding association which undoubtedly some good
people are members of, feeling they can do some good. Two people
you are using in the comic-book field who evaluate comic boolfs. crime
and horror books, turn out to be paid or to have been paid by publishers
of comic books themselves. Is that not true ?
JUVENILE DELINQUENCY 133
Mr. Dybwad. Yes, sir.
Senator Kefauvek. Do you think that is a fair presentation.
]Mr. Dybwad. It is a perfectly fair presentation.
Senator Kefauver. If you think that is fair, then that is all I
want to know about your association. I think it is traveling under
false colors. I think you ought to at least give the fact that these
people are paid or have been paid by comic-book publishers.
I do not think it is a fair evaluation to leave to parents of children
these rather favorable appraisals of horror and comic books written
by someone who has been paid by the publishers without you even
divulging the fact.
If you had stated it in here, then they would be on guard.
But according to all this literature they occupy some big position
with a school and hospital and you conceal the fact that they were
paid.
I would like, Mr. Chairman, at this point, to read the footnote on
page 223.
The Chairman. The Senator from Tennessee may proceed.
Senator IvEFAimsR. From Dr. Wertham's book, Seduction of the
Innocent, it is footnote 4. I will read the preceding paragraph and
then the footnote if I may :
The names of experts for the defense and of the institutions with which they
are connected have been printed in millions of comic books and are fnll-page
comic-book advertisements in the Saturday Evening Post and the Saturday
Review of Literature and are statements of publishers or their spokesmen. The
chairman of the section of the criminal law of the bar association commentinj^
on the writer in the two special comic book issues of the Journal of Educational
Psychology found it "disappointing" that in a purportedly olxjective study, experts
do not make a complete disclosure of their interest. He mentions that when he
wrote to one of the experts to write about this, she did not respond.
Then the footnote is :
According to the Kefauver Senate Crime Committee ( special committee to
investigate organized crime in interstate commerce), the toUowing persons,
among others who are thought of as individual critics by the public have been or
are employed by the comic book industry :
Dr. Jeanne A. Thompson, acting director, Bureau of Child Guidance, Board of
Education, New York City ; Sidonle Gruenberg, professor of education, New York
University ; Dr. Lauretta Bender, child psychiatrist in charge of the children's
ward of Bellevue Hospital, New York City ; Josette Frank, consultant on chil-
dren's reading. Child Study Association of America.
The anioiTnt paid ranged from $3()0 a month over a period of many years. One
expert, Professor Zorbaugh, served as research consultant in Puck, the comic
weekly. One comic book publisher alone spent $750 a month on four children's
experts who endorsed their products.
Dr. Bender is also on this list, I believe, is she not, as one of your
people ?
Mr. Dtbwad. That is right. She is one of the persons.
Senator Kefauver. Mr. Chairman, I just say under those circum-
stances, while I do not question the personal integrity of this witness,
the opinion of the Child Study Association in the comic book field will
have little weight with me.
The Chairman. In the light of the colloquy which has taken place
between the Senator from Tennessee and Mr. Dybwad, I think it might
be well, sir, if you would furnish for the record a list, a complete list
of the membership of your organization. Could that be done ?
Mr. Dybwad. Goodness, sir, this would be quite a task. I think it
could be accomplished.
134 JUVENILE DELINQUENCY
The Chairman. You have a board of directors, too ?
Mr. DtbWxIlD. We have a board of directors of citizens.
I think I am representing an organization which has worked for
65 years. I should have an opportunity now, Mr. Chairman, in all
fairness, to defend not myself, but all the board of directors against
the accusations and I am sorry to say the misconstructions.
The Chairman. I am sorry to say, Mr. Dybwad, there liave been no
accusations. The Senator has a right to observe.
Mr. Dybwad. That is right, the observations which were made here.
Again I emphasize I have no personal interest in the particular
matters because I made a point to say that all this transpired before
I came to the Child Study Association.
Senator Hennings. Mr. Chairman.
The Chairman. The Senator from Missouri.
Senator Hennings. Mr. Dybwad, how is your association sup-
ported ?
The Chairman. That is in the record, sir.
Mr. Dybwad. It is in the record. Memberships, contributions,
foundation support, sale of literature, consultation fees from the book
industry because not only have we served the comic books industry,
we are serving constantly the book industry.
Like any university, we get fees for our services and we have
never felt that there was anything untoward about this.
Senator Hennings. Mr. Dybwad, do any of the publishers of these
books contribute to the support of your organization ?
Mr. Dybwad. Definitely. Publishers have contributed to the Child
Study Assocation for years and years in varying amounts.
You will find the most distinguished publishing houses in this
country over a period of 20 and 30 years have contributed.
Senator Hennings. Do a number of the publishers of the so-called
crime and horror comics contribute to the support of this organ-
ization ?
Mr. Dybwad, I think you would hardly find anyone of the crime
comic book publishers listed.
Senator Hennings. You say hardly find.
Mr. Dybwad. I can say this for the record, positively. I know of
no one publisher who specializes in the particular comic books you
have pointed out here as horror crime stories who under the name
of his publishing firm contributes.
But, sir, you will not get me under oath to deny that somebody
might contribute. I don't know what Mr. X
Senator Hennings. I am not trying to get you under oath to deny
anything you do not want to deny.
Mr. Dybwad. I can make this definite statement, that not a single
publishing house under its own name contributes.
I also can say to the best of my knowledge not a single individual
connected with this industry contributes.
But I cannot possibly know whether one of these persons or his
wife might not be a member. I have no such knowledge — a detailed
record.
Senator Hennings. Then you are suggesting that possibly the
wife
Mr. Dybwad. To the best of my knowledge, no relative of any one of
these publishers, no friend, associate in any way, has, to my knowledge,
JUVENILE DELINQUENCY 135
which goes back to 21/2 years, contributed in any way, shape, or fashion
to the Child Study Association of America.
Senator Hennings. Mr. Chairman, have we a list or has there been
requested a lit of contributors ?
Mr. Dybwad. I can give you an alphabetical list.
The CiiAiKMAN. And the record of the board of directors.
Mr. Dybwad. The board of directors.
Senator Hennings. And of the contributors?
Mr. Dybwad. Of the contributors. You can have a complete list,
and members, too, I mean, because in effect they might be the same.
This is published information.
Senator Hennings. Do you not think it would be to your advantage,
certainly, assuming that what you have told us to the best of your
recollection is sustained by the facts, to have such a list and have that
made a part of the hearing?
Mr. Dybwad. The only difficulty is that we do not have such a list
readily available, but it can be produced. The membership list I can
produce immediately because naturally we have them on stencils.
(The documents referred to were received at a later date, marked
"Exhibit No. 20," and are on file with the subcommittee.)
Senator Hennings. You do not feel, then, sir, that your organiza-
tion is what might be called a front for the publishers of these crime
magazines ?
Mr. Dybwad. No more than fronts for Viking, Harpers, Whitman,
Doubleday — name any one of the large publishers who have liberally
contributed over decades — and I make this point — to us in the face of
the fact that we are reviewing books of these very same publishers.
Therefore, there is no differentiation as between the publishers.
I want to go on record, for instance, here and gladly point out
that some of these publishers' gifts to us have been a considerable
amount of money. This is, I think, the usual way in which organiza-
tions of this type are maintained and this is the reason why such
organizations of a board of directors have lay people, leading citizens
in a community, upon whose good name and reputation rests the repu-
tation of the organization.
And for that reason I will be very pleased to submit this list.
Senator Kefauver. Actually, you know a lot of organizations get
good names to be out in front for them.
Mr. Dybwad. That is right, sir.
Senator Kefauver. They get committees of high-sounding names,
but the important thing is, who back in the staff isdoing the work and
the research and preparing the reports and guidin<T the thing.
So my own observation is that in the field of comics the people you
rely upon, three people, and the only ones here I have seen that you
base your study on, are Mrs. Gruenberg, who has been in the pay of
comic publications; Dr. Bender on the pay of the advisory board, and
being paid by one; Miss Josette Frank, who is either being paid or has
been paid by the comic books.
So as far as I can see, your comic book section of your child study
group is certainly colored by the fact that these people are not work-
ing primarily for you. They are working for the comic book pub-
lishers.
136 JUVENILE DELINQUENCY
So that I think you have perpetrated — well, I would go so far as to
say that you have deceived the public in presenting these reports, com-
ing from a high-sounding association, with undoubtedly a good name,
and I am sure you do a lot of good work, by putting out advice to par-
ents, when the principal direction and the writing is being done by
people who are in the pay of the industry, or publishers themselves,
particularly when you do not divulge that fact.
Parents have a right to look at this, and they say, "Well, here this
person. Dr. Lauretta Bender, is professor of psychology at the New
York University, and member of the advisory board of the children's
Child Study Association," whatever she is.
In fairness to the public it ought to be "paid by the comics,'- the
same is true of Josette Frank, the same is true of other persons.
Of course, you would not do that because then they would lose their
nonpartisan approach to the matter.
I think this part of your study is a fraud and a deceit to the pub-
lic and the public ought to know about it.^
The Chairman. The Chair would like to hear from you on that, Mr.
Dybwad.
Mr. Dybwad. There are two points. No. 1, Senator, you were in
conversation perhaps and did not hear when I very deliberately
pointed out, and I want to repeat this very carefully for the record,
that these studies, as all our work on children's reading, are done by
a committee. I pointed out very specifically that this is a commit-
tee which meets weekly
Senator Kefauver. Just one minute here, sir. Here is Woman's
Day, September 1948, put out by the Child Study Association. You
were so proud of it, sir, you brought it up here to be put in the record.
This came from you, written by Sidonie Cruenberg and shows a couple
of happy children reading I don't know what kind of crime books.
That is no study by any committee.
Mr. Dybwad. I am sorry this is not the study I referred to. I put
in evidence 2 studies; 1 in 1943 and 1 in 1949. Those are the only
studies I referred to here.
Senator KEFAimsR. Why do you not get out a study for 1954, and
talk about these books ?
My conclusion is that you are not doing this for the reason that your
people, and perhaps your association, too, are being paid by the indus-
try itself and that you do not want to criticize, very much, anyway, the
crime book industry.
Now, I cannot see why, in view of the fact that these horror and
crime comics have taken so much a turn for the bad, you would go on
and let people quote what you said in 1949 and 1943. Why you do not
go out and get another one and bring it up to date and condemn, as
1 The Child Study Association of America, Inc., issued a supplementary statement on the
relations of the association to the comic-book industry which included the following : "In
1944, Mrs. Sidonie M. Gruenberg, who was for 25 years the director of the Child Study
Association of America, acted with 2 other educators as consultant to Fawcett Publica-
tions for a period of 10 months. These individuals met with writers and artists, helped
to establish criteria and to see that these criteria were followed. In 1941 National
Comics Publications asked the association to help them to improve their publications and
keep them safe for young readers. The board of directors gave this request serious con-
sideration. It then agreed that Miss Josette Frank should accept the major responsibility
for working with this publisher. As a part-time member of the association's staff, the
board felt that she should be free to make her own arrangements as to fee. The board
also decided tliat the association, working through its total staff, and with the children's
book committee, should assume a supervisory relationship to this project. For this service,
the association has received $50 monthly." An investigator for the subcommittee found
that Fawcett Publications contributed about $1,500 to the Child Study Association of
America, Inc., in 1943, 1944, and 1946, and National Comics contributed $2,500 to the
association between October 1947 and November 10, 1952.
JUVENILE DELINQUENCY 137
you hiive slightly here, anyway, reluctantly perhaps, condemned
this kind of horror comics.
The Chairman. The Senator from Tennessee has made his posi-
tion in this matter emphatically clear.
I would like to hear from the witness now.
Mr. Dybwad. It is a little difficult for me to have to go back re-
peatedly to my original statement. I pointed out before, sir, that
our association by its avowed purposes is not a social action organiza-
tion, is not an organization in the field of delinquency.
We have never in any other respect worked in this particular field.
Therefore, it is entirely within keeping of our purpose that we have
merely, as I have said in my statement, alerted, and I think if you
will read over my statement, the combined statements, and they are
very strong, they go back to early days when people had not yet
written popular articles. This was stated at a time when other
people had not yet spoken — this is a fact I want emphasized — we had
called attention to these things, but w^e are not the National Probation
and Parole Association, w'e are not the United States Children's
Bureau, and you know the testimony which came to you as chairman
of the previous committee from them.
We are not an agency working in the field of delinquency, never
have ; this is not our purpose.
Therefore, we called merely, as I pointed out in my statement, at
several times for community action, but it was not our place to do so.
I said very specifically other organizations in this country, many
of which I support with my own contributions because I have been
in this field, are presumably working in this area.
Therefore, when you raise a question, why have we not done some-
thing, I think the question might well be put, why has nobody else
done anything?
At least we have very specifically and I emphasize very specifically
strenuously, you can't say more than these things should be off the
stands.
I think that makes it a very pointed thing. We didn't say they
might be harmful, but that they should not even be around.
I think we have made our position clear, but we are not a social
action group and particularly not a social delinquency group, but
others are in this country and, therefore, I must say that in all fair-
ness the question should be put to the other organizations who w^ere
apprised by us of this situation.
This was the first point.
The second point which I must make is this : the particular comic
book publisher for wdiom our staff associate is adviser, and which is one
of the largest publishers of comic books, to my mind, does not particu-
larly, by his products, play a role here in this committee.
For instance, when counsel talked about advertising matter, being
aware of the fact that this had not played a particular role in these
earlier studies I went through every single issue of the last issue of
these things and I would like to find someone pointing out to me one
advertisement which is of the nature which Mr. Beaser refers to.
Now, I personally don't think much of the Atlas strong boy, it is
poor taste. There are some people who even feel there might be
some question how good it is.
But in general these advertisements here seem to be the popsickle,
the twin bicycle, and that is about all.
138 JUVENILE DELTivTOTTRiSrCY
So, No. 1, in terms of advertisements in these books, and I repeat
I went through every single one of the latest editions, this being a
l)opular magazine, of course — the June and July editions is already
there — there is not one advertisement which I found was in any way
objectionable.
I went through these with great labor, I wouldn't read a comic strip
in a newspaper, if you paid me for it. I have never read comics;
I never understood why my children read comics, but dutifully appear-
ing before your committee, I looked through these things.
Many of them are in poor taste, but unless you say, sir — and let us
be very specific — that Gang Busters should be off the air because what-
ever broadcasting company produces this is working on the same cheap
level as the crime publishers you are referring to, unless you say that
Mr. District Attorney is a radio program which is so offensive that
it should be off the air and with the endorsement of many of these
programs, by the FBI, by Mr, Hoover, by the chiefs of police, unless
you say that, I would say unless you see any connection in this inves-
tigation, which counsel assures me was an investigation of crime
comics, with a particular publisher to whom our consultant has given
service — as a matter of fact, repeating what I have said before, that
comics to me are distasteful entertainment and that I indeed was very
glad when the day came when comics were no longer regular fare in
my house in competition with books, but now books alone seem to
entertain my children^ — I would say with that proviso before that this
is not something to my taste, that we can point not with pride, but with
satisfaction, sir, to the job which has been done by that particular
publisher — I don't care to name his name — if the committee wants it,
all right — but that particular publisher is keeping these particular
comic books on a distinctly higher level — and again I am careful, I say
on a distinctly higher level — than any comic books to which your
committee wants to address yourself.
Now, I can readily see that some people will indeed say, Gang
Busters, along with comics, as well as radio programs, Mr. District
Attorney, Mr. Hoover's FBI program, all are potentially distasteful.
I could sympathize as a grownup person with such a view, but that
w^ould be rather an extreme view and a kind of censorship which would
be intolerable.
But I say as far as comic books go, I am content to stand on the
record, and I want to make myself quite clear, on the record, which
shows that this particular publisher has exercised infinitely greater
care with those publications.
There is a good reason for it because work is being done. I have in
my files letters in which, for instance, our educational associate. Mr.
Counsel, protested a certain advertisement, not the kind you meant —
it v/asn't an advertisement about guns — but it was a question of good
taste and our consultant wrote a fairly long letter to the company
and said, "I wonder if we are not slipping in our code."
I don't think, Mr. Chairman, I need to present in evidence the par-
ticular code of that organization. You have it in your files, your
counsel assured me.
The Chaikman. Are vou talking about the code that was promul-
gated in 1948 ?
Mr. Dybwad. No. You see that is why I wanted in all fairness to
insist on differentiating the industry from the individual publisher.
This is a code, if the counsel does not have it, I certainly shall put it in
JUVENILE DELINQUENCY 139
evidence gladly here, a code for the educators of that particular group
of publications.
1 have no hesitancy to let you see this.
The Chairman. Without objection, it will be received and incor-
porated in the record at this point. Let it be exhibit No. 21.
(The information referred to was marked "Exhibit No. '21,'' and
reads as follows:}
Exhibit No. 21
National Comics Publi cation's, Inc.
editorial policy for superman d-c publications
1. Sex. — The inclusion of females in stories is specifically discouraged.
Women, when used in plot structure, should be secondary in importance, and
should be drawn realistically, without exaggeration of feminine physical
qualities.
2. LangiKiffe. — Expressions having reference to the Deity are forbidden.
Heroes and other "good" persons must use basically good English, through some
slang and other colloquialisms may be judiciously employed. Poor grammar is
used only by crooks and villains — and not always by tihem.
3. Bloodshed. — Characters — even villains — should never be shown bleeding.
No character should be shown being stabbed or shot or otherwise assaulted so
that the sanguinary result is visible. Acts of mayhem are specifically forbidden.
The picturization of dead bodies is forbidden.
4. Torture. — The use of chains, whips, or other such devices is forbidden. Any-
thing having a sexual or sadistic implication is forbidden.
5. Kidnaping. — The kidnaping of children is specifically forbidden. The kid-
naping of women is discouraged, and must never have any sexual implication.
6. Killing. — Heroes should never kill a villain, regardless of the depth of the
villainy. The villain, if he is to die, should do so as the result of his own evil
machinations. A specific exception may be made in the case of duly constituted
officers of the law. The use of lethal weapons by women — even villainous
women — is discouraged.
7. Cr/«(e.— Crime should be depicted in all cases as sordid and unpleasant.
Crime and criminals must never be glamorized. All stories must be written and
depicted from the angle of the law — never the reverse. Justice must triumph
in every case.
In general, the policy of Superman D-C Publications is to provide interesting,
dramatic, and reasonably exciting entertainment without having recourse to
su<h artificial devices as the use of exaggerated physical manifestations of sex,
sexual situations, or situations in whicli violence is emphasized .sadistically.
Good people should be good, and bad people bad, without middle-ground shading.
Good people need not be "stul'ty" to be good, but bad people should not be excused.
Heroes should act within the law, and for the law.
Mr. Dybwad. It is a publisher which lists our staff member as an
associate. These people have come to us with questions.
Again I want to be careful not to advertise the company. I will
say that within 6 months' time they considted us on a commercial
proposition which was brought to them regarding the exploitation com-
mercially of one of their comic figures with some commercial article
and on advice of one of our consultants this project was dropped.
I can stand on this record, sir, and I will say this : if after this
hearing today my board of directors would come to me and say, "Don't
you think we should put before this employee the ultimatum to resign
from that position V I would say "No."
For this reason, sir: You hardly can say that it is deceiving the
public when you allude to a fact whicli has been printed, now I don't
know how many times, because this is not a secret arrangement. This
is not a secret retainer some lawyer gets from a company wiiich
nobody knows about.
49632—54 10
140 JUVENILE DELINQUENCY
This is a matter which is printed in every one of these comic books
so that any parent who sees Peter Pan today in his child's possession
knows right there that Josette Frank is a consultant.
Now, I am not a mathematician. I can't imagine how many times
it has been printed, but it seems to me quite a strange statement to
say that this was done sort of behind the backs of the public.
Senator Hennings. At this point, may I ask one question on that
point?
Do these consultants who take fees from the publishers turn the fees
over to your association ?
Mr. Dybwad. No, sir ; and I will tell you why not.
Senator Hennings. You do not know what the fees are ?
Mr. Dybwad. I don't know what the fees are. I will tell you this,
sir: No. 1, very important — Miss Frank is a half-time employee of
the Child Study Association of America. She is working for us 214
days by hourly count, you see. So that she is not doing this work
on our time.
It was merely felt that there should be no secret made that this was
her regular employment.
No. 2: This goes back considerably in our records. I could not
perhaps even produce the record, but only the record of board mem-
bers. When this offer was made there was a discussion in our board of
directors as to whether it was appropriate for our consultant to thus
be engaged.
Now, that goes back to 1941. It was the opinion of our board of
directors that if a comic publisher whose products they surveyed at
that time, I mean the board of directors, which seemed to them as un-
objectionable as comics can be to an intelligent, mentally alert per-
son, it seemed to them when a comic publisher of repute, who tries to
produce a good product, comes to an educational organization and
does not ask for some front people, but asks for consultation on a
continuing basis, it would certainly be most derelict on our part to
say that because there are some poor comic publishers with which this
man has nothing to do at all, we should refuse our services.
The association knew at the time that the services of our consultant
would be made known in every comic book and they have been ever
since.
At one point our consultant demanded that her name be removed
from one of these l^ooks, and it was so removed until a complete re-
vision of editorial policy of that particular magazine occurred.
The point I want to make also is that our consultant in addition
on a regular basis worked with a radio program of that producer, of
that particular comic-book producer, all merely to indicate that this
is consultation which can be shown on the record to have been active
and fruitful.
However, I want to emphasize again this is still an on-going process.
I would be totally incapable of being an editor of this kind of publi-
cation because it goes against my grain and taste, but that is another
matter.
I still say, sir, that the magazines of this particular publisher have
nothing to do whatever with the subject of your inquiry.
Mr. Beaser. You are talking about the National Comics Publica-
tion putting out Superman and so forth ?
Mr. Dybwad. Yes, sir.
Mr. Beaser. Do you know the ownership of National Comics
Publication?
JUVENILE DELINQUENCY 141
Mr. Dtbwad. I am not intimately acquainted with it. I know it is
a company of several people.
Again my ignorance is clue to the fact that this goes back so many
jears. It was at the time carefully gone into by our attorneys and
by our people.
Mr. B'EASER. Would you be surprised, Mr. Dybwad, to learn that one
of the owners of the Superman group. National Comics, is listed in
the certificate they must file, as F. Iger, and that her husband is
publishing this stuff ?
Mr. Dybwad. I would be surprised, but for the fact that a few days
ago this was intimated to me. Otherwise, I would be thoroughly
surprised and this is a question
Mr, Beaser. That is material issued by the American Comics
Group, one of the owners being listed as Frederick H. Iger.
Mr. Dybwad. I never heard of the man, completely unknown to
me and as far as I have known, he has not been one of the people
Avith whom we have had contact. I have absolutely no knowledge of
that.
I again emphasize an investigation was made in 1941 whether at
that time such a relationship existed. At that time one should have
gone in this. Mind you, sir, crime comics were not in existence at
that time and I think we must be very mindful of this, that the state-
ments which we made earlier, particularly the first one, preceded by
far the actual crime comic.
Even at that time we warned against a tendency, but this kind of
stuff, as you know, sir, is new.
Now, whether we should have had a continual annual investigation
by a detective agency of these people, that is a matter of conjecture.
We never have had contact with this particular person.
I still say that this publisher here does not produce such stuff, save
for the fact that you may object to a killing on Gang Busters or what
not.
The Chairman. Are you sure that this publisher has, as you
referred to him, no connection with any of these crime comics ?
Mr. Dybwad. I don't Imow why this would play a particular role
as far as we are concerned. We are concerned, were concerned and
are concerned-
The Chairman. It plays a role as far as this subcommittee is
concerned.
Mr. Dybwad. That is right. As far as we are concerned, here is
a publisher who produces what would go, I think, with any ob-
jective examiner as one of the best groups of comics in this country
relatively speaking.
Mr. Beaser. You can't talk of him, Mr. Dybwad, as him. That
is owned by 6 or 7 stockholders. One of the stockholders is the wife
of the same person wiio is putting out the crime and horror stuff that
you see up there. There is a connection.
Those magazines may be clean. But the same owner, or the wife of
the owner, is also putting out the other kind of material.
Mr. Dybwad. Now, what do you think we should do about this
matter, because you seem to imply this requires action. Should we
therefore say we are no longer interested in helping this publisher to
produce these things ?
142 JUVENILE DELINQUENCY
You see, we are bringing up a new fact I did not know. As far as
we knew this was a comic publishing company which produced these
magazines. Beyond that, behind it we didn't go,
I don't know whether you know, sir, when this particular woman
married this particular man and began to publish that particular
comic, I think we are going a little bit afield as far as we are con-
cerned.
However, this new fact I will call to the attention of our board of
directors and I hope from the minutes of this committee I can get full
evidence.
But this does not detract from the work we have done with this
publisher and from my statement that these comics seem to have very
little connection with the inquiry of this committee.
I want to reiterate that the function of our organization also has
relatively little to do with the inquiry of this committee as far as we
are concerned. I would not have come to testify here unless I had
the invitation of the counsel and I did so gladly because the par-
ticular problem of your committee, delinquency, not comics, but
delinquency, is not the area in which we work and in which I am now
working.
Professionally it was the area in which I have spent, sir, some
15 years, and, therefore, I have on a personal basis certain compe-
tence in the field.
Senator Kefauver. Mr. Chairman, just for the record, I see one
other here. I mentioned Gruenberg and Dr. Bender, Josette Frank,
I find one other here on your board that is also apparently receiving
pay from the National Comics. That is Dr. S. Harcourt Peppard.
He also is on your board ; is that not true ?
Mr. Dybwad. No,
Senator Kefauver. You have him listed here as one of the people
that you rely upon, Dr. S. Harcourt Peppard, M. D., as acting direc-
tor. Bureau of Child Guidance, New York City Board of Education,
He is listed on the front here as one of the authorities that apparently
has something to do with these studies,
I thought the record ought to just show that he is also, along with
Dr. Bender and Dr. Frank, on the editorial advisory board of this-
comic publication.
Mr. Dybwad. Mr. Chairman, may I point out that as we indicated
here we went at the time to a number of people, of the very few people
who in those days were concerned about comics.
Now, Dr. Peppard, who I think long since has died, was an em-
ployee of the city of New York. As far as I recall he has never been;
even on our advisory board. He was never on our board of directors.
He happened to be an intelligent man who early saw the problem of
comics as something to be concerned with.
I want to point out that in this particular document the Senator
from Tennessee has made reference to so many times here, they are
all very prominently listed, just as prominently as anything else, some
strong condemnation of comics, radio, and others, and I quote, for
instance, here from Dr. Alpert who says :
Comics have a thrill, make aggression too easy and too colorful and in that
way threaten eruption of the child's own precariously controlled aggressive im-
pulse. Fear inevitably follows.
And so on.
JUVENILE DELINQUENCY 143
In other words, in this compendium you will find just as prominenL-
]y displayed very strong condemnation of comics, or, should I say,
very strong feelings about the bad effects of comics as there were
statements to the effect from some other people that there were no
such effects.
I think it was a particular contribution again of our organization
that it put out these statements and pointed out, and again I say in
the spring of 1948 that there was considerable question about the
■comics and that future study would be indicated.
Mr. Beaser. You are concerned, though, that those statements ;ire
now being misused?
Mr. Dybwad. Sir, by whom are they being misused ? Nobody has
told me they are being misused. You made reference to it in some
conversation sometime ago. I would be most interested in hearing
from this committee to what extent they are being misused.
The only use I have seen is in an undocumented comment, false
statement, in the book of Mr. Wertham.
Mr. Beaser. You yourself said that the 1943 studies are being dis-
tributed now as though they were current.
Mr. Dybwad, I, myself, said to the contrary.
Mr. Beaser. Not by you, but by others ?
Mr. Dybwad. I said that most carelessly Mr. Wertham in his book
implied that they were being distributed.
Senator Hennings. And they are not being distributed ?
Mr. Dybwad. They have not, sir, and have not been for years.
So that Mr. Wertham who wrote this book takes stuff out of con-
^text. His entire book has not one documented reference of our 'ma-
terial so that it is impossible for me to go through tens of thousands
•of pages to see where he picked this particular sentence.
In other words, he has presented an entirely unscientific study which
is a mockery of research, said this was being circulated. Our studios
have not been circulated because we are fully aware that they wero
made at a time when this material was not there.
However, I think, Mr. Chairman, we, and I speak with a straight
face, should come in for some commendation that very early already,
and in the strongest language we pointed at the dangers of these
•comics.
If you will read over the various statements which I have put into
my particular remarks here, you will find that they add up to some
vei^ strong statements.
Senator Heknings. May I ask this, as a matter of information ?
The Chairman". Senator Hennings.
Senator Hennings. If you felt strongly as you did in 1948 about
what you felt to be the dangerous trend, the unhappy trend in the
nature and character of these publications, why did you not do any-
thing more recently now that that fear has been fulfilled?
Mr. Dybwad. 1952 — that was the reason that I referred to that —
we once more have pointed this up.
Again, remember, we are not a social-action bureau. We are not the
•children's bureau; we are not the National Probation and Parole
Association.
However, to be specific, may I, with your permission, read from a
forthcoming book, which is published today, sir, it so happens, by
144 JUVENILE DELINQUENCY
Miss Josette Frank, which is published by Doubleday, a book on chil-
dren's reading.
Miss Frank in this book— and I have to admit, Mr. Chairman, I
don't have the page quotation. I shall be glad to document this. I
only saw the galleys — Miss Frank has this to say :
Despite all that may be said for the validity of comics as a form of communica-
tion, one cannot dismiss lightly the other side of the picture. The most ser-
ious parental objections are not to their technique or to their art, but to their
content. The apparitions to which this medium of comic lends itself are of course
abhorrent to parents and probably not very attractive to numbers of children.
The fact is that irresponsible publishers have found it both easy and profitable
to exploit the taste of a part of the reading public for horror and sex. For the
most part exi^erience and observation show that these are not the comics writ-
ten and enjoyed by a large number of children. Still they are available on the
newsstands along with the children's favorites and their lurid covers and un-
couth promises of what may lie within may well lure the curious of whatever age.
There is no more excuse for licentious publishing in this field than any
other and it is perhaps either more unconscionable here because it is more avail-
able than any other reading matter. The publishers have a responsibility and
certain of them recognizing the excess to which this fluent medium has been
subjected have set up standards of their own in consultation with interested
psychologists and educators. These standards not only have to do with content,
but quality of printing and art work and they establish both positive and nega-
tive guides, what is and what is not suitable for children.
Policy rules out bloody or bat figures, sadism and torture, and ridiculing of
law-enforcement agencies. It sets certain standards for lettering and dialog.
This is a quotation by which certainly Miss Frank on April 22, 1954,
once more goes on record through the auspices of Doubleday Co., one
of the largest publishers, in a book which will certainly once more
bring this message.
But, you see, Senator Hennings, who should follow up on this is now
the question. What do Government agencies, w^hat do private organi-
zations, Avhat do citizen organizations do who work in the field of social
action ? That is a question.
But we once more have stated, and I want to gladly submit that
Miss Frank has so stated in this book which appears today as
Senator Hennings. What is the title of Miss Frank's book?
Mr. Dybwad. "Our Children's Reading Today." Doubleday & Co.
And this is not a commercial, Mr. Chairman.
The Chairman. When will that be on the market?
Mr. Dybwad. Today. As of today it may be purchased.
The Chairman. Mr. Dybwad, in this testimony of yours which has
been somewhat extended now, I gather that your main point was to
draw a distinction between this type lying on the table before you
there» that type of comic and the crime comic.
Mr. Dybwad. That is right.
The Chairman. That is where you make your sharp distinction?
Mr. Dybwad. And there is a hard distinction to make, sir, because
for instance, yesterday — and I had the privilege of listening to the
proceedings over the radio — reference was made to a particular num-
ber of people getting killed in any one story ; that kind of thing, of
course, would easily happen in any kind of murder mystery or crime
mystery.
Now, I still say that in this age of detective reading, in this age
when the greatest of intellectual leaders in this country freely admit
that for relaxation they read detective stories, there has to be a very
JUVENILE DELINQUENCY 145
difficult job done and that is, where are the limits of the legitimate
matter, Mr. District Attorney, this is your FBI, Gang Buster shows,
and this.
Now, I hope you won't send me home with the task of submitting
definite criteria."^ Still, I would again emphasize, sir, not defensively,
but feeling perfectly relaxed, that we have done a great deal in this
field, that that was one of the very approaches which we started out
with in our first study, to skip criteria because you could not say
crime comics are bad, but we tried to set up what kind of crime
comics are bad, wdiat kind of fantastic adventures are bad, what
kind of war stories are bad.
So we tried to set up these criteria, but believe me, sir, that is a pretty
hard task.
I have, at times, after a particularly hard week, listened Friday
nights to some of these FBI and mystery stories which seem to gather
at that particular evening, and I have had my doubts at times.
Some of it seemed to be very good, and others a little bit more
questionable.
But certainly a clear line cannot be drawn. But I would say that I
fully agree with you that our viewpoint is that there is a new medium
about, not just radio, not just TV, but comics.
Children today read comics, read them in tremendous numbers, mil-
lions of them who never get in trouble.
We also have in this very same medium some exceedingly poor,
distasteful and I say, dangerous stuff. When I say dangerous, I
merely rephrase what I have said before. I will come out quite
bluntly here that you may say we hedged on one thing. If you feel
that we should have recommended censorship, police censorship of
these, indeed we did not do so purposely because we do not think this
is a good American method in the first place, and we feel in the second
place, with that kind of publisher censorship will never work because
the fly-by-night man escapes censorship and the good publisher is
hit by it.
But we have felt that community action should be forthcoming,
civic action, action through the trade associations, and so on.
We still feel so today. We still hope that out of tliis committee's
work some new avenues of approach will come which will put a definite
stop to the publication and availability of these comics.
I will say further that that will be a distinct contribution, not just
in general to children's welfare, but I would say more specifically
that this would be a contribution to the broad approach to delinquency
prevention.
That, I am certainly ready to say.
The Chairman. Mr. DybAvad, the Chair wishes to thank you. You
will produce for the record, will you not, the list of your board of
directors, the list of your membership, and the list of your
contributors.
Mr. Dtbwad. That I certainly will.
The Chairman. Thank you very much.
The next witness ?
Mr. Beaser. Mr. William Friedman.
The Chairman. Do you solemnly swear that the testimony you
will give before this subcommittee of the Committee on the Judiciary
146 JUVENILE DELINQUENCY
of the United Stcates Senate, will be the truth, the whole truth, and
nothing but the truth, so help you God ?
Mr. Friedman. I do.
TESTIMONY OF WILLIAM K. FRIEDMAN, ATTORNEY AND
PUBLISHER, NEW YORK, N. Y.
Mr. Beaser. Mr. Friedman, will you state for the record your full
name, address, and your profession ?
Mr. Friedman. My name is William Friedman. I reside at 250
East 90th Street, in New York City. I am a lawyer by profession
and, incidentally, interested in some comic magazines.
Mr. Beaser. "Which comic magazines are you interested in? Are
those the three, or do you publish others?
.Mr. Friedman. Referring to the magazines which are on the board,
I am interested in the company which controls Mysterious Adventures
and Fight Against Crime.
Mr. Beaser. Have you anything to do with Beware?
Mr. Friedman. No, I have nothing to do wnth the magazine Beware.
Mr. Beaser. Have you anything to do with the magazine Dark
Mysteries ?
Mr. Friedman. Yes, but the magazine Dark Mysteries, I assist in
the editing of the magazine.
Mr. Beaser. That is put out by
IMr. Friedman. It is put out by a corporation known as Mastei*
Comics — that particular magazine is issued by a company known as
Master Comics. I don't remember if I ever had any interest in Master
Comics. At least I have no interest now.
Mr. Beaser. You have no interest now ?
Mr. Friedman. That is right, sir, except as assisting in the edit-
ing of that magazine.
Mr. Beaser. That is right.
Mr. Friedman. I am not the editor of this magazine. It is edited
by people which we retain, but that is not the import^mt point.
]\Ir. Beaser. You are the publisher of this magazine ?
ISIr. Friedman. I am associated with the publisher and one of the
people interested in the company as an officer of the company.
Mr. Beaser. Are you responsible for getting the magazine out ?
Mr. Friedman. I accept responsibility in the sense that our cor-
poration owns that. I don't think that there is anything wrong with
the type of material which is presented on this board.
Now, this material is undoubtedly taken from a story with which
at this moment I am not familiar. It is undoubtedly taken out of
context in the story.
Mr. Beaser. This is the one, Mr. Friedman
Mr. Friedman. May I finish?
Mv. Beaser. Go ahead.
IVIr. Friedman. This magazine is a magazine devoted to detective
•stories, crime stories, and as such these pictures and the pictures in
those books show stories of crime and of detection.
Crime itself is not pretty. Detective work, police work, of itself
is not delicate.
I heard testimony here yesterday concerning the fact that crime
should not be shown in a revolting manner. Well, I disagree with
JUVEXILE DELINQUENCY 147
that ansAver because I believe the more undesirable crime is shown,
the more ugly crime is shown, the less attractive it is.
Yovi can't show stories of detective work, you can't show stories
of crime in a pretty state, or in a delicate state, because then I believe
that it would be attractive. It would perhaps invite a susceptible
mind.
yiv. Beaser. But must you show. Mr. Friedman, the knife coming
out of a back of a blood}' body, or a child drowning his stepmother
in quicksand?
Mr. Friedman. Frankly, I am not familiar with that particular
context, but that is the scene of the crime ; you either hide the crime
from public view or you show the scene of the crime. If you have
crime stories — and I honestly do not know, and I say that because
this investigative body, this lionorable subcommittee of the Senate, is
trying to arrive now at facts that perhaps I am also trying to arrive
at because of what I have heard — have these crime stories any impact
on juvenile delinquency?
The Chairman. That is the issue.
Mr. Friedman. That is the issue.
From what I have heard, because there is a question, I would also
like to have that question answered.
But from the evidence that I have heard before this committee,
from the very vociferous witnesses who appeared yesterday, the
publisher of a book, from the evidence that I heard yesterday, he
had 3,000 cases before him in a period of perhaps 5 to 6 years, and
if I remember his evidence correctly, he could not point to a single
instance in which he said that the particular juvenile was caused to
become a delinquent because he read any particular kind of comic
magazines.
Mr. Beaser. Were you here all day yesterday, Mr. Friedman I
Mr. Friedman. No, sir.
Mr. Beaser. Let me add one thing to your statement. As I recall
Dr. Wertham's testimony, it related to the fact he could not find
one single case that he could point to as having been caused by a
crime comic, but he was testifying to the effect that it had a positive
effect. But in the morning sir, we had Dr. Peck, of the Children's
Court, here, who did testify that on an emotionally disturbed child
these crime and horror comics would have an effect.
Mr. Friedman. Counselor, I think you will agree with me that every
conceivable action taken — the time of da5% the weather — has some
sort of reaction, some sort of an impression on an emotionally dis-
turbed child, and also on a normal child.
I also read the testimony, I believe, of your ]Mr. Clendenen. I
am sorry I was not here to hear his testimony. He also asserted
he could not find any particular juvenile that was led to delinquency
by the comic books that he came in contact with.
I also heard the testimony, if I may, of the gentleman who was
here this morning, and that gentleman in a period of his associations,
3'ears in contact with the comic books, and his study of thousands and
thousands of children, in his association with Warwick, has never
come in contact with one individual
Mr. Beaser. Are you not engaging in semantics, Mr. Friedman?
Mr. Friedman. I am not. I am trying to be honest in your answers.
148 JUVENILE DELINQUENCY
Mr. Beaser. Are you not trying to say you can't point to a comic
book which is a direct cause of a crime rather than talking about
whether crime and horror comic books may be a contributing factor
in the total scene, in the total action of a child ?
jNIr. Friedman. I did try to say before, and I am not a psychiatrist,
that from what I have heard it appears to me that everything is a
contributing factor to a child who is delinquent, whether it is a rainy
day, whether he has 5 cents in his pocket, or has not got 5 cents in
his pocket, but I would like to come back to what I was mentioning
before — this other witness who was here this morning also indicated
there was no single incident.
Now, it seems to me, gentlemen, and I am honestly trying to find a
conclusion, if these comics are, as a matter of fact, harmful, if they
cause delinquency, I would be the first one to discontinue them.
What are the facts that have been portrayed before me and before
this committee that I can put my finger on to say that they do cause
juvenile delinquency ?
Mr. Beaser. Mr. Friedman, rather than review the testimony we
have had, could I get back to the question of the manner in which you
supervise the editorial production of this magazine ? In other words,
you are the one who tells the story writer the kind of story you want,
or does that work vice versa, and what limits do you put upon what
can appear in your magazine ?
]Mr. Friedman. The editor of this magazine had been engaged in
comic book magazine editing business for many years.
Mr. Beaser. Who is that ?
Mr. Friedman. That is Miss Ray. I trust her in the production of
the magazine.
I will say from what I have heard in the testimony given yesterday
while I was here, and today, that since there is a question that has
arisen as to the impact or nonimpact of certain types of stories of
detection or police work and crime and of phantasy and horror, I will
say after hearing the testimony and hearing the good Senators say
that they believe that a certain code might answer the problem, I will
ask my editor to follow that code, not because I believe in censorship,
but until
Mr. Beaser. Is it not true, Mr. Friedman, most of your material
could not be published if you adhere to the code ? You could not show
pictures of a knife coming out of the back of a man, not under the
code.
Mr. Friedman. I frankly do not know whether the code says that —
I believe the code does say something about not showing the actual acts
of commission of crime.
Mr. Beaser. That is right, sir.
Mr. Friedman. As I said, since there is a question that does arise, I
will instruct my editor to attempt to adhere to the code, about Avhich
you spoke yesterday, a copy of which I haven't, and if you attempted
to break it down I could not tell you what is in there and what is not in
there, but if that is a more acceptable procedure, we will try to adhere
to it.
]N[r. Beaser. The only question I want to know is in the present
preparation have you any general instructions which you give to your
editor, Miss Ray, as to what should appear in this crime, horror, and
terror magrazine?
JUVENILE DELINQUENCY 149
Mr. Friedmax. Up to this time we have not given her any particuLar
instructions.
Mr. Beaser. Have you had occasion to change any of the pictures or
stories she has come back with to make them less crime, horror, and
terror ?
Mr. Friedman. We may have changed the pictures. I do not re-
.member at this time whether we changed them for the purpose you
state or for any other purpose.
Mr. Beaser. Do you recall whether you may have changed them to
make them more horror, crime, and terror ?
Mr. Friedman. I will say to you that we interfere so little in the
work of our artists and script writers and editors that the changing
that I might do is infinitesimal. The couple of books in which I am
interested, perhaps I approach them from a legalistic attitude, mean-
ing by that that I have done a great deal of work in the field of cen-
sorship. I have read the books written by Morris L. Ernst. I have
read the book written by Mr. Hayes; I have read the book written
by the professor at Harvard who did the basic work on the question
of censorship.
I was interested in the famous Winters case which our Supreme
Court had before them 3 or 4 times.
Mr. Beaser. None of them ever described crime, terror, and horror
vComic books?
Mr. Friedman. The Winters case was a crime-and-horror book.
Mr. Beaser. Comic book ?
Mr. Friedman. I don't know how you can differentiate. Counsel,
'between the production or the envisionment of detection and crime
work in a comic book as against another mass media.
One of your witnesses here yesterday — well, I won't go into that,
but it so happened I happened to look at the same newspaper he looked
at and I looked at last night's Telegram. I have last night's Tele-
gram with me and by actual count there are 25 to 30 stories dealing
"with crime.
Mr. Beaser. That is the statement made by Mr. Gaines ?
Mr. Friedman. It is not, counsel, because that is an entirely dif-
ferent newspaper.
Mr. Beaser. The same type.
Mr. Friedman. The point I am making is that we attempt to make
perhaps, rightfuly or wrongfully, I don't know, but attempting to
make a whipping boy out of one particular field of mass — not the
Senators here, because they have asserted the}" were trying to find
what the honest fact is
Mr. Beaser. Let me ask you a question
Mr. Friedman. Let me finish, counselor. That a whipping boy is
'being made out of one particular facet of the means of information
devoted to crime and horror and detection woi"k as such.
But there are perhaps as many titles of so-called crime pulp maga-
zines, as many titles also as so-called true crime detective magazines
and they have been in existence for more than I can remember, for
longer than I can remember. There are the movie depictions, there
are the television depictions, and to make a particular whipping boy
out of one facet of it and say that if these were removed from sight
the others would have no impact or would not have the same impact,
150 JUVEXILE DELINQUENCY
I am not lionestly pre]5ared to state, but I don't believe that we can
make sncli a distinction.
Senator Hennings. Mr. Chairman, I thouo-ht I understood Mr.
Friedman to say that he did not conceive this committee to have made
a predetermination of this.
INIr. Friedman. That is right.
Senator Hennings. I just wanted to emphasize that again and make
that abundantly clear. We are trying to find out.
I think this whole business is enormously complex. You being a
lawyer will know what I mean when I talk about proximate cause,
not as an expert or a psychiatrist, but as one who has been a district
attorney, I have spent a great many years in criminal courts on
felony cases and matters of that kind.
I wonder to what extent this sort of thing, whether simply synony-
mous on a newsstand by a youngster or an older man or woman who>
may be upon the brink or verge of doing something or other of law
violation, whether this may not be just enough, seeing something
lurid, seeing something suggestive.
So seeing something which has implications, I Avonder if in some
cases, this or a television show or moving picture or any of the media,
might not be that straw that may lead to violation.
Mr. Friedman. Mr. Senator, I honestly am not qualified to state. I
would conclude with those observations if I may, that it is surprising
to me that in attempting to seek a conclusionary fact, some say — our
author of yesterday in his address in which he confounded all comic
books and in which he took Superman who has been a hero to our boys
and took that famous story Tarzan, and took that very interesting
publication — that is not a sexy publication, Wonderman — and takes
Howdy Doody and lumps them all together and says they are all
bad.
Why? With this tremendous so-called accumulation. Senator, of
perhaps not 40 million a month, 20 million a month, there has not
been one incident to which these people who are interested in the
subject can point and say this is a juvenile delinquent, caused by X
medium in the comic book or television field.
I think it makes your work so exceedingly difficult. And makes
our rehashing just as difficult.
Mr. Beaser. You realize, Mr. Friedman, of course, that the experts
are also unable to point to a particular child and say that he is a
juvenile delinquent just because of sadism or just because of this. The
single causative factor is not what the experts are saying.
Mr. Friedman. As a good lawyer you would have to come to the
conclusion that you have no facts before you upon which you can
make a reaction or a conclusion that the cause or the assisting cause to
juvenile delinquency is the medium you might be attacking at the
moment. Your very witnesses before you all came to the conclusion
that came to me. First, that there was no appreciable reaction on
juvenile delinquency as far as they knevr, including the author. They
came to the second conclusion that tJiere might be some reaction, there
might be some impact, but they didn't know.
Mr. Beaser. Let me clarify one thing before you go. You men-
tioned, and Mr. Gaines yesterday seized upon the fact that in many
newspapers there are stories of so many holdups, so many robberies.
JUVENILE DELINQUENCY 151
In any of those were the actual pictures of dead bodies shown with
knives coming out of the body ?
Mr. Friedman. Counselor, let me put it this way as far as the news-
papers are concerned. We liave the finest newspapers in the world.
They enjoy freedom of the press as they should.
In our democratic countries they are uncensorecl, as they should be.
1 would- say to you, Counselor, that if and when these newspapers are
able to get the scene of an actual crime, a Valentine massacre, a drown-
ing, come upon a dead body, that is the newspaper photographers
ambition.
You know that as well as I. Is it right or wrong. Counselor, I don't
know.
Mr. Beaser. I was trying to get the total impact, ]\Ir. Friedman,
from the total number you gave. That is all.
The Chairman. Does the Senator from Missouri have any ques-
tions ?
Senatoi' Hennings. No.
The Chairman. The Chair wishes to thank you for your appear-
ance this morning. The subcommittee understands it is a problem.
We do not know the answer to it. But it is a very difficult problem.
Mr. Friedman. Thank you. Senator.
Mr. Beaser. Dr. Loretta Bender.
The Chairman. Dr. Bender, will you be sworn, please.
Do you solemnly swear that the evidence you will give to this sub-
committee of the Committee on the Judiciary of the United States
Senate, will be the truth, the whole truth, and nothing but the truth,
so help you God ?
Dr. Bender. I do.
TESTIMONY OF DR. LAURETTA BENDER, SENIOR PSYCHIATRIST,
BELLEVUE HOSPITAL, NEW YORK, N. Y.
The Chairman. Doctor, will you state your full name, address, and
association, for the record, please ?
Dr. Bender. My full name is Dr. Lauretta Bender. I am an M. D.
My New York City residential address is 140 West 16th Street. I
have quite a number of associations.
The major ones are that I am a senior psychiatrist on the psychiatric
division of Bellevue Hospital, a civil-service position in New York
City, a position I have had since 1930, and since 1934 I have been in
charge of the children's ward.
I am also a professor of clinical psychiatry in New York University
Medical School.
I am also on the training program of the Veterans' Administration,
which is associated with the New York University Medical School.
I am on the editorial board of the National Comic Companies as an
adviser, on the advisory editorial board.
This spring I accepted an appointment as consultant in child psy-
chiatry in the New Jersey Neuropsychiatric Institute.
I think that covers the major ones.
The Chairman. Thank you.
Counsel, you may proceed to examine the doctor.
152 JUVENILE DELINQUENCY
Mr, Beaser. Doctor, we are inquiring here into the possible effects
of crime and horror comics on children, both normal and some who
are emotionally disturbed.
Could you give us your opinion of the iDossible effects of this kind of
reading material, crime and horror comics books, on say, the emotion-
ally disturbed children, or normal child ?
Dr. Bender. In the field of the emotionally disturbed child, I have
long been considered a professional expert. I consider myself such.
My experience you have to realize is with children under the age of
12".
However, it is true that I have been working 20 years with these
children. Many of them have now reached adolescence and adult-
hood.
In my early years in working at Bellevue Hospital when we were
hard put to find techniques for exploring the child's emotional life,
his mind, his ways of reacting, when the child was separated from the
home and brought to us in tlie wards at Bellevue, I found the comics
early one of the most valuable means of carrying on such examina-
tions, and that was the beginning of my interest in the comic books.
So that my first scientific paper on the comics appeared — I believe I
gave it in 1940 before the National American Neuropsychiatric As-
sociation and it was published in 1941, before I had any connection
Avhatever with the comic people.
Now, when you ask me as broad a question as to what is the pos-
sible effect of such horror comic books- — ^and the gesture makes it also
broader — upon the emotionally disturbed and the normal cliilcl, it is
almost overwhelmingly a broad statement.
Ilowever, I have spent a great deal of time ; I have written many
articles. I too, have a book in press which has at least a chapter on
this subject, otherwise deals with it, and in general it is my opinion that
the comics, as I have known them and worked with them through
these years and the kind of emotionally diturbed children that I liaA^e
known and worked with, and my own three normal children show a
I'emarkable capacity to select from the comics material they need and
can use, a capacity which should not be underrated and it is one of the
s]iecific characteristics of the comics that this kind of a selection can
be used on the comics where it cannot be used, for example, in a movie.
It can be used in television and it can be used in radio, by the television
so they can turn it off.
Mr. Beaser. What do you mean by selection. Selections of comics
themselves, or selections out of the comics?
Dr. Bender. Both. Children love to collect comics. I will also
say that the less intelligent children and those ayIio have the less
reading capacity collect the most comics. It is the story that we
used to tell in school that if we could sleep on that enormous tome
conceivably we could get something out of it and pass our exams the
next day.
In fact, I have frequently said I can make a diagnosis on a non-
reading child who is brought into my presence for the first time with
comic books stored away in his blouse — boys don't like the word
"blouse," excuse me, shirt — like the squirrel has nuts stored away in
their cheeks — now, as to these, Mr. Clendenen brought them in to me
the other day. I told him I hadn't seen any of these.
JUVENILE DELINQUENCY 153
Tlie children don't bring- them on the ward at Bellevue. My chil-
dren don't brin^ them at home.
And when I tried to look through some of them I thought they were
unspeakably silly. The more an artist tries to show horror and the
more details he puts into the picture, wdiich most poor artists do, the
sillier the thing becomes, and the children laugh at it.
The children also will frequently tell me — for instance, on television,
I have to listen to it with my own children occasionally and I am
aghast, "My God, how can you stand such things, children?"
They say, "Mom, don't you know it is only television, it is not
real."
In my opinion it is the same thing about these comics.
Mr. Beaser. a child would not identify himself or herself with any
one of the figures in there? For example, we had a picture yesterday
and a story about a child who murdered her foster mother.
Dr. Bender. Mr. Clendenen told me that stor3\
Mr. Beaser. In the final shot they showed the child getting away
with the three murders. Do you think that a child would' identify
himself or herself with the little girl?
Dr. Bender. No.
Mr. Beaser. Would the child identify
Dr. Bender. The child would only identify itself with such a child
who had committed these 3 murders if there had been 3 murders in the
child's family, for which people were looking suspiciously at this
child.
In that case the child with horror would throw the comics out of the
window.
Mr. Beaser. Would the child identify its mother — or its father,
with the mother and father in the story comic?
Dr. Bender. Not unless their mother and father were like that
mother and father.
Mr. Beaser. Since delinquency does appear in broken homes as well
as others, assuming this is a broken home and they depicted a broken
home, woidd the child identify his own mother and father with the
pictures in the comic book?
Dr. Bender. If he would so identify himself, then it would be his
tendency again to discard the comic book or go into a panic. I have
seen children in panics, as I say, not over comics usually because they
are easily rejected, but over movies. I have seen children brought to
me in terrible panics, and interestingly enough most often the Walt
Disney movies which do depict very disturbing mother figures.
The mothers are always killed or sent to the insane asylums in Walt
Disney's movies. They are among my experience, except for Franken-
stein, the worst movies in the world for children avIio have had a prob-
lem of the loss of a parent.
I can speak of that with feeling because I have 3 children who lost
their father when they wei-e babies and I know the problem of expos-
ing children to such problems as this.
It can throw them into the kind of anxiety which is distressing, but
the children will leave if they can or they will not read the comics,
they will reject it.
Mr. Beaser. We had another one of a child in a foster home whose
foster parents turned out to be werewolves and he turned out to be a
154 JUVENILE DELINQUENCY
werewolf. What effect would that have on a child who is awaiting
foster placement, or who has been in foster placement ?
Dr. Bender. Mr. Clendenen has told me about that, too, and, after
all, he is a social worker who has dealt with the placement of foster
children. I wondered, after all, at the kind of imagination, if I
can apologize in advance, that would conceive of anyone giving such a
comic to such a child under such circumstances.
The chance of its happening, of course, is infinitesimally small, and
I think the child would only read it provided it was held down and the
thing was read to it forcibly.
EVen then, I think if he was anywhere near a wholesome child he
would laugh at the situation and probably after looking at the foster
mother when he got in the place and finding she did not look like a
werewolf, he mi^it say, "Well, you are not even a werewolf after
all,'' or something like that.
Mr. Beaser. But the child awaiting foster placement has a number
of normal fears ?
Dr. Bender. Certainly.
Mr. Beaser. So that is fair game, practically, for such a child?
Dr. Bender. That is true.
Mr. Beaser. Now, what about the effect of the crime and horror
comics on a hostile child. Could he possibly find suggestions and
also support for doing some of these things ?
In other words, he sees it there and he is going to do it.
The Chairman. Did counsel use the word "hostile" ?
Mr. Beaser. Hostile.
Dr. Bender. You asked me could he ?
Of course, he could, but I do not know of a single instance in which
it has occurred. I would also say this, that a hostile child who is
committing such crimes, even if he was one of those collecting crime
books, collecting comic books of all types and carrying them around
with him, does not usually take time out to go into the library or to
find a reading place to sit down and study these books.
It is conceivable, and I am sure if enough research work is done,
sooner or later someone or other can find an incident in which a child
can be got to say that he got the idea from such and such a comic
book.
I would not doubt but that maybe 10 cases could be found in the
United States.
But if you then said to the child, "Did you ever see such a thing on
television or movies?" or "Did you ever hear about it anywhere else,
too?'' — well, the situation obviously becomes less specific.
Mr. Beaser. We have heard this, and I do not know at this point
from what source: Would you consider that excessive reading of
crime and horror comics is symptomatic of emotional maladjustment ?
Does that indicate something might be wrong ?
Dr. Bender. Yes ; I would say that.
Mr. Beaser. If you came on a child who is devouring this stuff
day and night ?
Dr. Bender. Well, let me be even a bit — ^maybe I should not be as
personal as this. As I say, I had 3 children whose father was vio-
lently killed when the youngest one was a week old, in an automobile
accident, not in a gang war, and those 3 children have that problem.
How can such things happen ?
JUVENILE DELINQUENCY 155
Most children don't have such problems. Mothers can do the best
they can to try to reassure such children.
The oldest boy cannot tolerate anything in the way of a story, even
Peter Rabbit, who, if you recall your Peter Rabbit, went into a garden
where his father got into an accident at the hands of a hoe of a farmer
and had been put in a rabbit pie.
I had to take him screaming out of the puppet show on that picture.
He would leave the room if Jack and the Beanstalk was being read
to the other children. He would turn off the radio and he would
reject any book or any comic that had any of these problems.
My second son, who was a little older and a different type of child,
instead of rejecting it has tried to solve the problem, and he is not
so much addicted to crime comics, he is not addicted to crime comics
at all, as far as that is concerned, but he loves to watch for hours on
end television, radio, and movies which deal with these same subjects.
I think for him it is an effort to find a solution of the mystery
of life and death and how it can happen that a child's father can leave
him even before the child knows the father.
For my daughter, who was a baby, last year in school she spent the
time writing for her teacher crime stories, murder stories, in which
the bloody head of the person who had been attacked would lie on the
lap of the beloved person, whoever it was, and an effort would be made
to soothe it.
This worried her teacher very much and she came to me with this
problem. She said, "Is she reading too many crime comics?"
I said, "As far as I know she doesn't read them at all."
Not that I refuse them to her. She doesn't listen to television like
the second child does, and she doesn't go to the movies very often.
But I said, "It is her way of solving her problem."
Now, she has gotten that problem solved apparently. She has gone
through this, and for her it is her solution.
Now, I can well imagine children, and I know plenty of disturbed
children from homes where they have less support than my children
do, because, after all, my children have not only had the support of
myself, but of our very many friends, who on occasions of these various
things, and, after all, there are lots of children in the world wliose
fathers have been killed by gangsters or who don't know who their
fathers are, and who live in a gangster's world and whose fathers are
gangsters killing other people — I don't know that crime is quite as
bad in the world as we try to make it out to be, and these children
I am sure will be disturbed by such things.
If they have to be exposed to them, or are exposed to them, they
should have a wise adult who can discuss the matters with them and
talk it over with them.
Mr. Beaser. Many of them do not.
Dr. Bender. Many of them do not.
Mr. Beaser. You are on the editorial advisory board of the Super-
man Comics ?
Dr. Bender. That is right.
Mr. Beaser. I gather you were in the courtroom today and heard
the discussion?
Dr. Bender. I was.
49632—54 11
156 JUVENILE DELINQUENCY
By the way, I am not in anyway connected with the Child Study
Association. That was implied and it was a mistake. It is merely
that Josette Frank interviewed me for one of her articles.
Mr. Beaser. You were one of the resource persons ?
Dr. Bender. I was one of the resource persons from which she got
expert testimony, let us say, and wrote the article.
It is true now, I am an editorial adviser of the Child Study Asso-
ciation. That is another one of my jobs that I do not even get a dollar
a year for.
Mr. Beaser. What I cannot understand is that with all the listings
of the associations you belong to you must be pretty busy. How do
you get time to read the comic books of the National Superman ?
Dr. Bender. I don't read them all.
Mr. Beaser. You read what?
Dr. Bender. I read the ones which look to me to be of some interest.
I give the rest to the children at Bellevue and let them read them and
tell me what they think about them. I give them to the teachers,
psychiatrists. I take them home to my children.
And if there is any question about one, and frequently there is —
for instance, about 2 years ago one of the psychiatrists wrote me in
dismay saying that he had picked up a comic his daughter brought
in in which a psychiatrist had been abused in his opinion and found
my name on the advisory board and wondered how I could justify
such a thing.
In this particular comic the storywriter had thought up a new form
of what might be called shock treatment, in which a wife, who was
jealous of her husband, had been exposed by the husband, at the advice
of his psychiatrist, to actual situations which could be interpreted as
indicating that the husband was wanting to do her harm.
But then it ended up with the husband explaining everything and
the psychiatrist coming in and explaining everything and the wife
and the husband reunited in their mutual understanding and love^
and the psychiatrist going home. He lived next door.
The husband played chess with him, or something.
Well, this didn't look very bad to me. I said I was not even sure
it was not a good idea, it has some good ideas in it. Maybe if we acru-
ally did try to portray some of the delusions of patients and showed
we could explain, that might be a way of exposing disillusionary ideas.
I showed them to the children in the ward because they do have dis-
illusonary ideas. The children in the ward thought that was a good
story and they thought it was a good idea, it was like the kind of
treatment we were giving them, which I had not thought of in that
fashion.
They certainly thought it was a good way to cure the sick woman.
Mr. Beaser. But you saw this after the comic book had been on the
stands ?
Dr. Bender. That is right. I am not responsible in any way what-
soever with what is published.
Mr. Beaser. And your duties as a member of the editorial advisory
board consist of what ?
Dr. Bender. My duties on the editorial advisory board are to be
consulted by them whenever they choose to consult me and to give them
advice about matters which many think are problems in just the terms
JUVENILE DELINQUENCY 157
that you are trying to deal with today, and in the beginning when I
worked with them, I also helped them work out their hrst code.
Whenever they have asked for my advice I have always made an
immediate study as carefully as I can, have given my advice and, to
my knowledge, it has always been followed.
Mr. Beaser. How often does the board meet ?
Dr. Bender. It meets very irregularly and in the last 6 months
I think we have not met. As a matter of fact, we don't function as a
board usually. Now and then we do. We have, sometimes in the past,
been called together, as a board, to take up certain questions.
The Chairman. Are the members polled ?
For example, you have a problem come before you, submitted to you.
Do they poll all the members on that problem?
Dr. Bender. I gather they do, because Mr. Dybwad, just ahead of
me, told you about a letter which the Child Study Association got and
the advice that they had given in regard to this copyrighted article
from one of the comics, and I am sure it is the same letter I got and I
gave the same advice and I thought they were following my advice,
but, obviously, they were following all our advices.
The Chairman. Are the board members compensated?
Dr. Bender. Yes. I received $150 a month.
Mr. Beaser. I suppose each one of the members received the same
compensation ?
Dr. Bender. No. I understand some of them get more because they,
are expected to give more service than I do. It is understood I am a
very busy person. It is understood that the amount of time that I
can give to it should be minimal, but in terms of my professional
experience.
So I understand that some get more.
I understand, on the other hand, some get less because they have come
in more recently than I have. As a matter of fact, when I went on
this advisory board, it was when the Superman and National Comics
were separated into two parts, and Mr. Gaines, Sr., the father of the
gentleman who testified yesterday, had his series of comics including
Wonder Woman, and the Biblical ones and historical ones and what
not. He paid me $50 and the Superman series paid me $100.
Later on, the group was united, so I have been paid $150 by the one
publication.
The Chairman. Doctor, could you give the subcommittee a typical
case of the sort of problem which comes to the board members?
Dr. Bender. Yes ; very easily. As a matter of fact, I don't see any
reason for not being more specific about this last inquiry.
This was a question that there were concerns who wanted to produce
a Superman uniform for children, realistic, and copyrighted. The
National Publishing Co. said they had this request coming through
for many, many years, and they had always turned it down because
they were afraid that children would be hurt under the circumstances ;
but again, it had come up so persistently that they now wanted my
advice about it.
So I advised them that in my experience children throughout the
ages, long before Superman existed, tried to fly, and also it has been
my specific experience, since I have been at Bellevue Hospital, that
certain children with certain emotional problems are particularly pre-
158 JUVENILE DELINQUENCY
occupied with the problem of flying, both fascinated by it, and fearful
of it.
And we frequently have on our ward at Bellevue the problem of
making Superman capes in occupational therapy and then the children
wearing them and fighting over them and one thing or another — and
only about 3 months ago we had such, what we call epidemic, and a
number of children were hurt because they tried to fly off the top of
radiators or off the top of bookcases or what not and got bumps.
The Chairman. You mean they would put these suits on and try
to fly?
Dr. Bender. That is right.
The sheets form many purposes to these children. Part of it is that
it probably gives them the feeling of the power to fly.
It also gives them the feeling of protection, almost as if they were
invisible when they wore the Superman cape or as if they had the magic
power of Superman, so if they wore a Superman's cape they would
have these magic powers.
The Chairman. This does show the influence of comics, then?
Dr. Bender. That is true. I am sure the comics influence.
As I say, I have found one of the best methods in my experience to
examine children is to get them to tell me their favorite comic book
and to relate it and then analyze their material.
In adult psychiatry, dreams are analyzed.
The Chairman. If Superman could have that influence, what sort of
influence do you think that picture there, called "Crime Suspen-
Stories," would have ?
Dr. Bender. I can tell you why. This would have nowhere near.
Superman represents an instinctive problem that we are all born and
grown up with, that we can fly — after all, we can fly now ; we couldn't
before — and that we can carry on all kinds of scientific investigations,
that we can stop crime, which Superman does, and that we can have a
good influence on the world, and that we can be protected by the pow-
erful influences in the world which may be our own parents, or may be
the authorities, or what not.
Mr. Beaser. It is your considered judgment, then, that Superman
has been a good influence?
Dr. Bender. A good influence.
There is another reason why Superman has had good influence.
That is the years of continuity of the Superman character. The chil-
dren know that Superman will always come out on the right side.
On that, I can give you another story about what they wanted to do.
At the end of the Second World War we had the problem of a certain
number of soldiers coming home as amputees.
One of the script writers got the bright idea that we ought to pre-
pare children for their fathers coming home as amputees by having
one of the characters — I don't think it was Superman — one of the
others — have an accident and lose his leg. They wanted to know what
I thought about that idea. I said I thought it was absolutely terrible
because I felt that the children loved this character and, after all, how
many children were going to have to face the question of an amputee
father ?
Certainly there are far better ways of preparing such children for
such a father than to have to shock the whole comic reading children
public.
JUVENILE DELINQUENCY 159
So I disapproved of it.
The Chairman. Doctor, suppose you were on the advisory board for
some of these magazines, what would you recommend?
I am talking about the magazines which appear on the board there.
Dr. Bender. Let us put it this way : Suppose you said, "Why don't
you go on one of these and see," and then I would go on it and 1 would
see. I would expose children to these comics and see what the result
was.
Now, if you want to ask me what I think the result would be, I think
it would be minimal. I think that many of the children would be bored
with them, I think that many of the children would refuse to read them
and the more sophisticated would say, "So what, I have seen stuff like
that before."
Mr. Beaser. But you do not actually know. Doctor ?
The Chairman. You are talking about normal children, though ?
Dr. Bender. There is no such thing as a normal child.
The Chairman. There is not?
Dr. Bender. No.
The Chairman. That is your medical opinion ?
Dr. Bender. That is my medical opinion.
The Chairman. How about a chilcl that is deficient ?
Dr. Bender. Mentally deficient?
The Chairman. I mean delinquent, or has delinquent tendencies.
Dr. Bender, As I told you before, it certainly is conceivable that
you can find a certain number of children who will be, or could be
pushed 1 or 2 steps further.
The Chairman. By this sort of literature ?
Dr. Bender. By this sort of literature. Of course, it is a drop in
the bucket as far as all the experiences in the world that the children
are exposed to, and an awfully small drop and an awfully big bucket.
Mr. Beaser. Doctor, when Mr. Dybwad was talking he said some-
thing about dividing the subject into two phases. One, the fact that
the association was concerned about was the fact that these crime and
horror comics were creating a climate in which the child was living
and growing up and to which the child was exposed.
Do you share Mr. Dybwad's- fears in that respect ?
Dr. Bender. I don't think the comic books are creating the climate.
Mr. Beaser. Are they a part of the climate ?
Dr. Bender. I think they are a reaction to the climate.
Mr. Beaser. Now, let me ask you one final question. Doctor.
Would you say — I suppose you would — that your opinion on this
subject is in no way influenced by the fact that you are an advisory
member of the Superman comics advisory board ?
Dr. Bender. Well, it is a fair question and I think you were a little
bit hard on Mr. Dybwad in that regard this morning.
Actually, the amount of money I get, $150 a month, is what I can
get for one lecture such as I gave yesterday — I was all day yesterday
in another State attending a scientific conference at which I gave
a lecture — and which I can give once a week without any trouble —
and it certainly is a small part of my income.
I would say this : The fact that I am in this position as far as the
national comics are concerned has two influences.
I think I have influenced the National Comics Publications to some
extent, and I think my continuing presence on their editorial board
160 JUVENILE DELINQUENCY
may represent a continuing influence, not only on the national comics
but conceivably all of the comic publications, to some extent.
I would say that I have been somewhat more interested in the comics.
I am furnished with the comics as soon as they come out regularly.
In fact, I am furnished with three copies of them.
And I have in recent years especially been particularly interested
not only in this sort of thing, but some extremely interesting new
phenomena in the comics.
The comics actually, if you follow the history of the comics, and I
wish Dr. Wertham could have done this, because he is a brilliant
scientist, if he could only realize what could be done with it, they
have gone through phases of understanding the problems that the
world is being shaken by continuously.
And now, most amazingly, they have become aware of the problems
which most concern us psychiatrists, and me particularly, and that is
something which is a technical phase, the concept of the body image
and what can happen to it under different emotional circumstances.
These are psychological problems and tlie uncanny capacity for the
script writers to delve down into their own unconscious and dig up
these problems and depict them to me is an amazing phenomenon.
I only wish that I had the time from my various other duties to sit
down and do a job — not with these, I confess they don't interest me
much — but with the psychological phenomena that have occurred in
the comic books and in terms of what they might mean to developing
children.
Now, there was one type of comic that I disapproved of very
thorouglily. When the comics first came out. Superman, at least, the
publishers of Parent magazine got out a little comic called
The Chairman. It used to be Hairbreadth Harry, in my day.
Dr. Bender. Were they good?
The Chairman. Very good.
Dr. Bender. The Parent magazine got out a comic called True
Comics. They were really very bad. The reason they were bad is
that they showed historical situations of, let us say, sailors being
thrown off the boat because the boat had been bombarded by the
Nazis and they were jumping in an oceaH of flaming oil.
There was just no help for these people
Mr. Beaser. What was bad with that ? We saw pictures like that
yesterday in some of these.
Dr. Bender. O. K., but they weren't put out by the Parent Maga-
zine Publications. The parents didn't approve of that, but these
were approved by parents.
Mr. Beaser. You would disapprove of that?
Dr. Bender. I disapprove of that.
They said, "This is good because it is history. This is real," which
is another reason why it is bad.
They also gave a picture of colonial days where the mother was
being tommyhawked by the Indians, with a baby at her breast, and
the baby was being dropped on the ground. Now, this was history.
Certa'inly it is history, but do our children today have to be exposed
to such things ?
This is not history. I see no excuse whatsoever for a parent mag-
azine group or an approved group approving that sort of thing. It
JUVENILE DELINQUENCY 161
was quite contrary to the code which we eventually established for
the comic people.
The Chairman. Doctor, the Chair has before it a typewritten docu-
ment entitled "Editorial policy for Superman — DC Publications."
I will send that down to you and ask you if that is the code you helped
prepare.
Dr. Bender. I have seen this lately. No, this is not the one I
helped prepare. The one I helped prepare is the one which was to
this effect, that no character in the comic with whom the children
could identify themselves, or their own parents, their own family, or
their own country, or their own side, should be irretrievably damaged,
killed, or mutilated, and neither should such a person with whom
the child could identify himself or anyone on his side irretrievably
damage or injure anyone else regardless of whether they were an
enemy, or not.
That is to say, they should not have to bear the guilt of feeling that
they were responsible for this damage having happened.
The Chairman. In what j^ear was this code prepared?
Dr. Bender. That code was prepared in the middle forties.
The Chairman. Have you ever seen this code ?
Dr. Bender. I just saw that for the first time night before last.
The Chairman. That is the code under which this publication is
operating, is it not ?
Dr. Bender. Yes. It involves more or less the things I say except
they go to certain other things.
The Chairman. They are more specific ?
Dr. Bender. They are more specific. Some of these things I
wouldn't be so specific about.
The Chairman. As I understand it. Counsel, that code has been
made part of the record ?
Mr. Beaser. Yes, sir.
(The code referred to was submitted earlier by Mr. Gunnar Dybwad
and appears on p. 70 as "Exhibit No. 9.")
The Chairman. Does counsel have any further questions?
Mr. Beaser. Just one.
You mentioned burning flames. Look at this picture here. It
shows as a final scene a man being burned. You would object to that
being distributed to children, would you not? I gathered that from
your last remarks.
Dr. Bender. I would say this : I think I could distribute that to the
children. I don't know who the man is. I don't think they know who
he is, do they ?
Mr. Beaser. Supposing it was a magazine which depicted him as
the father of a child, a father figure ?
Dr. Bender. Then I would object to it. You see, I objected to this
thing about the sailors because it was our sailors.
Mr. Beaser. You would also object maybe to the sight of a child's
mother and father being electrocuted ?
Dr. Bender. Well, I object to seeing that under any circumstances,
if you don't mind.
Mr. Beaser. I have no further questions.
The Chairman. Doctor, the subcommittee is very grateful to you
for coming here this morning. We know how busy you are. I am
glad we got several points in the record cleared up.
162 JUVENILE DELINQUENCY
The committee will now recess until 2 o'clock.
(At 1 p. m., a recess was taken until 2 p. m., same day) .
AFTER RECESS
The Chairman. The hearing will be in order.
Counsel, will you call the first witness for the afternoon's session ?
Mr. Beaser. Mr. Chairman, before proceeding to call the next wit-
ness I would like to introduce in the record a letter received from the
American Psychological Association at our request, commenting upon
crime, horror comic books, signed by Carl H. Rush, Jr., executive
assistant.
The Chairman. Counsel has examined the communication care-
fully?
Mr. Beaser. Yes, sir.
The Chairman. It relates directly to the problem before us ?
Mr. Beaser. Yes, sir.
The Chairman. Without objection the letter will be included and
incorporated in the record at this point. Let that be exhibit No. 22.
(The letter referred to was marked "Exhibit No. 22," and reads as
follows:)
Exhibit No. 22
American Psychological Association,
Washington, D C, April 20, 1954.
Mr. Richard Clendenen,
Subcommittee To Investigate Juvenile Delinquency,
United States Senate, Washington, D. C.
Dear Mr. Clendenen : In response to your letter of March 23, I should like
to address myself to the general problem under consideration by the subcom-
mittee which you represent. I have examined the comic books you sent and,
although my initial reaction was one of surprise and disgust, I shall attempt to
give you my considered opinion of their potential impact upon the behavior of
children with special reference to juvenile delinquency. At the outset I should
point out that I have had no direct experience with research on this topic and
have arrived at the opinions contained herein only after careful examination of
published research on the topic and a logical analysis of th« problem. I should
also add that my comments represent the personal opinions of an individual
psychologist and not the consensus or official statement of the 12,000 members
of the American Psychological Association.
At first glance it seems utterly impossible that these so-called comic books
could serve any useful or functional purpose. They are lurid, splashy, sensa-
tional, and fantastic. Lessons to be learned, if any, are obscured by the noise
and violence of action. The language is ungrammatical and crude, which,
parenthetically, is true of a much broader class of such publications. In short,
it is difficult to see why anyone would read such trash. Yet, there is abundant
evidence to the contrary, people do read these books or at least we infer that
they do from the circulation figures. There appears to be a strange sort of
fascination about such materials ; violence or threat of violence seems to pique
the curiosity of humans. Furthermore, it is conceivable that this is a very
general type of phenomenon that is observed in many different situations.
People attending wild-west rodeos, racing events, daredevil shows, carnival
,exhibitions of freaks, and other such spectacles may be looking for a shock
experience from which they derive a particular kind of transitory satisfaction.
I|lt is almost as if the human organism has a need for periodic vitalization
through the vicarious experience of a potentially traumatic, and indeed tragic
event. But it is also possible that in all these things there are no lasting effects,
no learning of any consequence ; these are merely self-indulgences which excite
for the moment and then are gone.
1^ The fantasy life of an individual is probably facilitated by exposure to
I materials such as the horror comics. They provide a mechanism by means of
which the person can escape from the, pressures of reality which impinge upon
JUVENILE DELINQUENCY 163
liim. But in this sense the comic books are in the same class with liquor, popular
fiction, movies, fairy tales, newspapers, and other mass media. All of these
things are used as escape mechanisms and it is only in the extreme that such
practices are potentially dangerous. As for the gruesomeness and horror, we
cannot condemn the comics in this respect without questioning the contents of
children's stories and fairy tales of all sorts. A number of authors have pointed
out the amount of terror and violence contained in the tales of Hans Christian
Anderson, Grimm, or even AValt Disney. There is a difference, however, in that
these fairy stories are clearly fables and not reality, while the stories in the
comic books are often placed in contemporary settings with real people. As one
author has put it, the comic books differ in presenting their story in a very
familiar world.
To return more directly to the issue at hand, I should like to present several
general statements of opinion together with a brief discussion of each. A
partial list of references is appended.
1. Although comic books have been the subject of many published articles in
popular journals, there has been no incisive research on the topic. A few investi-
gators have studied the relationships between comic book reading habits of
children and other factors such as I. Q. school achievement, delinquency, etc.
But these studies have been limited in scope and, in general, fail to provide us
with insight into the dynamics of the problem. Hoult (16) for example, reports
a study of 2.35 children aged 10-17 in which it was found that "delinquents'
and nondelinquents read about the same number of 'harmless' comic books, but
delinquents read many more 'questionable' or 'harmful' comics." Heisler (14)
found no significant relationship between the reading of comic books and suclx
factors as reading ability, achievement in English, vocabulary, intelligence, per-
sonality, or tlie size of the home library. Matter (17) analyzed the contents
of 185 comic magazines and discovered that about one-third of all comic story
pages is devoted to humor and an equal amount is devoted to crime. Strang
(23) interviewed a sample of children in grades 1-12 and found no lasting
detrimental effect of interest in comics upon reading habits. Many of the older
adolescents felt that they had outgrown this type of material. In fact, comics
often served as a transition stimulus to more mature i-eading.
From this brief summary of some studies in this topic area it can be seen that
research has been concerned with segmental aspects of the problem. The ap-
proach is characteristically a correlational one which, of course, does not permit
inferences as to cause and effect relationships. In part, the paucity of research
on this topic is a function of methodological difficulties inherent in the subject
matter. For, although the manifestations of juvenile delinquency appear sud-
dently and spontaneously, the determining or casual factors are of long standing.
Clearly, juvenile delinquency is a developmental problem and because of this,
truly incisive research can only be conducted on a longitudinal basis in which the
subjects of the investigation are examined periodically over a span of several
years. This type of research is beyond the means of individual investigators and
requires some sort of institutional support.
Summing up this section, it seems apparent that research is sorely needed in
this problem. If we are to understand the impact of the horror comics upon the
behavior of normal and emotionally disturbed children, we must initiate a broad
program of research and provide means for its support. It seems imperative,
however, that this research be placed in a broad context, one in which the influ-
ence of comic books is but one aspect of a larger program which has as its objec-
tive the determination of the multiple causes of juvenile delinquency.
2. In view of the many factors which influence the behavior of children, it
seems unlikely that any single factor such as the reading of comic books could
be the major determinant of behavior. In this connection it is sometimes helpful
to distinguish between predisposing and precipitating factors in considering the
causes of behavior. In other words, there are a great number of experiences and
relationships which influence the behavior of a child ; his relations with his par-
ents and siblings, the socioeconomic status of the family, housing conditions,
membership in peer groups, school achievement, emotional adjustment. All of
these forces, and many others, interact within the individual and presumably
influence delinquent behavior. Placed alongside these influences, the comic
books seem rather insignificant except as they might provide a trigger function
for behavior. If all of the predisposing factors make a child "ready" for certain
types of nonsocial actions, an idea derived from comic books may be the catalyst
which provides impetus to the behavior. This, of course, is high speculation on
which there is very little empirical evidence.
164 JUVENILE DELINQUENCY
The more important issue, however, is that we should consider the question of
comic boolis within the context of the child's total experience. To concentrate
solely upon this fragment of his experience would seem unwise both in terms
of the meaniniifulness of the investigation and in terms of the recommended
actions stemmins therefrom. In short, it is my opinion that there are many
factors which influence juvenile delinquency and when compared with these other
factors, the reading of comic books seems quite insignificant. I do not wish to
discourage investigation on this topic but it would be my recommendation that
such an investigation would be more fruitful if conducted as part of a much more
extensive investigation of the basic problem.
3. It is conceivable that comic books, regardless of their content, may serve
some useful function in the education of this Nation's young people by pointing
out the limits of bad taste, improper conduct, and antisocial behavior. Without
attempting to develop a philosophy of education, I should like to point out my
reasons for such a statement. In the education of children we are faced with
a decision as to method which falls somewhere between two extreme ends of
a continuura. At the one end there is a Victorian point of view which would
advocate the protection of children from all that is evil or bad on the assumption
that by so doing we would be teaching only good things. At the other extreme
is an educational process which exposes the child to reality, to all the things
among which he must at some point in his life discriminate. Obviously it is
possible to adopt a position of moderation, an educational method which falls
somewhere between these two extremes.
We can draw upon the vast literature in the field of learning for evidence
in this matter. When we teach animals or humans to discriminate colors,
sounds, or other stimuli, we find that the subjects must first become familiar
with the differential characteristics of the stimuli in a series. As this famil-
iarity develops, discrimination becomes more successful when the subject recog-
nizes a particular stimulus as different from others, and also, perhaps more
importantly, in what ways they are different. This process might be called
constituting the variable in the sense that each subject learns the properties
of stimuli at certain positions along some continuum and can make discrimina-
tions among them. Obviously the examples of color and sound are simple ones,
but we may generalize to more complex learning situations. As an example,
suppose we were concerned with music or art appreciation. It would seem
desirable to give students exposure to bad paintings or music as well as excellent
ones so that each individual can set up his own standards of "goodness" and
"poorness." If we show them only the works of masters they may be unable
to discriminate properly because they have not identified the properties of
various points on the continuum.
It is in this sense that comic books may be useful as horrible examples of
grammar, literary taste, and conduct. If placed in the appropriate context,
parents may be able to point out the more desirable extremes of these continua
by contrast. This, of course, places a great deal of responsibility on parents
and/or teachers, but if the underlying assumptions are valid, such difliculties
should not deter us. Once again I must state that these are only opinions,
but they do represent reasonable generalizations from the findings in experi-
mental psychology. There is an obvious need for research to demonstrate the
extent to which these generalizations are appropriate.
In conclusion, I wish to express regret that I have no more tangible assistance
to give your subcommittee. I speak for all our 12,000 members when I say
that we share your concern with the problem of juvenile delinquency. We
stand ready both as citizens and as professional persons to provide any further
assistance you might require.
Sincerely,
Gael H. Rush, Jr., Ph. D.,
Executive Assistant.
BiBLlOGBAPHY
(1) Averill, Lawrence A. Psychology of the Elementary School Child.
Longman, 19.50.
(2) Bakwin, Ruth M., M. D. The comics. J. Ped., May 1953, 42 : 633-635.
(3) Bender, L. and Lourie, R. S. The effects of comic books on the ideology
of children. Am. J. Orthopsychiat., 1941, 11 : 540.
JUVENILE DELINQUENCY 165
(4) Brown, John Mason. The case against the comics. Sat. Rev. Lit., March
20, 1948.
(5) Butterworth, R. F. and Thompson, G. G. Factors related to age-grade
and sex differences in children's preferences for comic books. J. Genet. Psychol.,
1951, 78 : 71-96.
(G) Cavanaugh, J. R. The comics war. J. Grim. Law Criminol., 1949,
40: 28-;^5.
- (7) Denny, George V., Jr. What's Wrong With the Comics? New York:
Town Hall, Inc., 10 cents.
(8) Frank, J. Chills and thrills in radio, movies, and comics, some psychi-
atric opinions reported. Child Study, 1948, 25 : 42.
(9) Frank, Josette. Comics, radio, movies, and children. Publ. Affairs
Pamphl., 1949, No. 148, 32 pages.
(10) Frank, Josette, and Strauss, Mrs. H. G. Looking at the comics. Child
Study Association, 20 cents.
(11) Frank, J. What Books for Children? New York: Doubleday, Doran
& Co., page 70.
(12) Green, G. H. The psychological significance of some children's comic
papers. Egypt. J. Psychol., 1947, 3 (2), 303-308 {lr^-20).
(13) Grueuberg, Sidonie M; Comics as a Social Force. Child Study Asso-
ciation, 10 cents.
(14) Heisler, Florence. A comparison of comic book and noncomic readers
of the elementary school. J. Educ. Res., 1947, 40 : 458-464.
(I.t) Heisler, Florence. A comparison between those elementary school-
children who attend moving pictures, read comic books, and listen to serial radio
programs to an excess with those who indulge in these activities seldom^ or not
at all. J. Educ. Res., 1948, 42: 182-190.
(16) Hoult, T. F. Comic books and juvenile delinquency. Sociol. Soc. Res.,
1949. 33 : 279-284.
(17) Ma Iter, Morton S. The content of current comic magazines. Elem,
Sch. J., 1952, 52 : 505-510.
(18) Milton, J. Children and the comics. Childh. Educ, October 1939.
(19) Muhlen, Norbert. Comic books and other horrors, prepschool for totali-
tarian society? Commentary, 1949, 6 : 80-87.
(20) Reed, G. E. Comic book ideology in the preventative therapy of juvenile
delinquency. J. Crim. Psychopath., 1944, 5 : 779-786.
(21) Reich, Annie. The structure of the grotesque-comic sublimation. Bull.
Meninger Clinic, 1949, 13 : 16-171.
(22) Smith, Ruth Emily. Publishers improve comic books. Libr. J., 1948,
73: 1649-1652.
(23) Strang, R. Why children read the comics. Elem. Sch. J., 1942^3.
43: 336-342.
(24) Weaver, H. B. A scale for evaluating comic books. Childh.- Educ, 1949,
26: 173-175.
(25) Wertham, Frederick, M. D. The comics — very funny. Sat. Rev. Lit.,
May 29, 1948.
(26) Wertham, F. et al. The psychopathology of comic books — a symposium.
Am. J. Psychotherapy, July 1948, 2 : 472-490.
(27) Wigransky, David P. Cain before comics. Sat. Rev. Lit., July 24, 1948.
(28) Witty, Paul, and Bricker, Harry. Your Child and Radio, TV, Comics,
and Movies. Chicago, SRA, 49 pages, 40 cents.
(29) Wolf, Katherine M., and Fiske, Marjorie. The children talk about
comics. In Lazaisfeld, R. F., and Stanton, F. N. Communication Research :
1948^9, pages 3-50.
(30) Bibliography on the comics. J. Educ. Sociol., 1944, 18: 250-253.
(31) Are comic books a national hazard? Club and Educational Bureaus
(Newsweek), February 1949.
(32) The influence of radio, motion pictures, and comics on children. New
York State Committee on Mental Hygiene, 10 cents.
(33) How do the comics affect your child? Northwestern University Review-
ing Stand, August 14, 1949, volume 13, No. 6.
(34) Comics, Radio, Movies, and Children. Public Affairs Pamphlet No. 148.
New York : Public Affairs Committee.
Mr. Beaser. Mr. Chairman, I have a statement prepared by Joseph
J. Fiske, education director, Cartoonics, who has asked that his state-
ment be made part of the record.
166 JUVENILE DELINQUENCY
The Chairman. Is Mr. Fiske in the room ? I saw him this morning.
Mr. Beaser. He has left, sir.
The Chairman. He is satisfied to have this included without
presentation?
Mr. Beaser. Without presentation.
The Chairman. Without objection, this statement of Mr. Fiske
will be incorporated in the record at this point. I might say for the
record the Chair has read the statement of Mr. Fiske and it relates
entirely to the subject under inquiry here.
(The statement referred to is as follows.)
Statement Submitted by Joseph J. Fiske, Education Director, Cabtoonics,
New York, N. Y.
It is a pleasure to come here today and appear before a United States Senate
subcommittee that sits in the dignity and decorum so eloquently shown during
its hearings held here yesterday.
The objectives of this subcommittee are being fulfilled without fanfare or
politics — without baiting or criticism of witnesses, and except for the glare
of TV, one would imagine himself before a United States Supreme Court tribunal.
The seriousness displayed by the members does justice to the cause this sub-
committee is serving so thoroughly and so intelligently — but one cannot help
but wonder why in the most important city in the world, at a time when juvenile
delinquency is at its peak — so few parents, teachers, civic organizations, social
workers, and many other groups claiming interest in this subject, all seemed
conspicuous by their absence. Less than 50 individuals occupied seats in the
hearing room and most of those were staff members or witnesses. Apparently
the adults are the delinquents and the juveniles less so.
The most successful of the so-called comic books are those originating from the
pornographic picture publishers, and it must be called that, accept that code of
ethics which was printed by its own "code-authority" even that word is a mis-
nomer as is also the name comic book.
A one-time owner and publisher of a St. Louis newspaper said : "The dictionary
probably does not contain a word more inappropriate than "comic" to describe
such a page (or book)."
After many years in the newspaper publishing field this expert could not rid
himself of the confusion caused by what is known generally by "comics." His
description of a comic page even in a newspaper, even before the forties, published
under a lead editorial was as follows :
Little "Smitty" did a humerous turn on yesterday's comic page, but the sub-
jects of 10 other comics could have been listed as follows : first fight ; domestic
quarrel ; torture ; death : murder ; arson ; despair ; deception ; fright ; theft.
This publisher's analysis of the comic page further said : "We are just one of
hundreds of clients of the syndicates that sell comics, and the latter's attitude
is that the rest of their customers are apparently satisfied — so they cannot be
bothered with our lone complaint."
Unfortunately the public is never vocal and comic books, like newspapers,
are manufactured for profit and should not be condemned per se. This is clearly
proven by the various witnesses who have appeared here and in other cities too.
What is desirable and necessary is a change in public taste.
During the "spinach" era, teachers complained that, among other "comics,"
Pop-Eye the Sailor was ruining the spelling of every "reading" child. That
profession never followed up and educators everywhere left the subject to be
pondered over by psychiatrists, psychoanalysts, and pediatricians.
In the meantime, while all the various educational and social agencies sat
idly by, some of the comic book industry subsidized child study agencies, groups,
and even parents' groups, filling the air with the rantings of those who sought the
pot of gold.
The prevention of juvenile delinquency is far more important than fighting
crime and horror in newspapers and books, or on the air waves, and TV, too.
Give the adult public proper substitutes for this filth and trash and the comic-
book industry, now reduced by over 60 percent in sales, will soon eliminate
itself. There will remain no profit in publishing smut, if the public is properly
educated. Those who blame children for spending 50 cents to $1 .50 at one buying
session on comic books should blame those who give their children such allow-
JUVENILE DELINQUENCY 167
ances. In many cases some children work for such moneys and others have been
known to steal in order to satisfy such an appetite.
Substitute clean comics, in good taste, with large type to aid in Interesting
reading, scripted in good English and proper grammar, and we will go a long
way to eliminate juvenile waywardness. Keep children occupied, their minds
active in athletics and in interesting education and we will have very little
delinquency. In fact, I suspect most of it is even now a matter of adjectives
only.
The Chairman. Now will you call your first witness ?
Mr. Beaser. Mr. Monroe Froehlich.
The Chairman. Mr. Froehlich, will you be sworn ? Do you swear
the evidence you are about to give before this subcommittee will be the
truth, the whole truth, and nothing but the truth, so help you God?
Mr. Froehlich. I do.
TESTIMONY OF MONROE FROEHLICH, JR., BUSINESS MANAGER,
MAGAZINE MANAGEMENT CO., NEW YORK, N., Y.
The Chairman. Will you state your name, address, and association
for the record, please ?
Mr. Froehlich. My name is Monroe Froehlich, Jr. I am business
manager of Magazine Management Co., 270 Park Avenue, New York
City.
Mr. Beaser. Do you have a statement you wish to make ?
Mr. Froehlich. I don't have any prepared statement. I have made
some notes on matters which I think are pertinent. I want to be sure
I stay within the area of fact rather than opinion.
The Chairman. Would you prefer to make your presentation from
the notes or would you prefer to have counsel examine you ?
Mr. Froehlich. I don't think it makes any difference, Mr. Chair-
man, just so long as I can refer to my notes to properly answer the
questions.
The Chairman. You may proceed in your own manner, Mr. Froeh-
lich.
Mr. Beaser. Will you tell us a little bit about Magazine Manage-
ment Co., what it is and how it operates in the crime-comic- field or in
its total operation ? I wish you would give a picture and perspective.
Mr. Froehlich. Magazine Management Co. is a partnership which
owns a number of publishing corporations. These corporations pub-
lish comic books in various fields of editorial content, as well as a fairly
large number of conventional magazines in different fields. Along
with that we publish paper-back novels, also in various fields of read-
ing interest.
Mr. Beaser. These are some of the comic books that you publish on
the board here ; is that right ?
Mr. Froehlich. Yes, sir, those are some of our titles. We have
roughly 60 titles which are active.
Mr. Beaser. Sixty comic books that are active?
Mr. Froehlich. Yes, sir; published either on a bimonthly or
monthly frequency.
Tlie Chairman. Does the Chair understand correctly that Marvel
Comic Book Co. publishes 60 different titles?
Mr. Froehlich. Approximately, Mr. Chairman. Marvel Comics
group is a nonentity, so to speak. Marvel Comics group is a name
168 JUVENILE DELINQUENCY
applied to our magazines for advertising-space purposes. It is his-
toric in our business to sell the advertising space in our magazines,
whether they be comic or conventional style, on a group basis if you
have two or more magazines as a publisher.
Mr. Beaser. Let me get the organizational structure a little clearer.
How many corporations constitute Magazine Management Co. ?
Mr. Froehlich. Magazine Management Co. owns stock in approxi-
mately 35 corporations.
Mr. Beaser. Those corporations are in charge of the publication
of the comic books, the other books similar to this?
Mr. Froehlich. Yes, sir; we publish a wide variety of conventional
magazines, hunting and fishing magazines. We have a book devoted
to the automobile, a magazine called Auto Age, with styling features,
and so on. In addition we have television magazines as well as a half
dozen of the conventional motion-picture fan-type magazines.
Mr. Beaser. Do you distribute, yourself, these magazines you pub-
lish?
Mr. Froehlich. Yes, sir. We have a wholly owned distributing
company called Atlas Magazines, Inc. The stock in that corporation
is held by the publishing corporations, and we distribute no magazines
other than those we publish ourselves. We are a publisher-distributor.
Mr. Beaser. Both?
Mr. Froehlich. Yes, sir.
Mr. Beaser. What you would call an independent distributor?
Mr. Froehlich. We distribute through the independent whole-
salers in the United States.
Mr. Beaser. Do you distribtue any comic-book magazines other
than those which you publish ?
Mr. Froehlich. No, sir, no magazines published by other pub-
lishers. We distribute only our magazines through Atlas, our wholly
owned subsidiary distributing company.
Mr. Beaser. You distribute to independent wholesalers in various
cities ?
Mr. Froehlich. Yes, sir; exactly as Curtis, McCall Co.
Mr. Beaser. Can you give us the approximate size, as far as the
comic books are concerned, of the monthly distribution ?
Mr. Froehlich. I believe I can give you an average, based on the
last 6 months of the printed orders. I would say approximately 10
million.
Mr. Beaser. A month ?
Mr. Froehlich. A month, divided into roughly 30 to 35 titles per
month.
Mr. Beaser. And of what variety are they, what kind of comics?
Mr. Froehlich. If I may have a moment I can give you the exact
information on that. I understood you were interested primarily in
the weird and so-called crime comics.
Mr. Beaser. Crime and horror comics.
Mr. Froehlich. I would like to have the right, if I may, to expand
on that, because that is a very small segment of our total comic out-
put. We publish approximately 4 to 5 — it varies because of the fre-
quency variations from time to time — so-called weird or fantastic
or science fiction type of comics per month. That is out of a total
JUVENILE DELINQUENCY 169
average production per month of 35 comics approximately per month.
It breaks down as follows :
We have no crime books. We have two anticrime comics. One
is called Justice and the other is called Police in Action. Justice is
an old title ; we published it for many years and it is based primarily
on true cases, and so on, and in both of those anticrime comics we
carefully adhere to what we think is the correct pattern, that forces
of law and order are never held up to ridicule, government agencies
as well as agents representing government are respected, and in the
end the criminal always has a disastrous disappearance or experi-
ence. We have never had any adverse comment concerning those, to
the best of my knowledge. I can't recall any correspondence, nor even
one letter, about those two anticrime comics. We publish approxi-
mately 9 western comics per month, about 9 of the so-called war-type
comics per month. I just saw a few up there, Combat Casey, Combat
Kelly, and so on.
We have a large number in this so-called teen-age field, including
some comics which again are very old, Miss America, Patsy Walker.
They have a large sale and have gone on for years.
That is roughly 15 teen-age books, 9 in the war-type field, 9 in the
westerns, 2 books which we call anticrime. Justice and Police in Ac-
tion, and 8 so-called weird or science fiction or fantastic field.
Mr. Beaser. Now we had one that was put in as an exhibit yester-
day, or rather we were shown a picture of it. I will have it brought
on. It is from your Marvel comic group, Strange Tales, May 1954,
which is a story of roughly a doctor committing hari-kari, letting
his patient die early in the story, and ultimately it winds up with the
scene showing the wife dead, the doctor with a knife in him beside her.
Now, you are a member of the Comic Publishing Association ?
Mr. Froehlich. Yes, sir. We are just as disappointed and unhappy
about the way the association has progressed as Mr. Shultz, who testi-
fied yesterday. Incidentally he is our attorney, and I and the other
members of our firm have been very vocal in the last year trying to
get a real association. As Mr. Shultz testified, it has been difficult.
We feel the association hast lost a great deal rather than gained.
Mr. Beaser. Mr. Shultz said something about the fact that the seal
of the association, which is on your publication Strange Tales, is there
but it is a self -policing business, that you yourself are the conscience
of the enforcement.
Mr. Froehlich. That is the way it is now. Up to 3 years ago there
was a real active self-censorship program in effect. Now I believe
there are only three publishing companies that belong to the asso-
ciation.
Mr. Beaser. Would you say that a seal such as that, with the doctor
lying there thrusting a knife in his stomach, and lying there dying,
would you say that would conform to the code?
Mr. Froehlich. I would say this, Mr. Beaser. From what story
is that ?
Mr. Beaser. Strange Tales, that one right there.
Mr. Froehlich. It is very difficult for me to answer that properly
because what we are doing here is taking four panels and trying to
interpret a story from those four panels. I have read through these
books. I can't say I scanned them extremely objectively but I do
go through every one of our titles. I don't believe I can answer that.
170 JUVENILE DELINQUENCY
I think I would like to go through the whole thing and answer your
question.
Mr. Beaser. I am trying to ask how ejffective is the self-policing
of the code?
Mr. Feoehlich. I think it is very effective so far as we are con-
cerned. I can't speak for all the companies in the business. As I say,
there are only three publishers, including ourselves, wdio belong to the
association. We try at all times to abide by the code.
Mr. Beaser. This you say would abide by it; is that right?
Mr. Froehlich. I think it is impossible for me to properly answer
the question because illustrated here are 4 panels out of a story that
may contain as many as 30 panels. That is the same thing as taking
a still from a conventional motion picture, let us say, and using a
still which by itself may be sensational to advertise the motion picture
and therefore either condemn the picture as a whole — I am not trying
to duck your question, I don't feel I can properly answer that.
Mr. Beaser. Let me ask you another question that might help me.
Am I to understand that the code only means that if justice triumphs
in the end, anything goes before that?
Mr. Froehlich. No, sir, far from that.
Mr. Beasee. Then I thought you could not depict scenes of crime
such as that, and we have a few more.
Mr. Froehlich. I would believe that the code obviates the depiction
of crime, but I think that segment must be considered as a whole
rather than as a small part of the whole.
Mr. Beaser. This is from Adventures Into Weird Worlds, the May
issue. It is the scene of a man being crushed to death by some sort
of vise.
Mr. Froehlich. That is quite reminiscent of a very well-known story-
called The Pit and the Pendulum, which has been a classic in Ameri-
can literature for many decades. I don't know if the artist had that
in mind at the time. Again I am not trying to justify it or say it is
wrong. I feel that we are in the area of weird comics and only a
very small portion of our business — it is all part of our concept of a
merchandising program of publishing. I do have some notes on that,
if I may refer to them.
Mr. Beaser. Go ahead.
Mr. Froehlich. This is on weird comics, on weird comics and ref-
erence to comics in general. I have a copy of the code. We have
many copies in our comic department.
The Chairman. Will you furnish the subcommittee with a copy?
Mr. Froehlich. I will be happy to.
This is the code of the Comic Magazine Publishers Association.
This supplants the code which was originally set up for us.
The Chairman. Counsel advises us that the code is already in the
record.
Mr. Froehlich. Yes, sir.
(The code appears on p. 70, as "Exhibit No. 9.")
Mr. Froehlich. We welcome the opportunity to express our opinion
concerning comic books and controversies pertaining to them. It is
our considered opinion that in the main the public interest is best
served through enlightened self -regulation resulting from full public
discussion and resulting open competition. Invariably undesirable
publications and those put out hastily by marginal publishers fall by
JUVENILE DELINQUENCY 171
the wayside and worthy publications produced by conscientious pub-
lishers endure to entertain young and old.
We publish many old comic magazines and we fully realize our
responsibility to the demands of youthful and adult readers of comics.
I am referring now specifically to our line.
It is and always has been our aim to avoid production of such comic
magazines as may be considered in any way conducive to lowering the
moral and ethical standards of those who read them. With this in
mind we sometime back retained the services of Dr. Thompson as a
consultant. Dr. Thompson was a psychiatrist employed at the time
by the Board of Education of the City of New York and after a year
and a half the board of education decided that they would not permit
an employee to continue as a consultant in an outside field and for
that reason Dr. Thompson gave up her consulting position with our
firm. Obviously at that time we stopped using Dr. Thompson's name.
Dr. Thompson consulted with the editor and prepared for us a code
which we followed religiously. Since that date the code has been
supplanted by the code drawn up by the Association of Comic Book
Publishers which I believe was acknowledged to be a carefully planned,
well thought out, and objective code yesterday by the members of the
committee.
Under our arrangement with Dr. Thompson every comic book we
published was submitted to her for reading and criticism. Changes
were made in accordance with her criticisms.
In the main I can truthfully say during the time that Dr. Thompson
acted as our consultant she had no adverse criticism for the great
majority of our comic titles and when there was criticism we changed
it in accordance with her recommendations.
Mr. Beaser. When was this?
Mr. Froehlich. Back in 1948 and 1949, for a period of a year and a
half.
Mr. Beaser. She is no longer with you ?
Mr. Froehlich. No, sir ; because the board of education ruled that
an employee of the board could not hold an outside position as a con-
sultant, and for that reason she was supposed to sever her connection
with us.
As a result of the framework within which we operate we have
developed a well-organized, intelligent, regulatory procedure and con-
tinue to strive to maintain the high standard of our comic books. Our
editorial and artist departments have been taught to understand the
reactions of readers to the publications so produced. There is no ques-
tion that a serious and directed effort with constant improvement at
self-regulation has been successful as has been evidenced in the past
by the favorable comment of many of those who have matched our
work and effort and particularly by the fact that our sales of our
entire comic line are consistently good as compared to our competition.
All of our comic book magazines, approximately 60 titles, are care-
fully edited with regard to the editorial as well as the art work con-
tained therein. We avoid the publication of material which can be
considered offensive or salacious. Obviously we try to stay within the
code. We feel that we not only observe the code in the spirit but in
fact as well.
49632—54 — —12
172 JUVENILE DELINQUENCY
Mr. Beaser. Is there not one provision in the code, as I recall from
yesterday, relating to the depiction of scenes of crime and sadism?
Mr. Froehlich. Paragraph 2 of the code reads :
Crime should not be presented in sucli a way as to throw sympathy against the
law and justice or to inspire others with a desire for imitation. No comic shall
show the details and methods of a crime committed by a youth. Policemen,
judges, government officials, and respected institutions should not be portrayed
as stupid and ineffective or represented in such a way as to weaken respect
for established authority.
That bears on the point I was making, to take a panel or two panels
out of a story requiring 30 to 40 panels is not, I believe, suflScient to
judge the entire content of that particular story or the book.
Mr. Beaser. That panel of the person being squeezed does not come
within your definition of sadism ?
Mr. Froehlich. Well, I question if I am qualified to answer that
particularly, as that is a point which is in great dispute, as you know,
otherwise you would not be having this hearing.
Mr. Beaser. "Wliat I am trying to get at is, that what it comes down
to now is, that that is each individual publisher's definition or interpre-
tation of the provisions of the code.
Mr. Froehlich. I think I will get to that in just a moment.
Mr. Beaser. I am sorry.
Mr. Froehlich. We have no so-called crime comics, but we do have
the two anticrime comics I mentioned. Justice and Police Action,
both of which are based on true stories, primarily. They are es-
sentially no different than the conventional detective magazine. The
stories in these magazines are presented to depict nothing other than
lespect for order and justice. Our code policy precludes the pre-
senting of crime or criminals in a favorable light. Nor do we show
the representatives of our government in ridicule or contempt. We at
all times in these two books handle an endless story in a manner which
contributes to the prestige of the individual and the organizations
enforcing law and order.
Now with regard to weird comics specifically in our concept within
our own line, we wish to be realistic. We are a private company
engaged in the publishing business and the profit motive is what com-
pels us to publish magazines in certain fields. We are in the publish-
ing business and cannot change the reading taste of the public. We
are in the publishing business just as any adult works in the normal
course of his life for his living. That does not mean that we are not
mindful of our obligations to the potential reader of all of our maga-
zines. We are parents and fathers
The Chairman. Let me get this straight, Mr. Froehlich. You say
you cannot change the reading habits of your public ?
Mr. Froehlich. I believe that basically would apply.
The Chairman. You are in the business for the profit motive?
Mr. Froehlich. Yes, sir.
The Chairman. Now by the same token a saloon keeper is in the
business for a profit motive but he does not have to keep selling to a
man until he is dead drunk, does he?
Mr. Froehlich. I agree. But I think the circumstances are far dif-
ferent because the saloonkeeper knows quite well what the effect is
going to be if he keeps plying his customer.
JUVENILE DELESfQUENCY 173
The Chairman. Do all publishers today know what the effect will
be on each individual ?
Mr, Froehlich. No, Mr. Senator. I don't believe there has been any
conclusive evidence to date. In here you will see if there is any
evidence at all, however small, and it is agreed upon by a reputable
substantial group of persons so that there is no divergence of opinion
by the experts, we would be the first company to give them up because
at best it is a minute part of our total business. I think if those
magazines were carefully read for the weirdness, you will find that
in every case the cover may be much more attention getting — not
maybe but it is definitely more attention getting — than the editorial
content contained therein.
The Chairman. I am sorry I interrupted you. I mean there is
an area here that requires thorough exploration.
Mr. Froehlich. I certainly agree.
I can't overemphasize the point — well, from the point of our billing
to the wholesalers in the United States those comics represent pos-
sibly 5 to 6 percent of our business. Certainly we are not going to
hang on to something because of the profit motive involved which
.represents only 5 to 6 percent.
Incidentally the weird comics do not sell as well as the national
average of all of our other books.
I believe I left off at the point which is that we are parents and
fathers just as many of us here in this room. We watch sales trends,
just as manufacturers do in many industries. Merchants and manufac-
turers of all types watch trends, and frequently change their products
to meet the demands. Generally speaking, the stronger companies are
those that are most alert and the most sensitive to sales patterns and
in many cases those patterns are set by the consumer first and the
manufacturer, the merchandiser involved, produces to conform to
those patterns.
^ Mr. Beaser. Is it possible, then, that assuming that these are get-
ting into the hands of kids in large numbers that they want them;
therefore they are creating demand ?
Mr. Froehlich. Yes ; I really feel that way as to most of the folks
with whom we have talked. One of the best proofs possibly of the
point as to the readership is that I believe — I am not certain of this,
but I think you will find that almost all the advertising in those books
advertises adult items. Now the greatest majority of the advertisers
are so-called mail order advertisers. They are interested in just one
thing, results.
The Chairman. You are referring to the books on the board there ?
Mr. Froehlich. Yes, which would indicate there is a substantial
percentage of adult readership in our total sales figure.
Mr. Beaser. Also a large number of ads for kid stuff?
Mr. Froehlich. That is correct ; but if you go through those books
I tliink you will find most of the inside ads are aimed primarily at the
adult market. The mere fact that those advertisers come back month
after month would indicate that they are reaching for their customers
the adult market.
Mr. Hannoch. "Wash away ugly pimples" ; do you think that goes
to adults ?
Mr. Froehlich. Yes, because I think the book itself is bought to
; a substantial degree by adults. Incidentally, as we all know, pimples
174 JUVENILE DELINQUENCY
very often come with puberty. So I don't think it is unreasonable tO'
carry an ad which might do something for a youngster 12 to 14 years
old.
Mr. Beaser, You mean adults to include teen-agers ?
Mr. Froehlich. I am saying it is quite difficult to evaluate your
readership on these books, but I think there is a very substantial per-
centage in a true adult area.
Mr. Hannoch. "Bed wetting, how to stop bed wetting."
Mr. Froehlich. That is an adult problem. Certainly not to the
degree of a 2-month-old child, but certainly it is prevalent enough.
You will find that in colleges, a person of college age, such as that.
The Armed Forces know that.
Now may I continue ?
Mr. Beaser. Yes.
Mr. Froehlich. I say we watch sales trends. We frequently
change our product to meet the demand. Wlien the demand was
ci'eated for so-called weird or fantastic comics we felt that it was wise
for our company to have a relatively few comics in the field provided
they met the standards.
Now hanging over this part of our operation I can't overemphasize
the fact that dollarwise it is 5 to 6 percent tops, but the Sword of
Damocles criticism is directed by many in the direction of weird
comics and this faces us with the problem of producing them or with-
drawing from that phase of the comic market. We are in the comic
business and we want to stay in it. It is a good business. There is
no reason for it to be sullied by marginal operators.
If we are convinced that any comic magazine or any conventional
magazine we publish causes harm to any reader, we would immedi-
ately discontinue such a publication. We are not so crass as to be
unmindful of the effects on the reader, but to the best of our knowledge
nobody yet has proven that our weird comics are harmful.
Now we are still in an area of mixed opinion on that point in gen-
eral and additionally we get into an area of degree with regard to the
art and editorial work in weird comics. We have many times spoken
to our editors and we through the editors' supervision believe we ad-
here to the letter and the spirit of the code.
Mr. Beaser. Would you also say that nobody has proven to your
satisfaction that any of these crime and horror comics can do harm ?
Mr. Froehlich. I wouldn't say that. I have maintained a large
file over the years on opinions as to the value and merit of comics, and
within the comic field generally of specific types, for and against them.
I have tried to do as much reading as I could as a layman on this
subject, because I feel so strongly about the business. It is a good
business. It serves a purpose just as a magazine of many fields and
newspapers serve a purpose. The youngsters love them. The mere
fact that we sell 7 or 8 or 6 million copies per month without adver-
tising or without any conscious effort to create a demand other than a
superior product would indicate that.
Certainly I know that the Gluecks testified before your committee;
they certainly are highly respected as authorities in the field, and I
was very much struck in their book Task of Prevention, which I be-
lieve is the layman's book, of the tremendous work they put together,
with the following quotation :
JUVENILE DELINQUENCY 175
Children have to live in a world as it is. Fundamental changes cannot be ef-
fectuated in a short space of time. Too many special interests, prejudices,
values are concerned. Nor can children be made good by removing evil out of
their experience. Character is not built that way. One does not correct the
basic problems presented an energetic lad by taking movies and comics away
from him. If he has need for such outlets he will get to them and deprivation
is no cure.
Mr. Beaser. Do you believe then that anything could be put into
a comic that would be detrimental to a child?
Mr. Froehlich. Certainly not. As publishers, and I am speaking
only of our own line, I do not feel that we would at any time conscious-
ly put anything in any one of our magazines which might be detri-
mental to the reader. " Now we can't evaluate fully obviously some-
thing that a reader might say of our magazines, how he would react
to that. We don't know, but there is such a tremendous divergence of
opinion among experts in the field I hardly think we are qualified to
prejudge on that point. We would like to know.
Mr. Beaser. In your concern who does the examination for com-
pliance with the code ? Do you do it ?
Mr. Froehlich. It is done, I would say, before and after the maga-
zine is produced. I believe I made the point that our editor, assistant
editors, and the artists with whom we work, as well as most of our
writers, are familiar with the code, the fact that we have tried to ad-
here very, very closely to it, and after the magazine is ultimately
printed I see them. Others in our organization see them. And I
cannot honestly say to you that we read every word in them. It is
a physical impossibility with the volume that goes through, but we do
watch them.
Mr. Beaser. Where is the responsibility, on the artist or editor?
Mr. Froehlich. I hasten to add that occasionally a mistake may be
made but ours is a hurried business, a business of deadlines. There
are divisions of responsibilities and such factors that make for errors,
but basically we believe that 95 percent of our total comic production
is acceptable by any standard. We publish westerns, teen-age, ro-
mance, adventure, as well as comics, and occasionally comics in other
fields.
I have a sad story to tell you about Bible comics, if I may touch on
that point. Weird comics are apparently wanted by the reading pub-
lic. There is a demand for them. We did not create the demand. We
still don't create the demand. We do not advertise or promote, but
we do want our share of the market if there are no deleterious effects.
Nothing would please us more than to produce the technically finest
possible comic, wonderful artwork, fine worthwhile editorial matter,
etc. But I have news for you, nobody would buy such comics.
Mr. Beaser. Is the sole theory whether there is a demand ?
Mr. Froehlich. No, sir ; but we are in the publishing business, and
if there is a demand for a certain type of published material and there
is no reason to feel on a conclusive basis that there can be any harmful
effects from the reading of any one of our publications, I hardly see
why we should not fill the demand. I can hardly see it is any different
from an automobile manufacturer stopping the manufacture of auto-
mobiles just because people get killed in automobiles.
Mr. Beaser. They do put brakes on them.
Mr. Froehlich. And so do we. We certainly do.
176 JUVENILE DELINQUENCY
May I tell you about Bible tales? I mentioned 5 to 6 percent in
dollar volume in our business is in the weird field. We have no crime
comics.
Mr. Beaser. You have no crime comics under your definition of
crime comics.
Mr. Froehlich. I think if a crime book is one which will depict a
conventional crime story, the story of John Dillinger, then all the
mass media are guilty of the same thing we are guilty of.
We published a comic magazine called Bible Tales. The sixth issue
is out now. We were very anxious to move into this field if we could.
There are no competitive books of this type on the market. We feel
that it is a fine worthwhile type of publication and there may be a real
market in the United States and Canada. Our editor went up to Yale
Divinity School for guidance as to the sort of subject material that
should go into this book. Each issue is a combination of better stories,
better incidents, from the Old Testament and the New Testament.
We normally print 350,000 copies of a conventional magazine in
the western field or in the teen-age field. We started with only 265,000
copies for the first issue. If there is a real market for this sort of
thing we felt that because the print order was one-third less than we
would normally print, that the sales percentage would be abnormally
high. We went right ahead with the second and the third issues.
The artwork is far superior. It is the finest artwork we could buy.
The editorial is most carefully handled. The book cost us better
than 40 percent more than the conventional comic, not including the
income from advertising, which of course was lost in this thing. Un-
fortunately our final print order on the last issue is down to 230,000
copies. The book came in with a 34 percent sale, meaning we had sold
only about 80,000 copies, and on that issue we lost over $6,000. To
date we have lost over $29,000.
Mr. Beaser. What did you sell that for?
Mr. Froelicii. Ten cents. That magazine also enjoyed the finest
display we could ever hope to get from the wholesalers of the United
States. We previously communicated with them and told them what
we wanted to do and what the purpose was. They went all out in
giving the magazine a break saleswise, and in spite of that there are
only 80,000 people in the United States who are willing to lay down
a thin dime for a book of that caliber.
Mr. Beaser. Do all these magazines come under the editorship of a
single person ?
Mr. Froehlich. No, sir, we are departmentalized to a certain ex-
tent. We have some men's books, heavy on adventure. Those books
have an editor. The motion picture magazines have an editor. The
TV boolv operates under the same, but the associate editor is charged
with them.
Mr. Beaser. You have one for comic books ?
Mr. Froehlich. For comic books and two assistant editors, and
so on.
Mr. Beaser. Does the editor have time to see the material before it
is printed ? I just want to get the mechanics first.
Mr. Froehoch. Does he ever see it ?
Mr. Beaser. Does the editor in charge see the material before it is
printed ?
Mr. Froehlich. Absolutely. He buys it.
JUVENILE DELINQUENCY 177
Mr. Beaser. Then he is the one who does the enforcement of the
code if anyone does it ?
Mr. Feoehlich. In the next to the final analysis.
Mr. Beaser. Or is it his assistant who does it i
Mr. Froehlich. That is a "toughy." Our buying is handled only
by our editors. Many of the revisions of the editorials submitted to
them arc handled by the assistant editors.
Mr. Beaser. How many people have their own interpretation of this
code in its application ?
Mr. Froehlich. There may be a half dozen. So far as the comics
are concerned, only a few. There is no problem on the conventional
magazine.
Mr. Beaser. You distribute these by mail or by truck or how ?
Mr. Froehlich. Our magazines go mail, freight and express. In
the case of the comics about 35 percent go by mail, the balance by
freight, express, truck.
Mr. Beaser. Are all these entered as second-class mail?
Mr. Froehlich. Yes, sir. We don't publish a single magazine ex-
cepting an occasional so-called one shot which would not qualify
for second-class mailing privileges and for which we don't apply
for second-class entry.
Mr. Beaser. All those have been accepted for mailing and are mail-
able?
Mr. Froehlich. Yes. There is no reason why they shouldn't be.
There are many magazines
Mr. Beaser. We couldn't get them on one board.
Mr. Froehlich. I think I mentioned we have this magazine Auto
Age and All the World's Cars, one shot, baseball, boxing, and so on.
Mr. Beaser. We have heard a few words about a possible practice
called tie-in sales in the distribution of crime and horror comics.
You are a publisher and a distributor?
Mr. Froehlich. Yes, sir.
Mr. Beaser. You deal then with the wholesaler who in turn deals
with the dealer ?
Mr. Froelich. That is correct.
Mr. Beaser. Does your concern apply pressure upon the wholesaler
to carry a complete line ? Must he ?
Mr. Froelich. We wish he would. There are roughly 800-odd
wholesalers in the United States. We operate our distributing com-
pany in the identical pattern that those other distributing companies
follow, such as Curtis and Science, McCall Co. I believe Ave have 14
roadmen who would normally be considered the equivalent of salesmen
who contact the wholesalers in their territories. We have many so-
called open spots, an open spot being a — I would like to change that —
there are wholesalers who do not carry our entire line for various rea-
sons. They may carry only 20 of the 35 comic title releases per month.
They may claim that the pressure is too great or the retailers in their
area cannot absorb them. But we wish the wholesalers would carry
our entire line. Most wholesalers in the United States do carry it.
There are many open spots, however.
The Chairman. You were going to tell the committee what an open
spot is, what you call an open spot.
Mr. Froelich. For example, we publish 35 comic titles on an aver-
age per month. There are wholesalers in the United States who will
178 JUVENILE DELINQUENCY
say "We will take 20 of your comic titles," at which point we have our
roadman in there and he says, "Come on, this is the best selling comic
line in the business, and there is no reason why you shouldn't take our
other 15 and drop 15 distributed by our competitors." It is a constant
pressure to keep your magazines going in there, but nothing like a
tie-in, because we are not strong enough and the retailer through the
wholesaler brings terrific pressure to bear on you. He will draw his
copies from the wholesaler and drop them on the counter and never
expose them for the sale, which is rough to take if you are a publisher,
because you pay for that in the final analysis.
The Chairman. Can the retailer send them back at the end of the
month ?
Mr. Froelich. Yes. Ours is a consignment business and they can
send them back.
The Chairman. Within what period ?
Mr. Froelich. We try to have all the returns in within 60 to 90
days of the off-sale period, but you must honor your commitment to
the wholesaler. We would do it under any circumstances, and if he
should happen to find the copies of a magazine long after that period
he can return them to his — referring to the retailer — if he happens to
find them in the store and returns them to the wholesaler, the whole-
saler will return such copies to us and we will grant credit for them.
I can honestly say that at no time do we lower the boom so far as re-
turn date is concerned.
Mr. Beaser. If a particular retailer or wholesaler sends back month
after month one of your Mystery Tales, he would still continue to get
Avhatever he wanted on some other of your products ?
Mr. Froelich. Yes.
Mr. Beaser. "What happens in the wholesale end ? If I am a whole-
saler will you send me a copy of next month's Mystic and say "How
many copies do you get ?"
Mr. Froehlich. No, sir. Your allotments to the various whole-
salers in the United States are generally set on the basis of experience.
You know approximately what your other books — in the case of a new
title you know approximately what your other books are doing in that
field by that specific wholesaler. Go to your records and you set your
allotment on that basis. We watch our allotments very, very care-
fully. We don't want to waste copies. We are more interested in a
high percentage of sales than we are in total number of copies sold.
So that we try to use every possible device to properly allocate the
quantity per wholesaler. We check competitive records constantly.
Through our roadmen we can get the figures on competitive books
going into the various wholesale agencies just as the other companies
can ijet the figures on our books.
Mr. Beaser. As a wholesaler, the first time I see next month's
Mystic is when the bundle comes in?
Mr. Froehlich. That is right; but you know what you are going to
get because you get a card from our distributing company's office ad-
vising as to the allotment. That is done so that the wholesaler in the
area can break down the quantity for the retailers he serves.
Mr. Beaser. Now, you say there is no opportunity for you to bring
pressure to bear upon the wholesaler ?
JUVENILE DELINQUENCY 179
Mr. Froehlich. "We try to sell the wholesaler through our roadmen
the same way as the manufacturer of cigarettes tries to sell more cigar-
ettes to the wholesaler or the jobber handling them.
Mr. Beaser. Have you heard that pressure is being brought by the
wholesalers upon the dealers?
Mr. Froehlich. No, sir. It may be. I can't answer that. I am
too far removed from that end of the business.
Mr. Beaser. There have been, you know, some statutes passed in
some of the States outlawing tie-in sales?
Mr. Froehlich. Yes.
Mr. Beaser. You still say that all these publications of yours are
mailable in the post office?
Mr. Froehlich. Yes, sir. If the magazine is — if we know they are
going to publish, rather, if we anticipate publishing four issues or
more of a title we always apply for a second-class entry privilege.
We can't get it on a so-called one shot. The magazine must be pub-
lished at least four times a year.
Mr. Beaser. Is Focus mailable?
Mr. Froehlich. Yes, sir.
Mr. Beaser. Is I Confess also mailable?
Mr. Froehlich. To the best of my knowledge, they are. We have
had very little difficulty with the post office. From time to time we
have had some dispute in the N. and P. section because of the change
in frequencies. There may be errors in the office pulling out the
proper kinds of forms which might be nonmailable. It is very seldom.
Mr. Beaser. You think some of these may have been held nonmail-
able?
Mr. Froehlich. Occasionally, it can happen. But invariably, we
could go down there and straighten it out. That applies to one issue.
It does not affect the magazines over the continuity of time.
Senator Hennings. In those instances where the material has been
held to be nonmailable, have they been in terms of the advertisements
or reading content, or both ?
Mr. Froelich. It is generally considered as a package, Senator.
That happens occasionally, and as soon as we find out the cause for
that we immediately eliminate it. Again when that does happen you
are working in an area of opinion. It certainly happens. A picture
which may be accepted in a newspaper may become so prosaic, and
you put the thing in a book and somebody will write in and say, "Gen-
tlemen, that shouldn't happen," and the Post Office might take a stand
one way or the other.
Senator Hennings. Is there some variation, too, in the postal
districts?
Mr. Froelich. Not that I know of. I think the procedure is quite
standardized. I think the Post Office has always been extremely fair
and reasonable in their attitudes. On the few occasions we have had
difficulty concerning the entire scope of the production per year we
have always adjusted it satisfactorily.
The Chairman. What was the nature of those difficulties?
Mr. Froehlich. We have run into an occasional problem such as
this. We publish a comic book. My Friend Irma. Some time ago the
Post Office ruled that such — I want to be very careful, I am not an
attorney — but generally, if I remember properly, it was ruled to the
180 JUVENILE DELINQUENCY
effect that the comic book, My Friend Irma, so-called royalty-type
book, was in practice an advertising device featuring a central charac-
ter. You see, My Friend Irma is a title on it by Cy Howard who, I
believe, at that time was under contract with CBS and there was a
series of My Friend Irma motion pictures as well as radio and tele-
vision shows. In any event, the Post Office considered that our comic
book, for which we paid a royalty to CBS on a per copy sold basis, was
an advertising device featuring building up and enhancing the value
of My Friend Irma, and they cracked down on it and said we were not
entitled to second-class privileges. There was quite a hassle about it.
Unfortunately we lost.
That set a pattern for the industry generally. It did not affect
titles to which second-class entry had been granted prior to that de-
cision, but since that time it is not possible to obtain second-class mail-
ing privileges on so-called royalty-type books. I wish we had a lot
more of them.
I have a few more comments. We were talking about the fact that
we certainly know that we cannot change people's taste. Unfor-
tunately this was very upsetting, to try to put out something that has
a great deal of moral, esthetic value, and have it backfire like that.
That does not mean that we should cater to every literary demand that
will sell, but the lines in a few fields are not clearly defined.
If the gentlemen on your committee would tell us what we should
produce in a comic technique such books probably would not sell.
We have discussed this problem with many decent, intelligent per-
sons, educators, psychiatrists, clear-thinking members of PTA groups,
ministers, and so on. Inevitably such persons, if they do have criti-
cisms, recommend a type of comic book which would appeal only to
the small intellectual minority in the United States, and which would
be basically uneconomic and inconsistent with the pattern followed
by the other vast media.
Senator Hennings. That applies somewhat to television, so-called
educational, documentary films, radio programs?
Mr. Froehlich. Yes, sir.
Senator Hennings. The word "educational" sometimes causes people
to
Mr. Froehlich. It has to be sugar-coated and made palatable. That
is what we tried to do here.
If something were to happen to change the demand of our reading
public so that the only comic that would sell would be simple, ani-
mated comics — and we have made books in that field — we would be
all right.
I can assure you that we would definitely get our share of such
business, but while the rules of the game are as they are, we wish
to maintain a foothold in all areas of comic fields, however tenuous
that hold may be, with one tremendous provision, and that is that
there is no proven evidence of harm to the reader.
It is just as wrong to take motion picture selected stills and show
bare legs and so forth and use the picture as representative of the
entire industry as it is to take a relatively small number of comic
books and brand a line or the industry.
At least 95 percent of our production is completely defensible
and our remaining 5 percent may be in the area of mixed opinion.
But in our opinion, it is injurious to none.
JUVENILE DELINQUENCY 181
Now I think I should qualify that because in the last couple days,
■while I have not been here, I have read some of the testimony. If
there is sufficient evidence to prove that anything that we might
publish might be injurious to a child who is in the pattern of becom-
ing delinquent, we would stop, we would be the first ones to stop.
This industry is highly competitive, and one of the vicious things
that has happened to comics generally is that because of the fanatical
pressure and exaggerated claims made about some comics in general,
without being definitive in their statements, some good publishers
have been forced to give up comic publishing.
As in Gresham's law, the bad drives out the good, and a few hard-
skinned, marginal publishers we know, have provided most of what
the public demand in weird and so-called crime comics.
The relatively few weird comics we publish cannot be considered
in the category of those books, and our low sales figures for such
books prove it.
Speaking generally, if the criticism leveled against the content of
■crime and weird comic books were to be carried to other literature,
if all written material pertaining to violence, crime, savagery would
come under scrutiny, then the very heart and sinew of literature might
suffer.
If an era of moral stigma concerning specific acts, words, or indi-
vidual intention in written word were to surround all the literature,
then how explain the value of the story of Cain and Abel or the slay-
ing of the firstborn Egyptian children in the Old Testament?
If violence per se had been outlawed from all literature, if the weird
and savage in Taboo, would Mary Shelly have written Frankenstein,
would Shakespeare have written Macbeth, would the legend of Billy
the Kid, the homicidal gunmen known to present-day Americans of
all ages, been written, would the stage be barren of the thrilling
tragedies of Greek playwrights?
Would not this Nation have suffered had Harriett Beecher Stowe
not written Uncle Tom's Cabin? It, too, was replete with action,
torture scenes, violence, and death. It was a period of unrest, tension,
and violence.
To then say to these kids you must not read about terror and occa-
tional savagery, would be hypocrisy. Were these stories published
by themselves with no other reason than to horrify, then criticism
might be justified.
There is known to be present a period of calm, of relaxation, after
witnessing or participating through reading of a violent fact. We
have had plenty of information gleaned from newspapers and quota-
tions from men of principle, psychiatrist and child guidance counsel-
ors and so on, to feel that way.
Obviously, there are many who feel opposite.
Mr. Beaser. You are talking about your own comics, or are you
talking about all crime comics?
Mr. Froehlich. I am referring only to our own books. You ask
me why we should have some weird books, which is a small part of
our business.
For the reasons I have mentioned here.
Mr. r)EASER. Some of your statements do not apply to other comics
you have heard about ?
182 JUVENILE DELINQUENCY
Mr. Froehlich. I am not concerned with what the other people do.
Mr. Hannqch. Which of your books would you say is like Cain
and Abel and Shakespeare's Macbeth, and some of these other names
you have given us ?
Mr. Froehlich. I think the story of Cain and Abel is in some of
the issues of Bible stories.
Mr. Hannoch. Which of the horror comic magazines would you
say compares to Cain and Abel ?
Mr. Froehlich. I cannot offhand say, but I would be very happy,
Mr. Hannoch, to have anybody from your committee, or all of the
committee, come up to our office, and go through every book we pub-
lished for a long time and try to assist you in every way possible.
I am sure we can find the answer there. I am making the point
that occasional tales of violence, savagery, even crime, has stemmed
from the year 1 in literature.
Crime comics, weird comics, gangster movies, western and science
fiction might give the otherwise passive child an opportunity at least
to repress violence. It may be true that such entertainment is an act
of deterrent to the criminal impulse.
I believe we have heard some testimony from reputable people to
that effect.
This is not an argument for or against a few weird comics. I merely
wish to show that such comics generally are a modern adaptation of
age-old themes in literature.
Mr. Beaser. I have no questions.
The Chairman. Senator Hennings?
Senator Hennings. I have no questions, Mr. Chairman. I do think
that Mr. Froehlich has expressed some very important parallels or
analogies in terms of the great literature of the world and great plays.
Hamlet has a number of assorted felonies. Macbeth, the Rape of
Lucretia, and so on.
Certainly Huck Finn was a juvenile delinquent himself by the stand-
ards of that day, if not of this. And the saga of Billy the Kid and
the Jesse James stories.
I know I read all of those. Maybe I would be a lot better than I
am if I had not read them, but I read them with great interest and
delight, and certainly the Shakespearean plays are playing on Broad-
way now.
It is difficult to single out which one of these things may have an
adverse impact and to what extent.
Mr. Froehlich. May I add just one more thing. I think there have
been some misstatements made to date which might unfairly brand
the entire comic industry.
No. 1, the volume of sales. We figure, and I believe that we have a
fairly accurate yardstick to use because we are publishers, distribu-
tors— we have our own men out to evaluate these things properly —
that the sale is not anything like 70 or 80 or 100 million a year.
At the present time I would guess — not guess, but a real good esti-
mate, would be in the area of 40 to 45 million per month.
Mr. Beaser. Sales?
Mr. Froehlich. Sales.
Mr. Beaser. How many printed each month ?
Mr. Froehlich. Possibly double that at the present time. Normally
you might figure there is a 60 to 62 or 63 percent sale.
JUVENILE DELINQUENCY 183
Mr. Be^vser. How many titles?
Mr. Froehlich. Possibly 415 to 420. That is very hard to measure.
Mr. Beaser. Wliat is your minimum print order for distribution ?
Mr. Froehlich. Ours?
Mr. Beaser. The normal.
Mr. Froehlich. Let us say it averages around 350,000. The total
impact on all the factors affecting delinquency, juvenile delinquency,
that can possibly be contributed by crime or weird type comics, can
itself be only infinitesimally small or the sheer statistics of the opera-
tion.
The Chairman. The Chair has no questions, Mr. Froehlich.
I do want to thank you for your appearance here today and say you
have been helpful to the subcommittee. We know that we confront a
real problem in this field.
Mr. Froehlich. Mr. Chairman, if we can be of any assistance in
any way, we are only too happy to do so. Our records are open to
anyone on your committee. We shall be glad to help.
The Chairman. We appreciate your cooperation and your complete
honesty.
Mr. Froehlich. Thank you, sir.
May I produce something as exhibits ?
The Chairman. Yes, indeed.
Mr. Froehlich. I have copies of our comic stories thrown out.
The Chairman. These will be made part of the permanent files.
Let those be exhibit No. 23.
(The comic books were marked "Exhibit No. 23," and are on file
with the subcommittee.)
Mr. Beaser. Mr. William Richter.
The Chairman. Do you solemnly swear that the evidence you are
about to give before this subcommittee of the Committee on the Judi-
ciary of the United States Senate will be the truth, the whole truth,
and nothing but the truth, so help you God ?
Mr. Richter. I do, sir.
TESTIMONY OF WILLIAM RICHTEE, COUNSEL, NEWS DEALERS
ASSOCIATION OF GREATER NEW YORK, NEW YORK, N. Y.
The Chairman. Will you state your full name, address, and associa-
tion, for the record, please ?
Mr. Richter. William Richter. My law office is at 150 Broadway.
I live at 2600 Henry Hudson Parkway in Riverdale.
The Chairman. You represent the News Dealers Association of
Greater New York?
Mr. Richter. That is right. I also represent the News Dealers
Association of America. The News Dealers Association of Greater
New York is the official association, the organization of the news-
dealers of this city, particularly the licensed newsdealers.
The Chairman. Do you have a prepared statement?
Mr. Richter. No, sir. I have some notes here which I should like
to call to the committee's attention, but I will be glad to begin my dis-
cussion by answering some of the statements that have been made by
previous witnesses, if I may.
The Chairman. You may proceed in your own manner.
184 JUVENILE DELINQUENCY
Mr. RiCHTER. I am quoting from the newspaper reports. I did not
hear the direct testimony, but I question one particular statement made
by Henry E. Schultz, supposedly counsel to the Comic Magazine
Publishers, wherein he stated yesterday, I believe, that there were no
so-called tie-in sales to the newsdealers.
That I dispute and contradict and state that there are definitely
tie-in sales to the newsdealers of this city. By tie-in sales I mean that
the newsdealer has no choice. These magazines are foisted and thrust
upon him. They come in a package with standard magazines, the so-
called everyday reputable type of magazines.
They come in 1 package, in 1 bundle, tied together either with wire
or rope, so securely that the newsdealer cannot in any manner or in
any form inspect these magazines.
The Chairman. You mean, sir, with such publications as Collier's,
Saturday Evening Post?
Mr. RicHTER. Yes, sir ; Life, Vogue, House and Garden. They come
in one package. They are thrown at him and in turn he is thrown a bill.
When I say thrown, I say literally thrown. He is given a bill, and
incidentally, these magazines have not been previously ordered. These
are the choices of the distributors.
The newsdealer cannot sit down as any ordinary merchant and pick
his merchandise. There is no list presented to him of magazines
which he may choose and which he may reject. He takes what is
given to him.
As I say, it all comes on a take-it-or-leave-it basis.
The Chairman. Does this situation which you describe apply to
all newsdealers ?
Mr. RiCHTER. Yes, sir; throughout greater New York, both the
licensed newsdealers and the storekeepers. I say the licensed news-
dealers nvimber about 2,000, licensed by the city of New York, That is
the type of dealer on the street corner, at subway stations, and so
forth.
The Chairman. That condition must exist in other large cities,
then?
Mr. RicHTER. I understand it is so. We do have contacts in other
cities throughout the country. I understand it is prevalent through-
out the country. The newsdealer does not select the magazines, and I
speak for a great majority.
I think if the newsdealers had a choice they would reject these
so-called horror magazines.
Senator Hennings. Why do you think they would?
Mr. RiCHTER. I say I am quoting people that are out in the field.
There is Mr. Ben Friedman in the hearing room with me today. He
is a chairman of the board of the News Dealers Association. He him-
self is a newsdealer. He is at Times Square, the cross-roads of the
world.
If you don't hear it in Times Square you won't hear it anywhere in
the country.
I also have Mr. Jay Kay, the secretary and treasurer. He is at the
entrance to the George Washington Bridge.
They have gone through the field. By the field I mean going
through and visiting these newsdealers as part of their job as officers
of the association.
JUVENILE DELINQUENCY 185
I know I have personally talked with many newsdealers and I
Icnow if they had a choice they Avouldn't want to deal with this trash.
Senator Hennings. I do not question your statement, but I was
interested in their reasons.
Mr. KiciiTER. The reasons are that they themselves have children ;
they won't bring that trash and junk in their own homes, and I dare-
say the publishers wouldn't do so.
I won't mention names, but I know in particular one publisher has
stated, that put out some of these horror magazines, that he himself
does not bring it into his own home for his own children to read. I
think that is argument enough as to how they feel about it.
I have here a bill. As I say, they are not returnable. These news-
dealers must accept this entire package. Of course, the newsdealer
cannot in limited circumstances be a censor of these magazines, the
good and the bad kind.
I say in all fairness to the publishers and distributors not all comic
magazines are bad. There are some good ones. I have some good
ones here.
I mean the Walt Disney type of comic books are good for children.
I know that the newsdealers would be only too happy to sell that
type of magazines. There are westerns that cannot be classified as
bad, but I daresay that the majority of the comic books or magazines
on the stand today are outright trash.
I know that the newsdealers would not like to deal with them if
they had a choice.
Now, this is a bill given to the newsdealer and the Saturday Evening
Post was brought with these other types of horror magazines. Now
the choice to the newsdealer is either store them away or display them
and sell them.
Now, a newsdealer, particularly a city newsdealer, operates in lim-
ited space. He has a news booth 6 by 5 by 3, 6 feet wide, 5 feet high,
and 3 feet wide. If he stores things in his newsstand, he must
necessarily stand on the outside in all kinds of weather and they are
out in good weather, bad, night and day. They are little people.
They deal in pennies.
They cannot possibly sit down, they don't have the time or the in-
clination or the judgment or the facilities to sit down and censor these
magazines.
The newsdealers cannot possibly censor these magazines. They are
taken as they are brought to them. They are flooded with them ; they
are swamped with them.
In most cases, I daresay in all cases, they display and sell them.
Now, this is April and magazines are coming out now for July.
They are not returnable.
Mr. Beaser. You said that if he does not sell them he has to pay
for them.
Mr. RicHTER. He pays for them before he returns them. He is
billed for them and he pays for them.
Mr. Beaser. If he does not sell them ?
Mr. RicHTER. They are returnable, but they' are not returnable
until outdated. The bill says no credit allowed for premature returns.
If a magazine is dated July, he cannot receive them in April and
return them the next day. He will hold them until July.
186 JUVENILE DELINQUENCY
I daresay that if he returns them they don't go back to the publisher,
they go to another newsdealer. It is a roundrobin. It is a vicious
circle. They are never returned to the publisher until all means of
selling these magazines are exhausted.
Mr. Beaser. You mentioned the Saturday Evening Post awhile
ago. Would the number of Saturday Evening Posts he receives be
cut in his next shipment ?
Mr. RicHTER. Possibly, yes. He is under the threat of being cut.
In other words, if he should return what the distributor may think
is an unreasonable amount of magazines, he would be cut off com-
pletely.
Mr. Beaser. Have there been instances when that has happened?
Mr. RicHTER. Yes. So the newsdealer takes the line of least resist-
ance. He accepts them as he gets them and does what he can with
them.
Here is one magazine. The publisher appeared here yesterday, this
Mr. Gaines, and how he could possibly sit here and justify his maga-
zine is beyond comprehension. Have you gentlemen seen this thing
called Panic?
The Chairman. We have seen many of them. I do not recall seeing
that one.
Mr. RicHTER. This has a grotesque head. It is with apologies to
Benjamin Franklin, incidentally. This fellow looks like Mr. Hyde
of Jekyll and Hyde. This magazine to my mind is worse than one
of the horror magazines. It is a demoralizing type of magazine. It
satirizes, it ridicules the better comics.
The Chairman. May the Chair see that, Mr. Richter?
Mr. Richter. Yes, sir.
Comic books like Joe Palooka and Li'l Abner are ridiculed.
Senator Hennings. Li'l Abner himself ridiculed Dick Tracy, did
he not?
Mr. Richter. Yes, but this is done in not a critical manner, but
in a gruesome manner, in a vicious manner.
You will note in this magazine beyond the middle cover what they
call Pan Mail. This magazine was banned in Boston and Mr. Gaines
as the publisher seems to delight in that fact. He says, "Panic is a
success. It has been banned in Boston."
Then he goes on to quote from the newspaper reports of that city.
He says :
And what were we banned for? Horror? No. Sex? No. We
were banned for lampoonino; the poem The Night Before Christmas.
Panic in the words of the Massachusetts attorney general, Finegold.
depicts The Night Before Christmas in a pagan manner. That was
taken from the Springfield Daily News editorial of December 23 and
also quotes the Massachusetts attorney general, Finegold, threatened
criminal proceedings last week against Gaines unless the comic book
Panic containing the satire of the poem was withdrawn voluntarily.
He says his original intention was to defend that, but he says —
when I say "he," Gaines, the publisher, the best way for him to do this
is to quote from letters received from people to the magazine.
It does not identify who those people are, whether they be children,
teen-agers, or grownups.
JUVENILE DELINQUENCY l87
But let me, if I may, read to you two of the excerpts of letters that
lie publishes as justifying this type of demoralizing magazine. This
is an excerpt of a letter :
.7u«t finished Panic. Great magazine. And I think you should be boiled in
oil, stretched on a stretch rack, whipped with a cat-o'-nine-tails, shot, knifed,
and hanged, gassed, electrocuted, and buried alive for holding a great maga-
zine like Panic from the public for a full year. Man it is a great comic, crazy,
cool, and real dappy. This magazine will go hotter than hotcakes. When I got
to the stand I bought the last one.
It was signed by someone from New York.
Here is another :
Have just finished reading the first issue of Panic. Really great. The best
story was My Gun Is the Jury. As I was reading it, my mother came in and
told me to put the book away. This got me mad. So I did it. I sawed the
nose off an .88 and fired low, a little below the bellybutton. It went in clean
and came out like a flying saucer, leaving a hole big enough to put my fist
through, and without further interruption I finished the magazine.
Now, how any man can come here and publish rot like this and
justify it is beyond comprehension.
Now, upon its face it may appear innocent. Can this poor little
fellow on the street corner — I took it home the first time last night to
read it. It appears innocent enough on the cover except for this
grotesque figure of Benjamin Franklin.
But when I thumbed through it I saw what was confronting us.
A newsdealer cannot possibly do this. So he just displays it and
sells it.
Many times if the child a])pears to be of tender years the newsdealer
will not sell him any horror magazine. He will say, "You had better
come with your parents." Oftentimes parents come and oftentimes
])arents buy the magazine and oftentimes they would rather see the
cliildren buy a Walt Disney or other such type of animated cartoons
or magazine.
Mr. Hannoch. Would you refer me to the place where he apologized
to Benjamin Franklin ?
Mr. KiGHTER. Yes, sir.
Mr. Hannocii. I have it.
Mr. RicHTER. Do you have it now ?
Ml'. Hannocii. I have it.
Mr. RiCHTER. I might also say this as to the advertisement on the
])ack of this magazine. I will find the same advertisement in a better-
type comic book which is not olfensive. Here is an advertisement on
the back of this magazine soliciting children, boys an'd girls, and men
and women, to buy certain religious wall mottoes for which they will
receive i)rizes and money. It says here, "The world is on fire. Serve
the Lord and you can have these prizes," giving these children the idea
that by selling these religious wall mottoes they would be serving the
Lord.
Now in the better-type magazine the serving the Lord had been
omitted.
Mr. PIannocii. They would get an ax, a knife, it says here.
Mr. RiciiTER. Yes. You can see there is a clenched fist going down.
And by doing that they will be helping to stamp out crime, graft,
dope, war, and drink.
49G32— 54 — —13
188 JUVENILE DELINQUENCY
We as an association have caused to be introduced a bill in the city
council a copy of which I should like to show you, the purpose being to-
do away with many abuses of the newsdealers. Included in the bill
is a provision that the publishers and distributors shall not distribute
or sell to any licensed newsdealer, any publication that is lewd or in-
decent or any such publication that the city license commission or
license department considers lewd or indecent or considers improper
or unlawful for display or resale to the public.
We hope if this bill is passed it may serve its purpose.
Mr. Hannoch. Do you think so, as a lawyer ?
This is not lewd or indecent in the statutory sense, is it ?
Mr. KiCHTER. It may be considered improper. I was going to men-
tion that it is too vague. There are no standards and there are no
guides and I, as an attorney, cannot define to you what is lewd, obscene,
and indecent. Our courts have differed. Our Supreme Court, as you
may know, has upset section 1141 of the penal law which would have-
been a weapon to combat this.
I don't criticize the Court. I daresay that the law wasn't written
properly. They should have guides and standards so that a layman —
not a court or judge, but a layman — should be able to understand what
is indecent and what is lewd and what is improper and what is offen-
sive, so that a newsdealer himself could know.
I should not have to go around interpreting for these newsdealers.
I think they should be able to see for themselves what is bad.
Our license commissioner for the city of New York has been trying
to do a laudable job, but even his hands are tied. The courts are con-
fused, the law is confused.
To my mind I think the solution to this entire problem perhaps
would be a properly worded, properly coded, properly standardized
Federal legislation with censorship of distribution.
Mr. Beaser. Mr. Richter, where does this pressure come from?
You said Federal legislation. Is it the local wholesaler who is bund-
ling these up and sending them in?
Mr. Richter. The distributor. The newsdealer has no contact with
the publisher as such. His contact is with the distributor like Man-
hattan News, American News. He has no contact with the publishers.
He takes what he does from the distributor.
You call them wholesalers. The wholesalers operate through dis-
tributors.
Senator Hennings. You are aware, of course, as an able lawyer, as
to the difficulty of drafting such a statute?
Mr. Richter. I most assuredly am, sir.
Senator Hennings. If you as an expert in this field have any sug-
gestions and would care to submit a draft to the subcommittee, I am
sure we would be glad to have it.
Mr. Richter. I think you have felt the pulse when you said there are
no standards, no guides, no proper definitions of what is lewd or
indecent.
Mr. Hannoch. Give some thought as to whether these impair the
morals of children.
Mr. Richter. I cannot say. I am not an expert in that field. It
would seem to me that it is a logical sequence that would follow from,
reading stuff of that kind.
JUVENILE DELINQUENCY 189
I wouldn't allow it in my house. Fortunately my child is not of
sufficient age to read, but when he can read he won't want trash of this
kind, I can assure this committee of that.
Now, they are not all bad. We have all these horror things. You
have seen some of these love comic books. To my mind, they are as
bad as the horror books. Children buy them.
As I say, newsdealers have their magazines set up on a magazine
rack. They cannot oversee them. They are not an ordinary store-
keeper. The children come and buy them ; they pay him, and off they
go. He cannot censor it and he has no choice in what he can sell.
They would love to cooperate. As I said before, I think the fault
lies with the publisher, lies with the distributor, and not the poor news-
dealer who is at the tail end of this line, so to speak.
The Chairman. Mr. Richter, did you tell the subcommittee how
many members you have? I have forgotten whether you did or not.
Mr. Richter. Yes, sir ; we have a fluctuating membership of over a
thousand. We also have an affiliate association representing store-
keepers throughout Long Island, the Long Island Stationery Owners
Association. They pay monthly dues. The dues are nominal, $2 a
month. .
So it is not a money-making association by any means. It is an
association of newsdealers banded together to aid each other and to
serve the public. That is their motto. That they attempt to do.
The CiiAiRMAisr. For the privilege of membership they pay $24 a
year ?
Mr. Richter. That is right.
The Chairman. Per dealer?
Mr. Richter. That is right, sir.
The Chaieman. Thank you very much, Mr. Richter. You have
been very helpful.
Mr. Richter. Thank you, Mr. Chairman.
Mr. Beaser. Mr. Alex Segal.
The Chairman. Do you solemnly swear that the evidence you will
give before this subcommittee of the Committee on the Judiciary of
the United States Senate, will be the truth, the whole truth, and noth-
ing but the truth, so help you God ?
Mr. Segal. I do.
TESTIMONY OF ALEX SEGAL, PRESIDENT, STRAVON
PUBLICATIONS, NEW YORK, N. Y.
The Chairman. Will you state your full name, address, and associa-
tion, for the record ?
Mr. Segal. Alex Segal, 113 West 67th Street, New York City, part-
ner, Stravon Publications.
The Chairman. Mr. Segal, you will have to speak up because the
acoustics are not all that they should be in a courtroom of this char-
acter.
Mr. Segal. Well, I don't publish comic books, so I have no prepared
statement. But we are in the process of publishing a book on juvenile
delinquency by a person that I consider probably one of the most out-
standing authorities on juvenile delinquency, since he lived 5 years
with boys' gangs here in New York and wrote a book which the Read-
190 JUVENILE DELINQUENCY
er's Digest digested. He lived with them and they accepted him, al-
though he is the son of a distinguished university professor.
Mr. l^EASER. The reason you were asked to come here today was not
because you published comic books, but because you are a publisher
and you do advertise in comic books.
Mr. Segal. Yes.
Mr. Beaser. What kind of material do you publish and under what
names ?
Mr. Segal. Only one name, Stravon.
Here is a children's book that we publish. We do advertise it in
the comics. It is Birdman. It is the story of Leonardo da Vinci.
In view of the discussion that went on regarding comics, it is in-
teresting to note some of the remarks made that the children do not
buy the better-grade comics, because here is an example of a very
high-grade children's book on Da Vinci, in beautiful color, which we
have advertised in the comics, and they have not responded to it in
the manner you think. Now tliis is just one.
Mr. Beaser. What are the other publications ?
Mr. Segal. I will show you all of them.
Here is a book called Mike and the Giant, the story of Michelangelo.
Mr. Beaser. Children's and adults' books ?
Mr. Segal. No, these are children's books.
Senator Hennings. Mr. Segal, I notice in the first book you had
that there are a number of reproductions of Leonardo's works.
Mr. Segal. Yes.
Senator Hennings. Now what does that book sell for ?
Mr. Segal. This book sells for a dollar. We advertise it. We
selected tlie name of "The Birdman" because Leonardo was known
as a birdman at the time and this is a drawing, a drawing of his
flying machine. Tliat is after his own sketch. We deliberately
selected it, hoping tluit the children Avho buy "The Batman" and
buy the others would buy this. They do buy it in quantities of a
few thousand a year, not 20 million a year.
Senator Hennings. You suggested in the advertising I presume
that that was educational ?
Mr. Segal. Yes, we did. We said they would enjoy it.
Now we have different kinds of ads on tliis book. I will go through
all of the titles. Here is a title Mike and the Giant, the story of
INIichelangelo. Here is the story of the man who painted the sun,
which is a children's story of Vincent van Gogh.
Here is a book. The Magic Painter, the story of Rembrandt. These
are all for children between the ages of 8 and 14.
If I may, I should like to divert, before continuing to show all the
other books. Here is an issue of the Library Journal. This is out
just now, 2 days ago. You will notice an advertisement of Dr.
Wertham's book, and I take no exception to the book as I did not read
it, but in view of many things said here, it is interesting how the
publisher or somebody selected that title, "The Seduction of the
Innocent." Half the people will buy this book not because they
think it is an expose of comics. I don't know what they will buy it
for.
Senator Hennings. You do not, Mr. Segal ?
Mr. Segal. Mind you, I am not taking sides in this issue; really,
I am not.
JUVENILE DELINQUENCY 191
By the way, in the same issue is an ad which was phiced 2 months
ago. There was an ad here for these four books, which is addressed
to libraries. There it is right here.
On these four books, may I have permission to quote from the
Washington Post :
Imagination and humor liave been graphically employed. The books have high
style, striking use of color and unconventional layout, and enhance the texts
written in lively conversational fashion.
The Library Journal :
Ethic biography planned to entertain with clever design, thrilling narrative,
and colorful .sketches.
Mr. Beaser. For adults you also publish things called Mademoiselle
Fill?
Mr. Segal. Yes.
Mr. Beaser. In other words, you have the Sexcapacles, the Home
Life of Homo Sapiens, in addition to. How To Hypnotize, which you
advertise in comics like this; is that correct?
Mr. Segal. That is correct. Here is the book. I would like to
hold up the book so you can see what the book is like. This is a book
on hypnotism by a practicing hypnotist who unfortunately last year
died. Anyone who applies himself, and this is stage hypnotism;
anybody wdio applies himself to this book will master the technique
of hypnotism in a short time. Many have used this book to get into
the entertainment field.
We even have testimonials from people who use it. Hypnotism
has been used in various auditoriums, hospitals, to entertain.
I am not discussing the therapeutic value, because we have a book
on four professionals on hypnotism, too.
Mr. Beaser. You also sell the advertise gadgets like airplanes for
kids?
Mr. Segal. Yes.
Mr. Beaser. You do advertise in comics and you get a response, I
presume ?
Mr. Segal. Yes.
Mr. Beaser. You send out also some mail orders, some direct solici-
tations by mail ?
Mr. Segal. Yes.
Mr. Beaser. Is this an example of the kind of advertising literature
which you would be sending out. I am referring to a six-page
pamphlet.
Mr. Segal. May I make a correction ?
Mr. Beaser. Yes.
Mr. Segal. There is a front page missing. The front and back
pages are missing there, which list the title of all the books on there,
and on the book there is an order form on the back of it. In other
words, there are two pages missing. Apparently, you do not have
the complete folder there. The first page lists all the books that are
in that catalog. On the second page is an advertisement for this
particular book, which, by the way, is considered the finest book on
cartooning, I think, in America today. I would like you to see the
type of book this is.
Mr. Beaser. But this six-page pamphlet you have lists all the books
you have for children ?
192 JUVENILE DELINQUENCY
Mr. Segal. No, it does not.
Mr. Beaser. The one that is complete would list books for children
and books for adults ?
Mr. Segal. That is right.
Mr. Beaser. It has your books for children and juveniles in it?
Mr. Segal. Yes.
Mr. Beaser. I would like to introduce that.
Senator Hennings. That will become part of the record at tliis
point. Let it be exhibit No. 24.
( The document referred to was marked, Exhibit No. 24," and is on
file with the subcommittee. )
Mr. Segal. That does not go to children. It goes to adults.
Mr. Beaser. When you get your response to advertisements such as
this, and your Birdman and comic books, do you utilize the names
you receive that way for direct mail advertising of your total books?
Mr. Segal. As of some time last year — that is perhaps early last
year, we discontinued the renting of names to anybody on our books,
regardless on what subject it is, and we have no longer rented those
books for any type of publications.
Mr. Beaser. Those names.
Mr. Segal. Those names, for any type of publication or product
that is at all objectionable.
Mr. Beaser. Theretofore, you did rent them ?
Mr. Segal. Heretofore we were not as discerning, or not as alert
to check tlie type of mailing of books on this list. But as of March
of 1953, I think, we discontinued as such. If we do rent a name, it
may be for subscription to Life or Time. There are not many rentals
of that kind. We ourselves do not mail to our own juveniles the
names of any products ; we do not mail to them.
Mr. Beaser. Theretofore, you rented to persons who, you say, sent '
out objectionable material?
Mr. Segal. I didn't say that. I say in the province of this com-
mittee, it might be considered controversial in the sense that — is this
good stuff, or is it bad stuff? I don't say we did, but I say we dis-
continued any rental. We ourselves never did.
Mr. Beaser. What kind of material was it ?
Mr. Segal. I don't know. It may have been a book — a sex book for
another company who rented our list. This is about the only type of
publication.
Mr. Beaser. That list would have been secured through a comic
book; is that it?
Mr. Segal. That is right. Our comic books we did not rent. I
am talking about the general list. These names are on stencils.
There are metal stencils which are held in a letter shop. We rented
some names to a company, I think it was on a book, and accidentally
the letter shop — these are in trays, there are 400 names in a tray —
accidentally one of the letter-shop employees picked a tray of 400
children and they must have gotten some kind — I don't recall, it must
have been a sex book, an honest to goodness — nothing objectionable
per se in the book itself. They may have gotten it, and we got some
inquiries about it, and we decided we would no longer rent these names
to anybody, mistake or mistake. The revenue is very small. The
total annual revenue may come to $2,000 or $3,000. It is an insig-
nificant revenue.
JUVENILE DELINQUENCY 193
Mr. Beaser. Whom have you rented it to the last year ?
Mr. Segal. As I told you, I don't think I rented it to anybody. If
we did rent it — I don't want to be held, because I didn't anticipate
this type of questioning — but I don't think we rened it to anybody.
We may have. If we did, it was someone without question of material.
Senator Hennings. How is that list compiled ?
Mr. Segal. If you notice on the coupon, they send the coupon in,
and that is the list. There are four pages missing in that folder ; the
front page which says a complete list of books, and on the second page
is an ad for this book. On the next to the last page is another list,
which is a coupon list. On the back is an address, and I think there is
an advertising message. The second page is an ad for this book. The
front page only lists the book, no advertising. On the back page is an
advertising message and a report of the address. Apparently, you
did not get the full booklet there. I can send one.
The Chairman. If you had rented it, there would have been nothing
illegal about that; would there?
Mr. Segal. No, sir.
The Chairman. This material was all yours?
Mr. Segal. Yes ; it is all our material. But, if a child accidentally
gets a circular for a book describing a sex book or manual, and the
parents see it, tlie parents become annoyed and complain about it.
Mr. Beaser. Have you received any complaints?
Mr. Segal. We have received no complaints in the last year. We
didn't get the complaint directly. The publisher, or whoever it was,
got the complaint and forwarded the names to us, "Please remove
these names from your list, because we got a complaint about the re-
ceipt of this circular."
Mr. Beaser. It was your own circular?
Mr. Segal. No. When the person on the list received the circular,
and the parent complained — there were only a handful — they com-
plained to the advertiser who bought the list. So, the advertiser, in
turn, said "these people do not want to receive literature of any kind,
and they have instructed us to remove the name from the list." So
we removed it, and since it gave us this nuisance, we said, "no more ;
we are discontinuing this," and we have no longer rented these names
to anybody.
Mr. Beaser. Your coupon, here, does not indicate that the person
who is buying the book must state the name ; does it ? The name need
not be stated on the coupon ? There is no room for the person buying
one of your books such as "The Art of Love."
Mr. Segal. What name? His name?
Mr. Beaser. He does not have to state his age.
Mr. Segal. I think in this one it may not be. I am not sure. But
we don't send that to adults. I think, at one time, on one book — a
drawing instruction book — we used to carry on it, "Not sent to anyone
over '21."
We hardly ever advertise this book any more.
Senator Hennings. Not sent to anyone over 21 ?
Mr. Segal. No ; under 21 ; I am sorry.
Mr. Beaser. You do not use your mailing lists compiled from comic
book advertisements for sending this outf
Mr. Segal. No.
194 JUVENILE DELINQUENCY
Mr. Beasek. Then how do you account for the number of comphiints
to the Post Office Department from irate parents that their children,
15 years, 10 years, 9 years of age, have received your circular advertis-
ing your books?
Mr. Segal. Which circular?
Mr. Beaser. a circular from you, advertising "The Art of Love,"
for example.
Mr. Segal. We don't send these to children.
Mr. Beaser. How did the child's name get on the mailing list ?
Mr. Segal. The child's name originally gets on a mailing list when
they fill out the coupon, but we don't mail circulars to those children.
They become inactive. We neither sell it nor rent it, nor use it our-
selves.
Now it is possible, as I said, that occasionally a tray, like a year
ago, will get mixed up; but we are not mailing to children at all of
any kind even though we have the best children's books in the field.
I say that, barring none, there is nothing that has ever been published
of nature for children — even the titles here were selected with a view to
getting the child interested in this type of subject. We w^ere going to
put out a whole list of these, by the way, but in view of the fact that the
response has not been as great as we thought, we stopped at these
four titles.
Mr. Beaser. I have no further questions, Mr. Chairman.
Mr. Hannoch. As to this one book that I have here, "The Art of
Love," the cover refers to some article, "What Every Boy and Girl
ShouldKnow."
Mr. Segal. That is not our book, sir.
The Chair]\ean. It is published in London.
Mr. Beaser. It is advertised by you, though, is it not ?
Mr. Segal. We don't have that. We don't advertise it for children.
The majority of the places that book is advertised is in adult books,
like women's romance books and male adult books.
By the way, thai particular book, but not that particular issue, was
given out as a premium about a year ago by a large soap company.
It was given out as a premium with a certain purchase. Apparently
it was not considered objectionable enough, because nirie-tenths or
eight-tenths of that book is Greek mythology, and certainly no juvenile
delinquent could ever conceivably delve through that Greek myth-
ology, to come to the 10 or 15 percent love counsel, that is given in
that book.
By the way, talking of comics, Mr. Chambers has found in 5 years
of work, that the gang boys do not read comics at all. He lived with
them day to day, and he found they do not read the comics at all.
There is a statement here which is so different from the usual con-
ception, because very few people really know anything about juvenile
delinquents. They know from reading other books. He lived with
them for 5 years, and he says they never read the comics — the gang
boys. Actually at one time he had to engage — go in with them on
some of their, let us say, semiquestionable activities in order to main-
tain their confidence, because he was making a study of juvenile
delinquents.
Mr. Hannoch. We were talking about your ad. How do you know,
when you get an answer back on one of these coupons, whether it is
a child or is not a child ?
JUVENILE DELINQUENCY 195
Mr. Segal. xVll answers received from comics are automatically
considered children. First of all, that book on hypnotism
Mr. Hanxoch. I did not ask you about it. I asked you how you
knew wliether it was a child.
Mr. Segal. Any coupon coming from a comic is automatically con-
sidered a child, and we do not mail to it.
Mr. Hannoch. It is put on a different list?
Mr. Segal. Yes.
The Chairman. Are there any further questions ? If not, Mr. Segal,
the Chair thanks you very much. You have been very helpful.
Mr. Segal. Thank you, Mr. Chairman.
Mr. Beaser. Mr. Samuel Roth.
The Chairman. Do you swear that the evidence you are about to
give before this subcommittee wHll be the truth, the whole truth, and
nothing but the truth, so help you God ?
Mr. Roth. Yes, sir.
The Chairman. You may be seated. Please state your full name,
address, and association for the record.
TESTIMONY OF SAMUEL ROTH, PUBLISHER, NEW YORK, N. Y.
Mr. Roth. My name is Samuel Roth. I live at 11 West 85th Street.
Mr. Beaser. AVhat is tlie business you are engaged in ?
Mr. Roth. The business is publishing books and magazines and
selling them.
Mr. Beaser. Under what names do you publish ?
Mr. Roth. Would you foi-give me if I have an important question to
ask the Chairman ? It is very important.
Mr. Chairman, I am at present accused in Xew York County of a
violation of section 1141 of the penal law, relating to alleged obscene
publications, and of section 580 of the penal law, relating to conspiracy
to effect such a violation. I deny guilt and contest the validity of the
process there.
In view of this fact I feel that to answer the questions now to be
put by your committee may place me in a position where, contrary to
my constitutional guaranties, I may be forced to accuse myself or
provide evidence by which I may be accused.
In view of that I must invoke my constitutional rights, protecting
me against being made to accuse myself, and decline to answer.
I add that I do so with profound respect for the committee, and that
I will comply with any competent order to testify if it is found I am
under law obliged to "do so, and in doing so, am afforded immunity
jn-ovided in section 8486 of title 18 of the United States Code.
The Chairman. Do you invoke the fifth amendment of the Consti-
tution ?
Mr. Roth. I don't like the sound of the fifth amendment.
The Chairman. You invoke your constitutional rights ?
Mr. Roth. Yes.
The Chairman. I want to ask the witness a question. First, did you
say that you were presently under indictment ?
Mr. Roth. No. I haven't been charged, but I am a prisoner of New
York County.
The Chairman. Senator Hennincfs.
196 JUVENILE DELINQUENCY
Senator Hennings. I wanted to ask counsel, Mr. Chairman, what
counsel had expected to prove or establish by the testimony of this
witness.
Mr. Beaser. I had hoped to ask Mr. Roth the names of his firms,
and receive a reply from him that he was doing business under the
Gargantuan Books, the Centurion Press, Gargoyle Books, Book Gems,
Falldock Books, and Paragon Books, samples of which we have given
you, Senator, and to indicate that Mr. Roth does a very, very extensive
mail-order business, solicits through the mails for orders for his books,
and advertises these books in a very suggestive manner.
Senator Hennings. May I ask if counsel's statement is predicated
upon an investigation made by the staff for this committee ?
Mr. Beaser. Senator, the counsel's statement is predicated upon an
investigation made by the staff and by counsel.
The Chairman. By counsel personally ?
Mr. Beaser. Personally, or shall I say associate counsel.
We would hope to say that since adolescence represents an age, as
the psychiatrists say, during which a youngster's normal sexual curi-
osity reaches a high point, that Mr. Roth's natural bent, as far as
advertising is concerned, would lie in the juvenile trade ; and that we
have, with the assistance of the Post Office Department, gone through
a representative sample of complaints received from irate parents of
children getting Mr. Roth's materials and advertisements, which I am
careful to cover up ; and we were going to ask Mr. Roth to give us the
sources of his mailing list, and to ask Mr. Roth whether, and from
whom, he has purchased or rented mailing lists, and whether he has
purchased or rented mailing lists in the past year from any person
who, directly or indirectly, advertised in a comic book, or from a comic-
book publisher himself.
The Chairman. Do you care to give the answer to that question, Mr.
Roth?
Mr. Roth. I will be very happy to do so if I am granted the immun-
ity I ask for.
The Chairman. This committee has no power to grant you immun-
ity. You have every right to ask this committee to protect your
constitutional rights.
Mr. Roth. Wliat I read to you was not a statement of mine. It was
a statement made by my attorney, who is not present. I feel that the
only way I can put this to you is to ask you whether what is requested
in my attorney's statement is being granted me. You would know
that better than I.
The Chairman. I think in view of the situation that has developed
here and the serious nature of the questions that have been posed, the
subcommittee should take your case under advisement and consider
all the factors involved, particularly the fact of your recent arrest,
and call on A'OU at another time.
Mr. Roth. Thank you.
Mr. Beaser. Mr. Chairman, the witness is under subpena. It might
be advisable, until the subcommittee has decided what it is going to do,
that he be kept under that same subpena.
The Chairman. Without objection, that will be the order of the
Chair.
Mr. Roth. Thank you, sir. I shall consider myself on call.
Mr. Beaser. Mrs. Helen Meyer.
JUVENILE DELINQUENCY 197
Do you mind being sworn ? Do you swear that tlie evidence you are
about to give before this subcommittee will be the truth, the whole
truth, and nothing but the truth, so help you God ?
Mrs. Meyer. I do.
The Chairman. Thank you, Mrs. Meyer. Do you have someone
who is going to assist you ?
Mrs. Meyer. Mr. Matthew Murphy, the editor of Dell Publications.
The Chairman. Will you be giving evidence or will you be assist-
ing Mrs. Meyer ?
Mrs. Meyer. I don't know whether I will need him.
The Chairman. We will swear you anyway.
Do you swear that the evidence you are about to give before this
subcommittee will be the truth, the whole truth, and notliing but the
truth, so help you God ?
Mr. Murphy. I do.
The Chairman. Will you both state your home addresses and your
associations, with whom you are engaged, or by whom you are engaged?
TESTIMONY OF MES. HELEN MEYEE, VICE PEESIDENT, DELL
PUBLICATIONS, ACCOMPANIED BY MATTHEW MUEPHY, EDITOE,
DELL PUBLICATIONS, NEW YOEK, N. Y.
Mrs. Meyer. Mrs. Helen Meyer, 231 Montrose Avenue, South
Orange, N. J. I am vice president of the Dell Publishing Co.
Mr. Murphy. My name is Matthew Murphy, of 294 Bronxville
Eoad, Bronxville, N. Y. I am employed by Western Printing &
Lithographic Co., as Dell comics editor.
The Chairman. You may proceed.
Mrs. Meyer. Although we are not here to defend crime and horror
comics, the picture is not as black as Dr. Wertham painted it. We
must give our American children proper credit for their good taste in
their support of good comics. What better evidence can we give than
facts and figures. Here they are :
Dell's average comic sale is 800,000 copies per issue. Most crime and
horror comic sales are under 250,000 copies.
Of the first 25 largest selling magazines on newsstands — this includes
Ladies Home Journal, Saturday Evening Post, Life, and so forth — 11
titles are Dell comics, with Walt Disney's Donald Duck the leading
newsstand seller. Some of these titles are: "Walt Disney's Comics";
"Warner Bros. Bugs Bunny" ; "Walt Disney's Mickey Mouse" ; "War-
ner Bros. Looney Tunes and Merrie Melodies, Porky Pigs"; "Walter
Lantz Woody Woodpecker" ; "Margie's Little Lulu" ; "Mom's Tom and
Jerry."
The newsstand sales range from 950,000 to 1,996,570 on each of the
above-mentioned titles. I mean newsstands only, and I am not in-
cluding any subscriptions, and we have hundrecls of thousands of
subscriptions.
With the least amount of titles, or 15 percent of all titles published
by the entire industry, Dell can account for a sale of approximately 32
percent, and we don't publish a crime or horror comic.
Dr. Wertham, for some strange reason, is intent on condemning the
entire industry. He refuses to acknowledge that other types of comics
are not only published, but are better supported by children than
crime and horror comics. I hope that his motivation is not a selfish
198 JUVENILE DELINQUENCY
one in his crusade against comics. Yet, in the extensive research he
tells us he has made on comics, why does he ignore the good comics?
Dell isn't alone in publishing good comics. There are numerous out-
standing titles published by other publishers, such as Blondie, Archie,
Dennis the Menace, and so forth. Why does he feel that he must con-
demn the entire industry ? Could it be that he feels he has a better case
against comics by recognizing the bad and ignoring the good ?
Dr. Wertham, I am sure, has a fine reputation as a psychiatrist, but
shouldn't the committee hear from other psychiatrists of equal stature ?
Of all the illustrations presented by Dr. Wertham yesterday, taken
from crime and horror comics, needless to say, Dell was nonexistent,
but I do take offense to his reading into the record an isolated story
that the claims appeared in Tarzan comics. I should like more specific
information on this particular story, and when this issue was pub-
Ished. Dr. Wertham has a great habit of using material from comic
magazines that were published several years ago, and no longer being
published, to help his case against the comics.
Dr. Wertham must have done some extensive examining of the 90
titles published by the Dell Publishing Co., as he went out of his way
to point up the one story he didn't like in an isolated issue of Tarzan
comics, probably published several years ago. Wasn't it unfair and
destructive, rather than constructive, to read his condemnation of Dell
Publishing Co.'s comics into the record ? Shouldn't the good be given
proper recognition, if for no other reason than to set the example?
With regard to Dell's refusal to belong to the Comic Book Associa-
tion, Dell had no other alternative. When the association Avas first
introduced, we, after thorough examination, saw that Dell would be
used as an umbrella for the crime comic publishers. Dell, along with
these publishers, would display the same seal. How could the news-
dealer afford the time to examine the contents of each comic he
handled ? The parents and children too would suffer from misrepre-
sentation. Dell didn't need a code set down by an association, with
regard to its practices of jiood taste. We weren't interested in trying
to go up to the marginal line in our comic-book operation, as we knew
we were appealing, in the main, to children. We have no regrets. In
addition to the good feeling we have created among our loyal follow-
ing, we have profited financially. So you don't have to ])ublish crime
and horror comics for financial success. To the contrai'v, Dell's policy
of publishing good comics has served as well.
Mr. Caniff and Mr. Kelly have told you how the syndicate editor
as well as each newspaper editor are their censors. Dell has their
censors too. World renowned citizens like Walt Disney, Walter Lantz,
Mr. Fred Quimby, of MGM, Edward Selzer, of Warner Bros., Marge's
creator of Little Lulu, and many, manv others, wouldn't for any pos-
sible financial gains, allow us to publish their creations if we used
their characters badly.
The Chairman. Thank you for that statement, Mrs. Meyer.
Does counsel have any questions?
Mrs. Meyer. May we show you some of our comics ?
The Chairman. Do you have some to leave for the files?
Mrs. Meyer. For one thing, we try to do something, too, on the
question of horror. We have taken two full-page colored ads in
the Saturday Evening Post.
The Chairman. I am sure you are interested in eliminating horror
comics, are you not ?
JUVENILE DELINQUENCY 199
Mrs. Meyer. We certainly are. And we would love to help you
do it.
Here is an editorial by Dr. Polling.
Mr. Beaser. Will you please leave those with us ?
Mrs. Meyer. Yes.
The Chairman. Mrs. Meyer is leaving this material for the files,
as the Chair understands it. Let that be exhibit No. 25.
(The material was marked "Exhibit No. 25," and is on file with the
subcommittee.)
Mrs. Meyt:r. Would you like to see the dramatic story of the largest
selling magazines in the world, as compared to any other publishers ?
The Chairman. We will receive those for the record, Mrs. Meyer.
Mrs. Meyt:r. I refer to this list showing the newsstand sales of all
the leading magazines.
Mr. Murphy. May I say, sir, that our primary purpose in appear-
ing before the committee is to show" that by publishing good comics,
w^e not only outsell all other publishers of comics of all kinds, but
that we have parental acceptance, which is indicated by subscriptions
which run over a million a year, which are a dollar apiece. That is,
many dollars a year in subscriptions, and the Dell policy is to pub-
lish good comics, Dell comics are good comics.
As an editor I handle approximately a third of these comics. I can
say that we publish what we believe to be good comics and not what
we know may be doubtful comics.
Mrs. Meyer. If there is any question of doubt I do not want it.
Senator Hennings. I was just going to ask the question which your
statement embraced. If I may ask you one other thing, Do you feel
that the competition, if such it be, from the horrors and the crime
comics, to any great extent affects your business ?
Mrs. Meyer. No. In fact, from time to time we run into periods
where we have 100 men out on the road representing us, who would
write us and tell us, this love comic is selling and this other one, and
why don't we get into it. We just ignore the field.
Senator Hennings. You do not feel it is competition ?
Mrs. Meyer. We don't.
Senator Hennings. It is a different field in a sense ?
Mrs. Meyer. It certainly is, and I don't think it is profitable. All
these people do is put them out and they have to take them back
in again. I think all they do is earn a salary and help the paper man
and the printer.
Mr. Hannoch. Wliat did you say your monthly sales were ?
Mrs. Meyer. We print approximately 30 million comics a month.
We sell over 25 million.
Mr. Hannoch. These are the ones that sell for 10 cents ?
Mrs. Meyer. For 10 cents, and we have some 25-cent ones, too.
Mr. Hannoch. None of them have ads, do they ?
Mrs. Meyer. We will only take ads in 10 monthly magazines. We
will take only cover ads. We censor the ads. We take ads from Gen-
eral Foods and Mars. We are running an ad for Mars chocolates.
They are all national advertising. We won't take anything but na-
tional advertising, no mail-order advertising whatsoever.
Mr. Murphy. Most of our books appear without any advertising
at all. This 25-cent issue has no advertisinc: in it.
200 JUVENILE DELINQUENCY
The Chairman. Would you agree with the Chair that we ought to
look for some new definition of comics and what field is covered by the
word "comics"?
Mrs. Meyer. Yes, I do. In fact I felt that I should really be repre-
sented here. First, we didn't even want to be classed with the crime
and horror comics. Yet when we more or less did get into it, I felt
we should be here to tell you our story.
We abhor horror and crime comics. We would like to see them out
of the picture because it taints us.
Mr. Murphy. We would like to show, too, that although we publish
a third of all the comics published, the horror and crime comics which
Dr. Wertham yesterday said constituted a majority of the comics are
really in a minority, and the percentage of them has to be very small
because of the number that we publish alone, and we publish no war,
no horror, no crime, no romance.
Mrs. Meyer. We sell 3I/2 million of Walt Disney's Peter Pan
comics. That is a wonderful document, isn't it, against crime comics ?
Mr. Hannoch. Do you ever get complaints from grandfathers who
get tired of reading these over and over again to their children ?
Mrs. Meyer. We don't get any such complaints. I know when my
children were young, I had to read my own comics to them, but of
course it was wonderful then. Then I knew everything that was going
on in each of our comics.
The Chairman. Mrs. Meyer, this subcommittee is grateful to you
for your appearance here today. You have been very helpful.
Mrs. Meyer. Thank you.
The Chairjian. Now in adjourning these New York hearings on
crime and horror comics until further call of the chairman, I wish to
state that the subject matter of these hearings will receive further
careful study and consideration by the subcommittee.
Certain questions such as tie-in sales, for example, represents one
of the several which we will have to resolve. Without attempting at
this point to draw any conclusions, I wish to again reassure all in-
terests concerned, that the subcommittee is aware that the evaluation
of the total situation, in relation to the production of comics of this
type, is a complex one and one which involves many, many facts.
I also wish to repeat that these hearings on horror and crime comics
represents but one form of the mass media to which this subcom-
mittee will give attention at a later date. We believe that the public
has a right to the facts, the right to know what the effect of this and
other media is upon children, to know who is setting the standards for
the media, and how the industries concerned operate, in relation to the
observance of any standards.
The subcommittee would also like to thank the authorities here in
New York who have made this room, and other facilities, freely avail-
able to us. We also wish to express our appreciation for the interest
shown and the cooperation given by the press, the radio, and the
television.
It has been a great privilege for us to be here in this great city of
New York, trying to solve not only one of your problems but a problem
which exists throughout the Nation. Thank you very much.
The committee stands in recess, subject to the call of the Chair.
(Whereupon, at 4 : 15 p. m., the committee was recessed, subject to
call.)
JUVENILE DELINQUENCY
(Comic Books)
FRIDAY, JUNE 4, 1954
United States Senate,
Subcommittee of the Committee on the Judiciary
To Investigate Juvenile Delinquency,
New York, N. Y.
The subcommittee met at 10 a. m., pursuant to call, in room 110,
United States Court House, New York, N. Y., Hon. Robert C. Hen-
drickson, (chairman of the subcommittee) presiding.
Present : Senators Hendrickson and Hennings.
Also present : Herbert W. Beaser, chief counsel ; ^ Richard Clen-
denen, staff director ; Peter N. Chumbris, assistant counsel-investiga-
tor, and Ed Hart, subcommittee consultant.
The Chairman. The hearing will come to order.
Today's hearing is a continuation of our subcommittee's investiga-
tion of that segment of the comic-book industry which deals with
lascivious and lustful crime and horror material. The chairman
wishes to reiterate what he said during our opening hearing on this
subject on April 21, that we are not in the least concerned with about
four-fifths of the output of the entire comic-book industry. We are
attempting to find out to what extent questionable type comic books
affect the mind of American youth.
We began the hearings and have continued them in the spirit of ob-
jective exploration. We are not out to get anyone.
Again I must reiterate, we are not a subcommittee of bluenose cen-
sors. We are not, and have never been, a senatorial investigatory
body unmindful of the dignity of the United States Senate, or un-
mindful of our obligation to investigate solely various facets of the
problem of juvenile delinquency. We work in fields that we feel are
pertinent to our subject. Only if we operate with common sense,
decency, and a sincere interest in finding the answers to the complex-
ities of the youth delinquency problems, can our subcommittee hope
to make proper recommendations that will reverse the trend, or, at
least, retard the rise in our disgraceful juvenile delinquency rate.
The response to our earlier hearings into horror comic books has
been extremely gratifying to the chairman and my subcommittee col-
leagues, and to the staff members who have done a splendid job of pre-
paratory work.
1 Herbert Wilton Beaser succeeded Herbert J. Hannoch as chief counsel to the subcom-
mittee on May 1, 1954.
201
202 JUVENILE DELINQUENCY
Our previous hearings dealt primarily with the publication of the
comic books with which we were concerned. We heard from publish-
ers, artists, psychologists, teachers, and public officials, many of whom
have the same concern with these horror and crime comics that we
have.
Today we are going to look into the matter of selling and distribu-
tion practices, and into certain proposals which have been advanced
as helpful in combating the detrimental influence upon youth of cer-
tain types of publications.
Before we hear our first witness, I want to state that as a result of
our 2-day New York hearing, there are several hopeful signs that the
comic book industry as a whole has become concerned at the revela-
tions brought out thus far. There are signs of movement within the
industry in the direction of improving its total product. The respon-
sibility resting upon the industry is very great. My colleagues and
myself will watch with mounting interest every step in the right
direction, which the industry takes, that will demonstrate its cog-
nizance of its own responsibility to the parents and youth of our
country.
I wanted to say here that I regret that my colleagues today are
engaged in other matters of great importance in respect to their
senatorial duties and they cannot be with me.
Now, it is my great pleasure to introduce to the television audience
this morning a very distinguished son of New York, a member of the
New York State joint legislative committee, which was designated to
study the publication of crime comics.
I don't know where they got the word comics. Assemblyman, but
they certainly are not comics. It is a pleasure to have you here. It
is a tribute to the subcommittee that we have your distinguished
presence.
I will now turn you over to the counsel for the subcommittee who
will demonstrate your knowledge of this subject with his own proven
ability.
Mr. FiTZPATRiCK. Thank you, sir.
Mr. Beaser. Would you be sworn. Assemblyman ?
The Chairman. Do you solemnly swear that the evidence you are
about to give before this subcommittee of the Senate Committee on
the Judiciary of the United States Senate, will be the truth, the whole
truth, and nothing but the truth, so help you God ?
Mr. FiTZPATRTCK. I do.
The Chairman. I would like to say before you begin that we have
been swearing all witnesses as a matter of tradition with this
committee.
Mr. Beaser. Will you state your full name, your home address, and
occupation.
TESTIMONY OF HON. JAMES A. FITZPATRICK, CHAIRMAN, NEW
YORK STATE JOINT LEGISLATIVE COMMITTEE TO STUDY THE
PUBLICATION OF COMICS
Mr. FiTZPATRicK. James x\. Fitzpatrick, 88 Beekman Street, Platts-
burg, N, Y. ; member of the New York State Legislature, assembly-
man: chairman of the New York State Joint Legislative Committee
JUVENILE DELINQUENCY 203
To Investigate the Publication of Comics, and in private life, an
attorney.
Mr. Beasek. How long has the committee of which you are chair-
man been in existence?
Mr. FiTZPATRicK. Since 1949.
Mr. Beaser. Have you made any findings as a result of your in-
vestigations and hearings ?
Mr. FiTzPATRiCK. We have.
Mr. Beaser. What are your findings?
Mr. Fitzpatrick. Well, sir, and. Senator Hendrickson, if I may be
permitted to do so, I would like to make a statement first.
The Chairman. You proceed in your own way.
Mr. Fitzpatrick. I also w^ould like to ask that I be afforded slight
latitude, in that I was unable to attend the previous hearings, and
1 would like to place in the record a general summary of the work
we have done in the State of New York and particularly, our
findings and conclusions with respect thereto.
May I say, as a member and chairman of this New York legislative
committee, that I am not only delighted to have this opportunity to
appear, but on behalf of my committee I should like to express our
gratitude to you for the work you are doing, and to state how
pleased we are that this subject is receiving the attention of the
United States Congress, because we feel that it is one of the most
serious subjects that now faces the people of this country.
I first became interested in this subject in 1949 when I introduced
regulatory legislation in the State of New York dealing with comic
books.
Shortly thereafter, and in the same year, the New York State
joint legislative committee to study this subject was created.
The Chairman. You understand. Assemblyman, that this subcom-
mittee is not trying at all to invade the States or take away any au-
thority of local government. We are trying to furnish some degree of
leadership at the national level.
Mr, Fitzpatrick. Yes, sir ; and I wish to make it quite clear that
we are particularly delightecl because we feel that this problem is so
large that it must be handled effectively on the Federal level, and
that while we feel we can do something in the States, w^e are hopeful
that there will be Federal legislation forthcoming as a result of your
studies.
Now, we have concluded after making our studies that the studies
have conclusively demonstrated that a substantial percentage of pub-
lications, in the crime comic field and particularly in the pocket book
and picture magazine field, which I understand you will get into at a
later date, contain offensive material primarily concerned with crime,
horror, sex, and lust, and that a constant reading of this type of
material has been a direct and substantial factor in the sharp in-
crease in juvenile crime and in the lowering of the whole general
standards of morality of our youth.
Our most recent report, the report of the New York State joint
legislative committee, has been made available to your committee
and I am very much pleased to say that, as a result of our efforts
this year. Governor Dewey has signed into law^ three bills dealing
with crime comics and with indecent publications. The bills are
49632—54 — —14
204 JUVENILE DELINQUENCY
printed in the appendix to the report. The bills that have been signed
include a tie-in-sales, a bill that you are very much interested in at the
present time, as I understand it.
We have tripled the existing penalty under our penal law for the
sale of salacious material, and we have also written into our law a
new authority for injunctive relief to be sought by mayors of cities and
corporate counsels of cities, or by the chief legal officers of other units
of government, that do not actually have corporate counsels because of
their small size.
Now, I should like, if I may, to submit a copy of this report in
evidence at this time, and to request that it be included as a reference
and incorporated as a part of my remarks and part of my testimony,
by and on behalf of my committee, as chairman of the committee.
The Chairman. It will be the order of the subcommittee that this
report be made a part of the subcommittee's files.
(The report referred to was submitted earlier by Mr. Richard
Clendenen as "Exhibit No. 4c," and is on file with the subcommittee.)
Mr. FiTzPATBicK. Thank you, sir.
I should also like at this time to invite your attention. Senator, to
the remarks made by the former chairman of this committee, As-
semblyman Joseph Carline, who appeared before the Gathings com-
mittee, and testified at quite some length during their hearings in
Washington.
I should like also to invite your attention to the fact that in this
report we have included a summary, not only of our previous work
and findings with respect to comic books, but with respect to pocket
size picture books, and with respect to television, and I understand
you are going to have some television hearings here tomorrow.
I have read with great interest both the report of the Gathings
committee and the proceedings of Senator Kefauver's committee
studying crime in interstate commerce.
I was particularly interested in a letter written to Senator Kefauver
by J. Edgar Hoover in August of 1950, for in it he states that the basic
cause of the high rate of juvenile crime is the lack of a sense of moral
responsibility among youth.
This seems to me to be the key to the whole problem now being
studied by this committee, and I feel sure that you will conclude,
beyond any question of doubt, that the horror and crime comic, the
obscene pocket book and the so-called girlie magazine are among the
principal factors helping to pervert, warp, undermine, and completely
destroy all sense of responsibility, moral or otherwise, of today's
youth.
This being the case, it would appear that the time has now come
for all agencies of government, local. State, and Federal, to unite in
a concerted effort to rid the newsstands of this country of the current
torrent of filth in print.
The Chairman. May I interrupt your prepared statement.
Which of these two types of magazines or publications do you
think have the most serious influence on our young people ^
Mr. FrrzPATRicK. As I point out later in my statement, I think Dr.
Wertham, who has testified before your committee, and who has
testified before our committee, and who has recently published a very
excellent book entitled "Seduction of the Innocent", has put his finger
JUVENILE DELINQUENCY 205
on it when he says we, in effect, start youngsters on the crime comic
and the horror book in their younger years, and then graduate them
to the completely salacious type of pocket book that we have here and,
therefore, influence them right from the time when they are first
interested in comics, right through their earlier years into adulthood.
I think they both have a direct influence in various age groups. I
think the whole thing is combined.
The Chairman. You will treat with that later ?
Mr. FiTzPATRiCK. Yes, sir.
The Chairman. I am sorry I interrupted you.
Mr. FiTzPATRicK. Tliat is perfectly all right. I am glad to have
you do so at any time.
Now, Mr. Hoover also specifically stated in that same letter to Sena-
tor Kefauver, back in 1950, that the availability of salacious literature
and presentations of any type making mockery of democratic living
and respect for law and order, are important causes leading to an un-
healthy crime situation among young people.
If there remains any doubt that comics are offering sex, horror, per-
version, disrepect for law and a completely warped sense of values.
I should like to refer this committee to our report and to one of the
most flagrant examples I have yet seen, a so-called comic entitled
""Panic," and published by "Tiny Tot Comics," and the managing
editor is Mr. William M. Gaines, who testified before your committee
on a previous hearing.
The Chairman. I shall never forget his testimony nor his de-
meanor.
Mr. FiTzPATRiCK. I believe after you have read this comic book
you will never forget this comic book, either, because I have been
studying this subject very hard for a long time. I have never yet
seen anything which equals this, nor which so well demonstrates the
very type of evil that I believe we are trying to reach.
Now, if I may beg your indulgence for just a few moments, I would
like, first, sir, to submit to you some photostats of sections of this par-
ticular book, and I would like to make reference to them very briefly,
bearing in mind that this is published by Tiny Tot Comics.
In the first place, sir, you will notice that the very first section —
first, the cover, sir, is obvious. Then inside you will note that they
say they frankly didn't think this kind of thing would sell ; that they
had published a predecessor called "Mad," and they didn't think it
would sell, but they found it did, and they put out Panic. This is the
first issue of Panic.
The first page of the first issue of this new comic book No. 3 of your
photostats, is entitled "Sex and Sadism" department. Now, this is
for tiny tots. The chief character in the first skit is a man who appar-
ently is a private eye. He comes in a room where a man has been
badly mutilated. He says he will get the man and that the man will
die, and that he will use dum-dum bullets which will go through his
body and leave a very large hole.
His companion says, "You make me sick,"
This is what is very important, sir.
The author of this thing then writes, "I make myself sick, but those
idiots out there" — meaning the people who read the book — "buy this
stuff; they eat it up; they love it; the gorier the better, this and sex."
Now, if there ever was a complete and utter demonstration of the
206 JUVENILE DELINQUENCY
reason for the publication of this book, I respectfully submit, Senator ;
there it is and there it is in print.
He is not satisfied with that. He comes up to this girl. He tells
her he is a private investigator. She says, "How would you like to
mvestigate me, honey T'
She starts to undress and he shoots her. "She gurgled up at me,
spitting blood. She was still alive. I rammed my heel down into her
face and did a graceful pirouette on her nose, grinning."
Again his companion says, "You make me sick," and again he re-
peats and comments, "I told you, Pat, I make myself sick, but I am
supposed to be like this. These fiends out there love me like this."
Then it goes on and, incidentally, as you will note in Mr. Hoover's
statement, he particularly warned about publications that make a
mockery of the police.
I sho\v you again, I believe it is on your next photostat, what they
are doing to the police, "Dumb highway patrol cop," and then a pic-
ture of a policeman that looks much more like a mastifl' than a
policeman.
Then this book proceeds and we again find a photostatic sequence
in the same plot that is not only fantastic, but which is complete and
utter perversion. I am referring now to the sequence where this so-
called private eye proceeds to this girl's home — and she, incidentally,
had been requesting him to come with a statement that if he came he
could have everything, including her. She then, and remember this
is all for children, or could be for children ; it is 10 cents on any stand ;
she then takes
The Chairman. However, I might comment for the record, that I
I had a naval officer tell me that he frequently went the rounds on his
ship and threw a lot of these things over that the young sailors bring
aboard.
Mr, FiTZPATRiCK. Right, sir ; I was a naval officer for 3 years, and I
know you are absolutely right. I know that the Navy during the last
war banned certain types of comic books from the sailors in Korea,
and whether they are for children or adults, this type of thing should
not be published.
This is so flagrant that I just want to beg your indulgence for 2 or
3 more minutes.
She then drags this man up to her room and goes through all of the
gyrations which are evidenced in the photostats, and finally begins
to undress.
After additional invitations he then kills her and she turns out to be
a man — complete and utter perversion.
Now, skipping over the rest of this rot — and I call it rot without any
reservation whatsoever — we come to the comic book idea of how the
Night Before Christmas should be presented, one of the most wonder-
ful poems that we have ever had in our entire history, I believe. It
starts out with the presentation of dead carcasses, which is not quite so
bad, and then proceeds to stockings hanging before the fireplace, which
takes the form of panties and a girl's leg with a garter on it, "Visions
of sugar plus," Marilyn Monroe and Jane Russell; "Mama in her
kerchief" becomes a girl in a bed.
It ends up by Santa Claus going off with "Just Divorced" on the
back. That is the kind of complete and utter rot we are giving to
JUVENILE DELINQUENCY 207
children under the guise of something that originally started out sup-
posedly to be funny.
Incidentally, they call it Humor in a Varicose Vein.
The Chairman. Do you know how many of these particular publi-
cations go out every month ?
Mr, FiTZPATRicK. Of this particular one; no, sir, I do not. I don't
have the staff to do the kind of detailed investigation that you are
doing so expertly with this type of thing. I know that your counsel
is doing a fine job of tracing individual publications.
The Chairman, I might ask our counsel for the record, do we have
an account of the number of issues of Panic ?
Mr. Beaser. We have minimum and maximum publication figures.
Mr, FiTZPATRCK. There are approximately 90 million comic books
a month being published and distributed. You have those figures.
But how many of this particular issue, I can't tell you.
As I said before, and I pointed out in my statement, Dr. Wertham
has told you how we start them on tliis, and we condition them, and
bring them along.
Just briefly I would like to mention this because I think it ties in
the direct picture. After we have conditioned them on this type of
thing, on sex and horror, which he himself says is the sole purpose
of this publication, we then give them this type of thing: She Lived
in Sin, Shameful Love, Confessions of a Pick-up Girl, Shameless
Play Girl, and Out of Bounds.
I would like to submit these to your committee, sir.
The Chairman. They will be made a part of the subcommittee's
files. Let that be exhibit No. 2f).
(The material referred to was marked "Exhibit No. 26," and re-
ceived for the record. )
Mr. FrrzPATRicK. Now, what the publishers of this type of booK
are presenting to our J^outh, as acceptable in the field of morals, can
be determined from a description of sin, taken from one such pub-
lication and included in our committee's report at page 75. It is
.stated in one such publication that there is no such thing as sin and
that "Sin is a label that has been attached to the most daring and
enjoyable experiences which those who decry it are either too old
or too unattractive to enjoy."
That, sir, is their version of sin.
Now, may I say also that we have tried in our report to show very
quickly the type of com])lete and utter filth that can now be found
in pocket books, available for children or anyone else, on the news-
stands of this State.
On ])age 77 of our report, sir, you will find that for 35 cents, any-
one, child or otherwise — I say child, of course, I am talking of the
juvenile — anyone 14, 15, 16 years old, Avho might be interested — for
35 cents in 1 book, can read about Lesbianism, call girls, marihuana,
switch-blade knives, immorality, prostitution, murder, narcotics, and
male prostitution.
This pocket-book material is not fit for adults, and certainly should
not be permitted to fall into the hands of juveniles, or to be displayed
where youngsters can view the covers, so aptly described by Margaret
Culkin Banning as "pictorial prostitution."
Turning to the field of congressional action, I feel that one of the
greatest services this committee can render is to seek by publicity to
208 JUVENILE DELINQUENCY
alert the clergy, the press, the officials, the parents, and the educators
of this country to a full realization of the type of material that is
being sold to young people throughout this land.
I am delighted to see that this hearing is being covered so well
by the press and by the newsreel and television cameras. I think
that is one of the greatest objectives that we have to obtain, both you,
sir, on the Federal level, and we, on the State level, in our respective
States. Since the publication of this report, I have received in-
numerable letters from people who are horrified, who are scandalized
at the type of thing that is on the stands, and who had no idea that
comic books consisted of anything other than Bugs Bunny and Mickey
Mouse. They just have not paid any attention to it.
The Chairman. Let the Chair assure you that I am one of those
who had no idea of this sort of thing.
Mr. FiTZPATRiCK. I think that is a very common situation and I
think, therefore, that one of the best things we can do is to present
to the American public in full view the exact type of thing that is
going on.
As you yourself said in your opening remarks, there are relatively
few people who are responsible for this type of thing. Most of the
publishers in this country are decent, honest people. A great per-
centage of the comic-book industry, as we pointed out in our report,
is engaged in publishing decent comics that have a proper place for
children.
But there is a small percentage; they are willful, and they will
disregard anything and trample on anything to get what they want.
Now, to show you the type of interest that is being created, since
the publication of our report, we have had inquiries from your own
State of New Jersey — which, incidentally, is doing a splendid job and
has recently introduced, and I am sure you are familiar with, Mr.
Thompson's bill in the New Jersey State Legislature — Minnesota,
Massachusetts, Texas, California, and many other States who are
requesting copies of the report. They are talking about introducing
similar legislation.
Community programs to curb sales are springing up in New York
State. People are waking up at last, but there is still much to be done
in the field of education.
Now, in the field of legislation, I feel that it is high time for our
people, the Congress and the courts, to awaken to a realization that
the framers of our Constitution could not have intended the great
guaranties of the freedom of the press as license for irresponsible
publishers to contaminate the minds and morals of children for profit.
We need much more effective legislation both on the State and
Federal level, and I believe that once we have overcome that hurdle,
we will be able to get it, and I think that the educational process is
now setting in.
I think that the courts will eventually come back to the principle
that was expressed by Justice Colin in the appellate division in the
Winters case. At that time he said this r
Pursuant to the police power and without abridging freedom of the press, the
State may enact reasonable regulations in order to protect the general welfare,
public safety, and order and public morals. Wbile the right to publish is sanc-
tioned and secured, the abuse of that right is excepted from the protection of the
Constitution, and authority to provide for and punish such abuse is left to the
legislature.
JUVENILE DELINQUENCY 209
The Chairman. It is really a privilege and not a right.
Mr. FiTzPATRiCK. That is right, sir, but I think we have to do a
little educational work in that regard.
The punishment of those who publish articles which tend to corrupt morals,
induce crime, and destroy organized society, is essential to the sec«rity of freedom
and the stability of the state.
I believe that should be the basic philosophy behind our legislation.
The Chairman. I do not want to interrupt your chain of thought,
but you are commenting on the need for Federal legislation. I know
that your mind — I was a member of my own legislature in New
Jersey — is running mostly to State legislation.
Mr. FiTzPATRicK, That is right.
The Chairman. Have you thought out or spelled out in your own
thinking any specific form of legislation that we of the Congress
should adopt?
Mr. FiTzPATRicK. Yes, sir; I have it in my statement. I am coming
to it right now.
May I also say, too, that, of course, my experience is limited to eight
years in the state legislature, and that I realize there are many difficul-
ties involved in Congressional legislation, which do not face us, and
that you have a great diversity of opinion from various parts of the
country.
The Chairman. Caused by State lines.
Mr. Fitzpatrick. Yes, sir. It makes it much more difficult, but we
have just introduced and successfully passed this bill on tie-in sales.
We have introduced also, and I have a copy in the back, in the appendix
of our report, a bill that I believe your New Jersey bill is patterned
on, Senator, if I may be so bold as to say so.
I have had conversations with Mr. Kaplon, who is doing such a
fine job, and your people in New Jersey. We have introduced in
the State, and have not yet been able to pass — I hope with this condi-
tioning process we are going to get to it — a bill which makes a distinc-
tion between selling literature to the general public and selling litera-
ture to juveniles, and to children.
Now, personally, I feel very strongly about that. I think that we
forbid now the sale of liquor to children ; we forbid the sale of tobacco
to children, on the general ground that it affects their health and
morals.
To me it is just as important to forbid the sale to children of any-
thing which breaks down standards of morality, which stimulates sex-
ual desire, and which contributes to juvenile delinquency.
I would like to see in the State of New York and on the Federal
level, specific legislation banning the sale of horror comic books.
As far as I am concerned, I would like to see all of the horror comic
books deleted from sales to children. I am not sure whether we can
do that on a constitutional basis, or not, but certainly we have pro-
tections in our Constitution against that which is repulsive, if not
indecent, and certainly this kind of material is repulsive.
I think we should seek both on the Federal and State level, legis-
lation dealing specifically with the sale to minors.
Then I feel this: We have heard a great deal about tie-in sales.
You are going to find, I believe, sir, if I may be so bold as to say so^
that it is a very difficult thing to tie people down on the tie-in sales.
210 JUVENILE DELINQUENCY
That is probably not the proper way to put it, but that is the net
result of it.
We have had a great deal of testimony. We have submitted copies
of our written testimony to your counsel on previous dates, when we
have had the same type of hearings in New York, the same type that
you are now having. We have found as a result of our personal in-
vestigation that, without any question at all, there are newsdealers
throughout this State who have been led to believe, that if they do
not take these bulk packages that are distributed to them and do not
make an effort to sell Panic and Sun Bathing, and that type of
thing, along with the legitimate type of publication, they will not
obtain the legitimate publications, or that they will lose their fran-
chise.
I have a man in my own community who has repeatedly said to
any groups coming in attempting to clean up this material, "I would
love to cooperate with you, but it is impossible. I can't do it be-
cause I would lose my franchise. If I lose my franchise, I can't take
care of my wife and children", and so on.
Actually, we have found that two conditions exist. We are firmly
convinced from people who have testified before us; one, that there
are instances in the State of New York where the tie-in sale has been
enforced, where the man has actually been told that he shall either
acce])t A, B, and C, or he shall no longer get D, E, and F, the
legitimate publications.
We have also found innumerable instances where in our opinion
the dealer, when asked to cooperate by the community, has used as a
cloak for continuing to sell for his own profit this type of trash, the
cloak that he would lose his franchise, or that he would not be able
to get the decent publications in the event he did cooperate with
our people.
We have accomplished two things by our bill in New York State,
I hope. One, we have banned the tie-in sale. We have made it illegal
in the State of New York. There is a copy of my bill in the appendix.
It is page 39 :
No person, company, partnership, or corporation, shall as a condition to a sale
or delivery for resale of any paper, magazine, book, periodical or publication,
require that the purchaser or consignee receive for resale any other book or
publication, reasonably believed by the purchaser, or consignee, to be obscene,
lewd, lascivious.
Mr. Beaser. Where there is a tie-in sale, is that imposed by the
local wholesaler ? Does it go higher than that, to the distributor, to
the publisher?
Mr. FiTZPATRicK. We have instances of both. We have been told by
the wdiolesaler that he must take and distribute to the retailer or he
will not receive from either the nationwide distributor or the pub-
lisher
The Chairman. You have sworn testimony on this point, do you ?
Mr. FiTZPATRiCK. Senator, those hearings were 2 years ago. I
believe that we have. You certainly have similar testimony in the
Gathings report, and last week, or whenever you were here before, a
man here I believe who represented the newsdealers, gave you sworn
testimony along those lines.
May I say this to you, sir: that we have all kinds of legal inter-
pretations of this law and initially a large number of legal objections.
JUVENILE DELINQUENCY 211
Wliat it amounts to simply and solely, I believe, is an exercise of a
man's constitutional rio:ht to say, "I am in business; I am selling legi-
timate publications. 1 shall not be forced by you to take something
which I personally think is obscene, indecent, or lewd, as a condition
to my selling something else."
In any event, I should like to see that type of legislation on a
Federal level.
Furthermore, I feel that we need to strengthen the postal regula-
tions. There was a great deal about that in the Gatliings report.
My understanding is that under existing law the Postmaster General,
if he wants to proceed, has to proceed by hearings and sometimes
these hearings take as long as 6 months.
In the meantime, the fly-by-night operator is gone, or he is pub-
lishing something else.
I respectfully suggest that consideration be given to a law empower-
ing the Postmaster General to apply to the courts for an injunction
on not more than 5-day notice to the individual, company, or cor-
poration involved, in distributing this type of literature.
You will find that we are attempting to use the injunction powers
of the State in a bill which becomes eti'ective here on the first of July,
and we hope that it is going to be most effective in helping us to rid
the stands of this kind of material.
Talking about postal regulations, and as a matter of regulation, I
think you will be interested to know that I was recently flabbergasted
to find that the most salacious type of material, advertisements for
books that can be purchased, such things as "My Sister and I," "Dou-
ble Exposure," "Homosexual Life" — everything of the worst type,
has within recent months been mailed through the mails to, of all
people, youngsters in preparatory school, unsolicited mailings to a
list of youngsters in preparatory school, asking them if they don't
want to buy this type of material.
I am pleased to be able to report to your committee, and I believe
your counsel is aware of it because he has been after this kind of thing
too, that within recent weeks the police department of the city of
New York has raided the place from which this material came and
has taken away, as I understand it, truckloads of material.
So, fortunately, that has been accomplished.
This is another practice which is going on through the mails.
They are mailing to individuals with confidential return blanks with
numbers so that you, sir, or I, if we wish to investigate this, could
not take the blank and mail it and receive the material. I know,
because I tried. The letters are all returned unanswered. This type
of material, advertisements for books wdiich I believe are completely
sacrilegious for one thing — I won't even read the titles in this record.
It is interesting to say that on the face of this they start out, "Banned
by bigots who can't stand the meaning of the word 'sex'."
The Chairman. Maybe the titles also should go in the record. May
I see them ?
Mr. FiTZPATRiCK. Yes, sir. Some of them I have collected are par-
ticularly obnoxious and I believe they are sacrilegious.
The Chairman. These titles also will go into the record, but they
will not be read in the proceedings.
Mr. FiTZPATRicK. Thank you, Senator.
212 JUVENILE DELINQUENCY
May I say that this publication on its face says, "Banned by bigots
who can't stand the meaning of the word 'sex', but available to you
if you hurry."
It goes on. I don't want to take your time to read it, but it says the
bluenoses — and I am sure you are not one as you said in the begin-
ning, and I hope I am not one, either, nor can I be considered a prude —
we "must face the fact that certain well-intentioned, but narrow-
minded reform groups are threatening to choke off the source of this
supply," but if you hurry now you can get it before they are effective.
The Chairman. The Chair will instruct the recorder to include
these advertisements also at this point. Let that be exhibit No. 27.
(The material referred to was marked "Exhibit No. 27," and is on
file with the subcommitte.)
Mr. FiTzPATRicK. Finally, it is respectfully submitted that con-
sideration be given to providing limited, and closely scrutinized, im-
munity from antitrust regulation for any group or groups of publish-
ers or distributors, working together for the sole purpose of enforcing
industry supervision over the sale of obscene and objectionable liter-
ature.
Now, you mentioned and you are right, that the best way of cleaning
up this mess is to have the industry clean up itself. We tried that.
We had these publishers in; we took their testimony; we issued a
report. We said very plainly, "Gentlemen, we will give you an entire
year to clean your own house. We feel the best regulation is self-
regulation. You know this is bad. You clean it up and you will have
no trouble from our legislative committee."
We came back in a year. Senator. We called the same people before
us. They had done nothing. They had attempted to do nothing.
I am speaking now not of the better segment of the industry, but of
the people who had so flagrantly published this type of material and
who continued to do so.
After they said to us they had done nothing, we then proceeded to
attempt to enact legislation, and we have finally been successful in
passing some of it this past year.
Mr. Beaser. Actually, from your experience, do the Federal anti-
trust laws prevent them from getting together ? They have never tried
that ; have they ?
Mr. FiTzPATRicK. I want to get to that. I have talked to some of
the more responsible people in the publishing industry, and I know
you have. I have found this: in the first instances there have been
numerous attempts by segments of the industry to get the renegades
to come in and play ball and they won't do it. There have been
organizations formed, and you get the people who are not publishing
the bad materials anyhow. The other people stay outside.
Now, what is happening is this, and this is what I am told by
representatives of tlie industry: they are reluctant to attempt any
kind of coercion within the industry, because they feel that they will
be subjecting themselves to prosecution under the antitrust laws.
I have direct evidence of that from this morning's paper. It is very
interesting. In the first place, there was a piece in the Herald Tribune
this morning about a newspaper's rejection of an ad in Poughkeepsie.
The judge held that they could reject the ad. He says the newspaper
must not be engaged in fraudulent conspiracy of furthering unlawful
monopoly.
JUVENILE DELINQUENCY 213
I believe the same philosophy is the thing that is acting as a deter-
rent to groups who are anxious to clean their own house. They have
found they just simply can't go to the fellow publishers and ask,
"Won't you play ball?" And whatever means they can use in the
industry to force them to play ball they are afraid to utilize because
of fear of prosecution under the antitrust laws.
I feel there is real merit in their contention that we should give seri-
ous consideration to opening the door for them to proceed within
their own industry, because this type of self-regulation unquestion-
ably in our opinion is the best of all regulations, but we have found
it has not worked up to date.
I notice again with a great deal of pleasure that William Richter,
who appeared and testified before you on this tie-in sale problem, is
acting as counsel now for a newsdealers association, which is forming
:a cooperative to attempt to ban comics. This piece was in the New
York Times this morning.
This, incidentally, is following the excellent work that is being done
in New York by Mr. Kaplon of your own State, sir, along the same
general lines. I hope this is the kind of thing of which we will see
more and more.
The CHAiKMAisr. I am glad you referred to that announcement by
Mr. Richter, because I have before me an article which indicates their
effort to clean house within the industry, on the same subject.
Mr. FiTZPATRiCK. That is wonderful. I hope they can do it. But
I think we have to realize that efforts in the past have not met with
great success and it is only because of that — and I believe this is very,
very important — it is only because of that that the State of New York
has had to step in, and I think you are going to have to step in on a
Federal level.
Just one more thing that might be of interest to you, as an indirect
result of the tie-in sale, the kind of thing that can happen with de-
cent distributors. I have in my hand a letter — it happens to be from
a distributor in my home town, but it is indicative, I believe, of what
can be done — in which he states to the retailers that the tie-in sales
bill of the State of New York has been passed, and that it will be
effective on the 1st of July, and while it has not been their practice
to purposely disseminate indecent material of any kind, they want it
clearly known to their retailers that any material that they have
reason personally to believe is indecent or obscene can be returned to
them directly without any obligation. I believe that is a step in the
right direction.
The Chairman. It most certainly is a step in the right direction.
Assemblyman, you talked about the industry putting its own house
in order. Have you ever made a study of the number of printers
engaged in this particular phase of these publications ?
Mr. FiTZPATRiCK. Yes ; we went into that quite thoroughly in our
printed report in 1951. We found that time that 75 to 80 percent
of all comic books sold in the United States were put out by 12 leading
companies. The other percentage was put out by the fly-by-nights,
which are the ones we are having great trouble in hitting.
Now, no one can sit down today, I believe, and tell you that there
are X number of them, because that is the very nature of their business.
The Chairman. I am not talking about the publishers, but the
printers.
214 JUVENILE DELINQUENCY
Mr. FiTZPATRicK. No, sir; I do not know the answer to that . Yon
mean people who actnally print the publications ?
The Chairman. That is right. Would it not be an interesting thing
to have that figure, because they must be, I suspect that they would
be, members of the printers' union, whatever the official name is, and
maybe through the unions you could make an appeal on this subject
and clean house that way ?
Mr. FiTZPATRicK. Well, I am afraid. Senator, that we are going to
have to have at least the stick in hand.
In other words, while voluntary control is the answer if it will
honestly be placed in operation by the industry, I do not think we
are going to get it because people who publish this kind of thing,
in my humble opinion, have no morals, and if they have no morals
in distributing filth and breaking down the whole moral attitude of
oar youth, I don't think they care whether or not they have any
standing.
I am speaking now, remember, about the few, reserving as you
did in your opening statement, for the better segment of the industry
all of the praise that they deserve, all of the praise they deserve in
attempting to clean their own house.
If tliey could get these other fellows in, wonderful; let us do it
that way, but I think we are going to have to have a big stick to do it.
We went through some of the big comic-book printing plants and
we found this with respect to that, at that particular time. They
print great quantities of these and the prints are submitted months
in advance, at least that is what we were told at tliat time. They
simply do not have an opportunity within the plant to control the
content of the material as it comes through.
We went to them at one time. We thought at one time — in fact,
the first bill I introduced in 1049 set up a separate bureau in the
educational department, where all of these things would have to be
submitted in advance.
Well, that censorship is not desirable; we have come to a realiza-
tion ourselves that in our opinion that is not the best way to approach
the problem.
I do think that the tie-in sales bill, the giving to the Postmaster
General some additional authority to go in and get these people before
they can get away, same thouglit to the antitrust — elimination of the
antitrust restriction in the specific instance
The Chairman. I hope the staff are underscoring these remarks
because they do relate to our Federal Droblem
Mr. FiTzPATRicK. I think those are the kinds of things that can be
helpful. I think I have undoubtedly taken much time of your com-
mittee. I want you to know how appreciative we are of the opportunity
to appear before you, how deeply interested we are, and I believe many
more and responsible segments of the people of the State of "Nerv
York are interested in seeing something done about this kind of
thing which we think, if it is permitted to go unhampered and un-
restricted, will honestly drag down the whole moral tone, not only of
our youth, but of our entire country.
I hope, sir, that you will be highly successful. If there is any way
in which we in our small way can contribute to the work of your
committee, or if we can furnish you anything further from the ma-
terial we have at our disposal, we will be delighted to do so.
JUVENILE DELINQUENCY 215
The Chairman. Assemblyman, I speak for the whole subcommittee.
I am sorry my distinguished colleagues are not here with nle this
morning because you have made a great contribution to this commit-
tee's etlort ; I think one of the finest contributions in all of our labors.
I know that my colleagues would have been inspired as I am by your
testimony here this morning, your forthright, courageous, and fearless
approach to this problem.
Your report, of course, will be carefully studied. You have gone into
this field; you are ahead of us in this particular field in the area in
which we are operating.
I just want to thank you from the bottom of a full and grateful
heart for your appearance here this morning.
Mr. FiTZPATRicK. Thank you, sir, it was a real pleasure.
The Chairman. Counsel will call the next witness.
Mr. Beaser. Mr. Benjamin Freedman.
The Chairman. Do you solemnly swear that the evidence you are
about to give before this subcommittee of the Judiciary Committee
of the United States will be the truth, the whole truth, and nothing
but the truth, so help you God 'i
Mr. Freedman. I clo.
TESTIMONY OF BENJAMIN FREEDMAN, CHAIRMAN OF THE BOARD,
NEWSDEALERS ASSOCIATION OF GREATER NEW YORK AND
AMERICA
The Chairman. For the record, will you state your full name and
address and association'^
Mr. Freedman. Benjamin Freedman, 518 Vermont Street, Brook-
lyn. I am chairman of the board of the Newsdealers Association of
Greater New York and America.
The Chairman, Counsel, you may proceed to examine the witness.
Mr. Beaser. Mr. Freedman, you are also a newsdealer here in New
York City ?
Mr. Freedman, Yes, sir.
Mr, Beaser. Where is your place of business ?
Mr. Freedman. Located on the northwest corner of Broadway and
42d Street.
Mr. Beaser. Do you carry on your newsstand crime and horror
comics ?
Mr. Freedman, I did at one time.
Mr. Beaser. You no longer carry them ?
Mr, Freedman, No, sir.
Mr. Beaser. Will you tell us what you know about the problems you
run into in carrying them, or not carrying crime and horror comics?
Mr, Freedman. Originally, we carried the regular crime — not crime,
I mean the comic books, but when these crime and horror comic books
came out they were forced upon us by the distributor.
Mr. Beaser. In what way were they forced?
Mr. Freedman. Tie-in sales. I gave you an illustration. Without
giving any notice or placing any orders we get a bundle. Most of the
time we get a bundle from the deli very man and it is thrown at us,
probably sometime when we are busy.
216 JUVENILE DELINQUENCY
The first chance we get we open it up and we put it out on the stand.
Then until our attention is called we don't even know we have those
books sometimes.
The average news dealer is always so busy getting his latest editions
and getting through with his work, that half the time he doesn't know
what he gets until he starts checking up to pay the bill. Then he
realizes what he gets.
Now, when we protest about some of these books we are told that
"Unless you buy these books, you cannot get the other leading books."
Many times we have been cut off and threatened and harrassed.
The Chairman. When you refer, Mr. Freedman, to "these books,"
you are talking about books such as you see before you on exhibit here ?
Mr. Freedman. Yes, sir ; some of these books, sex books and books
that are not fit to be on public newsstands. We have no way of fight-
ing this.
Mr. Beaser. You say you no longer carry these, though.
Mr. Freedman. I for one don't. Some of them do. But most of
them since that last investigation have done away with it, particularly
those members of our association.
The Chairman. By the last investigation, you mean the last ap-
pearance of this committee in the city of New York?
Mr. Freedman. Yes, sir; they are being handled now as we call it
"underground;" the secondhand bookstores get them and these fly-by-
night dealers and peddlers. They are sold in automobiles, some of
them near high schools and some went out of town. Most of them are
secondhand bookstores that are getting most of that stuff.
Mr. Beaser. You say as a result of the hearings we have held here
many of the dealers in New York City have notified their wholesalers
they will no longer carry those?
Mr. Freedman. That is right.
Mr. Beaser. Have there been any retributions?
Mr. Freedman. There are some threats. We can't tell you exactly
how many stopped carrying them, but a small percentage I will say.
Mr. Beaser. Have stopped completely?
Mr. Freedman. Yes.
Mr. Beaser. Have they been cut off from any of the other kinds
of magazines ?
Mr. Freedman. Some of them have been cut off and some of them
have been hurt some other way.
For instance, if a bundle is to come in, let us say, Thursday at 6
o'clock in the morning, a certain distributor has a package. Those
that have returned their horror comic books, instead of getting theirs
at 6, they get theirs at 11 o'clock. He will make that the last stop.
Everybody else has his books sold.
Mr. Beaser. When you say bundle, what would appear on a typical
bundle?
Mr. Freedman. It is just tied up with a lot of wire. It takes a
little time to open up. You just can't open it and check. It is wire
all around. When you open it up, there is your bundle; you don't
know what is there until the driver is gone.
Mr. Beaser. That is not all comic books ?
Mr. Freedman. No ; it is all tied in together.
The Chairman. How big is this bundle ?
JUVENILE DELINQUENCY 217
Mr. Fkeedman, Some of them weigh 50 pounds ; some 40, some 60,
some 30. Sometimes you get 3 bundles, sometimes you get 2, some-
times 1.
There is no such thing as uniform bundles. It all depends on what
they feel like sending you.
Mr. Beaser. It will be a mixture of good comics ?
Mr. Fkeedman. Good comics, other books, magazines, and these
others,
Mr. Beaser. And the popular magazines ?
Mr. Freedman. That is right.
Mr. Beaser. Have any of the dealers found that the deliveries of
the good magazines have been cut down rather than cut off ?
Mr. Freedman. Some of them have been cut down and some have
been cut off.
Mr. Beaser. They are not getting as many ?
Mr. Freedman. Not as many as before.
Mr. Beaser. Now, is there any handling charge you pay for getting
the crime and horror comics, or for returning crime and horror comics,
or other comics ?
Mr. Freedman. There is a service charge on the delivery. Whether
it is particularly for the crime comic books or otherwise, we don't
know, but there is a service charge for the entire package.
Mr. Beaser. Each time you receive a package
Mr. Freedman. There is a service charge, sometimes a dollar, some-
times 50 cents. We pay it whether we like it or not. It is paid to the
distributor on the bill.
Mr. Beaser. If you were to return 100 crime and horror comics, or
comics, is there a charge for returning them ?
Mr. Freedman. No, sir ; there is no charge for returning them, but
you probably won't get your credit for maybe 6 weeks or 2 months
later.
Mr. Beaser. Are there any instances in which the credit has been
delayed deliberately because of the number of returns made?
Mr. Freedman. Yes, sir ; there has, many of them.
Mr. Beaser. In other words, if you return too many they will delay
on the credit ?
Mr. Freedman. That is right.
Mr. Beaser. How often do you have to pay for shipments you
receive ?
Mr. Freedman. Mostly weekly bills.
Mr. Beaser. On that bill, they give you credit for what you returned
the week before ?
Mr. Freedman. You are supposed to, but you don't get it all the
time.
Suppose they hold it up a month or 6 weeks. Sometimes they tell
you they can't find the bundle. You just keep calling until you get
tired of it sometimes.
Mr. Beaser. Have you personally had any retribution because of
your not carrying crime and horror comics ?
Mr. Freedman. No, sir.
Mr. Beaser. You are still getting the same number of other maga-
zines that you want ?
218 JUVENILE DELINQUENCY
Mr. Freedman. That is right, sir. I am one of the few they know
is active in the association. I am one of the few that will just hght
them if they do that.
Mr. Beaser. The returns are made directly to the wholesaler ?
Mr. Freedman. The driver picks the bundle uj) when he delivers
sometimes, and sometimes the day before, and sometimes we deliver it
ourselves.
Mr. Beaser. They are returned by the wholesaler to the publisher ;
is that right?
Mr. Freedman. I assume that is what they do — no, I don't think
so — I think that these books, if you are talking about the comic books,
the crime ones, they are not returned to the publisher or the wholesaler,
but they go to other places, sometimes out of town and sometimes to the
second-hand bookstores. That is where you will tind most of your
filthy books now.
Mr. Beaser. You mean they try to keep selling them in as many
places as possible ?
Mr. Freed^iIan. They keep them on the market as long as they can.
INIr. Beaser. So what you get in the bundle may not necessarily be
the most recent publications. They may have come from other news-
dealers?
Mr. Freedman. That is right ; they may have come from other news-
dealers or out of town someplace.
Mr. Beaser. Actually, Mr. Freedman, would you be able, if the
system were a little different, to select these magazines? How many
juagazines do you carry ?
Mr. Freedman. Sometimes we carry 800, a thousand, (500.
Mr. Beaser. Weeklies, monthlies, bimonthlies?
Mr. Freedman. Yes. It depends on the time of the year when you
are doing business.
Mr. Beaser. Would you have an opportunity to sit down each week
and o-o throue;h a checklist of 800 magazines and decide how manv you
need and how many you do not need ?
Mr. Freedman. We do that while standing at the particular stand.
Mr. Beaser. You do it for any of the publications ?
Mr. Freedman. We see a book dijesn't move any too fast. We just
make a note of it and say we will cut down on that one, while we are at
the stand.
Mr. Beaser. You tell the driver or distributor ?
Mr. Freedman. We either call up the office or we tell the driver we
don't want these. If they insist on sending them to you we must put
them under the counter and keep them there to return them.
Mr. Beaser. Then you have to wait for credit ?
Mr. Freedman. That is right.
Mr. Beaser. The incentive would be to sell ?
Mr. Freedman. We try to push them if we can, to exist.
Mr. Beaser. Otherwise j^ou have a lot of money tied up?
Mr. Freedman. That is right.
Mr. Beaser. Can you give us the names of the wholesalers from
whom you have refused to accept crime and horror comics ?
Mr. Freedman. Our secretary, Mr. J. Kay, has a list of all the names
of the distributors. We will be glad to furnish them to you off the
record. We just don't want to get tangled. There may be some legal
angle there for a comeback.
JUVENILE DELINQUENCY 219
If you want the names I think Mr. Kay will give them to you.
The Chairman. The Chair will order that that list be made a part
of the subcommittee's files.
Mr. Freedman. All right, sir, and Mr. Kay will furnish it here.
(The information referred to was received at a later date, marked
"Exhibit No. 28," and is on file with the subcommittee.)
Mr. Beaser. There is still fear of retribution ?
Mr. Freedman. We are continuously being threatened.
Mr. Beaser. With what ?
Mr. P^reedman. Being cut off, no telling what is going to happen.
A couple of years ago our attorney, Mr. Richter, advised us that
if we don't want to carry the Daily Worker — and we refused to handle
it and most of our members don't, we had threats for lawsuits
The Chairman. This subcommittee can understand that. We are
occasionally threatened, ourselves.
Mr. Freedman. We have threats and we are people, most of us out
at the newsstand, most of us are disabled veterans, sick people, and
we don't look for trouble and we are tickled to deatli to be left alone.
We don't want to put up with any threats. We are a little careful.
There are a few of us that are not afraid, but you can't fight all the
people all the time.
Mr. Beaser. Have there been threats of physical violence ?
Mr. Freedman. There is a way of hurting you. If a distributor
cuts off a certain item it means he has to lay some help off. I will
give you one little angle.
Let us say he loses a certain amount of magazines that he is not
going to deliver. He lays off two men. He tells these two men "Be-
cause these newsdealers refuse to handle these books, I have to lay you
people off."
You figure out the rest. They have a union ; you think what is going
to happen to us.
The Chairman. You do not have to worry if you are right.
Mr. Freedman. I am one of these that is not worried. I would
rather die than be afraid, but not all of them feel that way.
Mr. Beaser. You said some time ago there was a cutting off by the
newsdealers of receipts of the Daily Worker. Was there any retribu-
tion that you know of ?
Mr. Freedman. We were threatened, our counsel was threatened,
but most of us just don't carry it and people just don't ask for it.
Some of them do, but the majority don't.
Mr. Beaser. But the distributor did not cut down on magazines, or
don't you know ?
Mr. Freedman. Well, the distributor that handles the Daily Worker
is a newspaper distributor. They don't handle magazines.
Mr. Beaser. Was there cutting off of the newspapers ?
Mr. Freedman. No, there was just a little talk and threats, but it
went over pretty good.
Mr. Beaser. Was there any delay in deliveries?
Mr. Freedman. No, not in that respect.
Mr. Beaser. I have no further questions, IMr. Chairman.
The Chairman. Mr. Freedman, how many members do you have
in your association ?
Mr. Freedman. We have about a thousand members.
49632—54 15
220 JUVENILE DELINQUENCY
The Chairman. Do you have meetings regularly ?
Mr. Freedman. Yes, sir.
The Chairman. What are the stated periods of your meetings?
Mr. Freedman. Sometimes once a month or if it is a special meeting
we call it within the month.
The Chairman. According to the needs?
Mr. Freedman. That is right. Our board meets every week. We
meet at our attorney's office, or at our own office.
The Chairman. I presume you discuss at these meetings this prob-
lem that brings this committee here this morning?
Mr. Freedman. Yes, sir ; we did, and we instructed everyone of our
board members — and every board member comes from a key spot in
the five boroughs, and acts as sort of chairman of his vicinity — to tell
all the dealers there to do away with the horror books.
We have had some very good reports, but we are in trouble with the
tie-ins, we are in fear. That is one of the reasons we started at our
counsel's suggestion to organize this distributing company which we
are about ready to start now. I think that may be the answer.
The Chairman. You see your association or its members taking
new heart as a result of this inquiry ?
Mr. Freedman. Yes, sir; they feel very good about it. Not only
the members, but we get customers that come over to the stand and
remark about the wonderful job you people have been doing with their
children ; that they don't ask for those books. They are a little scared^
but it is still going on.
The Chairman. Do you find that the parents have known about
these publications ?
Mr. Freedman. Yes; some of the parents would go out and buy for
the children. They are just as bad as the children, some of them, just
bring them right over and ask for them. They both read them.
I would think, that this investigating committee has done a wonder-
ful job with us dealers, too. Some, of the distributors are a little bit
careful how to handle us.
Of course, this may be a temporary condition. They may feel dur-
ing the investigation while the lights are on, why, they will just take it
easy. As soon as it is over, they will start all over again.
The Chairman. Even members of the bar that are sworn to uphold
the law need investigation once in a while.
Mr. Freedman. I know it. I know one thing, Mr. Chairman, that
our association has always been ready to cooperate with any law
agency or any department and help as much as we could. We have
the loyalty oath in our association. If we find anything wrong with
any member we are the first ones to go to the front. We are the first
ones to call to the attention of our license commissioner, who has
done a wonderful job, the violating of any of the rules or the laws of
the association.
We welcome this not only because of the comics, but because of the
tie-ins and the abuse that we dealers have been getting for the last 50
years.
Mr. Kay, I believe, has been a dealer for 30 years. I have been one
for 35 years. Some of them for 35 and 40. We have had nothing
but abuse and there is nothing we can do about it.
But in the last few months it took a little bit of a change with the
help of your committee, and our counsel are always on top of them.
JUVENILE DELINQUENCY 221
The Chairman. Your Joint Legislative Committee of New York
has done a very fine job.
Mr. Freedman. They have done a great job, but they are not living
up to the laws that have been passed ; nobody is enforcing them.
The Chairman. You mean locally ?
Mr. Freedman. That is right. This tie-in law, they should have a
certain department to follow it up and go out and check and bring
these people to court and see that they do the right thing.
Of course, I think this law has only been passed recently, so we will
be patient and give them a little time to organize.
The Chairman. There has to be a period of education after every
law is passed.
Mr. Freedman. That is right. There should be some law with
teeth in it about these books, and everything else pertaining to these
juvenile delinquencies, and get after the printers. They are the ones.
If they will be told they can't print, they wouldn't.
It is like counterfeiters. The United States Counterfeiting Depart-
ment is alwaj'S after the ones that make the plates and do the printing.
That is where you will hit home here. Get after the ones that print
it, and they will get after the ones that want them to print it.
Mr. Beaser. You don't think it is the publishers ?
Mr, Freedman. Well, the publisher has something to do with it.
They are the ones tliat are ordering it, but if the printer wouldn't
want to print it and the publisher won't be able to get one, they w^on't
print it.
The Chairman. If the publisher couldn't get printers it would be
tough.
Mr. Freedman. Yes.
The Chairman. That is the reason I asked Assemblyman Fitzpat-
rick the question as to whether the unions could not help in this field.
Mr. Freedman. They could. I believe if you went to the head of
the legitimate unions, and I think the printing union is one of our
legitimate unions, and explained the situation to them, I think they
would cooperate and work with you.
The Chairman. I understand your local here is called, the New
York Typographical Union ; is that correct ?
Mr. Freedman. That is right, sir. I think they would cooperate.
The Chairman. I think this committee will probably solicit their
aid.
Mr. Freedman. I think you will be doing a good thing. They will
be a great help to you.
The Chairman. Mr. Freedman, we are grateful for your presence
here this morning. I commend you for your courage.
Mr. Freedman. Thank you very much.
The Chairman. Counsel will call the next witness.
Mr. Beaser. Mr. Harold Chamberlain.
The Chairman. You do not mind being sw^orn ?
Mr. Chamberlain. Not at all.
The Chairman. Do you solemnly swear that the evidence you are
about to give before this subcommittee of the Committee on the Judi-
ciary of the United States Senate will be the truth, the whole truth,
and notliing but the truth, so help you God ?
Mr. Chamberlain. I do.
The Chairman. Counsel, you may proceed.
222 JUVENILE DELINQUENCY
Mr. Beaser. Mr. Chamberlain, will you state for the record your
full name, your home address, and business association ?
Mr. Chamberlain. Harold Chamberlain, 16 Park View Place, Bald-
win, Long Island. Circulation director of the Independent News
Co., 480 Lexington Avenue, New York City.
TESTIMONY OF HAROLD CHAMBERLAIN, CIRCULATION DIRECTOR,
INDEPENDENT NEWS CO., NEW YORK, N. Y.
Mr. B-EASER. Mr. Chamberlain, since you sat down, an exhibit has
been put up which is an attempt to shoAv graphically the organiza-
tional setup of the National Comic Publications, Inc. It shows the
Independent News Co., of which I gather you are the circulation
director. Then it shows the Lafayette Color Press, which is wliolly
owned, and tJie All American Printing Co., Inc., which is owned
pretty much by the same people.
It shows that the Independent News Co. distributes magazines
published by the Signal Publishing Co., which issues crime or horror
comics; the Signal Publishing Co., being owned by one of the same
people who owns the National Comic Publications.
Mr. Chamberlain. May I interrupt, please?
That is not correct. I. Donenfeld is not the same as H. Donenfeld.
Mr. Beaser. There is no relationship?
Mr. Chamberlain. There is a relationship, but it is not the same.
Mr. Beaser. You distribute the Prize Comic group material?
Mr. Chamberlain. Yes.
Mr. Beaser. Then the National Comic Publications, Inc., is wholly
owned by the National Comics Publications and those are publishers?
Mr. Chamberlain. That is right.
Mr. Beaser. And then the American Comic group and Beverly Pub-
lishing Co., which issue no crime or horror comics?
Mr. Chamberlain. Correct, sir.
Mr. Beaser. Now, could I ask you a few questions, please, about the
National Comics Publishing Co.? They put out what I call the
Superman comics?
Mr. Chamberlain. That is correct. That was the original identify-
ing symbol, the Superman D. C. symbol, and it has now become
known as the National Comics group.
Mr. Beaser. They also issue other kinds of magazines?
Mr. Chamberlain. No, sir; just comics.
Mr. Beaser. They also issue comics other than Superman?
Mr. Chamberlain. Yes.
Mr. Beaser. Are those representative samples of the names. Detec-
tive Comics, Gang Busters ?
Mr. Chamberlain. That is not representative. They have their
comics broken down into various groups. I might identify them for
you.
Mr. Beaser. Would you, please ?
Mr. Chamberlain. We have first the animated type comic, which
is the Dodo the Frog, Flippity and Flop, Fox and Crow, Nutsie
Squirrel, and so forth. They have 12 such comics in that group.
They have the adventure type, such as Superman, Action, Adven-
ture Magazine, and Congo Bill. There are 11 titles in that group.
JUVENILE DELINQUENCY 223
Then we have the detective type, and there are five, and of those
are Mr. District Attorney, Big Town, Gaii^busters — in the National
Comics gronp there are three, Big Town, Gangbusters, and Mr. Dis-
tirct Attorney.
Then they liave the humor, which is Bob Hope and Martin and
Lewis and Mutt and JefF. They have teen-age comics such as Date
With Judy, which is a strip similar to the television and radio
program.
Here is Howie, Pinkie, Buzzie.
They have western comics such as Hopalong Cassidy.
They have war-type comics, such as All American Men of War,
and tlien science and space fiction. Mystery, and Space and
Strange Adventure, and one which you apparently classify in your
presentation here as fantasy, is House of Mystery. That is the
only one which you might categorize in that group.
Mr. Beaser. Mr. Chamberlain, all of the Superman national comic
magazines carry a statement about the editorial advisory board, do
they not ?
Mr. Chamberlain. That is correct.
Mr. Beaser. Showing that Dr. Lauretta Bender, Josette Frank, Dr.
W. W. D. Sones, Dr. S. Harcourt Peppard, are members of the ad-
visory board of the Superman comics group.
Mr. Chamberlain. That is correct.
Mr. Beaser. They are still members?
Mr. Chamberlain. Yes, sir.
Mr. Beaser. What actually are their duties insofar as content of
your Superman comic group publication is concerned?
Mr. Chamberlain. In contrast to our former witness, Mr. Freed-
man, I am not an authority on all branches of this industry. I am
at the national distributing end of it and I do not feel that I am
qualified to tell you their exact duties. I do not know.
Mr. Beaser. They act as advisers to the corporation; is that it?
Mr. Chamberlain. I understand that they do, sir, but I cannot tell
you their exact duties.
The Chairman. The Chair wishes to interrupt counsel at the mo-
ment.
I am happy to announce the arrival of my distinguished colleague,
the Senator from Missouri, Mr. Hennings.
Senator Hennings. Thank you. I had to come all the way from
Danville, Va., for this hearing and I am sorry to be late today.
The Chairman. All right. Counsel, you may proceed.
Mr. Beaser. Then you do not know the standards which are fol-
lowed in deciding what content goes into the Superman group?
Mr. Chamberlain. There is a veiy definite and spelled-out code
that is followed by our editors and our artists, in preparing the mate-
rial for the Superman, D. C, or National Comic group.
Mr. Beaser. How is that code arrived at?
Mr. Chamberlain. It was arrived at, I believe, by this board of
advisers.
Mr. Beaser. Does this board screen the comics?
Mr. Chamberlain. Again I am not qualified to answer that posi-
tively.
224 JUVENILE DELINQUENCY
Mr. Beaser. You do not know whether they make suggestions from
time to time ?
Mr. Chamberlain. I believe they do, but again I am not positive.
Mr. Beaser, Now, the type of material I have noticed in the Super-
man group differs considerably from the type of material in the maga-
zines distributed by the Independent News Co., despite the fact that
the tliree owners are the same. Can you account for the incongruity
of setting up an advisory board for one operation, and then distribut-
ing material such as is contained in Black Magic or Frankenstein, and
so forth ?
Mr. Chamberlaix. We must admit that it is incongruous because
of tliis : We are in the Independent News Co., a national distributing
outfit. It is true that we are a subsidiary concern of National Comics,
Inc. ; we represent a number of publishers other than those that pub-
lish comic magazines.
' We do have a set of standards by which we guide ourselves in the
magazines that we distribute to the Independent News Co. We have,
and many times in the past, refused to distribute certain magazines
that have been presented to us by our present publishers. That has
happened in the past 8 or 10 months, as a matter of fact.
Mr. Beaser. Which magazines were those, do you know?
Mr. Chamberlain. Not in the comic-book field. They are outside
the comic-book field.
However, when tliis first investigation came to New York, of your
committee, we sat down and discussed the entire matter, and it was
decided at that time that we would eliminate through the news com-
pany any magazines that we felt bordered on the type tliat you were
investigating. We do not feel that even these magazines are the
worst in the field, but they do border on your weird, fantastic group
that you are investigating, and we have eliminated them and they are
off the market, or will be in the next 30 days. Titles such as "Frank-
enstein," "Out of the Night," "Forbidden Worlds," and one which you
do not have there, "Clutching Hand," have been killed.
Mr. Ijeaser, Killed in what way?
Mr. Chamberlain. They no longer will be published or distributed
on the newsstands.
Mr. Beaser. They have gone out of business ; is that it ?
Mr. Chamberlain. The publisher, for example, the American
Comics group, has not gone out of business, but they nre not going
to publish Forbidden Worlds, or Out of the Night any more,
Mr. Beaser. They decided that they would not do it and you decided
you would not distribute it?
Mr, Chamberlain. That is correct.
Mr. Beaser. What otliers have you decided not to distribute ?
Mr. Chamberlain. In the case of Adventures Into the Unknown,
the editorial content of that is to be changed to bring it entirely out
of the realm of the present editorial content. The title will remain
the same for the time being. They will gradually try to work the
title off.
The same holds true for Black Magic, wherein the editorial content
will be changed completely.
Those are the only changes that are being made in the magazines
which you have presented before me.
JUVENILE DELINQUENCY 225
Mr. Beaser. And any of the other magazines that you carry — crime
and horror comics ?
Mr. Chamberlain. We don't have any others. In fact, I think you
have inchided a number here, sir, that do not fall in this category.
Mr. Beaser. Now, let me get the process straight. You sat down
with Mr. Bleier and Mr. Epstein, of Prize Comics.
Mr. Chamberlain. Correct.
Mr. Beaser. And you told them you would no longer carry — this
is since we held our hearing?
Mr. Chamberlain. That is right.
Mr. Beaser. You would no longer carry Black Magic?
Mr. Chamberlain. We would no longer carry Frankenstein, and
he must change the editorial content of Black Magic, or we will not
distribute it.
Mr. Beaser. Let me get a little bit into the publishing mechanism.
Does the editor of Black Magic submit the copy of Black Magic
for October to you before it is sent to the printer ?
Mr. Chamberlain. No, he does not. He submits it to his pub-
lisher. His publisher, Bleier & Epstein, knows of the standards by
which Independent News Co. operates.
There have been times that material got into a magazine, and we
did not know of it until after the magazine had been printed and
shipped, and it was then a case of just trying to mend bridges and
reprimanding the editor and the artist to see that it would not occur
again.
Mr. Beaser. Actually, the first time you see the magazine is after
it is printed?
Mr. Chamberlain. That is right, sir.
Mr. Beaser. You see no draft copy before ?
Mr. Chamberlain. No.
Mr. Beaser. Now, what kinds of standards then do you set up with
respect to Mr. Bleier and Mr. Epstein ?
Mr. Chamberlain. Mr. Bleier and Mr. Epstein have been pub-
lishers of comic magazines since 1940, I believe. Their first comic
was Prize Comics, which is still being published.
We became their national distributors in 1941 or 1942. I am not
sure of the exact date. They have been associated in those 12 or 13
years with our company, and have become familiar with the standard
or the type of merchanclise that we will distribute for them.
I would like to recall that they distributed "Frankenstein" about
1946. We got after them about the type of material in the magazine
and they changed it to a humorous type of character, they made
"Frankenstein" the goat of children's play.
When they did it, the magazine died, the magazine did not sell, and
they discontinued it.
Mr. Beaser. That was when, sir ?
Mr. Chamberlain. That was about 1948. It was revived again just
a few years ago and now it has gone again.
Mr. Beaser. Now, let me ask you one question about Mr. Bleier
and Mr. Epstein. They publish just comics; is that it?
Mr. Chamberlain. No, sir; they do publish a romance magazine.
They publish a magazine called Man's Life.
Mr. Beaser. They also publish books ?
226 JUVENILE DELINQUENCY
Mr. Chamberlain. Not to my knowledge, not through our company.
Mr. Eraser. You would not distribute books ?
Mr. Chamberlain. No, sir.
Mr. Beaser. Let me go through the process which you have done
with the American Comics group.
Mr. Chambeilun. Yes, sir.
Mr. Beaser, There is a relationship there, I gather, between Mr.
Iger and one of the owners of the National Comics group ?
Mr. Chamberlain. That is right.
]\Ir. Beaser. You went through the same process and sat down with
Mr. Iger and Mr. Sanger and told them certain magazines would not
be carried?
Mr. Chamberlain. That is correct.
Mr. Beaser. They agreed to kill those magazines ?
Mr. Chamberlain. That is right.
Mr. Beaser. Are they going to substitute others for them ?
Mr. Chamberlain. That very possibly will be done.
Mr. Beaser. Are they going to adopt the code that the Superman
group has adopted?
Mr. Chamberlain. I can't speak for them on that point. Let me
say this, that they publish right now magazines such as Ha Ha and
Giggle Comics, which are the animated type of comic, along with
some teen-age comics, of which "Cookie" is one.
They do hold a very high standard in that type of comic, but they
have had these three comics in their line.
I might say this, that the reason for those comics was not because
they are out to frighten children. They were asked by some distribu-
tors, Mr. Iger and Mr. Sanger, "Why don't you put out a comic like
this ? They are selling."
The reason that that type of material has sold, I believe, is the
tremendous amount of publicity that has been given to the weird and
horror comics.
The good class, clean comic, has been hurt by the publicity given to
these comics.
In other words, there has not been enough complimentary remarks
passed on good clean comic reading.
The Chairman. Mr. Chamberlain, do you mean to imply that the
publicity came from this subcommittee ?
Mr. Chamberlain. No, sir; I don't mean that at all, sir. It has
come over the past 3 or 4 years.
The Chairman. I was sure that that was not your intention.
Senator Hennings. In further development of the point which the
Senator has raised, from what sources did you expect this comment
relating to the clean comics to come, or from what sources had you
hoped it might come?
Mr, Chamberlain, Well, sir, as you probably know, there are many
groups across the United States and Canada who have set themselves
up as censors, as bodies to determine what is good or bad for the
youngsters to read, and too often, is the case, that they say, this is
bad, but they make no comment whatsoever as to what is good or
where the publishers should be praised for their work in trying to
put out good, decent literature.
Senator Hennings, The comment is negative, rather than positive
as it relates to all of the field?
JUVENILE DELINQUENCY 227
Mr. Chamberlain. That is correct, sir.
Senator Hennings. Thank you.
The Chairman. The good is taken for granted.
Mr. Chamberlain. Or comdemned by insinuations that all comics
are bad.
The Chairman. Counsel, you may proceed.
Mr. Beaser. But actually, Mr. Chamberlain, the crime and horror
comics would not have been published had there not been a market?
Mr. Chamberlain. That is correct.
Mr. Beaser. In other words, you w^ould not throw 300,000 copies of
a magazine out just on the chance that some remarks would be made
that would indicate
Mr. Chamberlain. You are absolutely correct in that, sir.
Mr. Beaser. Also, is it not true that the type of material which has
appeared in Adventures into the Unknown is quite different from
that which you would permit in your House of Mystery?
Mr. Chamberlain. That is right, sir.
Mr. Beaser. Despite the fact that you distribute both ?
Mr. Chamberlain. That is right.
Mr. Beaser. Despite the fact you have an advisory committee for
one and not the other ?
Mr. Chambeflain. Yes.
Mr. Beaser. Incidentally, will the same advisory committee work
with the American Comic group ?
Mr. Chamberlain. No, sir; not to my knowledge.
Mr. Beaser. Do you know whether other distributors are doing the
same thing with the publishers of crime and horror magazines ?
Mr. Chamberlain. No, sir; I cannot speak for the other distribu-
tors.
Mr. Beaser. Is not that one way of getting the odium off the good
and onto the bad ?
Mr. Chamberlain. It certainly is, very definitely is. We feel we
do not want to be subject to any criticism by this committee, or any
other committee, for that matter, in the comic magazines that we dis-
tribute. The Superman comics, or National Comic as we call them,
are one of the biggest groups in the country. We have a lot at stake
in this business and we want to do the best thing possible for the comic
industr}^.
That is why we have taken this step with our outside publishers.
Mr. Beaser. Now, Independent News Distributors own no comics ?
Mr. Chamberlain. No, sir.
Mr. Beaser. Other types of magazines ?
Mr. Chamberlain. Yes, sir.
Mr. Beaser. If I am a wholesaler in New York City and you are
supplying me through the Independent News Co. with magazines,
what do you do — do you send me a list of magazines that will be pub-
lished a. id ask me how many I want?
Mr. Chamberlain. No, sir. The basic fundamental rules of dis-
tribution in the magazine industry is that the national distributor,
the Independent News Co., gets together with its publisher and de-
cides upon a national print order, which is a national distribution.
We then lay out, based on sales figures which we maintain in our
office, a distribution to all of the various wholesalers around the
228 JUVENILE DELINQUENCY
United States and Canada. We decide upon what quantity we shall
send to any given town.
Mr. Beaser. I get no choice as a wholesaler ?
Mr. Chamberlain. No, sir. That allotment is set up, based on the
sales in your own agency of either that particular magazine or similar
type m;)gazines. It is done with names, of getting the most sales
possible out of the initial print order set up.
You can, however, and it is done many times over by the whole-
salers— if they feel they have gotten too few or too many of any
given number, they write, wire, or refuse to accept their complete al-
lotment.
Mr. Beaser. If I am a wholesaler and return to you some of these
magazines you send, crime and horror, do you keep a service charge
in any event ?
Mr. Chamberlain. We have no service charge at all.
Mr. Beaser. Is that a practice in the industry ?
Mr. Chamberlain. That is a practice only as a service between
Mr. AVb.olesaler and Mr. News Dealer.
Mr. Beaser. But not between the distributor and the wholesaler?
Mr. Chamberlain. That is right.
Mr. Beaser. There is no financial loss to me because you sent me
too many magazines?
Mr. Chamberlain. No, sir.
Mr. Beaser. Now, how does this come? Does it come in a bundle?
Mr. Chamberlain. Yes, comics generally are packed in cartons
rather than in paper bundles.
Mr. Beaser. las one of your wholesalers will get a bundle generally
mixed up with different ■
Mr. Chamberlain. No, sir.
Mr. Beaser. Each will be separate?
Mr. Chamberlain. You will get a shipment of Superman comics,
a thousand comics or five hundred.
Mre. Beaser. I can reject those without rejecting others?
Mr. Chamberlain. That is right, sir.
The Chairman. You are referring only to the publications that you
handle ?
Mr. Chamberlain. I am speaking for the Independent News Co. ;
yes, sir. But I can tell you that it is a general practice of the trade,
too.
Mr. Beaser. Since you are wholly owned there, it is really difficult
to ask about the relationship between you and the publisher. Do the
publishers have a service charge?
Mr. Chamberlain. No, sir.
Mr. Beaser. There is no breakage that anyone gains on sending too
many comics out?
Mr. Chamberlain. No, sir.
Mr. Beaser. One further question on the distribution. Actually,
then — I suppose it would be you, the Independent News Co. — who
decides what publications will be published?
Mr. Chamberlain. What publications we will distribute. We have
been offered in the course of the last month some 12 or 14 publications,
publishers who have an idea for a magazine, not necessarily a comic,
although a couple of them were comics, and they come to us and ask
us if we will distribute their publications for them.
JUVENILE DELINQUENCY 229
Mr. Beaser. As a wholesaler, the first time I find out anything about
it is when the magazines arrive on my shelf.
Mr. Chamberlain. When we send you an announcement that we
are distributing X magazine.
Mr. Beaser. I am not asked whether I want it. I am told I am
going to get it.
Mr. Chamberlain. That is correct, sir.
Mr. Beaser. Do you have any financial arrangements between your-
self, the Independent News Co., and the Prize Comics ?
In other words, do you advance them funds so that they can pub-
lish their magazines?
Mr. Chamberlain. Not in the sense that you present it. Let me
say this: I don't know that this specifically holds true for Prize
Comics, but it would hold true perhaps for another company, but on
delivery of copies, we may advance to them a percentage of the dollar
value of the magazines that they are delivering to us. That per-
centage can run from zero to 25 percent. If it were as high as 25
percent, that certainly is not going to pay for the cost of production
of their magazine.
But that is just a bond between us that we believe we will sell at
least that number of copies.
Mr. Beaser. The printing bills are paid by the publisher ?
Mr. Chamberlain. By the publisher.
Mr. Beaser. You do not guarantee or advance money for printing
bills?
Mr. Chamberlain. No, sir.
Mr. Beaser. In what countries are your magazines distributed out-
side the United States ?
Mr. Chamberlain. We go all over the world pretty much. Of
course, Canada is the main country. We are in Mexico; we are in
South America. We have some comics that go to South America.
Mr. Beaser. Cuba?
Mr. Chamberlain. Cuba.
Mr. Beaser. Canal Zone ?
Mr. Chamberlain. Yes, sir.
Mr. Beaser. Puerto Rico?
Mr. Chamberlain. Yes, sir.
Mr. Beaser. Virgin Islands?
Mr. Chamberlain. Yes.
Mr. Beaser. Turkey?
Mr. Chamberlain. Yes, sir.
Mr. Beaser. Japan, Germany?
Senator HennincxS. Are these books you send to the foreign coun-
tries done in the foreign language?
Mr. Chamberlain. No ; the English edition.
Senator Hennings. I have seen some of them in foreign languages.
Mr. Chamberlain. We do have a foreign department that does sell
the right to print Superman or one of the other characters in a foreign-
language edition.
Senator Hennings. They are printed abroad in those instances?
Mr. Chamberlain. That is right.
Mr. Beaser. What is sent abroad, the plates, the mats? How does
it work?
230 .mVENILE DELINQUENCY
Mr. Cpiambeelain. In these countries you mentioned to me just
now?
Mr. Beaser. Yes.
Mr. Chamberlain. We ship the actual copies you can buy here in
New York City or any other place in the country.
Mr. Beaser. Your foreign outfit would send what?
Mr. Chamberlain. I believe they would ship them mats.
Mr. Beaser. Now, there have been some comments made concerning
American comics, crime and horror crimes, in other countries. Are
you aware of those?
Mr. Chamberlain. No, sir.
Mr. Beaser. I bring it up with you, sir, because they mentioned
specifically the Superman. And this was in the House of Commons
in England about a year and a half ago in w^hich it was said :
That there was a considerable market for this type of horror and sadistic
literature, literature which glorifies the brute, literature which undermines the
law simply because it su.ugests that the Superman is the person who should take
the law into his own hands and mete out justice in his own way. The most
sinister thing about these publications is that they introduce the element of
pleasure into violence. They encourage sadism, and they encourage sadism in
association with an unhealthy sexual stimulation.
Do you screen in any way the materials you send abroad insofar
as they may have an adverse reaction toward American foreign
relations?
Mr. Chamberlain. As the Independent News Co., we do not.
I again cannot tell you what they do upstairs. As far as I know
they ship the actual mats of the magazines that are sold here in the
United States.
Mr. Beaser. They make no attempt to say these do not portray the
United States in a favorable position ?
Mr. Chamberlain. That I cannot tell you.
Senator Hennings. In other w^ords, I assume the general attitude
is that if we are strong enough here to take it in the United States, our
friends abroad should be able to take it.
In other words, you would not, sir, say, as counsel has suggested,
this is all right to distribute in New^ York City and San Francisco;
we should not have anything like this going to Paris and London ?
Mr. Chamberlain. No, sir; as far as my knowledge goes of the
foreign market, we have a foreign representative that must go over
and present this package or this item to the various people in that
country, to first of all get a man who will buy it and, secondly, get the
Government to allow them to get the dollar exchange for that item.
So I believe there is some sort of censorship or some sort of control
exercised on what is distributed in those countries.
Again, I am not familiar with it and I cannot discuss it in detail.
Mr. Beaser. We have just put up on the board examples of some
foreign-language comic books. Are any of those distributed by you?
Mr. Chamberlain. Yes, sir. This Ga Ga. That is Ha Ha Comics.
I think that is Romantic Adventure up there, if I am not mistaken.
Mr. Beaser. That is one of your love comics?
Mr. Chamberlain. Yes, that is put out by American Comics group.
I don't recognize any of the others. Yes, down in this corner is Ad-
ventures Into the Unknown.
Mr. Beaser. In the left-hand corner?
Mr. Chamberlain. Yes.
JUVENILE DELINQUENCY 231
Mr. Beaser. That is the one you are not going to publish any more ?
Mr. Chamberlain. That is the one that is being changed editorially.
Mr, Beaser. To meet yonr new standards?
Mr. Chamberlain. Correct.
INIr. Beaser. Has it happened in the past, as far as the United
States is concerned in the distribution, that you have conditioned the
sale of Superman comics on conditions that the wholesaler take a
certain specified number of the comics that you also distribute ?
Mr. Chamberlain, xlbsolutely not.
Mr. Beaser. You have never tied in Superman with the other
comics ?
Mr. Chamberlain. That is not known in our industry, believe me.
Mr. Beaser. Have you wholesalers who take just the Superman
and do not take the other comics ?
Mr. Chajmberlain. We do not have wholesalers that take just one.
We have many wholesalers that do not handle our complete line. They
select what they want, but the wholesaler could not stay in business
handling one comic.
Mr. Beaser. I meant the Superman line.
Mr. Chamberlain. Yes, we do have some wholesalers that handle
the Superman line.
Mr. Beaser. They still get as many as they want of the Superman
book ?
Mr. Chamberlain. Yes, sir.
Mr. Beaser. I have no further questions.
The Chairman. The Chair has no questions, but on behalf of the
committee, I want to thank you for your appearance here this
morning.
]\Ir. Chamberlain. Might I make one statement, sir.
The Chairman. You may.
Mr. Chamberlain. There has been a great deal of talk at this
hearing this morning about tie-in sales from a wholesaler level to a
dealer level. I want to very definitely speak out our part in that
picture.
There is no such thing as tie-in sales. I would like to demonstrate
it to you gentlemen in a very few moments, by a trip to any one of
the agencies in the New York area, where we can show you that the
retailer does not maintain all of the magazines that might be shipped
to him by his wholesaler.
I can show you that there are 400 or 500 comic magazines distributed
in the United States today. There are, I believe, that many titles
and you can verify that.
The Chairman. Are they distributed monthly; is that correct?
Mr. Chamberlain. No, sir; there are 500 active titles, but there
are approximately, I believe, 250 distributed a month. The average
newsstand in the United States carries about 65 comic titles, and that
is a national survey that we continue day in and day out, so that the
average dealer could not possibly be forced to hold and display and
try to sell the 500 comics that are distributed, no less be forced to try
to sell the thousands of magazines and books that he receives during
the course of a month.
We had an experience just yesterday where our wholesaler in Cleve-
land, Ohio, called me to tell me that, because of the adverse publicity
232 JUVENILE DELINQUENCY
toward comic magazines that appeared in the paper in Cleveland, he
had one of his larger dealers who operates 4 or 5 supermarket out-
lets, and who is doing a tremendous volume on comics, call him up
and discontinue all comics.
He said he would not be bothered by trying to disseminate what was
good and what was bad.
Our wholesaler could do nothing about it. He had to take out all
of the comics that the man was handling, and he was selling a vast
quantity of them.
Our wholesaler had been very cautious about the type of comics he
put into that supermarket, but, you see, his hands were tied.
Now, gentlemen, if there is such a tiling as tie-in sales, he could say,
^'You must keep them in there. You must sell those good clean
€omics," but he can't even do that.
So how in the world can a statement be made that he can force a
retailer to handle a specific title or a horror title or anything that you
choose. It just is not done; it can't be done in this business. It is
not done from a national newsstand level, and it is not done from a
local wholesale level.
The Chairman. You are speaking for all distributors when you
say that?
Mr. Chamberlain. I am giving you clear-cut examples; yes, sir,
for all distributors.
The Chairman. Did you hear Mr. Freedman's example?
Mr. Chamhlelain. Yes, sir.
The Chairman. Do you dispute that testimony ?
Mr. CHAMiiERLAiN. Yes, sir.
The Chairman. Do you dispute the testimony of a man who ac-
tually has daily contact with this problem?
Mr. Chamberlain. I dispute it; yes, sir. He cannot be forced and
has never been forced to handle and try to sell any or all magazines
that he receives from any source of distribution. That we cannot do
that with any retailer in the United States.
As I say, you can have visual evidence of it in any wholesale agency
you go into, or newsstand you choose to visit. I think you will find
by the courthouse here there are many news dealers that handle 10
titles, and that is all they can accept, because they are open for just a
short portion of the day's business and they will only handle a very
limited number of titles.
The Chairman. Why do you suppose the legislatures of two great
States of this country, the great State of New York — I am reminded
there are three — the great State of New York, my own State of New
Jersey, and I am proud to say I think it is a great State, have passed
laws to control these tie-in sales, if there have not been tie-in sales?
Mr. Chamberlain. Because, sir, I say that you have had testimony
to the effect that there are definitely tie-in sales, but I do not believe
that you can produce factual evidence to prove that there have been
tie-in sales in this business.
Senator Henntngs. Do you mean in any instance whatsover?
Mr. Chamberlain. Well, you may find an isolated case where an
overzealous routeman, for example, w^ent in and demanded that a
dealer handle certain things. However, if you. go to that wholesaler
who that routeman Avorks for, you will get the clear story of what
goes on in our business.
JUVENILE DELINQUENCY 233
I know I can speak with authority on that, sir, because I was a
wholesaler myself for a number of years in the State of Massachusetts.
I know just what went on there. I know what is going on today.
Mr. Beaser. I have one question, sir.
You say that it is not possible for the wholesaler through this
method of delaying credits to force a dealer to carry whatever the
wholesaler wants him to carry. You heard Mr. Freedman?
Mr. Chamberlain. Yes. I am familiar with this delay in credits
in New York City. It is not a situation that pertains to Mr. Freed-
man. It pertains to the 1,400 news dealers serviced by the Manhattan
News Co. and it pertains to the 16 or 17 publishers that supply Man-
hattan News with magazines. It is not a case of forcing magazines.
They are behind in credits, both in getting the magazines to us and
in getting the credits to their retailer, just in the process of sorting
them, they are behind in that, and that is what has caused this picture.
Mr. Beaser. It puts an incentive on no return ?
Mr. Chamberlain. No, sir ; every magazine is sold, fully returnable.
Mr. Beaser. I mean the delay in getting credit would mean that
your money is tied up for a longer period.
Mr. Chamberlain. That is a peculiar situation just as of the mo-
ment. The normal process is that a dealer gets credit the following
week on his statement. That goes on all over the United States.
You are speaking of a local situation here which is peculiar to the
business.
Mr. Beaser. No further questions.
The Chairman. Mr. Chamberlain, thank you very much for your
appearance here. I commend you for your testimony.
Counsel will call the next witness.
Mr. Beaser. Mr. Charles Appel.
The Chairman. Do you solemnly swear that the evidence you are
about to give before this subcommittee of the Committee on the Ju-
diciary of the United States Senate will be the truth, the whole truth,
and nothing but the truth, so help you God?
Mr. Appel. I do.
TESTIMONY OF CHARLES APPEL, PROPRIETOR OF ANGUS DRUG
STORE, ST. PAUL, MINN.
The Chairman. Will you state your full name, address, and associa-
tion for the record, please?
Mr. Appel. My name is Charles Appel, 240 East Butler, St. Paul,
The Chairman. The subcommittee wants to thank you for coming
all the way here this morning to testify and give us the benefit of your
experience.
Mr. Appel. I am a pharmacist, and I own the Angus Drug Store, 380
Selby Street, St. Paul.
Mr. Beaser. How long have you been a pharmacist?
Mr. Appel. Since 1929.
Mr. Beaser. Do you carry any magazines at your pharmacy ?
Mr. Appel. Yes; we do.
Mr. Beaser. Do you carry the crime and horror-type comic books?
Mr. Appel. No; we do not.
Mr. Beaser. Did you at any time?
Mr. Appel. We received them, but returned them at all times.
234 JUVENILE DELINQUENCY
Mr. Beaser. What happened when you returned them?
Mr. Appel. We were given credit for them.
Mr. Beaser. Was there' any retribution ?
Mr. Appel. Not until the I7th of March.
Mr. Beaser. This year, you mean ?
Mr. Appel. Yes.
Mr. Beaser. What happened the I7th of March, this year ?
Mr. Appel. I received a bundle of magazines and one of the titles
was missing. The TV Guide for our community was missing.
Mr. Beaser. You did not get any TV Guides at all ?
Mr. Appel. That is right.
Mr. Beaser. What happened ?
Mr. Appel. When the route checker came in I asked him what was
the idea. I checked across the street and they had received theirs.
He called the office and they said I was not to receive them because
I had not paid my bill.
Mr. Beaser. Had you paid your bill ?
Mr. Appel. My bill was current ; it was $200.
Mr. Beaser. What happened then, sir?
Mr. xVppel. So I explained to them I was running my business and
if they wanted to run a business, buy a drugstore of their own ; other-
wise i wanted the magazines the way I ordered them, not the way
they felt to send them.
Mr. Beaser. Did you get them ?
Mr. Appel. No, I did not. I had them pick up the balance of their
distribution and paid them their bill.
Mr. Beaser. What happened subsequent to that ?
Mr. Appel. Subsequent to that the city council took it up, the State
took it up, and passed a resolution against the literature.
Now, what they have done is that they have continuously snowed
us under with books we do not order. I have invoices here for a
number of months, and the percentages of the magazines that we can
sell that they send us is so small compared to what we have to count,
check, handle, it is not worth while handling.
Mr. Beaser. Do they charge you anything for the handling, or do
you get full credit?
Mr. Appel. They have a weekly service charge for counting maga-
zines on your rack and deciding how many of each you shall get.
Mr. Beaser. Who does that, the route man ?
Mr. Appel. The route man.
Mr. Beaser. He comes in and counts how many magazines you have ?
Mr. Appel. Of certain numbers. He takes spot numbers, how many
we have, and we give him the figures of how many we have sold.
INIr. Beaser. Is that service charge based on the number of maga-
zines you carry?
Mr. Appel. No, I believe each dealer pays the same amount, 50
cents a week.
Mr. Beaser. So at the present moment you are no longer carrying
crime and horror comics ?
Mr. Appel. That is right.
Mr. Beaser. You also are not carrying the TV Guide ?
Mr. Appel. Nor Header's Digest or Saturday Evening Post, or other
leading publications which we want.
JUVENILE DELINQUENCY 235
Mr. Beaser. Because you could not get one without the other; is
that it?
Mr. Appel. That is right.
Mr. Beaser. That was a local wholesaler ?
Mr. Appel. We call them distributor.
Mr. Beaser. In Minneapolis?
Mr. Appel. In St. Paul.
Mr. Beaser. Now, as a result of this the city council passed what
kind of resolution?
Mr. Appel. Banning sale of obscene and indecent literature. The
State passed a resolution.
Mr. Beaser. That is the State Association of Pharmacists ?
Mr. Appel. Yes.
The Chairman. May the Chair interrupt counsel to announce the
arrival of the Honorable E. D. Fulton, member of the House of Com-
mons of our great neighbor to the north, the Dominion of Canada.
Mr. Fulton, we welcome you here, and in due time we will have
your story before the subcommittee. It is a great privilege to have
you here.
Mr. FuLTOX. Thank you, Mr. Chairman, I am very glad to be here.
The Chairman. All right, Counsel, you may proceed.
Mr. Beaser. That is one method of proof, I gather, that tie-in sales
with crime and horror comics do exist ?
Mr. Appel. Tie-in sales with what they want to send you is definitely
proved, I believe.
Mr. Beaser. Have you any suggestions as to how those tie-in sales
can be avoided ?
Mr. Appel. I have made an agreement with the other company who
who brought in a list. They allowed me to pick up what I would
accept. They will send me according to their record as many as I
need to cover my sales.
Mr. Beaser. How do jou do that? Do you do that once a month
or once a week ?
Mr. Appel. This is after a number of years of wrangling; I told
them either to do that or I would have to throw out the magazines.
So the American News came in with a list of approximately 80 maga-
zines. I accepted all but 17.
The Chairman. You say the American News ?
Mr. Appel. The American News. The Minnesota News is the local
branch.
Mr. Beaser. The other company was what ?
Mr. Appel. The other company never came around. They would
not listen to me on that basis. That w^as the St. Paul News.
Mr. Beaser. You are now ordering magazines, a number of maga-
zines, solely on title rather than content ? You know the magazines ?
Mr. Appel. That is right.
Mr. Beaser. I have no other questions.
The Chairman. Senator Hennings?
Senator Hennings. I have no questions, Mr. Chairman.
The Chairman. I have no questions.
I want to thank you for your presence here this morning.
Mr. Beaser. Mr. Chairman, he has some documents which he wants
to leave with us, the invoices. May we have those for the record ?
49632 — 54 16
236 JUVENILE DELINQUENCY
The Chairman. Without objection, the documents will be made
part of the record of the subcommittee.
Mr. Appel. I would like to explain them. I have statements here
from the 24th of February to the 3d of March, including the 3d of
March. I received about $140 worth of magazines. Of that group, I
had to return $80.87 worth showing that they just snow you under with
amounts of magazines.
The Chairman. Will you have any need for these ?
Mr. Appel. No, I am through business with this fellow.
The Chairman. They will be made a part of the subcommittee's
file. Let that be exhibit No. 29.
(The documents referred to were marked "Exhibit No. 29," and are
en file with the subcommittee.)
Mr. Beaser. Have you any other documents you wish to show the
subcommittee ?
Mr. Appel. Letters from well wishers and what not.
The Chah^man. Counsel, call the next witness.
Mr. Beaser. Mr. George B. Davis.
The Chairman. Mr. Davis, you do not mind being sworn ?
Mr. Davis. No, sir.
The Chairman. Do you solemnly swear that the evidence you are
about to give to this subcommittee of the Committee on the Judiciary
of the United States Senate, will be the truth, the whole truth, and
nothing but the truth, so help you God ?
Mr. Davis. I do, sir.
The Chairman. Mr. Davis, will you give your full name and ad-
dress ?
TESTIMONY OF GEORGE B. DAVIS, PRESIDENT, KABLE NEWS CO.,
NEW YORK, N. Y.
Mr. Davis. George B. Davis, 500 Fifth Avenue, Kable News Co.
My home address, Crestwood, N. Y.
The Chairman. Counsel, you may proceed.
Mr. Beaser. What is your position with Kable ?
Mr. Davis. President of Kable News Co.
Mr. Beaser. Kable News Co. does what, sir ?
Mr. Davis. They are national distributors of magazines and comics.
Mr. Beaser. We have put up an exhibit there, sir, of various kinds
of magazines which I think, from information furnished, are ones
tliat you distribute ; is that right, sir ?
Mr. Davis. That is correct. 1 think it is a pretty good representa-
tion of what we have.
Mr. Beaser. A very wide variety.
Mr. Davis. I recognize that one there.
Mr. Beaser. That is the inside of Frolic Magazine.
Mr. Davis. That is right.
Mr. Beaser. How many magazines do you distribute in all ?
Mr. Davis. I would say about 70, sir.
Mr. Beaser. How many of those are comics ?
Mr. Davis. About 40.
Mr. Beaser. Of the comics, how many would be crime and horror?
Mr. Davis. I have a breakdown, sir. We have 1 adventure, 3 de-
tective, 7 western, 8 juvenile, 6 love, 3 satire, 2 war, and 10 weird.
JUVENILE DELINQUENCY 237
Now, you say horror and something else. I refer to them as weird.
Mr. Beaser. Crime and horror.
Mr. Davis. That is right.
Mr. Beaser. In other words, 25 percent of your total comics are
of the weird variety ?
]Mr. Davis. Eight.
Mr. Beaser. How many are of the crime variety ?
Mr. Davis. I imagine that would be what we refer to as detective ;
is that right ? Three.
Mr. Beaser. Now, let me ask you a bit about your distribution prac-
tices, sir.
Mr. Davis. Yes, sir.
Mr. Beaser. Now, as a wholesaler t get your complete line ; is that
it, all this?
Mr. Davis. No, sir ; you do not. If there is anything that we dis-
tribute that the wholesaler does not want, he immediately refuses it
and sends it back express collect.
Mr. Beaser. Otherwise I get it ?
Mr. Davis. Otherwise you would get it. My situation is similar
to Mr. Chamberlain's, I imagine, that we are national distributors.
There were quite a lot of distributors that have selected lists and they
order what they please. They tell you if they want it or not.
Mr. Beaser. How do I know as a wholesaler what is coming in
in the next bundle ?
Mr. Davis. We have advance billing and promotion pieces on most
magazines, which is going out far in advance of the release.
Mr. Beaser. What the content is likely to be ?
Mr. Davis. Not exactly the content. Sometimes we play up the
editorial. We have a promotion department telling what is in there ;
yes, sir.
Mr. Beaser. I get a notice from you saying on such and such a date
Fantastic would be coming in?
Mr. Davis. Yes.
Mr. Beaser. Am I asked to notify you by a certain date as to
•whether I want Tab or Frolic ?
Mr. Davis. No, sir.
Mr. Beaser. Do I have the option of notifying you ?
Mr. Davis. You do. You can tell us you are not going to distribute
it. You can tell us you you are sending it back express collect ; you
can do anything you please.
We have no restrictions on that, even though I may be honest and
admit that we try to get a general distribution on practically every-
thing we distribute.
Mr. Beaser. The burden is put on me as a wholesaler, then, to get
notice to you that I don't want your magazine ?
Mr. Davis. That is right.
Mr. Beaser. How would I know about that if I were a wholesaler
and you were distributing a new kind of magazine? Say Tops just
came out and you sent me a brochure on Tops. How would I decide
what is in it?
Mr. Davis. Then you send a letter back, "Do not send Tops."
Mr. Beaser. How would I know what is in Tops ?
Mr. Davis. You wouldn't know, but a lot of wholesalers don't take
new titles, regardless ; that is the freedom in the business.
238 JUVENILE DELINQUENCY
Mr. Beaser. If you have a wholesaler, for example, who says to you'
he does not want Strange, Voo Doo, or your Danger, does he get as
many copies of Hunting and Fishing?
Mr. Davis. Yes.
Mr. Beaser. Kadio-Electronics ?
Mr. Davis. Yes. We have no such powers in our line, anyway. In
other words, that power is not used in this business. I think that is a
far cry from the truth, about forcing stuff. Believe you me, some-
times I wish I could force a little.
I wnll give you a little typical example. I just happened to see my
friend Sam Black over there, who will probably testify here, and this
goes into comics and I think it is a very interesting story. We just took
over a line of comics, the St. Johns' line of comics, and there were 40
titles included in this group.
We didn't notify the wholesalers — this was long in advance of our
distribution, but Mr. Black found it out. He didn't think St. Johns'
comics was such a good line. So he says, "Under no conditions send
me any of St. Johns' comics."
The thing that Mr. Black didn't know was this, that out of the 40
comics that Mr. St. Johns had, we were only taking 18 which included
nothing in the world but children's stuff and good, clean stuff like
Aclventures of Mighty Mouse and all that Looney Tooney stuff, and
Paul Terry's comic.
Mr, Beaser. Where was St. Johns' distributing the others ?
Mr. Davis. To the American News Co. I mean he was distributing
all to them. We did take the line, eliminated 26 titles from the market
and kept the good, clean comics that we could take.
Now, I only cited that as an illustration to show the freedom of
action in this business.
Mr. Black says, "Don't send any," so, naturally, I am not going to
send any, but when I have a chance to talk to him I will tell him the
entire story.
Mr. Beaser. Is there any breakage which inures to you by reason of
the fact that you get a handling charge for any of the magazines ?
Mr. Davis. No, sir; w^e get no handling charges, sir. We make a
profit from our publishers on what is sold.
Mr. Beaser. That is all.
Mr. Davis. That is all.
Mr. Beaser. Now, what standards do you utilize in determining
what materials you will distribute, if any?
Mr. Davis. That is a very important question ; a very nice one, a
pointed question. There are publishers in this business that, like
everybody else, kick their traces at times. I am not holding any brief
for these fellows that go overboard.
I think one thing wrong with most of these meetings is the fact that
some of them don't seem to be quite honest with the answers. I think
to a certain degree all of us at times may be guilty of overstepping our
bounds.
Now, in my position at the Kable News Co., I am solely responsible
for what we distribute. Quite often I will take on a magazine that has
a good title, but I am not too familiar with the editorial content. The
publisher will tell me what the contents are, but when it comes time
for distribution, it is all printed and gone before I get my advance
copy, and then it is too late for me to do anything about it.
JUVENILE DELINQUENCY 239
Let me give you a couple of illustrations. A man, one of our pub-
lishers, put out a comic last week. When I heard about it — I have been
immobilized for a couple of months — I found out about it and I in-
sisted he kill it immediately. I have had people look through the
editorial content and can't find anything too wrong with it, but the
title itself.
Mr. Beaser. What is the name of it ?
Mr, Davis. Tomb Horror. We killed it. I told the fellow not to
print another one yesterday, when I heard about it.
Mr. Beaser. How much ability have you to go through 70 maga-
zines a month?
Mr. Davis. It is not 70 a month. It is 70 titles. They can be bi-
monthly. There will probably be a billing of 20 or 30 a month. Some
quarterly, some annuals, some few monthlies.
Mr. Beaser. How can you tell whether Haunted Thrills for May or
June contains something that may or may not be harmful to children?
Mr. Davis. I cannot. I can only go on my experience in the business.
Now, as to what is harmful, some people have different definitions.
I think I know as much about children as any man that has been in
this courtroom yet, or this hearing yet, because I handled 86,000 for a
good many years.
Senator Hennings. Where was that?
Mr. Davis. I had the Liberty boys' organization, the Macfadden
Publications, which grew from nothing to 86,000 boys. We had little
or no trouble.
Senator Hennings. Wliat sort of groups were they?
Mr. Davis. They were boy salesmen delivering Liberty to the homes
of all the people, like the Saturday Evening Post magazine.
W^e had a welfare organization. We had to closely supervise these
boys, to see that they were home nights and everything else.
I tell you one of our biggest special prizes in those days, strange as it
may seem, was a jackknife. In the course of 7 years, we spent a million
dollars on jackknives.
Mr. Beaser. You think that none of the material in all your
■crime
Mr. Davis. No, sir ; I wouldn't say that. I said that sometimes they
will kick their traces. I will admit very honestly I have no chance
to go through all of them. Believe me, I am just as anxious as anyone
about this situation. If there are comics or any of them that have
any bearing on the youngsters of this Nation, Mr. Campbell, the
owner of my company, or myself, want no part in it, regardless of the
money involved. This is not a fast dollar for us.
Mr. Beaser. Actually nobody in your organization takes any re-
sponsibility for the content of what is distributed ?
Mr. Davis. I would say this, sir, that when we feel — now, I think
if we are guilty of anything, we are guilty of the fact that we have
not scrutinized them carefully enough, if you do find something wrong
with ours, and that depends again on what you consider bad taste.
Senator Hennings. You are speaking, sir, of just the comics which
you distribute?
Mr. Davis. Yes.
Senator Hennings. You are not talking about some of the other
magazines, the Gala, Scope, Suppressed ?
240 JUVENILE DELINQUENCY
Mr, Davis. That type of material lias very, very limited distribu-
tion, sir.
Senator Hennings. By limited distribution, Mr. Davis, what do
you mean ?
Mr. Davis. I mean it would ^o to three or four hundred towns;
stuff like that. Wholesalers don't have to take that stuff.
Senator Hennings. How many in numbers would you publish of
Frolic?
Mr. Davis. Frolic would be about 100,000.
Senator Hennings. A month?
Mr. Davis. That is right.
Senator Hennings. How long has it been in publication?
Mr. Davis. It has been out for probably 7 or 8 years.
Senator Hennings. It sells about 100,000 a month?
Mr. Davis. No ; it does not sell 100,000. It sells about 65,000.
Senator Hennings. Do you undertake to scrutinize the material
that goes into such magazines as Frolic?
Mr. Davis. I would not say at all times I do, but we have gone on
Mr. Sumner's record here over the years in New York City. I think
he made the stateme